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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214320 it is the complementary color #DEBCDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #214320 shade: #26431B, #37552E, #486741, #597954 and #6A8B67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #214320 shade: #214320, #10310D, #001F00, #000D00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #214320 shade: #20411F, #2A411F, #33411F, #3C411F and #413E1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #214320 shade: #20411F, #1F4128, #1F4131, #1F413A and #1F4041

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #214320 shade matches the following richer shades: #20411F, #194918, #125110, #0A5908 and #036100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #214320 shade: #20411F, #283A27, #2F322F, #372A37 and #3E223F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #214320 shade: #33411F, #2A411F, #21411F, #1F4127 and #1F4130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #214320 shade: #050A05, #132612, #20411F, #2E5D2D and #3C793A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #214320 shade: #214320, #1F3C41 and #411F2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #214320 shade: #214320, #1F2141 and #411F21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #214320 shade: #214320, #1F3C41, #401F41 and #41251F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #214320 shade: #214320, #1F3241, #401F41 and #412F1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 52 / 74

HEX #214320

RGB 33 67 32

HSL 118.29, 0.35%, 0.19%

LAB 25.08, -20.93, 17.44

 

Complementary color

CMYK 0 / 16 / 0 / 13

HEX #DEBCDF

RGB 222 188 223

HSL 298.29, 0.35%, 0.81%

LAB 80.08, 18.15, -12.95

 

CMYK 43 / 0 / 60 / 74

HEX #26431B

RGB 38 67 27

HSL 103.5, 0.43%, 0.18%

LAB 25.28, -19.83, 20.71

 

CMYK 35 / 0 / 46 / 67

HEX #37552E

RGB 55 85 46

HSL 106.15, 0.3%, 0.26%

LAB 32.93, -19.69, 19.28

 

CMYK 30 / 0 / 37 / 60

HEX #486741

RGB 72 103 65

HSL 108.95, 0.23%, 0.33%

LAB 40.34, -19.47, 17.93

 

CMYK 26 / 0 / 31 / 53

HEX #597954

RGB 89 121 84

HSL 111.89, 0.18%, 0.4%

LAB 47.54, -19.24, 16.7

 

CMYK 24 / 0 / 26 / 45

HEX #6A8B67

RGB 106 139 103

HSL 115, 0.15%, 0.47%

LAB 54.56, -19.03, 15.58

 

CMYK 51 / 0 / 52 / 74

HEX #214320

RGB 33 67 32

HSL 118.29, 0.35%, 0.19%

LAB 25.08, -20.93, 17.44

 

CMYK 67 / 0 / 73 / 81

HEX #10310D

RGB 16 49 13

HSL 115, 0.58%, 0.12%

LAB 17.16, -20.81, 18.73

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 51 / 0 / 52 / 75

HEX #20411F

RGB 32 65 31

HSL 118.24, 0.35%, 0.19%

LAB 24.28, -20.43, 17.03

 

CMYK 35 / 0 / 52 / 75

HEX #2A411F

RGB 42 65 31

HSL 100.59, 0.35%, 0.19%

LAB 24.86, -16.52, 17.89

 

CMYK 22 / 0 / 52 / 75

HEX #33411F

RGB 51 65 31

HSL 84.71, 0.35%, 0.19%

LAB 25.51, -12.54, 18.84

 

CMYK 8 / 0 / 52 / 75

HEX #3C411F

RGB 60 65 31

HSL 68.82, 0.35%, 0.19%

LAB 26.27, -8.28, 19.94

 

CMYK 0 / 5 / 52 / 75

HEX #413E1F

RGB 65 62 31

HSL 54.71, 0.35%, 0.19%

LAB 25.77, -3.97, 19.43

 

CMYK 51 / 0 / 52 / 75

HEX #20411F

RGB 32 65 31

HSL 118.24, 0.35%, 0.19%

LAB 24.28, -20.43, 17.03

 

CMYK 52 / 0 / 38 / 75

HEX #1F4128

RGB 31 65 40

HSL 135.88, 0.35%, 0.19%

LAB 24.4, -19.02, 11.53

 

CMYK 52 / 0 / 25 / 75

HEX #1F4131

RGB 31 65 49

HSL 151.76, 0.35%, 0.19%

LAB 24.62, -16.9, 5.99

 

CMYK 52 / 0 / 11 / 75

HEX #1F413A

RGB 31 65 58

HSL 167.65, 0.35%, 0.19%

LAB 24.88, -14.44, 0.44

 

CMYK 52 / 2 / 0 / 75

HEX #1F4041

RGB 31 64 65

HSL 181.76, 0.35%, 0.19%

LAB 24.76, -11.73, -4.37

 

CMYK 51 / 0 / 52 / 75

HEX #20411F

RGB 32 65 31

HSL 118.24, 0.35%, 0.19%

LAB 24.28, -20.43, 17.03

 

CMYK 66 / 0 / 67 / 71

HEX #194918

RGB 25 73 24

HSL 118.78, 0.51%, 0.19%

LAB 26.84, -27.56, 24.06

 

CMYK 78 / 0 / 80 / 68

HEX #125110

RGB 18 81 16

HSL 118.15, 0.67%, 0.19%

LAB 29.54, -33.42, 30.73

 

CMYK 89 / 0 / 91 / 65

HEX #0A5908

RGB 10 89 8

HSL 118.52, 0.84%, 0.19%

LAB 32.32, -38.18, 36.15

 

CMYK 97 / 0 / 100 / 62

HEX #036100

RGB 3 97 0

HSL 118.14, 1%, 0.19%

LAB 35.14, -42.1, 41.02

 

