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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21BA3D it is the complementary color #DE45C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21BA3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21BA3D shade: #26BA38, #37CC4B, #48DE5E, #59F071 and #6AFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21BA3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21BA3D shade: #21BA3D, #10A82A, #009617, #008404 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21BA3D shade: #21BA3D, #2EBA21, #58BA21, #81BA21 and #AABA21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21BA3D shade: #21BA3D, #21BA66, #21BA90, #21BAB9 and #2192BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21BA3D shade matches the following richer shades: #21BA3D and #0FCC32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21BA3D shade: #21BA3D, #33A948, #449753, #56855F and #68736A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21BA3D shade: #59BA21, #30BA21, #21BA3A, #21BA63 and #21BA8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21BA3D shade: #157426, #1B9732, #21BA3D, #2BDA4B and #4EE069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21BA3D shade: #21BA3D, #2182BA and #BA2145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21BA3D shade: #21BA3D, #3A21BA and #BA3A21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21BA3D shade: #21BA3D, #2182BA, #BA21A1 and #BA5921

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21BA3D shade: #21BA3D, #2154BA, #BA21A1 and #BA8721

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

Complementary color

CMYK 0 / 69 / 13 / 13

HEX #DE45C2

RGB 222 69 194

HSL 310.98, 0.7%, 0.57%

LAB 55.77, 71.47, -33.98

 

CMYK 80 / 0 / 70 / 27

HEX #26BA38

RGB 38 186 56

HSL 127.3, 0.66%, 0.44%

LAB 66.38, -62.36, 52.86

 

CMYK 73 / 0 / 63 / 20

HEX #37CC4B

RGB 55 204 75

HSL 128.05, 0.59%, 0.51%

LAB 72.57, -63.81, 51.85

 

CMYK 68 / 0 / 58 / 13

HEX #48DE5E

RGB 72 222 94

HSL 128.8, 0.69%, 0.58%

LAB 78.71, -64.75, 50.62

 

CMYK 63 / 0 / 53 / 6

HEX #59F071

RGB 89 240 113

HSL 129.54, 0.83%, 0.65%

LAB 84.81, -65.35, 49.3

 

CMYK 58 / 0 / 48 / 0

HEX #6AFF84

RGB 106 255 132

HSL 130.47, 1%, 0.71%

LAB 89.98, -64.6, 46.86

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 90 / 0 / 75 / 34

HEX #10A82A

RGB 16 168 42

HSL 130.26, 0.83%, 0.36%

LAB 60.14, -60.22, 51.63

 

CMYK 100 / 0 / 85 / 41

HEX #009617

RGB 0 150 23

HSL 129.2, 1%, 0.29%

LAB 53.89, -57.15, 51.62

 

CMYK 100 / 0 / 97 / 48

HEX #008404

RGB 0 132 4

HSL 121.82, 1%, 0.26%

LAB 47.64, -52.71, 50.23

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 75 / 0 / 82 / 27

HEX #2EBA21

RGB 46 186 33

HSL 114.9, 0.7%, 0.43%

LAB 66.37, -62.91, 60.58

 

CMYK 53 / 0 / 82 / 27

HEX #58BA21

RGB 88 186 33

HSL 98.43, 0.7%, 0.43%

LAB 67.5, -53.59, 62.03

 

CMYK 31 / 0 / 82 / 27

HEX #81BA21

RGB 129 186 33

HSL 82.35, 0.7%, 0.43%

LAB 69.39, -39.86, 64.45

 

CMYK 9 / 0 / 82 / 27

HEX #AABA21

RGB 170 186 33

HSL 66.27, 0.7%, 0.43%

LAB 72.08, -23.28, 67.83

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 82 / 0 / 45 / 27

HEX #21BA66

RGB 33 186 102

HSL 147.06, 0.7%, 0.43%

LAB 66.82, -56.74, 32.01

 

CMYK 82 / 0 / 23 / 27

HEX #21BA90

RGB 33 186 144

HSL 163.53, 0.7%, 0.43%

LAB 67.62, -47.85, 10.66

 

CMYK 82 / 0 / 1 / 27

HEX #21BAB9

RGB 33 186 185

HSL 179.61, 0.7%, 0.43%

LAB 68.71, -36.68, -10.27

 

CMYK 82 / 22 / 0 / 27

HEX #2192BA

RGB 33 146 186

HSL 195.69, 0.7%, 0.43%

LAB 56.51, -16.31, -29.41

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 93 / 0 / 75 / 20

HEX #0FCC32

RGB 15 204 50

HSL 131.11, 0.86%, 0.43%

LAB 71.9, -70.21, 60.61

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 70 / 0 / 57 / 34

HEX #33A948

RGB 51 169 72

HSL 130.68, 0.54%, 0.43%

LAB 61.26, -52.85, 40.2

 

