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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214C0ACE it is the complementary color #DEB3F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214C0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #214C0ACE shade: #264C05CE, #375E18CE, #48702BCE, #59823ECE and #6A9451CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214C0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #214C0ACE shade: #214C0ACE, #103A00CE, #002800CE, #001600CE and #000400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #214C0ACE shade: #214D0A, #334D0A, #454D0A, #4D420A and #4D300A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #214C0ACE shade: #214D0A, #0F4D0A, #0A4D17, #0A4D29 and #0A4D3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #214C0ACE shade matches the following richer shades: #214D0A and #1F5403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #214C0ACE shade: #214D0A, #234611, #253F18, #28381F and #2A3126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #214C0ACE shade: #454D0A, #334D0A, #214D0A, #104D0A and #0A4D16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #214C0ACE shade: #020400, #112805, #214D0A, #31710F and #419613

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #214C0ACE shade: #214C0A, #0A4D43 and #4D0A3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #214C0ACE shade: #214C0A, #0A214D and #4D0A21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #214C0ACE shade: #214C0A, #0A4D43, #350A4D and #4D0A14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #214C0ACE shade: #214C0A, #0A434D, #350A4D and #4D140A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 70 / 57

HEX #214C0ACE

RGBA 33 76 10 0.81

HSLA 99.09, 0.77%, 0.17%, 0.81

LABA 28.15, -27.75, 31.87, 0.81

 

Complementary color

CMYK 8 / 22 / 0 / 3

HEX #DEB3F5CE

RGBA 222 179 245 0.81

HSLA 279.09, 0.77%, 0.83%, 0.81

LABA 78.67, 27.25, -26.92, 0.81

 

CMYK 41 / 0 / 76 / 57

HEX #264C05CE

RGBA 38 76 5 0.81

HSLA 92.11, 0.88%, 0.16%, 0.81

LABA 28.36, -26.27, 34, 0.81

 

CMYK 34 / 0 / 60 / 51

HEX #375E18CE

RGBA 55 94 24 0.81

HSLA 93.43, 0.59%, 0.23%, 0.81

LABA 35.76, -26.9, 34.15, 0.81

 

CMYK 29 / 0 / 50 / 45

HEX #48702BCE

RGBA 72 112 43 0.81

HSLA 94.78, 0.45%, 0.3%, 0.81

LABA 42.97, -27.13, 33.29, 0.81

 

CMYK 26 / 0 / 42 / 40

HEX #59823ECE

RGBA 89 130 62 0.81

HSLA 96.18, 0.35%, 0.38%, 0.81

LABA 50.02, -27.15, 32.09, 0.81

 

CMYK 23 / 0 / 37 / 34

HEX #6A9451CE

RGBA 106 148 81 0.81

HSLA 97.61, 0.29%, 0.45%, 0.81

LABA 56.92, -27.07, 30.83, 0.81

 

CMYK 46 / 0 / 70 / 57

HEX #214C0ACE

RGBA 33 76 10 0.81

HSLA 99.09, 0.77%, 0.17%, 0.81

LABA 28.15, -27.75, 31.87, 0.81

 

CMYK 59 / 0 / 81 / 63

HEX #103A00CE

RGBA 16 58 0 0.81

HSLA 103.45, 1%, 0.11%, 0.81

LABA 20.58, -26.24, 28.13, 0.81

 

CMYK 81 / 0 / 81 / 68

HEX #002800CE

RGBA 0 40 0 0.81

HSLA 120, 1%, 0.08%, 0.81

LABA 12.72, -23.74, 18.31, 0.81

 

CMYK 81 / 0 / 81 / 74

HEX #001600CE

RGBA 0 22 0 0.81

HSLA 120, 1%, 0.04%, 0.81

LABA 5.18, -10.59, 7.57, 0.81

 

CMYK 81 / 0 / 81 / 80

HEX #000400CE

RGBA 0 4 0 0.81

HSLA 120, 1%, 0.01%, 0.81

LABA 0.78, -1.6, 1.15, 0.81

 

