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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2161DF it is the complementary color #DE9E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2161DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2161DF shade: #2661DA, #3773ED, #4885FF, #5997FF and #6AA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2161DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2161DF shade: #2161DF, #104FCC, #003DB9, #002BA6 and #001993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2161DF shade: #2060DF, #202DDF, #4720DF, #7A20DF and #AE20DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2161DF shade: #2060DF, #202DDF and #2020DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2161DF shade matches the following richer shades: #2060DF and #0B5AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2161DF shade: #2060DF, #3567CA, #496EB6, #5E74A1 and #727B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2161DF shade: #20C9DF, #2096DF, #2063DF, #2030DF and #4320DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2161DF shade: #164197, #1B51BB, #2060DF, #447AE4 and #6894E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2161DF shade: #2161DF, #C220DF and #AFDF20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2161DF shade: #2161DF, #DF2063 and #63DF20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2161DF shade: #2161DF, #C220DF, #DF9C20 and #3DDF20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2161DF shade: #2161DF, #DF20C2, #DF9C20 and #20DF3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 57 / 0 / 13

HEX #2161DF

RGB 33 97 223

HSL 219.79, 0.75%, 0.5%

LAB 44.52, 27.45, -69.57

 

Complementary color

CMYK 0 / 29 / 86 / 13

HEX #DE9E20

RGB 222 158 32

HSL 39.79, 0.75%, 0.5%

LAB 69.53, 14.01, 67.89

 

CMYK 83 / 56 / 0 / 15

HEX #2661DA

RGB 38 97 218

HSL 220.33, 0.71%, 0.5%

LAB 44.27, 25.91, -67.13

 

CMYK 77 / 51 / 0 / 7

HEX #3773ED

RGB 55 115 237

HSL 220.22, 0.83%, 0.57%

LAB 50.91, 23.15, -67.06

 

CMYK 72 / 48 / 0 / 0

HEX #4885FF

RGB 72 133 255

HSL 220, 1%, 0.64%

LAB 57.44, 20.49, -66.47

 

CMYK 65 / 41 / 0 / 0

HEX #5997FF

RGB 89 151 255

HSL 217.59, 1%, 0.67%

LAB 62.91, 12.14, -57.66

 

CMYK 58 / 34 / 0 / 0

HEX #6AA9FF

RGB 106 169 255

HSL 214.63, 1%, 0.71%

LAB 68.5, 4.69, -48.75

 

CMYK 85 / 57 / 0 / 13

HEX #2161DF

RGB 33 97 223

HSL 219.79, 0.75%, 0.5%

LAB 44.52, 27.45, -69.57

 

CMYK 92 / 61 / 0 / 20

HEX #104FCC

RGB 16 79 204

HSL 219.89, 0.85%, 0.43%

LAB 37.95, 30.93, -69.42

 

CMYK 100 / 67 / 0 / 27

HEX #003DB9

RGB 0 61 185

HSL 220.22, 1%, 0.36%

LAB 31.44, 34.86, -69

 

CMYK 100 / 74 / 0 / 35

HEX #002BA6

RGB 0 43 166

HSL 224.46, 1%, 0.33%

LAB 25.2, 39.19, -67.94

 

CMYK 100 / 83 / 0 / 42

HEX #001993

RGB 0 25 147

HSL 229.8, 1%, 0.29%

LAB 19.23, 42.86, -66.21

 

CMYK 86 / 57 / 0 / 13

HEX #2060DF

RGB 32 96 223

HSL 219.9, 0.75%, 0.5%

LAB 44.23, 28.02, -70.04

 

CMYK 86 / 80 / 0 / 13

HEX #202DDF

RGB 32 45 223

HSL 235.92, 0.75%, 0.5%

LAB 32.94, 58.35, -88.62

 

CMYK 68 / 86 / 0 / 13

HEX #4720DF

RGB 71 32 223

HSL 252.25, 0.75%, 0.5%

LAB 33.35, 65.83, -87.88

 

CMYK 45 / 86 / 0 / 13

HEX #7A20DF

RGB 122 32 223

HSL 268.27, 0.75%, 0.5%

LAB 38.72, 70.48, -78.83

 

CMYK 22 / 86 / 0 / 13

HEX #AE20DF

RGB 174 32 223

HSL 284.61, 0.75%, 0.5%

LAB 46.12, 77.48, -66.43

 

CMYK 86 / 57 / 0 / 13

HEX #2060DF

RGB 32 96 223

HSL 219.9, 0.75%, 0.5%

LAB 44.23, 28.02, -70.04

 

CMYK 86 / 80 / 0 / 13

HEX #202DDF

RGB 32 45 223

HSL 235.92, 0.75%, 0.5%

LAB 32.94, 58.35, -88.62

 

CMYK 86 / 86 / 0 / 13

HEX #2020DF

RGB 32 32 223

HSL 240, 0.75%, 0.5%

LAB 31.04, 63.99, -91.79

 

CMYK 86 / 57 / 0 / 13

HEX #2060DF

RGB 32 96 223

HSL 219.9, 0.75%, 0.5%

LAB 44.23, 28.02, -70.04

 

CMYK 95 / 63 / 0 / 4

HEX #0B5AF4

RGB 11 90 244

HSL 219.66, 0.91%, 0.5%

LAB 44.11, 38.91, -82.1

 

CMYK 86 / 57 / 0 / 13

HEX #2060DF

RGB 32 96 223

HSL 219.9, 0.75%, 0.5%

LAB 44.23, 28.02, -70.04

 

