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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2199AB it is the complementary color #DE6654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2199AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2199AB shade: #2699A6, #37ABB9, #48BDCC, #59CFDF and #6AE1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2199AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2199AB shade: #2199AB, #108798, #007585, #006372 and #00515F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2199AB shade: #2199AB, #2174AB, #214EAB, #2129AB and #3E21AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2199AB shade: #2199AB, #2174AB, #214EAB, #2129AB and #2121AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2199AB shade matches the following richer shades: #2199AB and #10A5BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2199AB shade: #2199AB, #318D9B, #42818A, #52757A and #636869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2199AB shade: #21AB72, #21AB97, #219BAB, #2176AB and #2151AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2199AB shade: #135B66, #1A7A89, #2199AB, #27B8CE and #43C7DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2199AB shade: #2199AB, #4D21AB and #AB8421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2199AB shade: #2199AB, #AB219B and #9BAB21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2199AB shade: #2199AB, #4D21AB, #AB3121 and #7FAB21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2199AB shade: #2199AB, #7621AB, #AB3121 and #56AB21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

Complementary color

CMYK 0 / 54 / 62 / 13

HEX #DE6654

RGB 222 102 84

HSL 7.83, 0.68%, 0.6%

LAB 57.72, 45.57, 32.79

 

CMYK 77 / 8 / 0 / 35

HEX #2699A6

RGB 38 153 166

HSL 186.09, 0.63%, 0.4%

LAB 57.99, -26.18, -15.77

 

CMYK 70 / 8 / 0 / 27

HEX #37ABB9

RGB 55 171 185

HSL 186.46, 0.54%, 0.47%

LAB 64.52, -27.14, -16.54

 

CMYK 65 / 7 / 0 / 20

HEX #48BDCC

RGB 72 189 204

HSL 186.82, 0.56%, 0.54%

LAB 70.96, -27.84, -17.24

 

CMYK 60 / 7 / 0 / 13

HEX #59CFDF

RGB 89 207 223

HSL 187.16, 0.68%, 0.61%

LAB 77.33, -28.35, -17.87

 

CMYK 56 / 7 / 0 / 5

HEX #6AE1F2

RGB 106 225 242

HSL 187.5, 0.84%, 0.68%

LAB 83.61, -28.73, -18.45

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 89 / 11 / 0 / 40

HEX #108798

RGB 16 135 152

HSL 187.5, 0.81%, 0.33%

LAB 51.5, -23.52, -17.61

 

CMYK 100 / 12 / 0 / 48

HEX #007585

RGB 0 117 133

HSL 187.22, 1%, 0.26%

LAB 44.82, -21.54, -16.64

 

CMYK 100 / 13 / 0 / 55

HEX #006372

RGB 0 99 114

HSL 187.89, 1%, 0.22%

LAB 38.09, -18.7, -15.44

 

CMYK 100 / 15 / 0 / 63

HEX #00515F

RGB 0 81 95

HSL 188.84, 1%, 0.19%

LAB 31.14, -15.74, -14.23

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 81 / 32 / 0 / 33

HEX #2174AB

RGB 33 116 171

HSL 203.91, 0.68%, 0.4%

LAB 46.65, -4.59, -36.19

 

CMYK 81 / 54 / 0 / 33

HEX #214EAB

RGB 33 78 171

HSL 220.43, 0.68%, 0.4%

LAB 35.42, 19.79, -54.15

 

CMYK 81 / 76 / 0 / 33

HEX #2129AB

RGB 33 41 171

HSL 236.52, 0.68%, 0.4%

LAB 26.3, 43.61, -69.1

 

CMYK 64 / 81 / 0 / 33

HEX #3E21AB

RGB 62 33 171

HSL 252.61, 0.68%, 0.4%

LAB 26.88, 50.26, -68.08

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 81 / 32 / 0 / 33

HEX #2174AB

RGB 33 116 171

HSL 203.91, 0.68%, 0.4%

LAB 46.65, -4.59, -36.19

 

CMYK 81 / 54 / 0 / 33

HEX #214EAB

RGB 33 78 171

HSL 220.43, 0.68%, 0.4%

LAB 35.42, 19.79, -54.15

 

CMYK 81 / 76 / 0 / 33

HEX #2129AB

RGB 33 41 171

HSL 236.52, 0.68%, 0.4%

LAB 26.3, 43.61, -69.1

 

CMYK 81 / 81 / 0 / 33

HEX #2121AB

RGB 33 33 171

HSL 240, 0.68%, 0.4%

LAB 24.8, 47.92, -71.59

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 91 / 12 / 0 / 26

HEX #10A5BC

RGB 16 165 188

HSL 188.02, 0.84%, 0.4%

LAB 62.21, -26.7, -21.78

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 68 / 9 / 0 / 39

HEX #318D9B

RGB 49 141 155

HSL 187.92, 0.52%, 0.4%

LAB 54.1, -22.07, -15.34

 

