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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2153DC it is the complementary color #DEAC23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2153DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2153DC shade: #2653D7, #3765EA, #4877FD, #5989FF and #6A9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2153DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2153DC shade: #2153DC, #1041C9, #002FB6, #001DA3 and #000B90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2153DC shade: #2154DE, #2221DE, #5421DE, #8721DE and #BA21DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2153DC shade: #2154DE and #2121DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2153DC shade matches the following richer shades: #2154DE and #0D4AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2153DC shade: #2154DE, #365DC9, #4A67B5, #5F70A0 and #747A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2153DC shade: #21BBDE, #2189DE, #2157DE, #2124DE and #5021DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2153DC shade: #163996, #1C46BA, #2154DE, #456FE3 and #698BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2153DC shade: #2153DC, #CE21DE and #A2DE21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2153DC shade: #2153DC, #DE2157 and #57DE21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2153DC shade: #2153DC, #CE21DE, #DEA821 and #31DE21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2153DC shade: #2153DC, #DE21B5, #DEA821 and #21DE4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 62 / 0 / 14

HEX #2153DC

RGB 33 83 220

HSL 223.96, 0.74%, 0.5%

LAB 40.7, 35.31, -74.1

 

Complementary color

CMYK 0 / 23 / 84 / 13

HEX #DEAC23

RGB 222 172 35

HSL 43.96, 0.74%, 0.5%

LAB 72.99, 6.62, 69.93

 

CMYK 82 / 61 / 0 / 16

HEX #2653D7

RGB 38 83 215

HSL 224.75, 0.7%, 0.5%

LAB 40.42, 33.8, -71.7

 

CMYK 76 / 57 / 0 / 8

HEX #3765EA

RGB 55 101 234

HSL 224.58, 0.81%, 0.57%

LAB 47.05, 30.88, -71.63

 

CMYK 72 / 53 / 0 / 1

HEX #4877FD

RGB 72 119 253

HSL 224.42, 0.98%, 0.64%

LAB 53.67, 28.39, -71.45

 

CMYK 65 / 46 / 0 / 0

HEX #5989FF

RGB 89 137 255

HSL 222.65, 1%, 0.67%

LAB 59.19, 20.5, -63.61

 

CMYK 58 / 39 / 0 / 0

HEX #6A9BFF

RGB 106 155 255

HSL 220.27, 1%, 0.71%

LAB 64.75, 12.77, -54.69

 

CMYK 85 / 62 / 0 / 14

HEX #2153DC

RGB 33 83 220

HSL 223.96, 0.74%, 0.5%

LAB 40.7, 35.31, -74.1

 

CMYK 92 / 68 / 0 / 21

HEX #1041C9

RGB 16 65 201

HSL 224.11, 0.85%, 0.43%

LAB 34.21, 38.85, -73.83

 

CMYK 100 / 74 / 0 / 29

HEX #002FB6

RGB 0 47 182

HSL 224.51, 1%, 0.36%

LAB 27.87, 42.61, -73.11

 

CMYK 100 / 82 / 0 / 36

HEX #001DA3

RGB 0 29 163

HSL 229.33, 1%, 0.32%

LAB 22.03, 46.17, -71.39

 

CMYK 100 / 92 / 0 / 44

HEX #000B90

RGB 0 11 144

HSL 235.42, 1%, 0.28%

LAB 16.76, 48.03, -68.46

 

CMYK 85 / 62 / 0 / 13

HEX #2154DE

RGB 33 84 222

HSL 223.81, 0.74%, 0.5%

LAB 41.12, 35.42, -74.56

 

CMYK 85 / 85 / 0 / 13

HEX #2221DE

RGB 34 33 222

HSL 240.32, 0.74%, 0.5%

LAB 31.12, 63.38, -91.08

 

CMYK 62 / 85 / 0 / 13

HEX #5421DE

RGB 84 33 222

HSL 256.19, 0.74%, 0.5%

LAB 34.49, 66.19, -85.38

 

CMYK 39 / 85 / 0 / 13

HEX #8721DE

RGB 135 33 222

HSL 272.38, 0.74%, 0.5%

LAB 40.43, 71.56, -75.38

 

CMYK 16 / 85 / 0 / 13

HEX #BA21DE

RGB 186 33 222

HSL 288.57, 0.74%, 0.5%

LAB 48.01, 78.96, -62.71

 

CMYK 85 / 62 / 0 / 13

HEX #2154DE

RGB 33 84 222

HSL 223.81, 0.74%, 0.5%

LAB 41.12, 35.42, -74.56

 

CMYK 85 / 85 / 0 / 13

HEX #2121DE

RGB 33 33 222

HSL 240, 0.74%, 0.5%

LAB 31.08, 63.35, -91.15

 

CMYK 85 / 62 / 0 / 13

HEX #2154DE

RGB 33 84 222

HSL 223.81, 0.74%, 0.5%

LAB 41.12, 35.42, -74.56

 

CMYK 95 / 69 / 0 / 5

HEX #0D4AF2

RGB 13 74 242

HSL 224.02, 0.9%, 0.5%

LAB 40.24, 48.11, -87.36

 

CMYK 85 / 62 / 0 / 13

HEX #2154DE

RGB 33 84 222

HSL 223.81, 0.74%, 0.5%

LAB 41.12, 35.42, -74.56

 

CMYK 73 / 54 / 0 / 21

HEX #365DC9

RGB 54 93 201

HSL 224.08, 0.58%, 0.5%

LAB 42.51, 23.77, -60.22

 

