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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #212754CE it is the complementary color #DED8ABCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #212754CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #212754CE shade: #26274FCE, #373962CE, #484B75CE, #595D88CE and #6A6F9BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #212754CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #212754CE shade: #212754CE, #101541CE, #00032ECE, #00001BCE and #000008CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #212754CE shade: #212754, #292154, #372154, #452154 and #522154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #212754CE shade: #212754 and #212154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #212754CE shade matches the following richer shades: #212754, #17205E, #0E1867 and #041171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #212754CE shade: #212754, #2A2E4B, #343541, #3D3D38 and #47442E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #212754CE shade: #214354, #213554, #212854, #282154 and #352154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #212754CE shade: #0A0C19, #151937, #212754, #2C3572 and #384290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #212754CE shade: #212754, #542151 and #3C5421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #212754CE shade: #212754, #542128 and #285421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #212754CE shade: #212754, #542151, #544E21 and #215424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #212754CE shade: #212754, #542142, #544E21 and #215434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 43 / 0 / 54

HEX #212754CE

RGBA 33 39 84 0.81

HSLA 232.94, 0.44%, 0.23%, 0.81

LABA 17.53, 12.67, -28.33, 0.81

 

Complementary color

CMYK 0 / 2 / 19 / 10

HEX #DED8ABCE

RGBA 222 216 171 0.81

HSLA 52.94, 0.44%, 0.77%, 0.81

LABA 85.8, -5.08, 22.98, 0.81

 

CMYK 42 / 41 / 0 / 56

HEX #26274FCE

RGBA 38 39 79 0.81

HSLA 238.54, 0.35%, 0.23%, 0.81

LABA 17.59, 12.11, -24.84, 0.81

 

CMYK 36 / 34 / 0 / 50

HEX #373962CE

RGBA 55 57 98 0.81

HSLA 237.21, 0.28%, 0.3%, 0.81

LABA 25.62, 10.92, -24.58, 0.81

 

CMYK 31 / 29 / 0 / 44

HEX #484B75CE

RGBA 72 75 117 0.81

HSLA 236, 0.24%, 0.37%, 0.81

LABA 33.34, 10.05, -24.44, 0.81

 

CMYK 28 / 26 / 0 / 38

HEX #595D88CE

RGBA 89 93 136 0.81

HSLA 234.89, 0.21%, 0.44%, 0.81

LABA 40.78, 9.36, -24.4, 0.81

 

CMYK 26 / 23 / 0 / 32

HEX #6A6F9BCE

RGBA 106 111 155 0.81

HSLA 233.88, 0.2%, 0.51%, 0.81

LABA 48.01, 8.8, -24.43, 0.81

 

CMYK 49 / 43 / 0 / 54

HEX #212754CE

RGBA 33 39 84 0.81

HSLA 232.94, 0.44%, 0.23%, 0.81

LABA 17.53, 12.67, -28.33, 0.81

 

CMYK 61 / 55 / 0 / 60

HEX #101541CE

RGBA 16 21 65 0.81

HSLA 233.88, 0.6%, 0.16%, 0.81

LABA 9.22, 14.88, -28.72, 0.81

 

CMYK 81 / 76 / 0 / 66

HEX #00032ECE

RGBA 0 3 46 0.81

HSLA 236.09, 1%, 0.09%, 0.81

LABA 2.37, 11.32, -25.98, 0.81

 

CMYK 81 / 81 / 0 / 72

HEX #00001BCE

RGBA 0 0 27 0.81

HSLA 240, 1%, 0.05%, 0.81

LABA 0.71, 5.02, -13.64, 0.81

 

CMYK 81 / 81 / 0 / 78

HEX #000008CE

RGBA 0 0 8 0.81

HSLA 240, 1%, 0.02%, 0.81

LABA 0.16, 1.11, -3.03, 0.81

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 51 / 61 / 0 / 67

HEX #292154

RGB 41 33 84

HSL 249.41, 0.44%, 0.23%

LAB 16.5, 18.95, -29.95

 

CMYK 35 / 61 / 0 / 67

HEX #372154

RGB 55 33 84

HSL 265.88, 0.44%, 0.23%

LAB 18.1, 22.78, -27.29

 

CMYK 18 / 61 / 0 / 67

HEX #452154

RGB 69 33 84

HSL 282.35, 0.44%, 0.23%

LAB 20.02, 26.95, -24.12

 

CMYK 2 / 61 / 0 / 67

HEX #522154

RGB 82 33 84

HSL 297.65, 0.44%, 0.23%

LAB 22.02, 30.94, -20.82

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 61 / 61 / 0 / 67

HEX #212154

RGB 33 33 84

HSL 240, 0.44%, 0.23%

LAB 15.75, 17.02, -31.19

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 76 / 66 / 0 / 63

HEX #17205E

RGB 23 32 94

HSL 232.39, 0.61%, 0.23%

LAB 15.61, 19.82, -38.16

 

