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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2183AC it is the complementary color #DE7C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2183AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2183AC shade: #2683A7, #3795BA, #48A7CD, #59B9E0 and #6ACBF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2183AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2183AC shade: #2183AC, #107199, #005F86, #004D73 and #003B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2183AC shade: #2182AB, #215DAB, #2138AB, #2F21AB and #5421AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2183AC shade: #2182AB, #215DAB, #2138AB and #2121AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2183AC shade matches the following richer shades: #2182AB and #1089BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2183AC shade: #2182AB, #317C9B, #42758A, #526E7A and #636769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2183AC shade: #21AB89, #21A9AB, #2184AB, #215FAB and #213AAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2183AC shade: #134E66, #1A6889, #2182AB, #279DCE and #43AEDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2183AC shade: #2183AC, #6421AB and #AB9B21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2183AC shade: #2183AC, #AB2184 and #84AB21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2183AC shade: #2183AC, #6421AB, #AB4821 and #68AB21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2183AC shade: #2183AC, #8D21AB, #AB4821 and #3FAB21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 24 / 0 / 33

HEX #2183AC

RGB 33 131 172

HSL 197.7, 0.68%, 0.4%

LAB 51.31, -12.95, -29.48

 

Complementary color

CMYK 0 / 44 / 63 / 13

HEX #DE7C53

RGB 222 124 83

HSL 17.7, 0.68%, 0.6%

LAB 62.14, 34.39, 38.75

 

CMYK 77 / 22 / 0 / 35

HEX #2683A7

RGB 38 131 167

HSL 196.74, 0.63%, 0.4%

LAB 51.19, -14.17, -26.76

 

CMYK 70 / 20 / 0 / 27

HEX #3795BA

RGB 55 149 186

HSL 196.95, 0.54%, 0.47%

LAB 57.9, -15.36, -27.23

 

CMYK 65 / 19 / 0 / 20

HEX #48A7CD

RGB 72 167 205

HSL 197.14, 0.57%, 0.54%

LAB 64.5, -16.25, -27.65

 

CMYK 60 / 17 / 0 / 12

HEX #59B9E0

RGB 89 185 224

HSL 197.33, 0.69%, 0.61%

LAB 71.01, -16.93, -28.03

 

CMYK 56 / 16 / 0 / 5

HEX #6ACBF3

RGB 106 203 243

HSL 197.52, 0.85%, 0.68%

LAB 77.43, -17.46, -28.4

 

CMYK 81 / 24 / 0 / 33

HEX #2183AC

RGB 33 131 172

HSL 197.7, 0.68%, 0.4%

LAB 51.31, -12.95, -29.48

 

CMYK 90 / 26 / 0 / 40

HEX #107199

RGB 16 113 153

HSL 197.52, 0.81%, 0.33%

LAB 44.55, -11.07, -28.93

 

CMYK 100 / 29 / 0 / 47

HEX #005F86

RGB 0 95 134

HSL 197.46, 1%, 0.26%

LAB 37.67, -8.67, -28.31

HEX #005F86

CMYK 100 / 33 / 0 / 55

HEX #004D73

RGB 0 77 115

HSL 199.83, 1%, 0.23%

LAB 30.75, -5.24, -27.47

HEX #004D73

CMYK 100 / 39 / 0 / 62

HEX #003B60

RGB 0 59 96

HSL 203.13, 1%, 0.19%

LAB 23.58, -1.53, -26.68

HEX #003B60

CMYK 81 / 24 / 0 / 33

HEX #2182AB

RGB 33 130 171

HSL 197.83, 0.68%, 0.4%

LAB 50.95, -12.74, -29.45

 

CMYK 81 / 46 / 0 / 33

HEX #215DAB

RGB 33 93 171

HSL 213.91, 0.68%, 0.4%

LAB 39.74, 9.84, -47.19

 

CMYK 81 / 67 / 0 / 33

HEX #2138AB

RGB 33 56 171

HSL 230, 0.68%, 0.4%

LAB 29.64, 34.42, -63.59

 

CMYK 73 / 81 / 0 / 33

HEX #2F21AB

RGB 47 33 171

HSL 246.09, 0.68%, 0.4%

LAB 25.66, 48.89, -70.14

 

CMYK 51 / 81 / 0 / 33

HEX #5421AB

RGB 84 33 171

HSL 262.17, 0.68%, 0.4%

LAB 29.19, 52.87, -64.19

 

CMYK 81 / 24 / 0 / 33

HEX #2182AB

RGB 33 130 171

HSL 197.83, 0.68%, 0.4%

LAB 50.95, -12.74, -29.45

 

CMYK 81 / 46 / 0 / 33

HEX #215DAB

RGB 33 93 171

HSL 213.91, 0.68%, 0.4%

LAB 39.74, 9.84, -47.19

 

CMYK 81 / 67 / 0 / 33

HEX #2138AB

RGB 33 56 171

HSL 230, 0.68%, 0.4%

LAB 29.64, 34.42, -63.59

 

CMYK 81 / 81 / 0 / 33

HEX #2121AB

RGB 33 33 171

HSL 240, 0.68%, 0.4%

LAB 24.8, 47.92, -71.59

 

CMYK 81 / 24 / 0 / 33

HEX #2182AB

RGB 33 130 171

HSL 197.83, 0.68%, 0.4%

LAB 50.95, -12.74, -29.45

 

CMYK 91 / 27 / 0 / 26

HEX #1089BC

RGB 16 137 188

HSL 197.79, 0.84%, 0.4%

LAB 53.63, -11.77, -35.05

 

CMYK 81 / 24 / 0 / 33

HEX #2182AB

RGB 33 130 171

HSL 197.83, 0.68%, 0.4%

LAB 50.95, -12.74, -29.45

 