CMYK 74 / 49 / 0 / 21

HEX #3567CA

RGB 53 103 202

HSL 219.87, 0.58%, 0.5%

LAB 45.25, 17.59, -56.36

 

CMYK 60 / 40 / 0 / 29

HEX #496EB6

RGB 73 110 182

HSL 219.63, 0.43%, 0.5%

LAB 46.9, 9.29, -42.1

 

CMYK 42 / 28 / 0 / 37

HEX #5E74A1

RGB 94 116 161

HSL 220.3, 0.26%, 0.5%

LAB 48.81, 3.96, -26.77

 

CMYK 19 / 13 / 0 / 45

HEX #727B8D

RGB 114 123 141

HSL 220, 0.11%, 0.5%

LAB 51.46, 0.71, -10.88

 

CMYK 86 / 10 / 0 / 13

HEX #20C9DF

RGB 32 201 223

HSL 186.91, 0.75%, 0.5%

LAB 74.45, -32.17, -22.34

 

CMYK 86 / 33 / 0 / 13

HEX #2096DF

RGB 32 150 223

HSL 202.93, 0.75%, 0.5%

LAB 59.39, -5.35, -45.71

 

CMYK 86 / 56 / 0 / 13

HEX #2063DF

RGB 32 99 223

HSL 218.95, 0.75%, 0.5%

LAB 45.02, 26.09, -68.75

 

CMYK 86 / 78 / 0 / 13

HEX #2030DF

RGB 32 48 223

HSL 234.97, 0.75%, 0.5%

LAB 33.45, 56.87, -87.77

 

CMYK 70 / 86 / 0 / 13

HEX #4320DF

RGB 67 32 223

HSL 250.99, 0.75%, 0.5%

LAB 33.04, 65.58, -88.41

 

CMYK 85 / 57 / 0 / 41

HEX #164197

RGB 22 65 151

HSL 220, 0.75%, 0.34%

LAB 29.88, 19.61, -51.13

 

CMYK 86 / 57 / 0 / 27

HEX #1B51BB

RGB 27 81 187

HSL 219.75, 0.75%, 0.42%

LAB 37.31, 23.56, -60.55

 

CMYK 86 / 57 / 0 / 13

HEX #2060DF

RGB 32 96 223

HSL 219.9, 0.75%, 0.5%

LAB 44.23, 28.02, -70.04

 

CMYK 70 / 46 / 0 / 11

HEX #447AE4

RGB 68 122 228

HSL 219.75, 0.75%, 0.58%

LAB 52.67, 17.13, -59.14

 

CMYK 55 / 36 / 0 / 9

HEX #6894E9

RGB 104 148 233

HSL 219.53, 0.75%, 0.66%

LAB 61.66, 9.46, -47.51

 

CMYK 85 / 57 / 0 / 13

HEX #2161DF

RGB 33 97 223

HSL 219.79, 0.75%, 0.5%

LAB 44.52, 27.45, -69.57

 

CMYK 13 / 86 / 0 / 13

HEX #C220DF

RGB 194 32 223

HSL 290.89, 0.75%, 0.5%

LAB 49.29, 80.62, -61.15

 

CMYK 22 / 0 / 86 / 13

HEX #AFDF20

RGB 175 223 32

HSL 75.08, 0.75%, 0.5%

LAB 82.91, -38.59, 77.4

 

CMYK 85 / 57 / 0 / 13

HEX #2161DF

RGB 33 97 223

HSL 219.79, 0.75%, 0.5%

LAB 44.52, 27.45, -69.57

 

CMYK 0 / 86 / 56 / 13

HEX #DF2063

RGB 223 32 99

HSL 338.95, 0.75%, 0.5%

LAB 49.03, 71.81, 12.51

 

CMYK 56 / 0 / 86 / 13

HEX #63DF20

RGB 99 223 32

HSL 98.95, 0.75%, 0.5%

LAB 79.35, -63.89, 72.94

 

CMYK 85 / 57 / 0 / 13

HEX #2161DF

RGB 33 97 223

HSL 219.79, 0.75%, 0.5%

LAB 44.52, 27.45, -69.57

 

CMYK 13 / 86 / 0 / 13

HEX #C220DF

RGB 194 32 223

HSL 290.89, 0.75%, 0.5%

LAB 49.29, 80.62, -61.15

 

CMYK 0 / 30 / 86 / 13

HEX #DF9C20

RGB 223 156 32

HSL 38.95, 0.75%, 0.5%

LAB 69.16, 15.51, 67.64

 

CMYK 73 / 0 / 86 / 13

HEX #3DDF20

RGB 61 223 32

HSL 110.89, 0.75%, 0.5%

LAB 78.39, -71.89, 71.73

 

CMYK 85 / 57 / 0 / 13

HEX #2161DF

RGB 33 97 223

HSL 219.79, 0.75%, 0.5%

LAB 44.52, 27.45, -69.57

 

CMYK 0 / 86 / 13 / 13

HEX #DF20C2

RGB 223 32 194

HSL 309.11, 0.75%, 0.5%

LAB 52.53, 81.45, -39.05

 

CMYK 0 / 30 / 86 / 13

HEX #DF9C20

RGB 223 156 32

HSL 38.95, 0.75%, 0.5%

LAB 69.16, 15.51, 67.64

 

CMYK 86 / 0 / 73 / 13

HEX #20DF3D

RGB 32 223 61

HSL 129.11, 0.75%, 0.5%

LAB 78.12, -73.7, 63.15

 

Description

Color code: HEX #2161DF | qconv.com Color code: HEX #2161DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 97 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 97 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 57 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 57% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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