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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20EE49 it is the complementary color #DF11B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20EE49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20EE49 shade: #25EE44, #36FF57, #47FF6A, #58FF7D and #69FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20EE49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20EE49 shade: #20EE49, #0FDC36, #00CA23, #00B810 and #00A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20EE49 shade: #20EE49, #2EEE20, #66EE20, #9DEE20 and #D5EE20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20EE49 shade: #20EE49, #20EE80, #20EEB8, #20ECEE and #20B4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20EE49 shade matches the following richer shades: #20EE49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20EE49 shade: #20EE49, #33DA54, #46C760, #5AB46C and #6DA077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20EE49 shade: #68EE20, #31EE20, #20EE45, #20EE7C and #20EEB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20EE49 shade: #0DAE2D, #10D537, #20EE49, #46F168 and #6CF387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20EE49 shade: #20EE49, #209FEE and #EE204C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20EE49 shade: #20EE49, #4520EE and #EE4520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20EE49 shade: #20EE49, #209FEE, #EE20C8 and #EE6F20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20EE49 shade: #20EE49, #2061EE, #EE20C8 and #EEAC20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

Complementary color

CMYK 0 / 92 / 18 / 13

HEX #DF11B6

RGB 223 17 182

HSL 311.94, 0.86%, 0.47%

LAB 51.23, 82.01, -34.11

 

CMYK 84 / 0 / 71 / 7

HEX #25EE44

RGB 37 238 68

HSL 129.25, 0.86%, 0.54%

LAB 82.89, -77.05, 65.58

 

CMYK 79 / 0 / 66 / 0

HEX #36FF57

RGB 54 255 87

HSL 129.85, 1%, 0.61%

LAB 88.44, -78.64, 64.43

 

CMYK 72 / 0 / 58 / 0

HEX #47FF6A

RGB 71 255 106

HSL 131.41, 1%, 0.64%

LAB 88.88, -74.38, 57.15

 

CMYK 65 / 0 / 51 / 0

HEX #58FF7D

RGB 88 255 125

HSL 133.29, 1%, 0.67%

LAB 89.43, -69.15, 49.36

 

CMYK 59 / 0 / 44 / 0

HEX #69FF90

RGB 105 255 144

HSL 135.6, 1%, 0.71%

LAB 90.11, -63.04, 41.27

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 93 / 0 / 75 / 14

HEX #0FDC36

RGB 15 220 54

HSL 131.41, 0.87%, 0.46%

LAB 77.01, -74.46, 64.35

 

CMYK 100 / 0 / 83 / 21

HEX #00CA23

RGB 0 202 35

HSL 130.4, 1%, 0.4%

LAB 71.12, -71.23, 64.27

 

CMYK 100 / 0 / 91 / 28

HEX #00B810

RGB 0 184 16

HSL 125.22, 1%, 0.36%

LAB 65.21, -67.06, 63.06

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 81 / 0 / 87 / 7

HEX #2EEE20

RGB 46 238 32

HSL 115.92, 0.86%, 0.53%

LAB 82.83, -78.27, 75.53

 

CMYK 57 / 0 / 87 / 7

HEX #66EE20

RGB 102 238 32

HSL 99.61, 0.86%, 0.53%

LAB 84.01, -68.25, 77.02

 

CMYK 34 / 0 / 87 / 7

HEX #9DEE20

RGB 157 238 32

HSL 83.59, 0.86%, 0.53%

LAB 86.22, -51.64, 79.78

 

CMYK 11 / 0 / 87 / 7

HEX #D5EE20

RGB 213 238 32

HSL 67.28, 0.86%, 0.53%

LAB 89.58, -30.32, 83.94

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 87 / 0 / 46 / 7

HEX #20EE80

RGB 32 238 128

HSL 147.96, 0.86%, 0.53%

LAB 83.45, -70.06, 40.27

 

CMYK 87 / 0 / 23 / 7

HEX #20EEB8

RGB 32 238 184

HSL 164.27, 0.86%, 0.53%

LAB 84.44, -58.8, 13.14

 

CMYK 87 / 1 / 0 / 7

HEX #20ECEE

RGB 32 236 238

HSL 180.58, 0.86%, 0.53%

LAB 85.24, -43.73, -14.05

 

CMYK 87 / 24 / 0 / 7

HEX #20B4EE

RGB 32 180 238

HSL 196.89, 0.86%, 0.53%

LAB 68.84, -16.59, -39.12

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 77 / 0 / 61 / 15

HEX #33DA54

RGB 51 218 84

HSL 131.86, 0.69%, 0.53%

LAB 76.97, -67.91, 52.93

 