CMYK 57 / 0 / 87 / 70

HEX #214D0A

RGB 33 77 10

HSL 99.4, 0.77%, 0.17%

LAB 28.52, -28.19, 32.22

 

CMYK 34 / 0 / 87 / 70

HEX #334D0A

RGB 51 77 10

HSL 83.28, 0.77%, 0.17%

LAB 29.5, -21.12, 33.48

 

CMYK 10 / 0 / 87 / 70

HEX #454D0A

RGB 69 77 10

HSL 67.16, 0.77%, 0.17%

LAB 30.87, -12.65, 35.23

 

CMYK 0 / 14 / 87 / 70

HEX #4D420A

RGB 77 66 10

HSL 50.15, 0.77%, 0.17%

LAB 28.1, -1.97, 33.05

 

CMYK 0 / 38 / 87 / 70

HEX #4D300A

RGB 77 48 10

HSL 34.03, 0.77%, 0.17%

LAB 22.7, 9.56, 27.93

 

CMYK 57 / 0 / 87 / 70

HEX #214D0A

RGB 33 77 10

HSL 99.4, 0.77%, 0.17%

LAB 28.52, -28.19, 32.22

 

CMYK 81 / 0 / 87 / 70

HEX #0F4D0A

RGB 15 77 10

HSL 115.52, 0.77%, 0.17%

LAB 27.93, -33.01, 31.45

 

CMYK 87 / 0 / 70 / 70

HEX #0A4D17

RGB 10 77 23

HSL 131.64, 0.77%, 0.17%

LAB 27.94, -32.54, 25.72

 

CMYK 87 / 0 / 47 / 70

HEX #0A4D29

RGB 10 77 41

HSL 147.76, 0.77%, 0.17%

LAB 28.2, -29.42, 15.81

 

CMYK 87 / 0 / 23 / 70

HEX #0A4D3B

RGB 10 77 59

HSL 163.88, 0.77%, 0.17%

LAB 28.61, -24.87, 5.07

 

CMYK 57 / 0 / 87 / 70

HEX #214D0A

RGB 33 77 10

HSL 99.4, 0.77%, 0.17%

LAB 28.52, -28.19, 32.22

 

CMYK 63 / 0 / 96 / 67

HEX #1F5403

RGB 31 84 3

HSL 99.26, 0.93%, 0.17%

LAB 30.97, -32.21, 36.85

 

CMYK 57 / 0 / 87 / 70

HEX #214D0A

RGB 33 77 10

HSL 99.4, 0.77%, 0.17%

LAB 28.52, -28.19, 32.22

 

CMYK 50 / 0 / 76 / 73

HEX #234611

RGB 35 70 17

HSL 99.62, 0.61%, 0.17%

LAB 26.09, -23.69, 26.92

 

CMYK 41 / 0 / 62 / 75

HEX #253F18

RGB 37 63 24

HSL 100, 0.45%, 0.17%

LAB 23.72, -18.54, 20.57

 

CMYK 29 / 0 / 45 / 78

HEX #28381F

RGB 40 56 31

HSL 98.4, 0.29%, 0.17%

LAB 21.5, -12.22, 13.57

 

CMYK 14 / 0 / 22 / 81

HEX #2A3126

RGB 42 49 38

HSL 98.18, 0.13%, 0.17%

LAB 19.34, -5.6, 6.03

 

CMYK 10 / 0 / 87 / 70

HEX #454D0A

RGB 69 77 10

HSL 67.16, 0.77%, 0.17%

LAB 30.87, -12.65, 35.23

 

CMYK 34 / 0 / 87 / 70

HEX #334D0A

RGB 51 77 10

HSL 83.28, 0.77%, 0.17%

LAB 29.5, -21.12, 33.48

 

CMYK 57 / 0 / 87 / 70

HEX #214D0A

RGB 33 77 10

HSL 99.4, 0.77%, 0.17%

LAB 28.52, -28.19, 32.22

 

CMYK 79 / 0 / 87 / 70

HEX #104D0A

RGB 16 77 10

HSL 114.63, 0.77%, 0.17%

LAB 27.95, -32.81, 31.48

 

