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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #218F77 it is the complementary color #DE7088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #218F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #218F77 shade: #268F72, #37A185, #48B398, #59C5AB and #6AD7BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #218F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #218F77 shade: #218F77, #107D64, #006B51, #00593E and #00472B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #218F77 shade: #219179, #21915B, #21913C, #249121 and #429121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #218F77 shade: #219179, #218C91, #216D91, #214F91 and #213191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #218F77 shade matches the following richer shades: #219179, #13A081 and #04AE89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #218F77 shade: #219179, #2F8371, #3E7569, #4C6661 and #5B5858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #218F77 shade: #21913B, #219159, #219177, #218E91 and #217091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #218F77 shade: #124E41, #19705D, #219179, #29B395 and #34D1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #218F77 shade: #218F77, #212591 and #914A21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #218F77 shade: #218F77, #772191 and #917721

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #218F77 shade: #218F77, #212591, #91213B and #918E21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #218F77 shade: #218F77, #3F2191, #91213B and #739121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 17 / 44

HEX #218F77

RGB 33 143 119

HSL 166.91, 0.63%, 0.35%

LAB 53.28, -35.94, 4.19

 

Complementary color

CMYK 0 / 50 / 39 / 13

HEX #DE7088

RGB 222 112 136

HSL 346.91, 0.63%, 0.65%

LAB 60.69, 45.26, 6.97

 

CMYK 73 / 0 / 20 / 44

HEX #268F72

RGB 38 143 114

HSL 163.43, 0.58%, 0.35%

LAB 53.25, -36.58, 7.03

 

CMYK 66 / 0 / 17 / 37

HEX #37A185

RGB 55 161 133

HSL 164.15, 0.49%, 0.42%

LAB 59.88, -37.04, 5.78

 

CMYK 60 / 0 / 15 / 30

HEX #48B398

RGB 72 179 152

HSL 164.86, 0.43%, 0.49%

LAB 66.43, -37.27, 4.67

 

CMYK 55 / 0 / 13 / 23

HEX #59C5AB

RGB 89 197 171

HSL 165.56, 0.48%, 0.56%

LAB 72.89, -37.36, 3.67

 

CMYK 51 / 0 / 12 / 16

HEX #6AD7BE

RGB 106 215 190

HSL 166.24, 0.58%, 0.63%

LAB 79.26, -37.36, 2.75

 

CMYK 77 / 0 / 17 / 44

HEX #218F77

RGB 33 143 119

HSL 166.91, 0.63%, 0.35%

LAB 53.28, -35.94, 4.19

 

CMYK 87 / 0 / 20 / 51

HEX #107D64

RGB 16 125 100

HSL 166.24, 0.77%, 0.28%

LAB 46.58, -34.88, 5.6

 

CMYK 100 / 0 / 24 / 58

HEX #006B51

RGB 0 107 81

HSL 165.42, 1%, 0.21%

LAB 39.76, -33.38, 7.21

 

CMYK 100 / 0 / 30 / 65

HEX #00593E

RGB 0 89 62

HSL 161.8, 1%, 0.17%

LAB 32.9, -30.69, 9.2

 

CMYK 100 / 0 / 39 / 72

HEX #00472B

RGB 0 71 43

HSL 156.34, 1%, 0.14%

LAB 25.81, -27.84, 11.36

 

CMYK 77 / 0 / 17 / 43

HEX #219179

RGB 33 145 121

HSL 167.14, 0.63%, 0.35%

LAB 53.98, -36.3, 4.05

 

CMYK 77 / 0 / 37 / 43

HEX #21915B

RGB 33 145 91

HSL 151.07, 0.63%, 0.35%

LAB 53.31, -43.52, 20.14

 

CMYK 77 / 0 / 59 / 43

HEX #21913C

RGB 33 145 60

HSL 134.46, 0.63%, 0.35%

LAB 52.84, -48.94, 35.99

 

CMYK 75 / 0 / 77 / 43

HEX #249121

RGB 36 145 33

HSL 118.39, 0.63%, 0.35%

LAB 52.66, -51.34, 47.46

 

CMYK 54 / 0 / 77 / 43

HEX #429121

RGB 66 145 33

HSL 102.32, 0.63%, 0.35%

LAB 53.51, -44.36, 48.59

 

CMYK 77 / 0 / 17 / 43

HEX #219179

RGB 33 145 121

HSL 167.14, 0.63%, 0.35%

LAB 53.98, -36.3, 4.05

 

CMYK 77 / 3 / 0 / 43

HEX #218C91

RGB 33 140 145

HSL 182.68, 0.63%, 0.35%

LAB 53.08, -26.88, -11.13

 

CMYK 77 / 25 / 0 / 43

HEX #216D91

RGB 33 109 145

HSL 199.29, 0.63%, 0.35%

LAB 43.22, -10.08, -26.23

 

CMYK 77 / 46 / 0 / 43

HEX #214F91

RGB 33 79 145

HSL 215.36, 0.63%, 0.35%

LAB 33.9, 8.81, -40.96

 

CMYK 77 / 66 / 0 / 43

HEX #213191

RGB 33 49 145

HSL 231.43, 0.63%, 0.35%

LAB 25.46, 29.25, -54.65

 

CMYK 77 / 0 / 17 / 43

HEX #219179

RGB 33 145 121

HSL 167.14, 0.63%, 0.35%

LAB 53.98, -36.3, 4.05

 

CMYK 88 / 0 / 19 / 37

HEX #13A081

RGB 19 160 129

HSL 166.81, 0.79%, 0.35%

LAB 58.85, -42.01, 6.47

 

CMYK 98 / 0 / 21 / 32

HEX #04AE89

RGB 4 174 137

HSL 166.94, 0.96%, 0.35%

LAB 63.43, -46.46, 8.53

 

