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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #212ECE it is the complementary color #DED131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #212ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #212ECE shade: #262EC9, #3740DC, #4852EF, #5964FF and #6A76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #212ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #212ECE shade: #212ECE, #101CBB, #000AA8, #000095 and #000082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #212ECE shade: #222FCE, #4322CE, #7222CE, #A022CE and #CE22CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #212ECE shade: #222FCE and #2222CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #212ECE shade matches the following richer shades: #222FCE and #0E1EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #212ECE shade: #222FCE, #353FBB, #484FA7, #5C6094 and #6F7081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #212ECE shade: #228CCE, #225ECE, #2230CE, #4122CE and #6F22CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #212ECE shade: #161F87, #1C27AB, #222FCE, #3A46DF and #5E68E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #212ECE shade: #212ECE, #CE22BA and #75CE22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #212ECE shade: #212ECE, #CE2230 and #30CE22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #212ECE shade: #212ECE, #CE22BA, #CEC022 and #22CE36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #212ECE shade: #212ECE, #CE2286, #CEC022 and #22CE69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 78 / 0 / 19

HEX #212ECE

RGB 33 46 206

HSL 235.49, 0.72%, 0.47%

LAB 31.19, 52.5, -81.7

 

Complementary color

CMYK 0 / 6 / 78 / 13

HEX #DED131

RGB 222 209 49

HSL 55.49, 0.72%, 0.53%

LAB 82.57, -12.08, 74.24

 

CMYK 81 / 77 / 0 / 21

HEX #262EC9

RGB 38 46 201

HSL 237.06, 0.68%, 0.47%

LAB 30.84, 51.15, -79.37

 

CMYK 75 / 71 / 0 / 14

HEX #3740DC

RGB 55 64 220

HSL 236.73, 0.7%, 0.54%

LAB 37.2, 48.64, -79.82

 

CMYK 70 / 66 / 0 / 6

HEX #4852EF

RGB 72 82 239

HSL 236.41, 0.84%, 0.61%

LAB 43.72, 46.15, -79.86

 

CMYK 65 / 61 / 0 / 0

HEX #5964FF

RGB 89 100 255

HSL 236.02, 1%, 0.67%

LAB 50.05, 42.89, -78.41

 

CMYK 58 / 54 / 0 / 0

HEX #6A76FF

RGB 106 118 255

HSL 235.17, 1%, 0.71%

LAB 55.32, 34.8, -69.8

 

CMYK 84 / 78 / 0 / 19

HEX #212ECE

RGB 33 46 206

HSL 235.49, 0.72%, 0.47%

LAB 31.19, 52.5, -81.7

 

CMYK 91 / 85 / 0 / 27

HEX #101CBB

RGB 16 28 187

HSL 235.79, 0.84%, 0.4%

LAB 25.35, 54.62, -80.27

 

CMYK 100 / 94 / 0 / 34

HEX #000AA8

RGB 0 10 168

HSL 236.43, 1%, 0.33%

LAB 20.22, 55.21, -77.44

 

CMYK 100 / 100 / 0 / 42

HEX #000095

RGB 0 0 149

HSL 240, 1%, 0.29%

LAB 16.35, 53.05, -72.25

 

CMYK 100 / 100 / 0 / 49

HEX #000082

RGB 0 0 130

HSL 240, 1%, 0.25%

LAB 13.3, 48.04, -65.43

 

CMYK 83 / 77 / 0 / 19

HEX #222FCE

RGB 34 47 206

HSL 235.47, 0.72%, 0.47%

LAB 31.42, 52.02, -81.33

 

CMYK 67 / 83 / 0 / 19

HEX #4322CE

RGB 67 34 206

HSL 251.51, 0.72%, 0.47%

LAB 31.33, 60.21, -81.41

 

CMYK 45 / 83 / 0 / 19

HEX #7222CE

RGB 114 34 206

HSL 267.91, 0.72%, 0.47%

LAB 36.32, 65.02, -73

 

CMYK 22 / 83 / 0 / 19

HEX #A022CE

RGB 160 34 206

HSL 283.95, 0.72%, 0.47%

LAB 42.87, 71.68, -62.04

 

CMYK 0 / 83 / 0 / 19

HEX #CE22CE

RGB 206 34 206

HSL 300, 0.72%, 0.47%

LAB 50.36, 79.59, -49.6

 

CMYK 83 / 77 / 0 / 19

HEX #222FCE

RGB 34 47 206

HSL 235.47, 0.72%, 0.47%

LAB 31.42, 52.02, -81.33

 

CMYK 83 / 83 / 0 / 19

HEX #2222CE

RGB 34 34 206

HSL 240, 0.72%, 0.47%

LAB 29.26, 58.31, -84.91

 

CMYK 83 / 77 / 0 / 19

HEX #222FCE

RGB 34 47 206

HSL 235.47, 0.72%, 0.47%

LAB 31.42, 52.02, -81.33

 

CMYK 94 / 87 / 0 / 11

HEX #0E1EE2

RGB 14 30 226

HSL 235.47, 0.88%, 0.47%

LAB 30.67, 65.21, -94.14

 

CMYK 83 / 77 / 0 / 19

HEX #222FCE

RGB 34 47 206

HSL 235.47, 0.72%, 0.47%

LAB 31.42, 52.02, -81.33

 

CMYK 72 / 66 / 0 / 27

HEX #353FBB

RGB 53 63 187

HSL 235.52, 0.56%, 0.47%

LAB 33.77, 37.78, -66.29

 

