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Color name
HEX #21BA22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21BA22 it is the complementary color #DE45DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21BA22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21BA22 shade: #26BA1D, #37CC30, #48DE43, #59F056 and #6AFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21BA22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21BA22 shade: #21BA22, #10A80F, #009600, #008400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21BA22 shade: #21BA22, #49BA21, #73BA21, #9CBA21 and #BAAF21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21BA22 shade: #21BA22, #21BA4B, #21BA75, #21BA9E and #21ADBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21BA22 shade matches the following richer shades: #21BA22 and #0FCC10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21BA22 shade: #21BA22, #33A933, #449745, #568556 and #687368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21BA22 shade: #73BA21, #4ABA21, #21BA21, #21BA4A and #21BA73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21BA22 shade: #157415, #1B971C, #21BA22, #2BDA2C and #4EE04F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21BA22 shade: #21BA22, #219CBA and #BA215E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21BA22 shade: #21BA22, #2121BA and #BA2121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21BA22 shade: #21BA22, #219CBA, #BA21BA and #BA4021

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21BA22 shade: #21BA22, #216EBA, #BA21BA and #BA6E21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

Complementary color

CMYK 0 / 69 / 0 / 13

HEX #DE45DD

RGB 222 69 221

HSL 300.39, 0.7%, 0.57%

LAB 57.08, 75.57, -47.3

 

CMYK 80 / 0 / 84 / 27

HEX #26BA1D

RGB 38 186 29

HSL 116.56, 0.73%, 0.42%

LAB 66.23, -64.25, 61.43

 

CMYK 73 / 0 / 76 / 20

HEX #37CC30

RGB 55 204 48

HSL 117.31, 0.62%, 0.49%

LAB 72.37, -66.19, 61.88

 

CMYK 68 / 0 / 70 / 13

HEX #48DE43

RGB 72 222 67

HSL 118.06, 0.7%, 0.57%

LAB 78.48, -67.53, 61.55

 

CMYK 63 / 0 / 64 / 6

HEX #59F056

RGB 89 240 86

HSL 118.83, 0.84%, 0.64%

LAB 84.54, -68.43, 60.76

 

CMYK 58 / 0 / 59 / 0

HEX #6AFF69

RGB 106 255 105

HSL 119.6, 1%, 0.71%

LAB 89.68, -67.97, 58.72

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 90 / 0 / 91 / 34

HEX #10A80F

RGB 16 168 15

HSL 119.61, 0.84%, 0.36%

LAB 60.02, -61.74, 58.83

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 61 / 0 / 82 / 27

HEX #49BA21

RGB 73 186 33

HSL 104.31, 0.7%, 0.43%

LAB 67.01, -57.55, 61.4

 

CMYK 38 / 0 / 82 / 27

HEX #73BA21

RGB 115 186 33

HSL 87.84, 0.7%, 0.43%

LAB 68.66, -44.96, 63.51

 

CMYK 16 / 0 / 82 / 27

HEX #9CBA21

RGB 156 186 33

HSL 71.76, 0.7%, 0.43%

LAB 71.07, -29.15, 66.57

 

CMYK 0 / 6 / 82 / 27

HEX #BAAF21

RGB 186 175 33

HSL 55.69, 0.7%, 0.43%

LAB 70.32, -10.8, 66.84

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 82 / 0 / 60 / 27

HEX #21BA4B

RGB 33 186 75

HSL 136.47, 0.7%, 0.43%

LAB 66.48, -60.85, 44.82

 

CMYK 82 / 0 / 37 / 27

HEX #21BA75

RGB 33 186 117

HSL 152.94, 0.7%, 0.43%

LAB 67.07, -53.9, 24.48

 

CMYK 82 / 0 / 15 / 27

HEX #21BA9E

RGB 33 186 158

HSL 169.02, 0.7%, 0.43%

LAB 67.95, -44.28, 3.47

 

CMYK 82 / 7 / 0 / 27

HEX #21ADBA

RGB 33 173 186

HSL 185.1, 0.7%, 0.43%

LAB 64.77, -30.22, -16.76

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 93 / 0 / 92 / 20

HEX #0FCC10

RGB 15 204 16

HSL 120.32, 0.86%, 0.43%

LAB 71.77, -71.89, 68.63

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 70 / 0 / 70 / 34

HEX #33A933

RGB 51 169 51

HSL 120, 0.54%, 0.43%

LAB 61.06, -55.22, 49.31

 