CMYK 77 / 0 / 17 / 43

HEX #219179

RGB 33 145 121

HSL 167.14, 0.63%, 0.35%

LAB 53.98, -36.3, 4.05

 

CMYK 64 / 0 / 14 / 49

HEX #2F8371

RGB 47 131 113

HSL 167.14, 0.47%, 0.35%

LAB 49.53, -29.77, 2.3

 

CMYK 47 / 0 / 10 / 54

HEX #3E7569

RGB 62 117 105

HSL 166.91, 0.31%, 0.35%

LAB 45.31, -21.38, 0.97

 

CMYK 25 / 0 / 5 / 60

HEX #4C6661

RGB 76 102 97

HSL 168.46, 0.15%, 0.35%

LAB 41.06, -10.78, -0.32

 

CMYK 0 / 3 / 3 / 64

HEX #5B5858

RGB 91 88 88

HSL 0, 0.02%, 0.35%

LAB 37.68, 1.21, 0.42

 

CMYK 77 / 0 / 59 / 43

HEX #21913B

RGB 33 145 59

HSL 133.93, 0.63%, 0.35%

LAB 52.83, -49.08, 36.46

 

CMYK 77 / 0 / 39 / 43

HEX #219159

RGB 33 145 89

HSL 150, 0.63%, 0.35%

LAB 53.27, -43.94, 21.2

 

CMYK 77 / 0 / 18 / 43

HEX #219177

RGB 33 145 119

HSL 166.07, 0.63%, 0.35%

LAB 53.93, -36.84, 5.12

 

CMYK 77 / 2 / 0 / 43

HEX #218E91

RGB 33 142 145

HSL 181.61, 0.63%, 0.35%

LAB 53.72, -27.88, -10.17

 

CMYK 77 / 23 / 0 / 43

HEX #217091

RGB 33 112 145

HSL 197.68, 0.63%, 0.35%

LAB 44.17, -11.82, -24.75

 

CMYK 77 / 0 / 17 / 69

HEX #124E41

RGB 18 78 65

HSL 167, 0.63%, 0.19%

LAB 29.31, -22.43, 2.25

 

CMYK 78 / 0 / 17 / 56

HEX #19705D

RGB 25 112 93

HSL 166.9, 0.64%, 0.27%

LAB 42.13, -29.9, 3.4

 

CMYK 77 / 0 / 17 / 43

HEX #219179

RGB 33 145 121

HSL 167.14, 0.63%, 0.35%

LAB 53.98, -36.3, 4.05

 

CMYK 77 / 0 / 17 / 30

HEX #29B395

RGB 41 179 149

HSL 166.96, 0.63%, 0.43%

LAB 65.66, -42.85, 5.12

 

CMYK 75 / 0 / 16 / 18

HEX #34D1AF

RGB 52 209 175

HSL 167.01, 0.63%, 0.51%

LAB 75.72, -47.66, 5.48

 

CMYK 77 / 0 / 17 / 44

HEX #218F77

RGB 33 143 119

HSL 166.91, 0.63%, 0.35%

LAB 53.28, -35.94, 4.19

 

CMYK 77 / 74 / 0 / 43

HEX #212591

RGB 33 37 145

HSL 237.86, 0.63%, 0.35%

LAB 22.62, 36.94, -59.31

 

CMYK 0 / 49 / 77 / 43

HEX #914A21

RGB 145 74 33

HSL 21.96, 0.63%, 0.35%

LAB 39.63, 26.78, 36.82

 

CMYK 77 / 0 / 17 / 44

HEX #218F77

RGB 33 143 119

HSL 166.91, 0.63%, 0.35%

LAB 53.28, -35.94, 4.19

 

CMYK 18 / 77 / 0 / 43

HEX #772191

RGB 119 33 145

HSL 286.07, 0.63%, 0.35%

LAB 31.93, 52.74, -43.71

 

CMYK 0 / 18 / 77 / 43

HEX #917721

RGB 145 119 33

HSL 46.07, 0.63%, 0.35%

LAB 51.06, 0.95, 48.1

 

CMYK 77 / 0 / 17 / 44

HEX #218F77

RGB 33 143 119

HSL 166.91, 0.63%, 0.35%

LAB 53.28, -35.94, 4.19

 

CMYK 77 / 74 / 0 / 43

HEX #212591

RGB 33 37 145

HSL 237.86, 0.63%, 0.35%

LAB 22.62, 36.94, -59.31

 

CMYK 0 / 77 / 59 / 43

HEX #91213B

RGB 145 33 59

HSL 346.07, 0.63%, 0.35%

LAB 32.75, 47.55, 12.99

 

CMYK 0 / 2 / 77 / 43

HEX #918E21

RGB 145 142 33

HSL 58.39, 0.63%, 0.35%

LAB 57.54, -11.73, 54.15

 

CMYK 77 / 0 / 17 / 44

HEX #218F77

RGB 33 143 119

HSL 166.91, 0.63%, 0.35%

LAB 53.28, -35.94, 4.19

 

CMYK 57 / 77 / 0 / 43

HEX #3F2191

RGB 63 33 145

HSL 256.07, 0.63%, 0.35%

LAB 24.29, 42.74, -56.49

 

CMYK 0 / 77 / 59 / 43

HEX #91213B

RGB 145 33 59

HSL 346.07, 0.63%, 0.35%

LAB 32.75, 47.55, 12.99

 

CMYK 21 / 0 / 77 / 43

HEX #739121

RGB 115 145 33

HSL 76.07, 0.63%, 0.35%

LAB 56.09, -26.46, 51.96

 

Description

Color code: HEX #218F77 | qconv.com Color code: HEX #218F77 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 143 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 143 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 17 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 17% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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