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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20E446 it is the complementary color #DF1BB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20E446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20E446 shade: #25E441, #36F654, #47FF67, #58FF7A and #69FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20E446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20E446 shade: #20E446, #0FD233, #00C020, #00AE0D and #009C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20E446 shade: #21E446, #2FE421, #64E421, #98E421 and #CDE421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20E446 shade: #21E446, #21E47B, #21E4AF, #21E3E4 and #21AEE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20E446 shade matches the following richer shades: #21E446 and #0CF83A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20E446 shade: #21E446, #35CF53, #49BB5F, #5DA76C and #719378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20E446 shade: #65E421, #31E421, #21E444, #21E478 and #21E4AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20E446 shade: #149E2E, #18C339, #21E446, #45E865 and #6AED83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20E446 shade: #20E446, #2199E4 and #E4214B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20E446 shade: #20E446, #4421E4 and #E44421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20E446 shade: #20E446, #2199E4, #E421C0 and #E46B21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20E446 shade: #20E446, #215EE4, #E421C0 and #E4A621

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 69 / 11

HEX #20E446

RGB 32 228 70

HSL 131.63, 0.78%, 0.51%

LAB 79.75, -74.39, 61.57

 

Complementary color

CMYK 0 / 88 / 17 / 13

HEX #DF1BB9

RGB 223 27 185

HSL 311.63, 0.78%, 0.49%

LAB 51.81, 81.1, -34.95

 

CMYK 84 / 0 / 71 / 11

HEX #25E441

RGB 37 228 65

HSL 128.8, 0.78%, 0.52%

LAB 79.76, -74.39, 63.43

 

CMYK 78 / 0 / 66 / 4

HEX #36F654

RGB 54 246 84

HSL 129.38, 0.91%, 0.59%

LAB 85.67, -76.22, 62.6

 

CMYK 72 / 0 / 60 / 0

HEX #47FF67

RGB 71 255 103

HSL 130.43, 1%, 0.64%

LAB 88.85, -74.73, 58.41

 

CMYK 65 / 0 / 52 / 0

HEX #58FF7A

RGB 88 255 122

HSL 132.22, 1%, 0.67%

LAB 89.39, -69.56, 50.7

 

CMYK 59 / 0 / 45 / 0

HEX #69FF8D

RGB 105 255 141

HSL 134.4, 1%, 0.71%

LAB 90.07, -63.5, 42.67

 

CMYK 86 / 0 / 69 / 11

HEX #20E446

RGB 32 228 70

HSL 131.63, 0.78%, 0.51%

LAB 79.75, -74.39, 61.57

 

CMYK 93 / 0 / 76 / 18

HEX #0FD233

RGB 15 210 51

HSL 131.08, 0.87%, 0.44%

LAB 73.83, -71.85, 62.18

 

CMYK 100 / 0 / 83 / 25

HEX #00C020

RGB 0 192 32

HSL 130, 1%, 0.38%

LAB 67.88, -68.61, 62.06

 

CMYK 100 / 0 / 93 / 32

HEX #00AE0D

RGB 0 174 13

HSL 124.48, 1%, 0.34%

LAB 61.91, -64.38, 60.73

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 86 / 0 / 69 / 11

HEX #21E446

RGB 33 228 70

HSL 131.38, 0.78%, 0.51%

LAB 79.76, -74.31, 61.58

 

CMYK 79 / 0 / 86 / 11

HEX #2FE421

RGB 47 228 33

HSL 115.69, 0.78%, 0.51%

LAB 79.73, -75.28, 72.62

 

CMYK 56 / 0 / 86 / 11

HEX #64E421

RGB 100 228 33

HSL 99.38, 0.78%, 0.51%

LAB 80.91, -65.32, 74.11

 

CMYK 33 / 0 / 86 / 11

HEX #98E421

RGB 152 228 33

HSL 83.38, 0.78%, 0.51%

LAB 83.06, -49.28, 76.8

 

CMYK 10 / 0 / 86 / 11

HEX #CDE421

RGB 205 228 33

HSL 67.08, 0.78%, 0.51%

LAB 86.29, -28.87, 80.82

 

CMYK 86 / 0 / 69 / 11

HEX #21E446

RGB 33 228 70

HSL 131.38, 0.78%, 0.51%

LAB 79.76, -74.31, 61.58

 

CMYK 86 / 0 / 46 / 11

HEX #21E47B

RGB 33 228 123

HSL 147.69, 0.78%, 0.51%

LAB 80.31, -67.51, 38.72

 

CMYK 86 / 0 / 23 / 11

HEX #21E4AF

RGB 33 228 175

HSL 163.69, 0.78%, 0.51%

LAB 81.24, -57.01, 13.33

 

CMYK 86 / 0 / 0 / 11

HEX #21E3E4

RGB 33 227 228

HSL 180.31, 0.78%, 0.51%

LAB 82.31, -42.59, -13.15

 

CMYK 86 / 24 / 0 / 11

HEX #21AEE4

RGB 33 174 228

HSL 196.62, 0.78%, 0.51%

LAB 66.67, -16.79, -37.04

 

CMYK 86 / 0 / 69 / 11

HEX #21E446

RGB 33 228 70

HSL 131.38, 0.78%, 0.51%

LAB 79.76, -74.31, 61.58

 

CMYK 95 / 0 / 77 / 3

HEX #0CF83A

RGB 12 248 58

HSL 131.69, 0.94%, 0.51%

LAB 85.77, -82.03, 71.67

 

CMYK 86 / 0 / 69 / 11

HEX #21E446

RGB 33 228 70

HSL 131.38, 0.78%, 0.51%

LAB 79.76, -74.31, 61.58

 

