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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219442 it is the complementary color #DE6BBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219442. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219442 shade: #26943D, #37A650, #48B863, #59CA76 and #6ADC89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219442. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219442 shade: #219442, #10822F, #00701C, #005E09 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219442 shade: #209241, #209222, #3D9220, #5C9220 and #7B9220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219442 shade: #209241, #209260, #20927F, #208792 and #206992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219442 shade matches the following richer shades: #209241, #12A13B and #03AF35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219442 shade: #209241, #2F8447, #3D754D, #4B6753 and #5A595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219442 shade: #3D9220, #209222, #209240, #20925F and #20927D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219442 shade: #114F23, #197132, #209241, #28B450 and #33D261

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219442 shade: #219442, #205B92 and #92202D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219442 shade: #219442, #402092 and #924020

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219442 shade: #219442, #205B92, #922072 and #925720

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219442 shade: #219442, #203992, #922072 and #927A20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 55 / 42

HEX #219442

RGB 33 148 66

HSL 137.22, 0.64%, 0.35%

LAB 53.92, -49.14, 34.28

 

Complementary color

CMYK 0 / 52 / 15 / 13

HEX #DE6BBD

RGB 222 107 189

HSL 317.22, 0.64%, 0.65%

LAB 61.41, 54.78, -22.39

 

CMYK 74 / 0 / 59 / 42

HEX #26943D

RGB 38 148 61

HSL 132.55, 0.59%, 0.36%

LAB 53.95, -49.08, 36.83

 

CMYK 67 / 0 / 52 / 35

HEX #37A650

RGB 55 166 80

HSL 133.51, 0.5%, 0.43%

LAB 60.48, -49.85, 35.33

 

CMYK 61 / 0 / 46 / 28

HEX #48B863

RGB 72 184 99

HSL 134.46, 0.44%, 0.5%

LAB 66.95, -50.23, 33.86

 

CMYK 56 / 0 / 42 / 21

HEX #59CA76

RGB 89 202 118

HSL 135.4, 0.52%, 0.57%

LAB 73.33, -50.35, 32.45

 

CMYK 52 / 0 / 38 / 14

HEX #6ADC89

RGB 106 220 137

HSL 136.32, 0.62%, 0.64%

LAB 79.65, -50.33, 31.13

 

CMYK 78 / 0 / 55 / 42

HEX #219442

RGB 33 148 66

HSL 137.22, 0.64%, 0.35%

LAB 53.92, -49.14, 34.28

 

CMYK 88 / 0 / 64 / 49

HEX #10822F

RGB 16 130 47

HSL 136.32, 0.78%, 0.29%

LAB 47.34, -47.6, 35.85

 

CMYK 100 / 0 / 75 / 56

HEX #00701C

RGB 0 112 28

HSL 135, 1%, 0.22%

LAB 40.69, -45.23, 37.1

 

CMYK 100 / 0 / 90 / 63

HEX #005E09

RGB 0 94 9

HSL 125.74, 1%, 0.18%

LAB 34.04, -41, 37.34

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 78 / 0 / 55 / 43

HEX #209241

RGB 32 146 65

HSL 137.37, 0.64%, 0.35%

LAB 53.22, -48.72, 33.94

 

CMYK 78 / 0 / 77 / 43

HEX #209222

RGB 32 146 34

HSL 121.05, 0.64%, 0.35%

LAB 52.93, -52.24, 47.34

 

CMYK 58 / 0 / 78 / 43

HEX #3D9220

RGB 61 146 32

HSL 104.74, 0.64%, 0.35%

LAB 53.66, -46.23, 49.01

 

CMYK 37 / 0 / 78 / 43

HEX #5C9220

RGB 92 146 32

HSL 88.42, 0.64%, 0.35%

LAB 55.01, -36.15, 50.78

 

CMYK 16 / 0 / 78 / 43

HEX #7B9220

RGB 123 146 32

HSL 72.11, 0.64%, 0.35%

LAB 56.95, -23.6, 53.3

 

CMYK 78 / 0 / 55 / 43

HEX #209241

RGB 32 146 65

HSL 137.37, 0.64%, 0.35%

LAB 53.22, -48.72, 33.94

 

CMYK 78 / 0 / 34 / 43

HEX #209260

RGB 32 146 96

HSL 153.68, 0.64%, 0.35%

LAB 53.72, -42.98, 17.9

 

CMYK 78 / 0 / 13 / 43

HEX #20927F

RGB 32 146 127

HSL 170, 0.64%, 0.35%

LAB 54.45, -35.23, 1.28

 

CMYK 78 / 8 / 0 / 43

HEX #208792

RGB 32 135 146

HSL 185.79, 0.64%, 0.35%

LAB 51.51, -24.14, -14.09

 

CMYK 78 / 28 / 0 / 43

HEX #206992

RGB 32 105 146

HSL 201.58, 0.64%, 0.35%

LAB 41.98, -7.46, -28.77

 

CMYK 78 / 0 / 55 / 43

HEX #209241

RGB 32 146 65

HSL 137.37, 0.64%, 0.35%

LAB 53.22, -48.72, 33.94

 

CMYK 89 / 0 / 63 / 37

HEX #12A13B

RGB 18 161 59

HSL 137.2, 0.8%, 0.35%

LAB 57.97, -56.16, 42.34

 

CMYK 98 / 0 / 70 / 31

HEX #03AF35

RGB 3 175 53

HSL 137.44, 0.97%, 0.35%

LAB 62.45, -62.03, 49.8

 