CMYK 59 / 43 / 0 / 29

HEX #4A67B5

RGB 74 103 181

HSL 223.74, 0.42%, 0.5%

LAB 44.93, 13.53, -44.66

 

CMYK 41 / 30 / 0 / 37

HEX #5F70A0

RGB 95 112 160

HSL 224.31, 0.25%, 0.5%

LAB 47.7, 6.36, -27.91

 

CMYK 17 / 12 / 0 / 45

HEX #747A8B

RGB 116 122 139

HSL 224.35, 0.09%, 0.5%

LAB 51.26, 1.51, -9.99

 

CMYK 85 / 16 / 0 / 13

HEX #21BBDE

RGB 33 187 222

HSL 191.11, 0.74%, 0.5%

LAB 70.27, -25.55, -28.18

 

CMYK 85 / 38 / 0 / 13

HEX #2189DE

RGB 33 137 222

HSL 206.98, 0.74%, 0.5%

LAB 55.57, 1.98, -51.2

 

CMYK 85 / 61 / 0 / 13

HEX #2157DE

RGB 33 87 222

HSL 222.86, 0.74%, 0.5%

LAB 41.87, 33.5, -73.33

 

CMYK 85 / 84 / 0 / 13

HEX #2124DE

RGB 33 36 222

HSL 239.05, 0.74%, 0.5%

LAB 31.48, 62.14, -90.47

 

CMYK 64 / 85 / 0 / 13

HEX #5021DE

RGB 80 33 222

HSL 254.92, 0.74%, 0.5%

LAB 34.12, 65.87, -86

 

CMYK 85 / 62 / 0 / 41

HEX #163996

RGB 22 57 150

HSL 223.59, 0.74%, 0.34%

LAB 27.57, 24.73, -54.28

 

CMYK 85 / 62 / 0 / 27

HEX #1C46BA

RGB 28 70 186

HSL 224.05, 0.74%, 0.42%

LAB 34.34, 30.55, -64.81

 

CMYK 85 / 62 / 0 / 13

HEX #2154DE

RGB 33 84 222

HSL 223.81, 0.74%, 0.5%

LAB 41.12, 35.42, -74.56

 

CMYK 70 / 51 / 0 / 11

HEX #456FE3

RGB 69 111 227

HSL 224.05, 0.74%, 0.58%

LAB 49.71, 23.76, -63.35

 

CMYK 55 / 40 / 0 / 9

HEX #698BE9

RGB 105 139 233

HSL 224.06, 0.74%, 0.66%

LAB 59.3, 14.98, -51.25

 

CMYK 85 / 62 / 0 / 14

HEX #2153DC

RGB 33 83 220

HSL 223.96, 0.74%, 0.5%

LAB 40.7, 35.31, -74.1

 

CMYK 7 / 85 / 0 / 13

HEX #CE21DE

RGB 206 33 222

HSL 294.92, 0.74%, 0.5%

LAB 51.25, 82.26, -57.33

 

CMYK 27 / 0 / 85 / 13

HEX #A2DE21

RGB 162 222 33

HSL 79.05, 0.74%, 0.5%

LAB 81.86, -43.1, 76

 

CMYK 85 / 62 / 0 / 14

HEX #2153DC

RGB 33 83 220

HSL 223.96, 0.74%, 0.5%

LAB 40.7, 35.31, -74.1

 

CMYK 0 / 85 / 61 / 13

HEX #DE2157

RGB 222 33 87

HSL 342.86, 0.74%, 0.5%

LAB 48.64, 70.61, 19.3

 

CMYK 61 / 0 / 85 / 13

HEX #57DE21

RGB 87 222 33

HSL 102.86, 0.74%, 0.5%

LAB 78.68, -66.45, 72.01

 

CMYK 85 / 62 / 0 / 14

HEX #2153DC

RGB 33 83 220

HSL 223.96, 0.74%, 0.5%

LAB 40.7, 35.31, -74.1

 

CMYK 7 / 85 / 0 / 13

HEX #CE21DE

RGB 206 33 222

HSL 294.92, 0.74%, 0.5%

LAB 51.25, 82.26, -57.33

 

CMYK 0 / 24 / 85 / 13

HEX #DEA821

RGB 222 168 33

HSL 42.86, 0.74%, 0.5%

LAB 71.99, 8.69, 69.64

 

CMYK 78 / 0 / 85 / 13

HEX #31DE21

RGB 49 222 33

HSL 114.92, 0.74%, 0.5%

LAB 77.88, -73.3, 70.99

 

CMYK 85 / 62 / 0 / 14

HEX #2153DC

RGB 33 83 220

HSL 223.96, 0.74%, 0.5%

LAB 40.7, 35.31, -74.1

 

CMYK 0 / 85 / 18 / 13

HEX #DE21B5

RGB 222 33 181

HSL 313.02, 0.74%, 0.5%

LAB 51.78, 79.4, -32.67

 

CMYK 0 / 24 / 85 / 13

HEX #DEA821

RGB 222 168 33

HSL 42.86, 0.74%, 0.5%

LAB 71.99, 8.69, 69.64

 

CMYK 85 / 0 / 67 / 13

HEX #21DE4A

RGB 33 222 74

HSL 133.02, 0.74%, 0.5%

LAB 77.91, -72.16, 58.06

 

Description

Color code: HEX #2153DC | qconv.com Color code: HEX #2153DC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 83 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 83 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 62 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 62% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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