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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20EF38 it is the complementary color #DF10C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20EF38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20EF38 shade: #25EF33, #36FF46, #47FF59, #58FF6C and #69FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20EF38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20EF38 shade: #20EF38, #0FDD25, #00CB12, #00B900 and #00A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20EF38 shade: #1FEF37, #3FEF1F, #77EF1F, #AFEF1F and #E8EF1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20EF38 shade: #1FEF37, #1FEF6F, #1FEFA8, #1FEFE0 and #1FC7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20EF38 shade matches the following richer shades: #1FEF37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20EF38 shade: #1FEF37, #32DC46, #46C955, #59B564 and #6CA273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20EF38 shade: #79EF1F, #42EF1F, #1FEF34, #1FEF6B and #1FEFA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20EF38 shade: #0CB01F, #0FD626, #1FEF37, #45F259 and #6CF57C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20EF38 shade: #20EF38, #1FB1EF and #EF1F5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20EF38 shade: #20EF38, #341FEF and #EF341F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20EF38 shade: #20EF38, #1FB1EF, #EF1FDB and #EF5D1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20EF38 shade: #20EF38, #1F72EF, #EF1FDB and #EF9C1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 77 / 6

HEX #20EF38

RGB 32 239 56

HSL 126.96, 0.87%, 0.53%

LAB 83.09, -78.62, 69.71

 

Complementary color

CMYK 0 / 93 / 11 / 13

HEX #DF10C7

RGB 223 16 199

HSL 306.96, 0.87%, 0.47%

LAB 52.04, 84.28, -42.71

 

CMYK 85 / 0 / 79 / 6

HEX #25EF33

RGB 37 239 51

HSL 124.16, 0.86%, 0.54%

LAB 83.11, -78.53, 71.22

 

CMYK 79 / 0 / 73 / 0

HEX #36FF46

RGB 54 255 70

HSL 124.78, 1%, 0.61%

LAB 88.33, -80.1, 70.49

 

CMYK 72 / 0 / 65 / 0

HEX #47FF59

RGB 71 255 89

HSL 125.87, 1%, 0.64%

LAB 88.72, -76.2, 64.03

 

CMYK 65 / 0 / 58 / 0

HEX #58FF6C

RGB 88 255 108

HSL 127.19, 1%, 0.67%

LAB 89.24, -71.31, 56.8

 

CMYK 59 / 0 / 50 / 0

HEX #69FF7F

RGB 105 255 127

HSL 128.8, 1%, 0.71%

LAB 89.89, -65.51, 49.08

 

CMYK 87 / 0 / 77 / 6

HEX #20EF38

RGB 32 239 56

HSL 126.96, 0.87%, 0.53%

LAB 83.09, -78.62, 69.71

 

CMYK 93 / 0 / 83 / 13

HEX #0FDD25

RGB 15 221 37

HSL 126.41, 0.87%, 0.46%

LAB 77.25, -75.76, 69.39

 

CMYK 100 / 0 / 91 / 20

HEX #00CB12

RGB 0 203 18

HSL 125.32, 1%, 0.4%

LAB 71.39, -72.19, 67.99

 

CMYK 100 / 0 / 100 / 27

HEX #00B900

RGB 0 185 0

HSL 120, 1%, 0.36%

LAB 65.51, -67.72, 65.36

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 87 / 0 / 77 / 6

HEX #1FEF37

RGB 31 239 55

HSL 126.92, 0.87%, 0.53%

LAB 83.07, -78.76, 70

 

CMYK 74 / 0 / 87 / 6

HEX #3FEF1F

RGB 63 239 31

HSL 110.77, 0.87%, 0.53%

LAB 83.38, -76.38, 76.3

 

CMYK 50 / 0 / 87 / 6

HEX #77EF1F

RGB 119 239 31

HSL 94.62, 0.87%, 0.53%

LAB 84.87, -64.13, 78.17

 

CMYK 27 / 0 / 87 / 6

HEX #AFEF1F

RGB 175 239 31

HSL 78.46, 0.87%, 0.53%

LAB 87.46, -45.59, 81.39

 

CMYK 3 / 0 / 87 / 6

HEX #E8EF1F

RGB 232 239 31

HSL 62.02, 0.87%, 0.53%

LAB 91.23, -23.05, 86.02

 

CMYK 87 / 0 / 77 / 6

HEX #1FEF37

RGB 31 239 55

HSL 126.92, 0.87%, 0.53%

LAB 83.07, -78.76, 70

 

CMYK 87 / 0 / 54 / 6

HEX #1FEF6F

RGB 31 239 111

HSL 143.08, 0.87%, 0.53%

LAB 83.53, -73.04, 48.45

 

CMYK 87 / 0 / 30 / 6

HEX #1FEFA8

RGB 31 239 168

HSL 159.52, 0.87%, 0.53%

LAB 84.41, -62.84, 21.39

 

CMYK 87 / 0 / 6 / 6

HEX #1FEFE0

RGB 31 239 224

HSL 175.67, 0.87%, 0.53%

LAB 85.71, -49.03, -5.98

 

CMYK 87 / 17 / 0 / 6

HEX #1FC7EF

RGB 31 199 239

HSL 191.54, 0.87%, 0.53%

LAB 74.43, -26.11, -31.01

 

CMYK 87 / 0 / 77 / 6

HEX #1FEF37

RGB 31 239 55

HSL 126.92, 0.87%, 0.53%

LAB 83.07, -78.76, 70

 

CMYK 87 / 0 / 77 / 6

HEX #1FEF37

RGB 31 239 55

HSL 126.92, 0.87%, 0.53%

LAB 83.07, -78.76, 70

 

