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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2111E4 it is the complementary color #DEEE1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2111E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2111E4 shade: #2611DF, #3723F2, #4835FF, #5947FF and #6A59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2111E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2111E4 shade: #2111E4, #1000D1, #0000BE, #0000AB and #000098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2111E4 shade: #2111E4, #5A11E4, #9311E4, #CB11E4 and #E411C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2111E4 shade: #2111E4 and #1111E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2111E4 shade matches the following richer shades: #2111E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2111E4 shade: #2111E4, #3225D0, #4339BC, #544DA8 and #646094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2111E4 shade: #1173E4, #113BE4, #1F11E4, #5711E4 and #8F11E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2111E4 shade: #160B97, #1C0EBD, #2111E4, #3D2FEF and #6155F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2111E4 shade: #2111E4, #E411AC and #57E411

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2111E4 shade: #2111E4, #E41F11 and #11E41F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2111E4 shade: #2111E4, #E411AC, #D6E411 and #11E449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2111E4 shade: #2111E4, #E4116C, #D6E411 and #11E488

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

Complementary color

CMYK 7 / 0 / 89 / 7

HEX #DEEE1B

RGB 222 238 27

HSL 64.55, 0.86%, 0.52%

LAB 90.21, -26.76, 85.55

 

CMYK 83 / 92 / 0 / 13

HEX #2611DF

RGB 38 17 223

HSL 246.12, 0.86%, 0.47%

LAB 29.76, 68.79, -93.91

 

CMYK 77 / 86 / 0 / 5

HEX #3723F2

RGB 55 35 242

HSL 245.8, 0.89%, 0.54%

LAB 34.85, 69.02, -96.24

 

CMYK 72 / 79 / 0 / 0

HEX #4835FF

RGB 72 53 255

HSL 245.64, 1%, 0.6%

LAB 39.82, 66.36, -95.27

 

CMYK 65 / 72 / 0 / 0

HEX #5947FF

RGB 89 71 255

HSL 245.87, 1%, 0.64%

LAB 44.02, 59.18, -88.3

 

CMYK 58 / 65 / 0 / 0

HEX #6A59FF

RGB 106 89 255

HSL 246.14, 1%, 0.67%

LAB 48.8, 51.67, -80.41

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 92 / 100 / 0 / 18

HEX #1000D1

RGB 16 0 209

HSL 244.59, 1%, 0.41%

LAB 25.9, 68.27, -92.28

 

CMYK 100 / 100 / 0 / 25

HEX #0000BE

RGB 0 0 190

HSL 240, 1%, 0.37%

LAB 22.72, 63.48, -86.45

 

CMYK 100 / 100 / 0 / 33

HEX #0000AB

RGB 0 0 171

HSL 240, 1%, 0.34%

LAB 19.8, 58.7, -79.95

 

CMYK 100 / 100 / 0 / 40

HEX #000098

RGB 0 0 152

HSL 240, 1%, 0.3%

LAB 16.83, 53.83, -73.31

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 61 / 93 / 0 / 11

HEX #5A11E4

RGB 90 17 228

HSL 260.76, 0.86%, 0.48%

LAB 34.35, 72.34, -89.04

 

CMYK 36 / 93 / 0 / 11

HEX #9311E4

RGB 147 17 228

HSL 276.97, 0.86%, 0.48%

LAB 41.54, 77.54, -76.93

 

CMYK 11 / 93 / 0 / 11

HEX #CB11E4

RGB 203 17 228

HSL 292.89, 0.86%, 0.48%

LAB 50.33, 85.1, -62.23

 

CMYK 0 / 93 / 14 / 11

HEX #E411C3

RGB 228 17 195

HSL 309.38, 0.86%, 0.48%

LAB 52.77, 84.56, -39.19

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 93 / 93 / 0 / 11

HEX #1111E4

RGB 17 17 228

HSL 240, 0.86%, 0.48%

LAB 29.72, 69.71, -96.88

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 76 / 82 / 0 / 18

HEX #3225D0

RGB 50 37 208

HSL 244.56, 0.7%, 0.48%

LAB 30.77, 58.38, -83.54

 

CMYK 64 / 70 / 0 / 26

HEX #4339BC

RGB 67 57 188

HSL 244.58, 0.53%, 0.48%

LAB 33.46, 43.47, -67.36

 