CMYK 87 / 0 / 71 / 70

HEX #0A4D16

RGB 10 77 22

HSL 130.75, 0.77%, 0.17%

LAB 27.93, -32.67, 26.21

 

CMYK 50 / 0 / 100 / 98

HEX #020400

RGB 2 4 0

HSL 90, 1%, 0.01%

LAB 0.9, -1.08, 1.33

 

CMYK 58 / 0 / 88 / 84

HEX #112805

RGB 17 40 5

HSL 99.43, 0.78%, 0.09%

LAB 13.52, -17.04, 17.47

 

CMYK 57 / 0 / 87 / 70

HEX #214D0A

RGB 33 77 10

HSL 99.4, 0.77%, 0.17%

LAB 28.52, -28.19, 32.22

 

CMYK 57 / 0 / 87 / 56

HEX #31710F

RGB 49 113 15

HSL 99.18, 0.77%, 0.25%

LAB 42, -37.86, 43.29

 

CMYK 57 / 0 / 87 / 41

HEX #419613

RGB 65 150 19

HSL 98.93, 0.78%, 0.33%

LAB 55.06, -47.32, 54.1

 

CMYK 57 / 0 / 87 / 70

HEX #214C0A

RGB 33 76 10

HSL 99.09, 0.77%, 0.17%

LAB 28.15, -27.75, 31.87

 

CMYK 87 / 0 / 13 / 70

HEX #0A4D43

RGB 10 77 67

HSL 171.04, 0.77%, 0.17%

LAB 28.84, -22.44, 0.27

 

CMYK 0 / 87 / 22 / 70

HEX #4D0A3C

RGB 77 10 60

HSL 315.22, 0.77%, 0.17%

LAB 16.11, 35.29, -13.65

 

CMYK 57 / 0 / 87 / 70

HEX #214C0A

RGB 33 76 10

HSL 99.09, 0.77%, 0.17%

LAB 28.15, -27.75, 31.87

 

CMYK 87 / 57 / 0 / 70

HEX #0A214D

RGB 10 33 77

HSL 219.4, 0.77%, 0.17%

LAB 13.76, 9.97, -29.72

 

CMYK 0 / 87 / 57 / 70

HEX #4D0A21

RGB 77 10 33

HSL 339.4, 0.77%, 0.17%

LAB 14.98, 31.92, 4.17

 

CMYK 57 / 0 / 87 / 70

HEX #214C0A

RGB 33 76 10

HSL 99.09, 0.77%, 0.17%

LAB 28.15, -27.75, 31.87

 

CMYK 87 / 0 / 13 / 70

HEX #0A4D43

RGB 10 77 67

HSL 171.04, 0.77%, 0.17%

LAB 28.84, -22.44, 0.27

 

CMYK 31 / 87 / 0 / 70

HEX #350A4D

RGB 53 10 77

HSL 278.51, 0.77%, 0.17%

LAB 12.67, 32.95, -31.29

 

CMYK 0 / 87 / 74 / 70

HEX #4D0A14

RGB 77 10 20

HSL 351.04, 0.77%, 0.17%

LAB 14.65, 30.91, 13.19

 

CMYK 57 / 0 / 87 / 70

HEX #214C0A

RGB 33 76 10

HSL 99.09, 0.77%, 0.17%

LAB 28.15, -27.75, 31.87

 

CMYK 87 / 13 / 0 / 70

HEX #0A434D

RGB 10 67 77

HSL 188.96, 0.77%, 0.17%

LAB 25.61, -13.44, -11.07

 

CMYK 31 / 87 / 0 / 70

HEX #350A4D

RGB 53 10 77

HSL 278.51, 0.77%, 0.17%

LAB 12.67, 32.95, -31.29

 

CMYK 0 / 74 / 87 / 70

HEX #4D140A

RGB 77 20 10

HSL 8.96, 0.77%, 0.17%

LAB 16, 26.24, 20.22

 

Description

Color code: HEX #214C0ACE | qconv.com Color code: HEX #214C0ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 76 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 76 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 70 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 70% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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