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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #217DEC it is the complementary color #DE8213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #217DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #217DEC shade: #267DE7, #378FFA, #48A1FF, #59B3FF and #6AC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #217DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #217DEC shade: #217DEC, #106BD9, #0059C6, #0047B3 and #0035A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #217DEC shade: #227EEC, #2247EC, #3422EC, #6A22EC and #A022EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #217DEC shade: #227EEC, #2247EC and #2222EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #217DEC shade matches the following richer shades: #227EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #217DEC shade: #227EEC, #3680D8, #4981C5, #5D83B2 and #70859E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #217DEC shade: #22ECEC, #22B6EC, #2280EC, #224BEC and #3022EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #217DEC shade: #0F57AD, #126AD3, #227EEC, #4894EF and #6EAAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #217DEC shade: #217DEC, #B622EC and #D1EC22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #217DEC shade: #217DEC, #EC2280 and #80EC22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #217DEC shade: #217DEC, #B622EC, #EC8E22 and #58EC22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #217DEC shade: #217DEC, #EC22E5, #EC8E22 and #22EC29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 47 / 0 / 7

HEX #217DEC

RGB 33 125 236

HSL 212.81, 0.84%, 0.53%

LAB 53, 14.62, -63.14

 

Complementary color

CMYK 0 / 41 / 91 / 13

HEX #DE8213

RGB 222 130 19

HSL 32.81, 0.84%, 0.47%

LAB 62.96, 28.71, 66.04

 

CMYK 84 / 46 / 0 / 9

HEX #267DE7

RGB 38 125 231

HSL 212.95, 0.8%, 0.53%

LAB 52.78, 13.08, -60.69

 

CMYK 78 / 43 / 0 / 2

HEX #378FFA

RGB 55 143 250

HSL 212.92, 0.95%, 0.6%

LAB 59.31, 10.67, -60.74

 

CMYK 72 / 37 / 0 / 0

HEX #48A1FF

RGB 72 161 255

HSL 210.82, 1%, 0.64%

LAB 65.03, 3.8, -54.32

 

CMYK 65 / 30 / 0 / 0

HEX #59B3FF

RGB 89 179 255

HSL 207.47, 1%, 0.67%

LAB 70.58, -3.93, -45.52

 

CMYK 58 / 23 / 0 / 0

HEX #6AC5FF

RGB 106 197 255

HSL 203.36, 1%, 0.71%

LAB 76.2, -10.75, -36.71

 

CMYK 86 / 47 / 0 / 7

HEX #217DEC

RGB 33 125 236

HSL 212.81, 0.84%, 0.53%

LAB 53, 14.62, -63.14

 

CMYK 93 / 51 / 0 / 15

HEX #106BD9

RGB 16 107 217

HSL 212.84, 0.86%, 0.46%

LAB 46.49, 17.75, -62.97

 

CMYK 100 / 55 / 0 / 22

HEX #0059C6

RGB 0 89 198

HSL 213.03, 1%, 0.39%

LAB 39.95, 21.4, -62.68

 

CMYK 100 / 60 / 0 / 30

HEX #0047B3

RGB 0 71 179

HSL 216.2, 1%, 0.35%

LAB 33.48, 25.79, -62.1

 

CMYK 100 / 67 / 0 / 37

HEX #0035A0

RGB 0 53 160

HSL 220.13, 1%, 0.31%

LAB 26.97, 30.35, -61.38

 

CMYK 86 / 47 / 0 / 7

HEX #227EEC

RGB 34 126 236

HSL 212.67, 0.84%, 0.53%

LAB 53.3, 14.06, -62.67

 

CMYK 86 / 70 / 0 / 7

HEX #2247EC

RGB 34 71 236

HSL 229.01, 0.84%, 0.53%

LAB 39.42, 48.55, -85.31

 

CMYK 78 / 86 / 0 / 7

HEX #3422EC

RGB 52 34 236

HSL 245.35, 0.84%, 0.53%

LAB 33.84, 67.61, -94.53

 

CMYK 55 / 86 / 0 / 7

HEX #6A22EC

RGB 106 34 236

HSL 261.39, 0.84%, 0.53%

LAB 38.31, 71.28, -86.98

 

CMYK 32 / 86 / 0 / 7

HEX #A022EC

RGB 160 34 236

HSL 277.43, 0.84%, 0.53%

LAB 45.18, 77.5, -75.43

 

CMYK 86 / 47 / 0 / 7

HEX #227EEC

RGB 34 126 236

HSL 212.67, 0.84%, 0.53%

LAB 53.3, 14.06, -62.67

 

CMYK 86 / 70 / 0 / 7

HEX #2247EC

RGB 34 71 236

HSL 229.01, 0.84%, 0.53%

LAB 39.42, 48.55, -85.31

 

CMYK 86 / 86 / 0 / 7

HEX #2222EC

RGB 34 34 236

HSL 240, 0.84%, 0.53%

LAB 33.01, 66.97, -95.94

 

CMYK 86 / 47 / 0 / 7

HEX #227EEC

RGB 34 126 236

HSL 212.67, 0.84%, 0.53%

LAB 53.3, 14.06, -62.67

 

CMYK 86 / 47 / 0 / 7

HEX #227EEC

RGB 34 126 236

HSL 212.67, 0.84%, 0.53%

LAB 53.3, 14.06, -62.67

 

CMYK 75 / 41 / 0 / 15

HEX #3680D8

RGB 54 128 216

HSL 212.59, 0.68%, 0.53%

LAB 53.15, 7.24, -51.66

 

