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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #218B5E it is the complementary color #DE74A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #218B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #218B5E shade: #268B59, #379D6C, #48AF7F, #59C192 and #6AD3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #218B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #218B5E shade: #218B5E, #10794B, #006738, #005525 and #004312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #218B5E shade: #208C5E, #208C41, #208C24, #3A8C20 and #578C20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #218B5E shade: #208C5E, #208C7B, #20808C, #20638C and #20468C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #218B5E shade matches the following richer shades: #208C5E, #129A60 and #04A863

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #218B5E shade: #208C5E, #2E7E5C, #3D705A, #4B6258 and #595456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #218B5E shade: #208C24, #208C41, #208C5D, #208C7A and #20818C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #218B5E shade: #114931, #196B48, #208C5E, #28AD75 and #31CE8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #218B5E shade: #218B5E, #203A8C and #8C3220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #218B5E shade: #218B5E, #5D208C and #8C5D20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #218B5E shade: #218B5E, #203A8C, #8C204F and #8C7320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #218B5E shade: #218B5E, #28208C, #8C204F and #858C20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 32 / 45

HEX #218B5E

RGB 33 139 94

HSL 154.53, 0.62%, 0.34%

LAB 51.38, -40.43, 15.84

 

Complementary color

CMYK 0 / 48 / 27 / 13

HEX #DE74A1

RGB 222 116 161

HSL 334.53, 0.62%, 0.66%

LAB 62.16, 46.34, -5.26

 

CMYK 73 / 0 / 36 / 45

HEX #268B59

RGB 38 139 89

HSL 150.3, 0.57%, 0.35%

LAB 51.38, -40.75, 18.68

 

CMYK 65 / 0 / 31 / 38

HEX #379D6C

RGB 55 157 108

HSL 151.18, 0.48%, 0.42%

LAB 58.05, -41.15, 17.2

 

CMYK 59 / 0 / 27 / 31

HEX #48AF7F

RGB 72 175 127

HSL 152.04, 0.42%, 0.48%

LAB 64.62, -41.28, 15.87

 

CMYK 54 / 0 / 24 / 24

HEX #59C192

RGB 89 193 146

HSL 152.88, 0.46%, 0.55%

LAB 71.1, -41.27, 14.67

 

CMYK 50 / 0 / 22 / 17

HEX #6AD3A5

RGB 106 211 165

HSL 153.71, 0.54%, 0.62%

LAB 77.5, -41.16, 13.56

 

CMYK 76 / 0 / 32 / 45

HEX #218B5E

RGB 33 139 94

HSL 154.53, 0.62%, 0.34%

LAB 51.38, -40.43, 15.84

 

CMYK 87 / 0 / 38 / 53

HEX #10794B

RGB 16 121 75

HSL 153.71, 0.77%, 0.27%

LAB 44.65, -39.41, 17.52

 

CMYK 100 / 0 / 46 / 60

HEX #006738

RGB 0 103 56

HSL 152.62, 1%, 0.2%

LAB 37.82, -37.83, 19.42

 

CMYK 100 / 0 / 56 / 67

HEX #005525

RGB 0 85 37

HSL 146.12, 1%, 0.17%

LAB 30.95, -34.73, 21.63

 

CMYK 100 / 0 / 73 / 74

HEX #004312

RGB 0 67 18

HSL 136.12, 1%, 0.13%

LAB 23.86, -31.16, 23.68

 

CMYK 77 / 0 / 33 / 45

HEX #208C5E

RGB 32 140 94

HSL 154.44, 0.63%, 0.34%

LAB 51.69, -40.98, 16.26

 

CMYK 77 / 0 / 54 / 45

HEX #208C41

RGB 32 140 65

HSL 138.33, 0.63%, 0.34%

LAB 51.2, -46.54, 31.48

 

