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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #217427 it is the complementary color #DE8BD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #217427. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #217427 shade: #267422, #378635, #489848, #59AA5B and #6ABC6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #217427. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #217427 shade: #217427, #106214, #005001, #003E00 and #002C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #217427 shade: #217327, #317321, #477321, #5E7321 and #737321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #217427 shade: #217327, #21733D, #217353, #21736A and #216773

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #217427 shade matches the following richer shades: #217327, #157F1C and #098B12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #217427 shade: #217327, #2D6731, #385B3B, #444F45 and #50444F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #217427 shade: #477321, #317321, #217326, #21733C and #217352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #217427 shade: #0E3311, #17531C, #217327, #2A9431 and #33B43C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #217427 shade: #217427, #215D73 and #73213C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #217427 shade: #217427, #262173 and #732621

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #217427 shade: #217427, #215D73, #73216E and #733721

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #217427 shade: #217427, #214473, #73216E and #734F21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 66 / 55

HEX #217427

RGB 33 116 39

HSL 124.34, 0.56%, 0.29%

LAB 42.7, -41.09, 34.51

 

Complementary color

CMYK 0 / 37 / 3 / 13

HEX #DE8BD8

RGB 222 139 216

HSL 304.34, 0.56%, 0.71%

LAB 68.72, 43.13, -26.35

 

CMYK 67 / 0 / 71 / 55

HEX #267422

RGB 38 116 34

HSL 117.07, 0.55%, 0.29%

LAB 42.79, -40.55, 36.94

 

CMYK 59 / 0 / 60 / 47

HEX #378635

RGB 55 134 53

HSL 118.52, 0.43%, 0.37%

LAB 49.64, -41.18, 35.82

 

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

CMYK 48 / 0 / 46 / 33

HEX #59AA5B

RGB 89 170 91

HSL 121.48, 0.32%, 0.51%

LAB 63.03, -41.39, 33.14

 

CMYK 44 / 0 / 41 / 26

HEX #6ABC6E

RGB 106 188 110

HSL 122.93, 0.38%, 0.58%

LAB 69.58, -41.25, 31.83

 

CMYK 72 / 0 / 66 / 55

HEX #217427

RGB 33 116 39

HSL 124.34, 0.56%, 0.29%

LAB 42.7, -41.09, 34.51

 

CMYK 84 / 0 / 80 / 62

HEX #106214

RGB 16 98 20

HSL 122.93, 0.72%, 0.22%

LAB 35.78, -39.58, 35.39

 

CMYK 100 / 0 / 99 / 69

HEX #005001

RGB 0 80 1

HSL 120.75, 1%, 0.16%

LAB 28.75, -37.1, 35.47

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 71 / 0 / 66 / 55

HEX #217327

RGB 33 115 39

HSL 124.39, 0.55%, 0.29%

LAB 42.36, -40.72, 34.12

 

CMYK 57 / 0 / 71 / 55

HEX #317321

RGB 49 115 33

HSL 108.29, 0.55%, 0.29%

LAB 42.8, -37.36, 37.5

 

CMYK 38 / 0 / 71 / 55

HEX #477321

RGB 71 115 33

HSL 92.2, 0.55%, 0.29%

LAB 43.82, -29.9, 38.87

 

CMYK 18 / 0 / 71 / 55

HEX #5E7321

RGB 94 115 33

HSL 75.37, 0.55%, 0.29%

LAB 45.29, -20.37, 40.86

 

CMYK 0 / 0 / 71 / 55

HEX #737321

RGB 115 115 33

HSL 60, 0.55%, 0.29%

LAB 47, -10.81, 43.14

 

CMYK 71 / 0 / 66 / 55

HEX #217327

RGB 33 115 39

HSL 124.39, 0.55%, 0.29%

LAB 42.36, -40.72, 34.12

 

CMYK 71 / 0 / 47 / 55

HEX #21733D

RGB 33 115 61

HSL 140.49, 0.55%, 0.29%

LAB 42.65, -37.37, 22.91

 

CMYK 71 / 0 / 28 / 55

HEX #217353

RGB 33 115 83

HSL 156.59, 0.55%, 0.29%

LAB 43.08, -32.64, 10.74

 

CMYK 71 / 0 / 8 / 55

HEX #21736A

RGB 33 115 106

HSL 173.41, 0.55%, 0.29%

LAB 43.69, -26.4, -2.12

 

CMYK 71 / 10 / 0 / 55

HEX #216773

RGB 33 103 115

HSL 188.78, 0.55%, 0.29%

LAB 40.02, -17.23, -13.06

 

CMYK 71 / 0 / 66 / 55

HEX #217327

RGB 33 115 39

HSL 124.39, 0.55%, 0.29%

LAB 42.36, -40.72, 34.12

 

CMYK 83 / 0 / 78 / 50

HEX #157F1C

RGB 21 127 28

HSL 123.96, 0.72%, 0.29%

LAB 46.21, -48.03, 42.78

 

CMYK 94 / 0 / 87 / 45

HEX #098B12

RGB 9 139 18

HSL 124.15, 0.88%, 0.29%

LAB 50.18, -53.57, 49.56

 

CMYK 71 / 0 / 66 / 55

HEX #217327

RGB 33 115 39

HSL 124.39, 0.55%, 0.29%

LAB 42.36, -40.72, 34.12

 