CMYK 52 / 7 / 0 / 46

HEX #42818A

RGB 66 129 138

HSL 187.5, 0.35%, 0.4%

LAB 50.33, -17.6, -11.11

 

CMYK 33 / 4 / 0 / 52

HEX #52757A

RGB 82 117 122

HSL 187.5, 0.2%, 0.4%

LAB 46.87, -11.07, -6.75

 

CMYK 6 / 1 / 0 / 59

HEX #636869

RGB 99 104 105

HSL 190, 0.03%, 0.4%

LAB 43.61, -1.71, -1.23

 

CMYK 81 / 0 / 33 / 33

HEX #21AB72

RGB 33 171 114

HSL 155.22, 0.68%, 0.4%

LAB 62.22, -48.83, 19.54

 

CMYK 81 / 0 / 12 / 33

HEX #21AB97

RGB 33 171 151

HSL 171.3, 0.68%, 0.4%

LAB 63.08, -39.67, 0.26

 

CMYK 81 / 9 / 0 / 33

HEX #219BAB

RGB 33 155 171

HSL 186.96, 0.68%, 0.4%

LAB 58.7, -26.09, -17.53

 

CMYK 81 / 31 / 0 / 33

HEX #2176AB

RGB 33 118 171

HSL 203.04, 0.68%, 0.4%

LAB 47.26, -5.79, -35.23

 

CMYK 81 / 53 / 0 / 33

HEX #2151AB

RGB 33 81 171

HSL 219.13, 0.68%, 0.4%

LAB 36.27, 17.78, -52.78

 

CMYK 81 / 11 / 0 / 60

HEX #135B66

RGB 19 91 102

HSL 187.95, 0.69%, 0.24%

LAB 35.16, -17.03, -12.47

 

CMYK 81 / 11 / 0 / 46

HEX #1A7A89

RGB 26 122 137

HSL 188.11, 0.68%, 0.32%

LAB 46.9, -20.99, -15.81

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 81 / 11 / 0 / 19

HEX #27B8CE

RGB 39 184 206

HSL 187.9, 0.68%, 0.48%

LAB 68.87, -28.77, -21.57

 

CMYK 69 / 9 / 0 / 14

HEX #43C7DB

RGB 67 199 219

HSL 187.89, 0.68%, 0.56%

LAB 74.29, -29.01, -20.37

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 55 / 81 / 0 / 33

HEX #4D21AB

RGB 77 33 171

HSL 259.13, 0.68%, 0.4%

LAB 28.4, 51.97, -65.53

 

CMYK 0 / 23 / 81 / 33

HEX #AB8421

RGB 171 132 33

HSL 43.04, 0.68%, 0.4%

LAB 57.34, 5.61, 54.91

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 0 / 81 / 9 / 33

HEX #AB219B

RGB 171 33 155

HSL 306.96, 0.68%, 0.4%

LAB 41.39, 65.34, -34.19

 

CMYK 9 / 0 / 81 / 33

HEX #9BAB21

RGB 155 171 33

HSL 66.96, 0.68%, 0.4%

LAB 66.68, -22.27, 62.68

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 55 / 81 / 0 / 33

HEX #4D21AB

RGB 77 33 171

HSL 259.13, 0.68%, 0.4%

LAB 28.4, 51.97, -65.53

 

CMYK 0 / 71 / 81 / 33

HEX #AB3121

RGB 171 49 33

HSL 6.96, 0.68%, 0.4%

LAB 39.52, 48.71, 38.15

 

CMYK 26 / 0 / 81 / 33

HEX #7FAB21

RGB 127 171 33

HSL 79.13, 0.68%, 0.4%

LAB 64.76, -33.89, 60.25

 

CMYK 81 / 11 / 0 / 33

HEX #2199AB

RGB 33 153 171

HSL 187.83, 0.68%, 0.4%

LAB 58.08, -25.08, -18.48

 

CMYK 31 / 81 / 0 / 33

HEX #7621AB

RGB 118 33 171

HSL 276.96, 0.68%, 0.4%

LAB 33.73, 58.02, -56.58

 

CMYK 0 / 71 / 81 / 33

HEX #AB3121

RGB 171 49 33

HSL 6.96, 0.68%, 0.4%

LAB 39.52, 48.71, 38.15

 

CMYK 50 / 0 / 81 / 33

HEX #56AB21

RGB 86 171 33

HSL 96.96, 0.68%, 0.4%

LAB 62.69, -48.49, 57.59

 

Description

Color code: HEX #2199AB | qconv.com Color code: HEX #2199AB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 153 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 153 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 11 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 11% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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