CMYK 77 / 0 / 74 / 45

HEX #208C24

RGB 32 140 36

HSL 122.22, 0.63%, 0.34%

LAB 50.91, -50.08, 44.56

 

CMYK 59 / 0 / 77 / 45

HEX #3A8C20

RGB 58 140 32

HSL 105.56, 0.63%, 0.34%

LAB 51.56, -44.76, 46.93

 

CMYK 38 / 0 / 77 / 45

HEX #578C20

RGB 87 140 32

HSL 89.44, 0.63%, 0.34%

LAB 52.83, -35.34, 48.59

 

CMYK 77 / 0 / 33 / 45

HEX #208C5E

RGB 32 140 94

HSL 154.44, 0.63%, 0.34%

LAB 51.69, -40.98, 16.26

 

CMYK 77 / 0 / 12 / 45

HEX #208C7B

RGB 32 140 123

HSL 170.56, 0.63%, 0.34%

LAB 52.39, -33.6, 0.59

 

CMYK 77 / 9 / 0 / 45

HEX #20808C

RGB 32 128 140

HSL 186.67, 0.63%, 0.34%

LAB 49.06, -22.48, -14.3

 

CMYK 77 / 29 / 0 / 45

HEX #20638C

RGB 32 99 140

HSL 202.78, 0.63%, 0.34%

LAB 39.79, -6.08, -28.59

 

CMYK 77 / 50 / 0 / 45

HEX #20468C

RGB 32 70 140

HSL 218.89, 0.63%, 0.34%

LAB 30.83, 12.78, -42.83

 

CMYK 77 / 0 / 33 / 45

HEX #208C5E

RGB 32 140 94

HSL 154.44, 0.63%, 0.34%

LAB 51.69, -40.98, 16.26

 

CMYK 88 / 0 / 38 / 40

HEX #129A60

RGB 18 154 96

HSL 154.41, 0.79%, 0.34%

LAB 56.17, -47.56, 21.18

 

CMYK 98 / 0 / 41 / 34

HEX #04A863

RGB 4 168 99

HSL 154.76, 0.95%, 0.34%

LAB 60.72, -52.88, 25.59

 

CMYK 77 / 0 / 33 / 45

HEX #208C5E

RGB 32 140 94

HSL 154.44, 0.63%, 0.34%

LAB 51.69, -40.98, 16.26

 

CMYK 63 / 0 / 27 / 51

HEX #2E7E5C

RGB 46 126 92

HSL 154.5, 0.47%, 0.34%

LAB 47.33, -32.93, 11.45

 

CMYK 46 / 0 / 20 / 56

HEX #3D705A

RGB 61 112 90

HSL 154.12, 0.29%, 0.34%

LAB 43.24, -22.78, 6.95

 

CMYK 23 / 0 / 10 / 62

HEX #4B6258

RGB 75 98 88

HSL 153.91, 0.13%, 0.34%

LAB 39.47, -10.95, 2.87

 

CMYK 0 / 6 / 3 / 65

HEX #595456

RGB 89 84 86

HSL 336, 0.03%, 0.34%

LAB 36.25, 2.45, -0.44

 

CMYK 77 / 0 / 74 / 45

HEX #208C24

RGB 32 140 36

HSL 122.22, 0.63%, 0.34%

LAB 50.91, -50.08, 44.56

 

CMYK 77 / 0 / 54 / 45

HEX #208C41

RGB 32 140 65

HSL 138.33, 0.63%, 0.34%

LAB 51.2, -46.54, 31.48

 

CMYK 77 / 0 / 34 / 45

HEX #208C5D

RGB 32 140 93

HSL 153.89, 0.63%, 0.34%

LAB 51.67, -41.21, 16.8

 

CMYK 77 / 0 / 13 / 45

HEX #208C7A

RGB 32 140 122

HSL 170, 0.63%, 0.34%

LAB 52.36, -33.88, 1.13

 