CMYK 63 / 35 / 0 / 23

HEX #4981C5

RGB 73 129 197

HSL 212.9, 0.52%, 0.53%

LAB 53.11, 2.81, -40.91

 

CMYK 48 / 26 / 0 / 30

HEX #5D83B2

RGB 93 131 178

HSL 213.18, 0.36%, 0.53%

LAB 53.79, -0.14, -28.91

 

CMYK 29 / 16 / 0 / 38

HEX #70859E

RGB 112 133 158

HSL 212.61, 0.19%, 0.53%

LAB 54.75, -1.53, -15.81

 

CMYK 86 / 0 / 0 / 7

HEX #22ECEC

RGB 34 236 236

HSL 180, 0.84%, 0.53%

LAB 85.19, -44.2, -13.06

 

CMYK 86 / 23 / 0 / 7

HEX #22B6EC

RGB 34 182 236

HSL 196.04, 0.84%, 0.53%

LAB 69.36, -18.21, -37.22

 

CMYK 86 / 46 / 0 / 7

HEX #2280EC

RGB 34 128 236

HSL 212.08, 0.84%, 0.53%

LAB 53.85, 12.82, -61.77

 

CMYK 86 / 68 / 0 / 7

HEX #224BEC

RGB 34 75 236

HSL 227.82, 0.84%, 0.53%

LAB 40.29, 46.16, -83.86

 

CMYK 80 / 86 / 0 / 7

HEX #3022EC

RGB 48 34 236

HSL 244.16, 0.84%, 0.53%

LAB 33.62, 67.44, -94.89

 

CMYK 91 / 50 / 0 / 32

HEX #0F57AD

RGB 15 87 173

HSL 212.66, 0.84%, 0.37%

LAB 37.73, 13.17, -51.63

 

CMYK 91 / 50 / 0 / 17

HEX #126AD3

RGB 18 106 211

HSL 212.64, 0.84%, 0.45%

LAB 45.83, 16.11, -60.63

 

CMYK 86 / 47 / 0 / 7

HEX #227EEC

RGB 34 126 236

HSL 212.67, 0.84%, 0.53%

LAB 53.3, 14.06, -62.67

 

CMYK 70 / 38 / 0 / 6

HEX #4894EF

RGB 72 148 239

HSL 212.69, 0.84%, 0.61%

LAB 60.6, 5.84, -52.6

 

CMYK 55 / 30 / 0 / 5

HEX #6EAAF2

RGB 110 170 242

HSL 212.73, 0.84%, 0.69%

LAB 68.37, 0.87, -41.88

 

CMYK 86 / 47 / 0 / 7

HEX #217DEC

RGB 33 125 236

HSL 212.81, 0.84%, 0.53%

LAB 53, 14.62, -63.14

 

CMYK 23 / 86 / 0 / 7

HEX #B622EC

RGB 182 34 236

HSL 283.96, 0.84%, 0.53%

LAB 48.44, 80.63, -69.98

 

CMYK 11 / 0 / 86 / 7

HEX #D1EC22

RGB 209 236 34

HSL 68.02, 0.84%, 0.53%

LAB 88.76, -30.96, 82.78

 

CMYK 86 / 47 / 0 / 7

HEX #217DEC

RGB 33 125 236

HSL 212.81, 0.84%, 0.53%

LAB 53, 14.62, -63.14

 

CMYK 0 / 86 / 46 / 7

HEX #EC2280

RGB 236 34 128

HSL 332.08, 0.84%, 0.53%

LAB 52.44, 76.75, 0.06

 

CMYK 46 / 0 / 86 / 7

HEX #80EC22

RGB 128 236 34

HSL 92.08, 0.84%, 0.53%

LAB 84.33, -60.31, 77.26

 

CMYK 86 / 47 / 0 / 7

HEX #217DEC

RGB 33 125 236

HSL 212.81, 0.84%, 0.53%

LAB 53, 14.62, -63.14

 

CMYK 23 / 86 / 0 / 7

HEX #B622EC

RGB 182 34 236

HSL 283.96, 0.84%, 0.53%

LAB 48.44, 80.63, -69.98

 

CMYK 0 / 40 / 86 / 7

HEX #EC8E22

RGB 236 142 34

HSL 32.08, 0.84%, 0.53%

LAB 67.5, 28.5, 66.35

 

CMYK 63 / 0 / 86 / 7

HEX #58EC22

RGB 88 236 34

HSL 103.96, 0.84%, 0.53%

LAB 83.01, -70.76, 75.6

 

CMYK 86 / 47 / 0 / 7

HEX #217DEC

RGB 33 125 236

HSL 212.81, 0.84%, 0.53%

LAB 53, 14.62, -63.14

 

CMYK 0 / 86 / 3 / 7

HEX #EC22E5

RGB 236 34 229

HSL 302.08, 0.84%, 0.53%

LAB 56.72, 88.32, -52.26

 

CMYK 0 / 40 / 86 / 7

HEX #EC8E22

RGB 236 142 34

HSL 32.08, 0.84%, 0.53%

LAB 67.5, 28.5, 66.35

 

CMYK 86 / 0 / 83 / 7

HEX #22EC29

RGB 34 236 41

HSL 122.08, 0.84%, 0.53%

LAB 82.1, -78.49, 72.89

 

Description

Color code: HEX #217DEC | qconv.com Color code: HEX #217DEC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 125 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 125 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 47 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 47% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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