CMYK 51 / 0 / 52 / 75

HEX #20411F

RGB 32 65 31

HSL 118.24, 0.35%, 0.19%

LAB 24.28, -20.43, 17.03

 

CMYK 31 / 0 / 33 / 77

HEX #283A27

RGB 40 58 39

HSL 116.84, 0.2%, 0.19%

LAB 22.39, -11.88, 9.54

 

CMYK 6 / 0 / 6 / 80

HEX #2F322F

RGB 47 50 47

HSL 120, 0.03%, 0.19%

LAB 20.4, -2.01, 1.45

 

CMYK 0 / 24 / 0 / 78

HEX #372A37

RGB 55 42 55

HSL 300, 0.13%, 0.19%

LAB 18.99, 8.82, -6.06

 

CMYK 2 / 46 / 0 / 75

HEX #3E223F

RGB 62 34 63

HSL 297.93, 0.3%, 0.19%

LAB 18.04, 18.92, -12.97

 

CMYK 22 / 0 / 52 / 75

HEX #33411F

RGB 51 65 31

HSL 84.71, 0.35%, 0.19%

LAB 25.51, -12.54, 18.84

 

CMYK 35 / 0 / 52 / 75

HEX #2A411F

RGB 42 65 31

HSL 100.59, 0.35%, 0.19%

LAB 24.86, -16.52, 17.89

 

CMYK 49 / 0 / 52 / 75

HEX #21411F

RGB 33 65 31

HSL 116.47, 0.35%, 0.19%

LAB 24.33, -20.07, 17.1

 

CMYK 52 / 0 / 40 / 75

HEX #1F4127

RGB 31 65 39

HSL 134.12, 0.35%, 0.19%

LAB 24.38, -19.24, 12.14

 

CMYK 52 / 0 / 26 / 75

HEX #1F4130

RGB 31 65 48

HSL 150, 0.35%, 0.19%

LAB 24.59, -17.15, 6.6

 

CMYK 50 / 0 / 50 / 96

HEX #050A05

RGB 5 10 5

HSL 120, 0.33%, 0.03%

LAB 2.35, -2, 1.43

 

CMYK 50 / 0 / 53 / 85

HEX #132612

RGB 19 38 18

HSL 117, 0.36%, 0.11%

LAB 13.04, -13.07, 10.77

 

CMYK 51 / 0 / 52 / 75

HEX #20411F

RGB 32 65 31

HSL 118.24, 0.35%, 0.19%

LAB 24.28, -20.43, 17.03

 

CMYK 51 / 0 / 52 / 64

HEX #2E5D2D

RGB 46 93 45

HSL 118.75, 0.35%, 0.27%

LAB 35.2, -27.12, 22.62

 

CMYK 50 / 0 / 52 / 53

HEX #3C793A

RGB 60 121 58

HSL 118.1, 0.35%, 0.35%

LAB 45.55, -33.56, 28.41

 

CMYK 51 / 0 / 52 / 74

HEX #214320

RGB 33 67 32

HSL 118.29, 0.35%, 0.19%

LAB 25.08, -20.93, 17.44

 

CMYK 52 / 8 / 0 / 75

HEX #1F3C41

RGB 31 60 65

HSL 188.82, 0.35%, 0.19%

LAB 23.35, -9.28, -6.48

 

CMYK 0 / 52 / 29 / 75

HEX #411F2E

RGB 65 31 46

HSL 333.53, 0.35%, 0.19%

LAB 16.99, 18.61, -2.58

 

CMYK 51 / 0 / 52 / 74

HEX #214320

RGB 33 67 32

HSL 118.29, 0.35%, 0.19%

LAB 25.08, -20.93, 17.44

 

CMYK 52 / 49 / 0 / 75

HEX #1F2141

RGB 31 33 65

HSL 236.47, 0.35%, 0.19%

LAB 14.18, 9.4, -20.68

 

CMYK 0 / 52 / 49 / 75

HEX #411F21

RGB 65 31 33

HSL 356.47, 0.35%, 0.19%

LAB 16.57, 16.64, 6.06

 

CMYK 51 / 0 / 52 / 74

HEX #214320

RGB 33 67 32

HSL 118.29, 0.35%, 0.19%

LAB 25.08, -20.93, 17.44

 

CMYK 52 / 8 / 0 / 75

HEX #1F3C41

RGB 31 60 65

HSL 188.82, 0.35%, 0.19%

LAB 23.35, -9.28, -6.48

 

CMYK 2 / 52 / 0 / 75

HEX #401F41

RGB 64 31 65

HSL 298.24, 0.35%, 0.19%

LAB 17.7, 22.02, -14.86

 

CMYK 0 / 43 / 52 / 75

HEX #41251F

RGB 65 37 31

HSL 10.59, 0.35%, 0.19%

LAB 18.12, 12.47, 9.6

 

CMYK 51 / 0 / 52 / 74

HEX #214320

RGB 33 67 32

HSL 118.29, 0.35%, 0.19%

LAB 25.08, -20.93, 17.44

 

CMYK 52 / 23 / 0 / 75

HEX #1F3241

RGB 31 50 65

HSL 206.47, 0.35%, 0.19%

LAB 19.86, -2.77, -11.79

 

CMYK 2 / 52 / 0 / 75

HEX #401F41

RGB 64 31 65

HSL 298.24, 0.35%, 0.19%

LAB 17.7, 22.02, -14.86

 

CMYK 0 / 28 / 52 / 75

HEX #412F1F

RGB 65 47 31

HSL 28.24, 0.35%, 0.19%

LAB 21.04, 5.79, 13.46

 

Description

Color code: HEX #214320 | qconv.com Color code: HEX #214320 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 67 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 67 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 52 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 52% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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