CMYK 55 / 0 / 45 / 41

HEX #449753

RGB 68 151 83

HSL 130.84, 0.38%, 0.43%

LAB 56.07, -40.39, 28.32

 

CMYK 35 / 0 / 29 / 48

HEX #56855F

RGB 86 133 95

HSL 131.49, 0.21%, 0.43%

LAB 51.36, -24.46, 15.55

 

CMYK 10 / 0 / 8 / 55

HEX #68736A

RGB 104 115 106

HSL 130.91, 0.05%, 0.43%

LAB 47.29, -6.02, 3.57

 

CMYK 52 / 0 / 82 / 27

HEX #59BA21

RGB 89 186 33

HSL 98.04, 0.7%, 0.43%

LAB 67.54, -53.31, 62.08

 

CMYK 74 / 0 / 82 / 27

HEX #30BA21

RGB 48 186 33

HSL 114.12, 0.7%, 0.43%

LAB 66.41, -62.59, 60.63

 

CMYK 82 / 0 / 69 / 27

HEX #21BA3A

RGB 33 186 58

HSL 129.8, 0.7%, 0.43%

LAB 66.33, -62.76, 52

 

CMYK 82 / 0 / 47 / 27

HEX #21BA63

RGB 33 186 99

HSL 145.88, 0.7%, 0.43%

LAB 66.78, -57.26, 33.49

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8C

RGB 33 186 140

HSL 161.96, 0.7%, 0.43%

LAB 67.53, -48.82, 12.71

 

CMYK 82 / 0 / 67 / 55

HEX #157426

RGB 21 116 38

HSL 130.74, 0.69%, 0.27%

LAB 42.45, -43.29, 34.62

 

CMYK 82 / 0 / 67 / 41

HEX #1B9732

RGB 27 151 50

HSL 131.13, 0.7%, 0.35%

LAB 54.65, -53.06, 42.7

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 80 / 0 / 66 / 15

HEX #2BDA4B

RGB 43 218 75

HSL 130.97, 0.7%, 0.51%

LAB 76.78, -69.86, 56.46

 

CMYK 65 / 0 / 53 / 12

HEX #4EE069

RGB 78 224 105

HSL 131.1, 0.7%, 0.59%

LAB 79.59, -62.92, 46.63

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 82 / 30 / 0 / 27

HEX #2182BA

RGB 33 130 186

HSL 201.96, 0.7%, 0.43%

LAB 51.65, -7.29, -37.01

 

CMYK 0 / 82 / 63 / 27

HEX #BA2145

RGB 186 33 69

HSL 345.88, 0.7%, 0.43%

LAB 41.15, 60.06, 19.24

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 69 / 82 / 0 / 27

HEX #3A21BA

RGB 58 33 186

HSL 249.8, 0.7%, 0.43%

LAB 28.2, 54.26, -74.87

 

CMYK 0 / 69 / 82 / 27

HEX #BA3A21

RGB 186 58 33

HSL 9.8, 0.7%, 0.43%

LAB 43.62, 50.2, 43.08

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 82 / 30 / 0 / 27

HEX #2182BA

RGB 33 130 186

HSL 201.96, 0.7%, 0.43%

LAB 51.65, -7.29, -37.01

 

CMYK 0 / 82 / 13 / 27

HEX #BA21A1

RGB 186 33 161

HSL 309.8, 0.7%, 0.43%

LAB 44.38, 69.36, -32.91

 

CMYK 0 / 52 / 82 / 27

HEX #BA5921

RGB 186 89 33

HSL 21.96, 0.7%, 0.43%

LAB 49.12, 35.75, 48.18

 

CMYK 82 / 0 / 67 / 27

HEX #21BA3D

RGB 33 186 61

HSL 130.98, 0.7%, 0.43%

LAB 66.35, -62.46, 50.8

 

CMYK 82 / 55 / 0 / 27

HEX #2154BA

RGB 33 84 186

HSL 220, 0.7%, 0.43%

LAB 38.22, 21.67, -58.48

 

CMYK 0 / 82 / 13 / 27

HEX #BA21A1

RGB 186 33 161

HSL 309.8, 0.7%, 0.43%

LAB 44.38, 69.36, -32.91

 

CMYK 0 / 27 / 82 / 27

HEX #BA8721

RGB 186 135 33

HSL 40, 0.7%, 0.43%

LAB 59.78, 10.71, 57.71

 

Description

Color code: HEX #21BA3D | qconv.com Color code: HEX #21BA3D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 186 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 186 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 67 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 67% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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