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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #213DE3 it is the complementary color #DEC21C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #213DE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #213DE3 shade: #263DDE, #374FF1, #4861FF, #5973FF and #6A85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #213DE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #213DE3 shade: #213DE3, #102BD0, #0019BD, #0007AA and #000097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #213DE3 shade: #213DE4, #3921E4, #6E21E4, #A221E4 and #D721E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #213DE3 shade: #213DE4 and #2121E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #213DE3 shade matches the following richer shades: #213DE4 and #0C2EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #213DE3 shade: #213DE4, #354BCF, #4959BB, #5D68A7 and #717693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #213DE3 shade: #21A6E4, #2172E4, #213EE4, #3721E4 and #6B21E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #213DE3 shade: #14289E, #1831C3, #213DE4, #455DE8 and #6A7DED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #213DE3 shade: #213DE3, #E421DA and #8CE421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #213DE3 shade: #213DE3, #E4213E and #3EE421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #213DE3 shade: #213DE3, #E421DA, #E4C621 and #21E42A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #213DE3 shade: #213DE3, #E4219F, #E4C621 and #21E465

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 73 / 0 / 11

HEX #213DE3

RGB 33 61 227

HSL 231.34, 0.78%, 0.51%

LAB 36.38, 51.23, -85.21

 

Complementary color

CMYK 0 / 13 / 87 / 13

HEX #DEC21C

RGB 222 194 28

HSL 51.34, 0.78%, 0.49%

LAB 78.58, -5.04, 76.12

 

CMYK 83 / 73 / 0 / 13

HEX #263DDE

RGB 38 61 222

HSL 232.5, 0.74%, 0.51%

LAB 36.03, 49.8, -82.93

 

CMYK 77 / 67 / 0 / 5

HEX #374FF1

RGB 55 79 241

HSL 232.26, 0.87%, 0.58%

LAB 42.39, 46.93, -83.2

 

CMYK 72 / 62 / 0 / 0

HEX #4861FF

RGB 72 97 255

HSL 231.8, 1%, 0.64%

LAB 48.44, 42.57, -81.07

 

CMYK 65 / 55 / 0 / 0

HEX #5973FF

RGB 89 115 255

HSL 230.6, 1%, 0.67%

LAB 53.61, 33.85, -72.62

 

CMYK 58 / 48 / 0 / 0

HEX #6A85FF

RGB 106 133 255

HSL 229.13, 1%, 0.71%

LAB 59.03, 25.81, -63.82

 

CMYK 85 / 73 / 0 / 11

HEX #213DE3

RGB 33 61 227

HSL 231.34, 0.78%, 0.51%

LAB 36.38, 51.23, -85.21

 

CMYK 92 / 79 / 0 / 18

HEX #102BD0

RGB 16 43 208

HSL 231.56, 0.86%, 0.44%

LAB 30.38, 54.1, -84.23

 

CMYK 100 / 87 / 0 / 26

HEX #0019BD

RGB 0 25 189

HSL 232.06, 1%, 0.37%

LAB 24.86, 56.2, -82.28

 

CMYK 100 / 96 / 0 / 33

HEX #0007AA

RGB 0 7 170

HSL 237.53, 1%, 0.33%

LAB 20.26, 56.55, -78.58

 

CMYK 100 / 100 / 0 / 41

HEX #000097

RGB 0 0 151

HSL 240, 1%, 0.3%

LAB 16.67, 53.57, -72.96

 

CMYK 86 / 73 / 0 / 11

HEX #213DE4

RGB 33 61 228

HSL 231.38, 0.78%, 0.51%

LAB 36.48, 51.56, -85.61

 

CMYK 75 / 86 / 0 / 11

HEX #3921E4

RGB 57 33 228

HSL 247.38, 0.78%, 0.51%

LAB 33.05, 66.01, -91.28

 

CMYK 52 / 86 / 0 / 11

HEX #6E21E4

RGB 110 33 228

HSL 263.69, 0.78%, 0.51%

LAB 37.85, 70.05, -83.17

 

CMYK 29 / 86 / 0 / 11

HEX #A221E4

RGB 162 33 228

HSL 279.69, 0.78%, 0.51%

LAB 44.76, 76.44, -71.57

 

CMYK 6 / 86 / 0 / 11

HEX #D721E4

RGB 215 33 228

HSL 296, 0.78%, 0.51%

LAB 53.1, 84.72, -57.68

 

CMYK 86 / 73 / 0 / 11

HEX #213DE4

RGB 33 61 228

HSL 231.38, 0.78%, 0.51%

LAB 36.48, 51.56, -85.61

 

CMYK 86 / 86 / 0 / 11

HEX #2121E4

RGB 33 33 228

HSL 240, 0.78%, 0.51%

LAB 31.84, 65.06, -93.33

 

CMYK 86 / 73 / 0 / 11

HEX #213DE4

RGB 33 61 228

HSL 231.38, 0.78%, 0.51%

LAB 36.48, 51.56, -85.61

 

CMYK 95 / 81 / 0 / 3

HEX #0C2EF8

RGB 12 46 248

HSL 231.36, 0.94%, 0.51%

LAB 35.61, 65.04, -98.4

 

CMYK 86 / 73 / 0 / 11

HEX #213DE4

RGB 33 61 228

HSL 231.38, 0.78%, 0.51%

LAB 36.48, 51.56, -85.61

 

CMYK 74 / 64 / 0 / 19

HEX #354BCF

RGB 53 75 207

HSL 231.43, 0.62%, 0.51%

LAB 38.37, 37.34, -70.43

 