CMYK 55 / 0 / 54 / 41

HEX #449745

RGB 68 151 69

HSL 120.72, 0.38%, 0.43%

LAB 55.88, -42.51, 35.36

 

CMYK 35 / 0 / 35 / 48

HEX #568556

RGB 86 133 86

HSL 120, 0.21%, 0.43%

LAB 51.18, -26.11, 20.42

 

CMYK 10 / 0 / 10 / 55

HEX #687368

RGB 104 115 104

HSL 120, 0.05%, 0.43%

LAB 47.24, -6.42, 4.68

 

CMYK 38 / 0 / 82 / 27

HEX #73BA21

RGB 115 186 33

HSL 87.84, 0.7%, 0.43%

LAB 68.66, -44.96, 63.51

 

CMYK 60 / 0 / 82 / 27

HEX #4ABA21

RGB 74 186 33

HSL 103.92, 0.7%, 0.43%

LAB 67.04, -57.31, 61.44

 

CMYK 82 / 0 / 82 / 27

HEX #21BA21

RGB 33 186 33

HSL 120, 0.7%, 0.43%

LAB 66.18, -64.64, 60.33

 

CMYK 82 / 0 / 60 / 27

HEX #21BA4A

RGB 33 186 74

HSL 136.08, 0.7%, 0.43%

LAB 66.47, -60.97, 45.27

 

CMYK 82 / 0 / 38 / 27

HEX #21BA73

RGB 33 186 115

HSL 152.16, 0.7%, 0.43%

LAB 67.04, -54.3, 25.49

 

CMYK 82 / 0 / 82 / 55

HEX #157415

RGB 21 116 21

HSL 120, 0.69%, 0.27%

LAB 42.31, -44.91, 41.45

 

CMYK 82 / 0 / 81 / 41

HEX #1B971C

RGB 27 151 28

HSL 120.48, 0.7%, 0.35%

LAB 54.5, -54.96, 50.83

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 80 / 0 / 80 / 15

HEX #2BDA2C

RGB 43 218 44

HSL 120.34, 0.7%, 0.51%

LAB 76.58, -72.32, 67.05

 

CMYK 65 / 0 / 65 / 12

HEX #4EE04F

RGB 78 224 79

HSL 120.41, 0.7%, 0.59%

LAB 79.33, -65.94, 57.8

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 82 / 16 / 0 / 27

HEX #219CBA

RGB 33 156 186

HSL 191.76, 0.7%, 0.43%

LAB 59.57, -21.64, -24.69

 

CMYK 0 / 82 / 49 / 27

HEX #BA215E

RGB 186 33 94

HSL 336.08, 0.7%, 0.43%

LAB 41.74, 61.84, 4.29

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 82 / 82 / 0 / 27

HEX #2121BA

RGB 33 33 186

HSL 240, 0.7%, 0.43%

LAB 26.61, 52.65, -77.56

 

CMYK 0 / 82 / 82 / 27

HEX #BA2121

RGB 186 33 33

HSL 0, 0.7%, 0.43%

LAB 40.63, 58.49, 40.24

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 82 / 16 / 0 / 27

HEX #219CBA

RGB 33 156 186

HSL 191.76, 0.7%, 0.43%

LAB 59.57, -21.64, -24.69

 

CMYK 0 / 82 / 0 / 27

HEX #BA21BA

RGB 186 33 186

HSL 300, 0.7%, 0.43%

LAB 45.73, 73.04, -45.57

 

CMYK 0 / 66 / 82 / 27

HEX #BA4021

RGB 186 64 33

HSL 12.16, 0.7%, 0.43%

LAB 44.54, 47.7, 43.94

 

CMYK 82 / 0 / 82 / 27

HEX #21BA22

RGB 33 186 34

HSL 120.39, 0.7%, 0.43%

LAB 66.18, -64.59, 60.06

 

CMYK 82 / 41 / 0 / 27

HEX #216EBA

RGB 33 110 186

HSL 209.8, 0.7%, 0.43%

LAB 45.66, 4.81, -46.49

 

CMYK 0 / 82 / 0 / 27

HEX #BA21BA

RGB 186 33 186

HSL 300, 0.7%, 0.43%

LAB 45.73, 73.04, -45.57

 

CMYK 0 / 41 / 82 / 27

HEX #BA6E21

RGB 186 110 33

HSL 30.2, 0.7%, 0.43%

LAB 53.71, 24.53, 52.33

 

Description

Color code: HEX #21BA22 | qconv.com Color code: HEX #21BA22 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 186 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 186 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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