CMYK 50 / 54 / 0 / 34

HEX #544DA8

RGB 84 77 168

HSL 244.62, 0.37%, 0.48%

LAB 37.88, 27.86, -48.26

 

CMYK 32 / 35 / 0 / 42

HEX #646094

RGB 100 96 148

HSL 244.62, 0.21%, 0.48%

LAB 43.08, 14.23, -27.97

 

CMYK 93 / 50 / 0 / 11

HEX #1173E4

RGB 17 115 228

HSL 212.13, 0.86%, 0.48%

LAB 49.47, 16.98, -64.37

 

CMYK 93 / 74 / 0 / 11

HEX #113BE4

RGB 17 59 228

HSL 228.06, 0.86%, 0.48%

LAB 35.69, 52.11, -86.94

 

CMYK 86 / 93 / 0 / 11

HEX #1F11E4

RGB 31 17 228

HSL 243.98, 0.86%, 0.48%

LAB 30.14, 69.92, -96.16

 

CMYK 62 / 93 / 0 / 11

HEX #5711E4

RGB 87 17 228

HSL 259.91, 0.86%, 0.48%

LAB 34.04, 72.15, -89.56

 

CMYK 37 / 93 / 0 / 11

HEX #8F11E4

RGB 143 17 228

HSL 275.83, 0.86%, 0.48%

LAB 40.96, 77.08, -77.9

 

CMYK 85 / 93 / 0 / 41

HEX #160B97

RGB 22 11 151

HSL 244.71, 0.86%, 0.32%

LAB 18.56, 50.53, -69.79

 

CMYK 85 / 93 / 0 / 26

HEX #1C0EBD

RGB 28 14 189

HSL 244.8, 0.86%, 0.4%

LAB 24.43, 60.34, -82.97

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 74 / 80 / 0 / 6

HEX #3D2FEF

RGB 61 47 239

HSL 244.38, 0.86%, 0.56%

LAB 36.47, 63.69, -91.84

 

CMYK 60 / 65 / 0 / 5

HEX #6155F2

RGB 97 85 242

HSL 244.59, 0.86%, 0.64%

LAB 46.24, 48.64, -77.35

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 0 / 93 / 25 / 11

HEX #E411AC

RGB 228 17 172

HSL 315.92, 0.86%, 0.48%

LAB 51.69, 81.79, -27.45

 

CMYK 62 / 0 / 93 / 11

HEX #57E411

RGB 87 228 17

HSL 100.09, 0.86%, 0.48%

LAB 80.49, -68.89, 76.23

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 0 / 86 / 93 / 11

HEX #E41F11

RGB 228 31 17

HSL 3.98, 0.86%, 0.48%

LAB 48.9, 70.2, 57.48

 

CMYK 93 / 0 / 86 / 11

HEX #11E41F

RGB 17 228 31

HSL 123.98, 0.86%, 0.48%

LAB 79.45, -77.83, 72.67

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 0 / 93 / 25 / 11

HEX #E411AC

RGB 228 17 172

HSL 315.92, 0.86%, 0.48%

LAB 51.69, 81.79, -27.45

 

CMYK 6 / 0 / 93 / 11

HEX #D6E411

RGB 214 228 17

HSL 63.98, 0.86%, 0.48%

LAB 86.91, -25.47, 84.06

 

CMYK 93 / 0 / 68 / 11

HEX #11E449

RGB 17 228 73

HSL 135.92, 0.86%, 0.48%

LAB 79.66, -75.05, 60.3

 

CMYK 86 / 93 / 0 / 11

HEX #2111E4

RGB 33 17 228

HSL 244.55, 0.86%, 0.48%

LAB 30.22, 69.96, -96.02

 

CMYK 0 / 93 / 53 / 11

HEX #E4116C

RGB 228 17 108

HSL 334.12, 0.86%, 0.48%

LAB 49.47, 75.85, 7.74

 

CMYK 6 / 0 / 93 / 11

HEX #D6E411

RGB 214 228 17

HSL 63.98, 0.86%, 0.48%

LAB 86.91, -25.47, 84.06

 

CMYK 93 / 0 / 40 / 11

HEX #11E488

RGB 17 228 136

HSL 153.84, 0.86%, 0.48%

LAB 80.39, -66.15, 32.32

 

Description

Color code: HEX #2111E4 | qconv.com Color code: HEX #2111E4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 17 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 17 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 93 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 93% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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