CMYK 77 / 8 / 0 / 45

HEX #20818C

RGB 32 129 140

HSL 186.11, 0.63%, 0.34%

LAB 49.38, -23, -13.81

 

CMYK 77 / 0 / 33 / 71

HEX #114931

RGB 17 73 49

HSL 154.29, 0.62%, 0.18%

LAB 27.03, -24.58, 9.28

 

CMYK 77 / 0 / 33 / 58

HEX #196B48

RGB 25 107 72

HSL 154.39, 0.62%, 0.26%

LAB 39.9, -33.09, 12.85

 

CMYK 77 / 0 / 33 / 45

HEX #208C5E

RGB 32 140 94

HSL 154.44, 0.63%, 0.34%

LAB 51.69, -40.98, 16.26

 

CMYK 77 / 0 / 32 / 32

HEX #28AD75

RGB 40 173 117

HSL 154.74, 0.62%, 0.42%

LAB 63.03, -48.14, 19.02

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8B

RGB 49 206 139

HSL 154.39, 0.62%, 0.5%

LAB 73.97, -55.12, 22.21

 

CMYK 76 / 0 / 32 / 45

HEX #218B5E

RGB 33 139 94

HSL 154.53, 0.62%, 0.34%

LAB 51.38, -40.43, 15.84

 

CMYK 77 / 59 / 0 / 45

HEX #203A8C

RGB 32 58 140

HSL 225.56, 0.63%, 0.34%

LAB 27.37, 21.05, -48.44

 

CMYK 0 / 64 / 77 / 45

HEX #8C3220

RGB 140 50 32

HSL 10, 0.63%, 0.34%

LAB 33.9, 37.24, 31.08

 

CMYK 76 / 0 / 32 / 45

HEX #218B5E

RGB 33 139 94

HSL 154.53, 0.62%, 0.34%

LAB 51.38, -40.43, 15.84

 

CMYK 34 / 77 / 0 / 45

HEX #5D208C

RGB 93 32 140

HSL 273.89, 0.63%, 0.34%

LAB 27.45, 46.91, -48.07

 

CMYK 0 / 34 / 77 / 45

HEX #8C5D20

RGB 140 93 32

HSL 33.89, 0.63%, 0.34%

LAB 43.52, 13.59, 41

 

CMYK 76 / 0 / 32 / 45

HEX #218B5E

RGB 33 139 94

HSL 154.53, 0.62%, 0.34%

LAB 51.38, -40.43, 15.84

 

CMYK 77 / 59 / 0 / 45

HEX #203A8C

RGB 32 58 140

HSL 225.56, 0.63%, 0.34%

LAB 27.37, 21.05, -48.44

 

CMYK 0 / 77 / 44 / 45

HEX #8C204F

RGB 140 32 79

HSL 333.89, 0.63%, 0.34%

LAB 32.2, 48.16, -1.05

 

CMYK 0 / 18 / 77 / 45

HEX #8C7320

RGB 140 115 32

HSL 46.11, 0.63%, 0.34%

LAB 49.42, 0.85, 46.75

 

CMYK 76 / 0 / 32 / 45

HEX #218B5E

RGB 33 139 94

HSL 154.53, 0.62%, 0.34%

LAB 51.38, -40.43, 15.84

 

CMYK 71 / 77 / 0 / 45

HEX #28208C

RGB 40 32 140

HSL 244.44, 0.63%, 0.34%

LAB 21.5, 38.84, -58.05

 

CMYK 0 / 77 / 44 / 45

HEX #8C204F

RGB 140 32 79

HSL 333.89, 0.63%, 0.34%

LAB 32.2, 48.16, -1.05

 

CMYK 5 / 0 / 77 / 45

HEX #858C20

RGB 133 140 32

HSL 63.89, 0.63%, 0.34%

LAB 55.93, -16.12, 52.64

 

Description

Color code: HEX #218B5E | qconv.com Color code: HEX #218B5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 139 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 139 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 32 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 32% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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