CMYK 61 / 52 / 0 / 27

HEX #4959BB

RGB 73 89 187

HSL 231.58, 0.46%, 0.51%

LAB 41.45, 24.29, -53.74

 

CMYK 44 / 38 / 0 / 35

HEX #5D68A7

RGB 93 104 167

HSL 231.08, 0.3%, 0.51%

LAB 45.66, 12.81, -35.23

 

CMYK 23 / 20 / 0 / 42

HEX #717693

RGB 113 118 147

HSL 231.18, 0.14%, 0.51%

LAB 50.19, 4.77, -16.33

 

CMYK 86 / 27 / 0 / 11

HEX #21A6E4

RGB 33 166 228

HSL 199.08, 0.78%, 0.51%

LAB 64.32, -12.46, -40.71

 

CMYK 86 / 50 / 0 / 11

HEX #2172E4

RGB 33 114 228

HSL 215.08, 0.78%, 0.51%

LAB 49.45, 18.48, -64.4

 

CMYK 86 / 73 / 0 / 11

HEX #213EE4

RGB 33 62 228

HSL 231.08, 0.78%, 0.51%

LAB 36.69, 51, -85.27

 

CMYK 76 / 86 / 0 / 11

HEX #3721E4

RGB 55 33 228

HSL 246.77, 0.78%, 0.51%

LAB 32.92, 65.91, -91.49

 

CMYK 53 / 86 / 0 / 11

HEX #6B21E4

RGB 107 33 228

HSL 262.77, 0.78%, 0.51%

LAB 37.51, 69.75, -83.75

 

CMYK 87 / 75 / 0 / 38

HEX #14289E

RGB 20 40 158

HSL 231.3, 0.78%, 0.35%

LAB 24.11, 38.85, -64.86

 

CMYK 88 / 75 / 0 / 24

HEX #1831C3

RGB 24 49 195

HSL 231.23, 0.78%, 0.43%

LAB 30.23, 46.76, -76.87

 

CMYK 86 / 73 / 0 / 11

HEX #213DE4

RGB 33 61 228

HSL 231.38, 0.78%, 0.51%

LAB 36.48, 51.56, -85.61

 

CMYK 70 / 60 / 0 / 9

HEX #455DE8

RGB 69 93 232

HSL 231.17, 0.78%, 0.59%

LAB 45.52, 36.76, -72.97

 

CMYK 55 / 47 / 0 / 7

HEX #6A7DED

RGB 106 125 237

HSL 231.3, 0.78%, 0.67%

LAB 55.93, 24.85, -58.84

 

CMYK 85 / 73 / 0 / 11

HEX #213DE3

RGB 33 61 227

HSL 231.34, 0.78%, 0.51%

LAB 36.38, 51.23, -85.21

 

CMYK 0 / 86 / 4 / 11

HEX #E421DA

RGB 228 33 218

HSL 303.08, 0.78%, 0.51%

LAB 54.7, 85.5, -49.32

 

CMYK 39 / 0 / 86 / 11

HEX #8CE421

RGB 140 228 33

HSL 87.08, 0.78%, 0.51%

LAB 82.47, -53.43, 76.07

 

CMYK 85 / 73 / 0 / 11

HEX #213DE3

RGB 33 61 227

HSL 231.34, 0.78%, 0.51%

LAB 36.38, 51.23, -85.21

 

CMYK 0 / 86 / 73 / 11

HEX #E4213E

RGB 228 33 62

HSL 351.08, 0.78%, 0.51%

LAB 49.41, 70.92, 35.6

 

CMYK 73 / 0 / 86 / 11

HEX #3EE421

RGB 62 228 33

HSL 111.08, 0.78%, 0.51%

LAB 79.97, -73.2, 72.92

 

CMYK 85 / 73 / 0 / 11

HEX #213DE3

RGB 33 61 227

HSL 231.34, 0.78%, 0.51%

LAB 36.38, 51.23, -85.21

 

CMYK 0 / 86 / 4 / 11

HEX #E421DA

RGB 228 33 218

HSL 303.08, 0.78%, 0.51%

LAB 54.7, 85.5, -49.32

 

CMYK 0 / 13 / 86 / 11

HEX #E4C621

RGB 228 198 33

HSL 50.77, 0.78%, 0.51%

LAB 80.18, -4.4, 76.57

 

CMYK 86 / 0 / 82 / 11

HEX #21E42A

RGB 33 228 42

HSL 122.77, 0.78%, 0.51%

LAB 79.6, -76.29, 70.35

 

CMYK 85 / 73 / 0 / 11

HEX #213DE3

RGB 33 61 227

HSL 231.34, 0.78%, 0.51%

LAB 36.38, 51.23, -85.21

 

CMYK 0 / 86 / 30 / 11

HEX #E4219F

RGB 228 33 159

HSL 321.23, 0.78%, 0.51%

LAB 51.93, 78.08, -19.4

 

CMYK 0 / 13 / 86 / 11

HEX #E4C621

RGB 228 198 33

HSL 50.77, 0.78%, 0.51%

LAB 80.18, -4.4, 76.57

 

CMYK 86 / 0 / 56 / 11

HEX #21E465

RGB 33 228 101

HSL 140.92, 0.78%, 0.51%

LAB 80.04, -70.83, 48.86

 

Description

Color code: HEX #213DE3 | qconv.com Color code: HEX #213DE3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 61 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 61 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 73 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 73% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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