CMYK 78 / 0 / 55 / 43

HEX #209241

RGB 32 146 65

HSL 137.37, 0.64%, 0.35%

LAB 53.22, -48.72, 33.94

 

CMYK 64 / 0 / 46 / 48

HEX #2F8447

RGB 47 132 71

HSL 136.94, 0.47%, 0.35%

LAB 48.96, -39.63, 25.55

 

CMYK 48 / 0 / 34 / 54

HEX #3D754D

RGB 61 117 77

HSL 137.14, 0.31%, 0.35%

LAB 44.59, -28.11, 16.5

 

CMYK 27 / 0 / 19 / 60

HEX #4B6753

RGB 75 103 83

HSL 137.14, 0.16%, 0.35%

LAB 40.93, -14.88, 8

 

CMYK 0 / 1 / 0 / 65

HEX #5A595A

RGB 90 89 90

HSL 300, 0.01%, 0.35%

LAB 37.94, 0.61, -0.44

 

CMYK 58 / 0 / 78 / 43

HEX #3D9220

RGB 61 146 32

HSL 104.74, 0.64%, 0.35%

LAB 53.66, -46.23, 49.01

 

CMYK 78 / 0 / 77 / 43

HEX #209222

RGB 32 146 34

HSL 121.05, 0.64%, 0.35%

LAB 52.93, -52.24, 47.34

 

CMYK 78 / 0 / 56 / 43

HEX #209240

RGB 32 146 64

HSL 136.84, 0.64%, 0.35%

LAB 53.21, -48.87, 34.43

 

CMYK 78 / 0 / 35 / 43

HEX #20925F

RGB 32 146 95

HSL 153.16, 0.64%, 0.35%

LAB 53.7, -43.2, 18.43

 

CMYK 78 / 0 / 14 / 43

HEX #20927D

RGB 32 146 125

HSL 168.95, 0.64%, 0.35%

LAB 54.39, -35.78, 2.35

 

CMYK 78 / 0 / 56 / 69

HEX #114F23

RGB 17 79 35

HSL 137.42, 0.65%, 0.19%

LAB 28.99, -30.29, 20.41

 

CMYK 78 / 0 / 56 / 56

HEX #197132

RGB 25 113 50

HSL 137.05, 0.64%, 0.27%

LAB 41.61, -39.91, 27.61

 

CMYK 78 / 0 / 55 / 43

HEX #209241

RGB 32 146 65

HSL 137.37, 0.64%, 0.35%

LAB 53.22, -48.72, 33.94

 

CMYK 78 / 0 / 56 / 29

HEX #28B450

RGB 40 180 80

HSL 137.14, 0.64%, 0.43%

LAB 64.7, -57.34, 40.39

 

CMYK 76 / 0 / 54 / 18

HEX #33D261

RGB 51 210 97

HSL 137.36, 0.64%, 0.51%

LAB 74.61, -63.63, 44.25

 

CMYK 78 / 0 / 55 / 42

HEX #219442

RGB 33 148 66

HSL 137.22, 0.64%, 0.35%

LAB 53.92, -49.14, 34.28

 

CMYK 78 / 38 / 0 / 43

HEX #205B92

RGB 32 91 146

HSL 208.95, 0.64%, 0.35%

LAB 37.6, 1.22, -35.67

 

CMYK 0 / 78 / 69 / 43

HEX #92202D

RGB 146 32 45

HSL 353.16, 0.64%, 0.35%

LAB 32.55, 47.3, 21.86

 

CMYK 78 / 0 / 55 / 42

HEX #219442

RGB 33 148 66

HSL 137.22, 0.64%, 0.35%

LAB 53.92, -49.14, 34.28

 

CMYK 56 / 78 / 0 / 43

HEX #402092

RGB 64 32 146

HSL 256.84, 0.64%, 0.35%

LAB 24.32, 43.68, -57.05

 

CMYK 0 / 56 / 78 / 43

HEX #924020

RGB 146 64 32

HSL 16.84, 0.64%, 0.35%

LAB 37.63, 32.57, 35.33

 

CMYK 78 / 0 / 55 / 42

HEX #219442

RGB 33 148 66

HSL 137.22, 0.64%, 0.35%

LAB 53.92, -49.14, 34.28

 

CMYK 78 / 38 / 0 / 43

HEX #205B92

RGB 32 91 146

HSL 208.95, 0.64%, 0.35%

LAB 37.6, 1.22, -35.67

 

CMYK 0 / 78 / 22 / 43

HEX #922072

RGB 146 32 114

HSL 316.84, 0.64%, 0.35%

LAB 34.72, 54.01, -19.65

 

CMYK 0 / 40 / 78 / 43

HEX #925720

RGB 146 87 32

HSL 28.95, 0.64%, 0.35%

LAB 42.81, 19.81, 40.57

 

CMYK 78 / 0 / 55 / 42

HEX #219442

RGB 33 148 66

HSL 137.22, 0.64%, 0.35%

LAB 53.92, -49.14, 34.28

 

CMYK 78 / 61 / 0 / 43

HEX #203992

RGB 32 57 146

HSL 226.84, 0.64%, 0.35%

LAB 27.6, 24.1, -51.77

 

CMYK 0 / 78 / 22 / 43

HEX #922072

RGB 146 32 114

HSL 316.84, 0.64%, 0.35%

LAB 34.72, 54.01, -19.65

 

CMYK 0 / 16 / 78 / 43

HEX #927A20

RGB 146 122 32

HSL 47.37, 0.64%, 0.35%

LAB 51.99, -0.32, 49.39

 

Description

Color code: HEX #219442 | qconv.com Color code: HEX #219442 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 148 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 148 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 55 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 55% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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