CMYK 65 / 0 / 52 / 22

HEX #46C760

RGB 70 199 96

HSL 132.09, 0.54%, 0.53%

LAB 71.55, -56.76, 41.09

 

CMYK 50 / 0 / 40 / 29

HEX #5AB46C

RGB 90 180 108

HSL 132, 0.38%, 0.53%

LAB 66.44, -42.68, 28.66

 

CMYK 32 / 0 / 26 / 37

HEX #6DA077

RGB 109 160 119

HSL 131.76, 0.21%, 0.53%

LAB 61.42, -25.73, 16.08

 

CMYK 56 / 0 / 87 / 7

HEX #68EE20

RGB 104 238 32

HSL 99.03, 0.86%, 0.53%

LAB 84.07, -67.75, 77.09

 

CMYK 79 / 0 / 87 / 7

HEX #31EE20

RGB 49 238 32

HSL 115.05, 0.86%, 0.53%

LAB 82.86, -77.93, 75.58

 

CMYK 87 / 0 / 71 / 7

HEX #20EE45

RGB 32 238 69

HSL 130.78, 0.86%, 0.53%

LAB 82.85, -77.37, 65.17

 

CMYK 87 / 0 / 48 / 7

HEX #20EE7C

RGB 32 238 124

HSL 146.8, 0.86%, 0.53%

LAB 83.4, -70.7, 42.14

 

CMYK 87 / 0 / 25 / 7

HEX #20EEB3

RGB 32 238 179

HSL 162.82, 0.86%, 0.53%

LAB 84.33, -59.96, 15.6

 

CMYK 93 / 0 / 74 / 32

HEX #0DAE2D

RGB 13 174 45

HSL 131.93, 0.86%, 0.37%

LAB 62.12, -61.96, 52.54

 

CMYK 92 / 0 / 74 / 16

HEX #10D537

RGB 16 213 55

HSL 131.88, 0.86%, 0.45%

LAB 74.81, -72.36, 61.83

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 71 / 0 / 57 / 5

HEX #46F168

RGB 70 241 104

HSL 131.93, 0.86%, 0.61%

LAB 84.59, -70.23, 53.03

 

CMYK 56 / 0 / 44 / 5

HEX #6CF387

RGB 108 243 135

HSL 132, 0.85%, 0.69%

LAB 86.52, -59.24, 41.08

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 87 / 33 / 0 / 7

HEX #209FEE

RGB 32 159 238

HSL 203.01, 0.86%, 0.53%

LAB 62.74, -5.02, -48.7

 

CMYK 0 / 87 / 68 / 7

HEX #EE204C

RGB 238 32 76

HSL 347.18, 0.86%, 0.53%

LAB 51.53, 74.26, 30.32

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 71 / 87 / 0 / 7

HEX #4520EE

RGB 69 32 238

HSL 250.78, 0.86%, 0.53%

LAB 34.95, 69.67, -93.79

 

CMYK 0 / 71 / 87 / 7

HEX #EE4520

RGB 238 69 32

HSL 10.78, 0.86%, 0.53%

LAB 54.59, 62.92, 56.74

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 87 / 33 / 0 / 7

HEX #209FEE

RGB 32 159 238

HSL 203.01, 0.86%, 0.53%

LAB 62.74, -5.02, -48.7

 

CMYK 0 / 87 / 16 / 7

HEX #EE20C8

RGB 238 32 200

HSL 311.07, 0.86%, 0.53%

LAB 55.46, 85.11, -37.72

 

CMYK 0 / 53 / 87 / 7

HEX #EE6F20

RGB 238 111 32

HSL 23.01, 0.86%, 0.53%

LAB 61.35, 45.01, 62.14

 

CMYK 87 / 0 / 69 / 7

HEX #20EE49

RGB 32 238 73

HSL 131.94, 0.86%, 0.53%

LAB 82.88, -77.03, 63.74

 

CMYK 87 / 59 / 0 / 7

HEX #2061EE

RGB 32 97 238

HSL 221.07, 0.86%, 0.53%

LAB 45.67, 33.05, -76.16

 

CMYK 0 / 87 / 16 / 7

HEX #EE20C8

RGB 238 32 200

HSL 311.07, 0.86%, 0.53%

LAB 55.46, 85.11, -37.72

 

CMYK 0 / 28 / 87 / 7

HEX #EEAC20

RGB 238 172 32

HSL 40.78, 0.86%, 0.53%

LAB 74.69, 13.46, 72.8

 

Description

Color code: HEX #20EE49 | qconv.com Color code: HEX #20EE49 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 238 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 238 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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