CMYK 68 / 20 / 0 / 39

HEX #317C9B

RGB 49 124 155

HSL 197.55, 0.52%, 0.4%

LAB 48.8, -12.83, -23.45

 

CMYK 52 / 15 / 0 / 46

HEX #42758A

RGB 66 117 138

HSL 197.5, 0.35%, 0.4%

LAB 46.6, -10.92, -16.76

 

CMYK 33 / 10 / 0 / 52

HEX #526E7A

RGB 82 110 122

HSL 198, 0.2%, 0.4%

LAB 44.73, -7.04, -9.96

 

CMYK 6 / 2 / 0 / 59

HEX #636769

RGB 99 103 105

HSL 200, 0.03%, 0.4%

LAB 43.32, -1.11, -1.67

 

CMYK 81 / 0 / 20 / 33

HEX #21AB89

RGB 33 171 137

HSL 165.22, 0.68%, 0.4%

LAB 62.72, -43.39, 7.55

 

CMYK 81 / 1 / 0 / 33

HEX #21A9AB

RGB 33 169 171

HSL 180.87, 0.68%, 0.4%

LAB 63.04, -32.94, -10.98

 

CMYK 81 / 23 / 0 / 33

HEX #2184AB

RGB 33 132 171

HSL 196.96, 0.68%, 0.4%

LAB 51.57, -13.87, -28.49

 

CMYK 81 / 44 / 0 / 33

HEX #215FAB

RGB 33 95 171

HSL 213.04, 0.68%, 0.4%

LAB 40.33, 8.54, -46.25

 

CMYK 81 / 66 / 0 / 33

HEX #213AAB

RGB 33 58 171

HSL 229.13, 0.68%, 0.4%

LAB 30.13, 33.12, -62.79

 

CMYK 81 / 24 / 0 / 60

HEX #134E66

RGB 19 78 102

HSL 197.35, 0.69%, 0.24%

LAB 30.75, -9.4, -19.25

 

CMYK 81 / 24 / 0 / 46

HEX #1A6889

RGB 26 104 137

HSL 197.84, 0.68%, 0.32%

LAB 41.1, -10.93, -24.75

 

CMYK 81 / 24 / 0 / 33

HEX #2182AB

RGB 33 130 171

HSL 197.83, 0.68%, 0.4%

LAB 50.95, -12.74, -29.45

 

CMYK 81 / 24 / 0 / 19

HEX #279DCE

RGB 39 157 206

HSL 197.6, 0.68%, 0.48%

LAB 60.78, -14.78, -34.03

 

CMYK 69 / 21 / 0 / 14

HEX #43AEDB

RGB 67 174 219

HSL 197.76, 0.68%, 0.56%

LAB 66.96, -16.26, -31.6

 

CMYK 81 / 24 / 0 / 33

HEX #2183AC

RGB 33 131 172

HSL 197.7, 0.68%, 0.4%

LAB 51.31, -12.95, -29.48

 

CMYK 42 / 81 / 0 / 33

HEX #6421AB

RGB 100 33 171

HSL 269.13, 0.68%, 0.4%

LAB 31.2, 55.15, -60.82

 

CMYK 0 / 9 / 81 / 33

HEX #AB9B21

RGB 171 155 33

HSL 53.04, 0.68%, 0.4%

LAB 63.52, -6.95, 60.41

 

CMYK 81 / 24 / 0 / 33

HEX #2183AC

RGB 33 131 172

HSL 197.7, 0.68%, 0.4%

LAB 51.31, -12.95, -29.48

 

CMYK 0 / 81 / 23 / 33

HEX #AB2184

RGB 171 33 132

HSL 316.96, 0.68%, 0.4%

LAB 40.27, 62.14, -21.93

 

CMYK 23 / 0 / 81 / 33

HEX #84AB21

RGB 132 171 33

HSL 76.96, 0.68%, 0.4%

LAB 65.07, -31.89, 60.65

 

CMYK 81 / 24 / 0 / 33

HEX #2183AC

RGB 33 131 172

HSL 197.7, 0.68%, 0.4%

LAB 51.31, -12.95, -29.48

 

CMYK 42 / 81 / 0 / 33

HEX #6421AB

RGB 100 33 171

HSL 269.13, 0.68%, 0.4%

LAB 31.2, 55.15, -60.82

 

CMYK 0 / 58 / 81 / 33

HEX #AB4821

RGB 171 72 33

HSL 16.96, 0.68%, 0.4%

LAB 43.36, 38.45, 41.92

 

CMYK 39 / 0 / 81 / 33

HEX #68AB21

RGB 104 171 33

HSL 89.13, 0.68%, 0.4%

LAB 63.49, -42.55, 58.62

 

CMYK 81 / 24 / 0 / 33

HEX #2183AC

RGB 33 131 172

HSL 197.7, 0.68%, 0.4%

LAB 51.31, -12.95, -29.48

 

CMYK 18 / 81 / 0 / 33

HEX #8D21AB

RGB 141 33 171

HSL 286.96, 0.68%, 0.4%

LAB 37.28, 62.07, -50.66

 

CMYK 0 / 58 / 81 / 33

HEX #AB4821

RGB 171 72 33

HSL 16.96, 0.68%, 0.4%

LAB 43.36, 38.45, 41.92

 

CMYK 63 / 0 / 81 / 33

HEX #3FAB21

RGB 63 171 33

HSL 106.96, 0.68%, 0.4%

LAB 61.91, -54.71, 56.57

 

Description

Color code: HEX #2183AC | qconv.com Color code: HEX #2183AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 131 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 131 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 24 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 24% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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