CMYK 74 / 0 / 60 / 19

HEX #35CF53

RGB 53 207 83

HSL 131.69, 0.62%, 0.51%

LAB 73.55, -64.18, 49.46

 

CMYK 61 / 0 / 49 / 27

HEX #49BB5F

RGB 73 187 95

HSL 131.58, 0.46%, 0.51%

LAB 67.86, -51.78, 37.04

 

CMYK 44 / 0 / 35 / 35

HEX #5DA76C

RGB 93 167 108

HSL 132.16, 0.3%, 0.51%

LAB 62.55, -36.11, 23.53

 

CMYK 23 / 0 / 18 / 42

HEX #719378

RGB 113 147 120

HSL 132.35, 0.14%, 0.51%

LAB 57.78, -17.53, 10.48

 

CMYK 56 / 0 / 86 / 11

HEX #65E421

RGB 101 228 33

HSL 99.08, 0.78%, 0.51%

LAB 80.94, -65.06, 74.15

 

CMYK 79 / 0 / 86 / 11

HEX #31E421

RGB 49 228 33

HSL 115.08, 0.78%, 0.51%

LAB 79.76, -75.04, 72.65

 

CMYK 86 / 0 / 70 / 11

HEX #21E444

RGB 33 228 68

HSL 130.77, 0.78%, 0.51%

LAB 79.74, -74.48, 62.31

 

CMYK 86 / 0 / 47 / 11

HEX #21E478

RGB 33 228 120

HSL 146.77, 0.78%, 0.51%

LAB 80.27, -68, 40.14

 

CMYK 86 / 0 / 25 / 11

HEX #21E4AC

RGB 33 228 172

HSL 162.77, 0.78%, 0.51%

LAB 81.18, -57.71, 14.81

 

CMYK 87 / 0 / 71 / 38

HEX #149E2E

RGB 20 158 46

HSL 131.3, 0.78%, 0.35%

LAB 56.88, -56.47, 46.75

 

CMYK 88 / 0 / 71 / 24

HEX #18C339

RGB 24 195 57

HSL 131.58, 0.78%, 0.43%

LAB 69.13, -66.44, 55.31

 

CMYK 86 / 0 / 69 / 11

HEX #21E446

RGB 33 228 70

HSL 131.38, 0.78%, 0.51%

LAB 79.76, -74.31, 61.58

 

CMYK 70 / 0 / 56 / 9

HEX #45E865

RGB 69 232 101

HSL 131.78, 0.78%, 0.59%

LAB 81.79, -67.78, 51.07

 

CMYK 55 / 0 / 45 / 7

HEX #6AED83

RGB 106 237 131

HSL 131.45, 0.78%, 0.67%

LAB 84.62, -58.02, 40.59

 

CMYK 86 / 0 / 69 / 11

HEX #20E446

RGB 32 228 70

HSL 131.63, 0.78%, 0.51%

LAB 79.75, -74.39, 61.57

 

CMYK 86 / 33 / 0 / 11

HEX #2199E4

RGB 33 153 228

HSL 203.08, 0.78%, 0.51%

LAB 60.52, -5.17, -46.69

 

CMYK 0 / 86 / 67 / 11

HEX #E4214B

RGB 228 33 75

HSL 347.08, 0.78%, 0.51%

LAB 49.6, 71.49, 28.08

 

CMYK 86 / 0 / 69 / 11

HEX #20E446

RGB 32 228 70

HSL 131.63, 0.78%, 0.51%

LAB 79.75, -74.39, 61.57

 

CMYK 70 / 86 / 0 / 11

HEX #4421E4

RGB 68 33 228

HSL 250.77, 0.78%, 0.51%

LAB 33.81, 66.63, -89.99

 

CMYK 0 / 70 / 86 / 11

HEX #E44421

RGB 228 68 33

HSL 10.77, 0.78%, 0.51%

LAB 52.66, 60.15, 54

 

CMYK 86 / 0 / 69 / 11

HEX #20E446

RGB 32 228 70

HSL 131.63, 0.78%, 0.51%

LAB 79.75, -74.39, 61.57

 

CMYK 86 / 33 / 0 / 11

HEX #2199E4

RGB 33 153 228

HSL 203.08, 0.78%, 0.51%

LAB 60.52, -5.17, -46.69

 

CMYK 0 / 86 / 16 / 11

HEX #E421C0

RGB 228 33 192

HSL 311.08, 0.78%, 0.51%

LAB 53.37, 81.99, -36.51

 

CMYK 0 / 53 / 86 / 11

HEX #E46B21

RGB 228 107 33

HSL 22.77, 0.78%, 0.51%

LAB 59.08, 43.17, 59.32

 

CMYK 86 / 0 / 69 / 11

HEX #20E446

RGB 32 228 70

HSL 131.63, 0.78%, 0.51%

LAB 79.75, -74.39, 61.57

 

CMYK 86 / 59 / 0 / 11

HEX #215EE4

RGB 33 94 228

HSL 221.23, 0.78%, 0.51%

LAB 44.13, 31.27, -73.04

 

CMYK 0 / 86 / 16 / 11

HEX #E421C0

RGB 228 33 192

HSL 311.08, 0.78%, 0.51%

LAB 53.37, 81.99, -36.51

 

CMYK 0 / 27 / 86 / 11

HEX #E4A621

RGB 228 166 33

HSL 40.92, 0.78%, 0.51%

LAB 72.15, 12.36, 70.03

 

Description

Color code: HEX #20E446 | qconv.com Color code: HEX #20E446 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 228 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 228 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 69 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 69% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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