CMYK 77 / 0 / 68 / 14

HEX #32DC46

RGB 50 220 70

HSL 127.06, 0.71%, 0.53%

LAB 77.46, -70.11, 59.21

 

CMYK 65 / 0 / 58 / 21

HEX #46C955

RGB 70 201 85

HSL 126.87, 0.55%, 0.53%

LAB 72.05, -58.94, 46.9

 

CMYK 51 / 0 / 45 / 29

HEX #59B564

RGB 89 181 100

HSL 127.17, 0.38%, 0.53%

LAB 66.59, -44.67, 33.01

 

CMYK 33 / 0 / 29 / 36

HEX #6CA273

RGB 108 162 115

HSL 127.78, 0.23%, 0.53%

LAB 61.88, -27.79, 18.93

 

CMYK 49 / 0 / 87 / 6

HEX #79EF1F

RGB 121 239 31

HSL 94.04, 0.87%, 0.53%

LAB 84.94, -63.56, 78.26

 

CMYK 72 / 0 / 87 / 6

HEX #42EF1F

RGB 66 239 31

HSL 109.9, 0.87%, 0.53%

LAB 83.44, -75.91, 76.37

 

CMYK 87 / 0 / 78 / 6

HEX #1FEF34

RGB 31 239 52

HSL 126.06, 0.87%, 0.53%

LAB 83.06, -78.95, 70.87

 

CMYK 87 / 0 / 55 / 6

HEX #1FEF6B

RGB 31 239 107

HSL 141.92, 0.87%, 0.53%

LAB 83.49, -73.59, 50.23

 

CMYK 87 / 0 / 32 / 6

HEX #1FEFA3

RGB 31 239 163

HSL 158.08, 0.87%, 0.53%

LAB 84.31, -63.9, 23.84

 

CMYK 93 / 0 / 82 / 31

HEX #0CB01F

RGB 12 176 31

HSL 126.95, 0.87%, 0.37%

LAB 62.7, -63.58, 57.59

 

CMYK 93 / 0 / 82 / 16

HEX #0FD626

RGB 15 214 38

HSL 126.93, 0.87%, 0.45%

LAB 75.04, -73.78, 67.12

 

CMYK 87 / 0 / 77 / 6

HEX #1FEF37

RGB 31 239 55

HSL 126.92, 0.87%, 0.53%

LAB 83.07, -78.76, 70

 

CMYK 71 / 0 / 63 / 5

HEX #45F259

RGB 69 242 89

HSL 126.94, 0.87%, 0.61%

LAB 84.74, -72.41, 59.63

 

CMYK 56 / 0 / 49 / 4

HEX #6CF57C

RGB 108 245 124

HSL 127.01, 0.87%, 0.69%

LAB 86.97, -61.57, 46.92

 

CMYK 87 / 0 / 77 / 6

HEX #20EF38

RGB 32 239 56

HSL 126.96, 0.87%, 0.53%

LAB 83.09, -78.62, 69.71

 

CMYK 87 / 26 / 0 / 6

HEX #1FB1EF

RGB 31 177 239

HSL 197.88, 0.87%, 0.53%

LAB 68, -14.7, -40.99

 

CMYK 0 / 87 / 61 / 6

HEX #EF1F5D

RGB 239 31 93

HSL 342.12, 0.87%, 0.53%

LAB 51.97, 75.55, 20.69

 

CMYK 87 / 0 / 77 / 6

HEX #20EF38

RGB 32 239 56

HSL 126.96, 0.87%, 0.53%

LAB 83.09, -78.62, 69.71

 

CMYK 78 / 87 / 0 / 6

HEX #341FEF

RGB 52 31 239

HSL 246.06, 0.87%, 0.53%

LAB 33.86, 69.45, -96.19

 

CMYK 0 / 78 / 87 / 6

HEX #EF341F

RGB 239 52 31

HSL 6.06, 0.87%, 0.53%

LAB 52.85, 68.57, 55.86

 

CMYK 87 / 0 / 77 / 6

HEX #20EF38

RGB 32 239 56

HSL 126.96, 0.87%, 0.53%

LAB 83.09, -78.62, 69.71

 

CMYK 87 / 26 / 0 / 6

HEX #1FB1EF

RGB 31 177 239

HSL 197.88, 0.87%, 0.53%

LAB 68, -14.7, -40.99

 

CMYK 0 / 87 / 8 / 6

HEX #EF1FDB

RGB 239 31 219

HSL 305.77, 0.87%, 0.53%

LAB 56.53, 87.94, -46.87

 

CMYK 0 / 61 / 87 / 6

HEX #EF5D1F

RGB 239 93 31

HSL 17.88, 0.87%, 0.53%

LAB 58.3, 53.68, 60.14

 

CMYK 87 / 0 / 77 / 6

HEX #20EF38

RGB 32 239 56

HSL 126.96, 0.87%, 0.53%

LAB 83.09, -78.62, 69.71

 

CMYK 87 / 52 / 0 / 6

HEX #1F72EF

RGB 31 114 239

HSL 216.06, 0.87%, 0.53%

LAB 50.17, 22.55, -69.41

 

CMYK 0 / 87 / 8 / 6

HEX #EF1FDB

RGB 239 31 219

HSL 305.77, 0.87%, 0.53%

LAB 56.53, 87.94, -46.87

 

CMYK 0 / 35 / 87 / 6

HEX #EF9C1F

RGB 239 156 31

HSL 36.06, 0.87%, 0.53%

LAB 71.03, 22.32, 70.19

 

Description

Color code: HEX #20EF38 | qconv.com Color code: HEX #20EF38 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 239 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 239 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 77 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 77% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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