CMYK 57 / 53 / 0 / 35

HEX #484FA7

RGB 72 79 167

HSL 235.58, 0.4%, 0.47%

LAB 37.41, 23.68, -48.47

 

CMYK 38 / 35 / 0 / 42

HEX #5C6094

RGB 92 96 148

HSL 235.71, 0.23%, 0.47%

LAB 42.43, 11.84, -29.04

 

CMYK 14 / 13 / 0 / 49

HEX #6F7081

RGB 111 112 129

HSL 236.67, 0.08%, 0.47%

LAB 47.69, 3.33, -9.48

 

CMYK 83 / 32 / 0 / 19

HEX #228CCE

RGB 34 140 206

HSL 203.02, 0.72%, 0.47%

LAB 55.64, -5.66, -42.1

 

CMYK 83 / 54 / 0 / 19

HEX #225ECE

RGB 34 94 206

HSL 219.07, 0.72%, 0.47%

LAB 42.46, 22.94, -63.2

 

CMYK 83 / 77 / 0 / 19

HEX #2230CE

RGB 34 48 206

HSL 235.12, 0.72%, 0.47%

LAB 31.6, 51.49, -81.03

 

CMYK 68 / 83 / 0 / 19

HEX #4122CE

RGB 65 34 206

HSL 250.81, 0.72%, 0.47%

LAB 31.17, 60.06, -81.69

 

CMYK 46 / 83 / 0 / 19

HEX #6F22CE

RGB 111 34 206

HSL 266.86, 0.72%, 0.47%

LAB 35.95, 64.65, -73.64

 

CMYK 84 / 77 / 0 / 47

HEX #161F87

RGB 22 31 135

HSL 235.22, 0.72%, 0.31%

LAB 19.64, 36.13, -58.02

 

CMYK 84 / 77 / 0 / 33

HEX #1C27AB

RGB 28 39 171

HSL 235.38, 0.72%, 0.39%

LAB 25.68, 44.43, -70.14

 

CMYK 83 / 77 / 0 / 19

HEX #222FCE

RGB 34 47 206

HSL 235.47, 0.72%, 0.47%

LAB 31.42, 52.02, -81.33

 

CMYK 74 / 69 / 0 / 13

HEX #3A46DF

RGB 58 70 223

HSL 235.64, 0.72%, 0.55%

LAB 38.91, 46.42, -78.72

 

CMYK 59 / 55 / 0 / 10

HEX #5E68E5

RGB 94 104 229

HSL 235.56, 0.72%, 0.63%

LAB 49.42, 32.76, -64.88

 

CMYK 84 / 78 / 0 / 19

HEX #212ECE

RGB 33 46 206

HSL 235.49, 0.72%, 0.47%

LAB 31.19, 52.5, -81.7

 

CMYK 0 / 83 / 10 / 19

HEX #CE22BA

RGB 206 34 186

HSL 306.98, 0.72%, 0.47%

LAB 49.27, 76.68, -39.74

 

CMYK 43 / 0 / 83 / 19

HEX #75CE22

RGB 117 206 34

HSL 91.05, 0.72%, 0.47%

LAB 74.85, -52.32, 68.81

 

CMYK 84 / 78 / 0 / 19

HEX #212ECE

RGB 33 46 206

HSL 235.49, 0.72%, 0.47%

LAB 31.19, 52.5, -81.7

 

CMYK 0 / 83 / 77 / 19

HEX #CE2230

RGB 206 34 48

HSL 355.12, 0.72%, 0.47%

LAB 44.91, 64.33, 37.49

 

CMYK 77 / 0 / 83 / 19

HEX #30CE22

RGB 48 206 34

HSL 115.12, 0.72%, 0.47%

LAB 72.82, -68.66, 66.22

 

CMYK 84 / 78 / 0 / 19

HEX #212ECE

RGB 33 46 206

HSL 235.49, 0.72%, 0.47%

LAB 31.19, 52.5, -81.7

 

CMYK 0 / 83 / 10 / 19

HEX #CE22BA

RGB 206 34 186

HSL 306.98, 0.72%, 0.47%

LAB 49.27, 76.68, -39.74

 

CMYK 0 / 7 / 83 / 19

HEX #CEC022

RGB 206 192 34

HSL 55.12, 0.72%, 0.47%

LAB 76.64, -10.8, 72.62

 

CMYK 83 / 0 / 74 / 19

HEX #22CE36

RGB 34 206 54

HSL 126.98, 0.72%, 0.47%

LAB 72.73, -69.08, 60.13

 

CMYK 84 / 78 / 0 / 19

HEX #212ECE

RGB 33 46 206

HSL 235.49, 0.72%, 0.47%

LAB 31.19, 52.5, -81.7

 

CMYK 0 / 83 / 35 / 19

HEX #CE2286

RGB 206 34 134

HSL 325.12, 0.72%, 0.47%

LAB 46.96, 70.3, -12.34

 

CMYK 0 / 7 / 83 / 19

HEX #CEC022

RGB 206 192 34

HSL 55.12, 0.72%, 0.47%

LAB 76.64, -10.8, 72.62

 

CMYK 83 / 0 / 49 / 19

HEX #22CE69

RGB 34 206 105

HSL 144.77, 0.72%, 0.47%

LAB 73.22, -63.02, 38.62

 

Description

Color code: HEX #212ECE | qconv.com Color code: HEX #212ECE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 46 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 46 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 78 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 78% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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