CMYK 56 / 0 / 52 / 60

HEX #2D6731

RGB 45 103 49

HSL 124.14, 0.39%, 0.29%

LAB 38.69, -31.4, 24.7

 

CMYK 38 / 0 / 35 / 64

HEX #385B3B

RGB 56 91 59

HSL 125.14, 0.24%, 0.29%

LAB 35.28, -20.18, 14.57

 

CMYK 14 / 0 / 13 / 69

HEX #444F45

RGB 68 79 69

HSL 125.45, 0.07%, 0.29%

LAB 32.37, -6.64, 4.44

 

CMYK 0 / 15 / 1 / 69

HEX #50444F

RGB 80 68 79

HSL 305, 0.08%, 0.29%

LAB 30.41, 7.39, -4.7

 

CMYK 38 / 0 / 71 / 55

HEX #477321

RGB 71 115 33

HSL 92.2, 0.55%, 0.29%

LAB 43.82, -29.9, 38.87

 

CMYK 57 / 0 / 71 / 55

HEX #317321

RGB 49 115 33

HSL 108.29, 0.55%, 0.29%

LAB 42.8, -37.36, 37.5

 

CMYK 71 / 0 / 67 / 55

HEX #217326

RGB 33 115 38

HSL 123.66, 0.55%, 0.29%

LAB 42.35, -40.84, 34.58

 

CMYK 71 / 0 / 48 / 55

HEX #21733C

RGB 33 115 60

HSL 139.76, 0.55%, 0.29%

LAB 42.63, -37.55, 23.45

 

CMYK 71 / 0 / 29 / 55

HEX #217352

RGB 33 115 82

HSL 155.85, 0.55%, 0.29%

LAB 43.05, -32.89, 11.3

 

CMYK 73 / 0 / 67 / 80

HEX #0E3311

RGB 14 51 17

HSL 124.86, 0.57%, 0.13%

LAB 17.93, -21.77, 17.52

 

CMYK 72 / 0 / 66 / 67

HEX #17531C

RGB 23 83 28

HSL 125, 0.57%, 0.21%

LAB 30.53, -31.76, 26.15

 

CMYK 71 / 0 / 66 / 55

HEX #217327

RGB 33 115 39

HSL 124.39, 0.55%, 0.29%

LAB 42.36, -40.72, 34.12

 

CMYK 72 / 0 / 67 / 42

HEX #2A9431

RGB 42 148 49

HSL 123.96, 0.56%, 0.37%

LAB 53.91, -49.83, 42.4

 

CMYK 72 / 0 / 67 / 29

HEX #33B43C

RGB 51 180 60

HSL 124.19, 0.56%, 0.45%

LAB 64.7, -58.08, 49.51

 

CMYK 72 / 0 / 66 / 55

HEX #217427

RGB 33 116 39

HSL 124.34, 0.56%, 0.29%

LAB 42.7, -41.09, 34.51

 

CMYK 71 / 19 / 0 / 55

HEX #215D73

RGB 33 93 115

HSL 196.1, 0.55%, 0.29%

LAB 36.72, -11.51, -18.1

 

CMYK 0 / 71 / 48 / 55

HEX #73213C

RGB 115 33 60

HSL 340.24, 0.55%, 0.29%

LAB 26.9, 38.06, 3.28

 

CMYK 72 / 0 / 66 / 55

HEX #217427

RGB 33 116 39

HSL 124.34, 0.56%, 0.29%

LAB 42.7, -41.09, 34.51

 

CMYK 67 / 71 / 0 / 55

HEX #262173

RGB 38 33 115

HSL 243.66, 0.55%, 0.29%

LAB 18.96, 29.35, -46.38

 

CMYK 0 / 67 / 71 / 55

HEX #732621

RGB 115 38 33

HSL 3.66, 0.55%, 0.29%

LAB 27.13, 33.55, 21.53

 

CMYK 72 / 0 / 66 / 55

HEX #217427

RGB 33 116 39

HSL 124.34, 0.56%, 0.29%

LAB 42.7, -41.09, 34.51

 

CMYK 71 / 19 / 0 / 55

HEX #215D73

RGB 33 93 115

HSL 196.1, 0.55%, 0.29%

LAB 36.72, -11.51, -18.1

 

CMYK 0 / 71 / 4 / 55

HEX #73216E

RGB 115 33 110

HSL 303.66, 0.55%, 0.29%

LAB 29.05, 45.18, -26.38

 

CMYK 0 / 52 / 71 / 55

HEX #733721

RGB 115 55 33

HSL 16.1, 0.55%, 0.29%

LAB 30.61, 24.53, 25.63

 

CMYK 72 / 0 / 66 / 55

HEX #217427

RGB 33 116 39

HSL 124.34, 0.56%, 0.29%

LAB 42.7, -41.09, 34.51

 

CMYK 71 / 41 / 0 / 55

HEX #214473

RGB 33 68 115

HSL 214.39, 0.55%, 0.29%

LAB 28.63, 4.35, -30.77

 

CMYK 0 / 71 / 4 / 55

HEX #73216E

RGB 115 33 110

HSL 303.66, 0.55%, 0.29%

LAB 29.05, 45.18, -26.38

 

CMYK 0 / 31 / 71 / 55

HEX #734F21

RGB 115 79 33

HSL 33.66, 0.55%, 0.29%

LAB 36.64, 10.23, 32.38

 

Description

Color code: HEX #217427 | qconv.com Color code: HEX #217427 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 116 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 116 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 66 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 66% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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