CMYK 86 / 77 / 0 / 60

HEX #0E1867

RGB 14 24 103

HSL 233.26, 0.76%, 0.23%

LAB 13.98, 28.02, -46.82

 

CMYK 96 / 85 / 0 / 56

HEX #041171

RGB 4 17 113

HSL 232.84, 0.93%, 0.23%

LAB 13.35, 35.49, -54.43

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

 

CMYK 20 / 18 / 0 / 75

HEX #343541

RGB 52 53 65

HSL 235.38, 0.11%, 0.23%

LAB 22.51, 2.61, -7.61

 

CMYK 0 / 0 / 8 / 76

HEX #3D3D38

RGB 61 61 56

HSL 60, 0.04%, 0.23%

LAB 25.61, -1.09, 3.08

 

CMYK 0 / 4 / 35 / 72

HEX #47442E

RGB 71 68 46

HSL 52.8, 0.21%, 0.23%

LAB 28.57, -2.79, 13.81

 

CMYK 61 / 20 / 0 / 67

HEX #214354

RGB 33 67 84

HSL 200, 0.44%, 0.23%

LAB 26.67, -6.67, -13.95

 

CMYK 61 / 37 / 0 / 67

HEX #213554

RGB 33 53 84

HSL 216.47, 0.44%, 0.23%

LAB 21.98, 2.65, -21.25

 

CMYK 61 / 52 / 0 / 67

HEX #212854

RGB 33 40 84

HSL 231.76, 0.44%, 0.23%

LAB 17.83, 11.94, -27.84

 

CMYK 52 / 61 / 0 / 67

HEX #282154

RGB 40 33 84

HSL 248.24, 0.44%, 0.23%

LAB 16.4, 18.7, -30.11

 

CMYK 37 / 61 / 0 / 67

HEX #352154

RGB 53 33 84

HSL 263.53, 0.44%, 0.23%

LAB 17.85, 22.2, -27.7

 

CMYK 60 / 52 / 0 / 90

HEX #0A0C19

RGB 10 12 25

HSL 232, 0.43%, 0.07%

LAB 3.59, 2.22, -7.73

 

CMYK 62 / 55 / 0 / 78

HEX #151937

RGB 21 25 55

HSL 232.94, 0.45%, 0.15%

LAB 10.03, 8.76, -20.25

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 61 / 54 / 0 / 55

HEX #2C3572

RGB 44 53 114

HSL 232.29, 0.44%, 0.31%

LAB 24.63, 16.49, -36.51

 

CMYK 61 / 54 / 0 / 44

HEX #384290

RGB 56 66 144

HSL 233.18, 0.44%, 0.39%

LAB 31.23, 20.99, -44.58

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 0 / 61 / 4 / 67

HEX #542151

RGB 84 33 81

HSL 303.53, 0.44%, 0.23%

LAB 22.18, 30.96, -18.53

 

CMYK 29 / 0 / 61 / 67

HEX #3C5421

RGB 60 84 33

HSL 88.24, 0.44%, 0.23%

LAB 32.73, -18.9, 26.49

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 0 / 61 / 52 / 67

HEX #542128

RGB 84 33 40

HSL 351.76, 0.44%, 0.23%

LAB 20.54, 24.48, 7.16

 

CMYK 52 / 0 / 61 / 67

HEX #285421

RGB 40 84 33

HSL 111.76, 0.44%, 0.23%

LAB 31.58, -26.66, 24.87

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 0 / 61 / 4 / 67

HEX #542151

RGB 84 33 81

HSL 303.53, 0.44%, 0.23%

LAB 22.18, 30.96, -18.53

 

CMYK 0 / 7 / 61 / 67

HEX #544E21

RGB 84 78 33

HSL 52.94, 0.44%, 0.23%

LAB 32.8, -4.24, 27.1

 

CMYK 61 / 0 / 57 / 67

HEX #215424

RGB 33 84 36

HSL 123.53, 0.44%, 0.23%

LAB 31.33, -28.41, 22.83

 

CMYK 61 / 54 / 0 / 67

HEX #212754

RGB 33 39 84

HSL 232.94, 0.44%, 0.23%

LAB 17.53, 12.67, -28.33

 

CMYK 0 / 61 / 21 / 67

HEX #542142

RGB 84 33 66

HSL 321.18, 0.44%, 0.23%

LAB 21.45, 28.17, -9.49

 

CMYK 0 / 7 / 61 / 67

HEX #544E21

RGB 84 78 33

HSL 52.94, 0.44%, 0.23%

LAB 32.8, -4.24, 27.1

 

CMYK 61 / 0 / 38 / 67

HEX #215434

RGB 33 84 52

HSL 142.35, 0.44%, 0.23%

LAB 31.61, -25.43, 13.71

 

Description

Color code: HEX #212754CE | qconv.com Color code: HEX #212754CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 39 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 39 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 43 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 43% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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