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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20E365 it is the complementary color #DF1C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20E365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20E365 shade: #25E360, #36F573, #47FF86, #58FF99 and #69FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20E365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20E365 shade: #20E365, #0FD152, #00BF3F, #00AD2C and #009B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20E365 shade: #21E466, #21E431, #45E421, #79E421 and #AEE421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20E365 shade: #21E466, #21E49A, #21E4CF, #21C4E4 and #218FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20E365 shade matches the following richer shades: #21E466 and #0CF860

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20E365 shade: #21E466, #35CF6B, #49BB71, #5DA777 and #71937D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20E365 shade: #44E421, #21E431, #21E465, #21E499 and #21E4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20E365 shade: #149E45, #18C354, #21E466, #45E87F and #6AED98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20E365 shade: #20E365, #2178E4 and #E4212A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20E365 shade: #20E365, #6521E4 and #E46521

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20E365 shade: #20E365, #2178E4, #E4219F and #E48C21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20E365 shade: #20E365, #213EE4, #E4219F and #E4C621

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 56 / 11

HEX #20E365

RGB 32 227 101

HSL 141.23, 0.78%, 0.51%

LAB 79.72, -70.59, 48.47

 

Complementary color

CMYK 0 / 87 / 31 / 13

HEX #DF1C9A

RGB 223 28 154

HSL 321.23, 0.78%, 0.49%

LAB 50.51, 77.33, -18.68

 

CMYK 84 / 0 / 58 / 11

HEX #25E360

RGB 37 227 96

HSL 138.63, 0.77%, 0.52%

LAB 79.71, -70.83, 50.75

 

CMYK 78 / 0 / 53 / 4

HEX #36F573

RGB 54 245 115

HSL 139.16, 0.91%, 0.59%

LAB 85.67, -72.26, 49.25

 

CMYK 72 / 0 / 47 / 0

HEX #47FF86

RGB 71 255 134

HSL 140.54, 1%, 0.64%

LAB 89.2, -70.6, 44.76

 

CMYK 65 / 0 / 40 / 0

HEX #58FF99

RGB 88 255 153

HSL 143.35, 1%, 0.67%

LAB 89.81, -64.85, 36.4

 

CMYK 59 / 0 / 33 / 0

HEX #69FFAC

RGB 105 255 172

HSL 146.8, 1%, 0.71%

LAB 90.55, -58.27, 27.98

 

CMYK 86 / 0 / 56 / 11

HEX #20E365

RGB 32 227 101

HSL 141.23, 0.78%, 0.51%

LAB 79.72, -70.59, 48.47

 

CMYK 93 / 0 / 61 / 18

HEX #0FD152

RGB 15 209 82

HSL 140.72, 0.87%, 0.44%

LAB 73.75, -68.54, 50.02

 

CMYK 100 / 0 / 67 / 25

HEX #00BF3F

RGB 0 191 63

HSL 139.79, 1%, 0.37%

LAB 67.74, -65.91, 51.42

 

CMYK 100 / 0 / 75 / 32

HEX #00AD2C

RGB 0 173 44

HSL 135.26, 1%, 0.34%

LAB 61.71, -62.4, 52.46

 

CMYK 100 / 0 / 84 / 39

HEX #009B19

RGB 0 155 25

HSL 129.68, 1%, 0.3%

LAB 55.6, -58.49, 52.64

 

CMYK 86 / 0 / 55 / 11

HEX #21E466

RGB 33 228 102

HSL 141.23, 0.78%, 0.51%

LAB 80.05, -70.69, 48.41

 

CMYK 86 / 0 / 79 / 11

HEX #21E431

RGB 33 228 49

HSL 124.92, 0.78%, 0.51%

LAB 79.63, -75.89, 68.47

 

CMYK 70 / 0 / 86 / 11

HEX #45E421

RGB 69 228 33

HSL 108.92, 0.78%, 0.51%

LAB 80.1, -72.02, 73.09

 

CMYK 47 / 0 / 86 / 11

HEX #79E421

RGB 121 228 33

HSL 92.92, 0.78%, 0.51%

LAB 81.65, -59.48, 75.04

 

CMYK 24 / 0 / 86 / 11

HEX #AEE421

RGB 174 228 33

HSL 76.62, 0.78%, 0.51%

LAB 84.27, -41.16, 78.32

 

CMYK 86 / 0 / 55 / 11

HEX #21E466

RGB 33 228 102

HSL 141.23, 0.78%, 0.51%

LAB 80.05, -70.69, 48.41

 

CMYK 86 / 0 / 32 / 11

HEX #21E49A

RGB 33 228 154

HSL 157.23, 0.78%, 0.51%

LAB 80.82, -61.68, 23.7

 

CMYK 86 / 0 / 9 / 11

HEX #21E4CF

RGB 33 228 207

HSL 173.54, 0.78%, 0.51%

LAB 82.01, -48.91, -2.46

 

CMYK 86 / 14 / 0 / 11

HEX #21C4E4

RGB 33 196 228

HSL 189.85, 0.78%, 0.51%

LAB 73.16, -28.08, -27.01

 

CMYK 86 / 37 / 0 / 11

HEX #218FE4

RGB 33 143 228

HSL 206.15, 0.78%, 0.51%

LAB 57.63, 0.65, -51.28

 

CMYK 86 / 0 / 55 / 11

HEX #21E466

RGB 33 228 102

HSL 141.23, 0.78%, 0.51%

LAB 80.05, -70.69, 48.41

 

CMYK 95 / 0 / 61 / 3

HEX #0CF860

RGB 12 248 96

HSL 141.36, 0.94%, 0.51%

LAB 86.04, -78.61, 58.01

 

CMYK 86 / 0 / 55 / 11

HEX #21E466

RGB 33 228 102

HSL 141.23, 0.78%, 0.51%

LAB 80.05, -70.69, 48.41

 

CMYK 74 / 0 / 48 / 19

HEX #35CF6B

RGB 53 207 107

HSL 141.04, 0.62%, 0.51%

LAB 73.83, -60.84, 38.45

 

CMYK 61 / 0 / 40 / 27

HEX #49BB71

RGB 73 187 113

HSL 141.05, 0.46%, 0.51%

LAB 68.13, -48.82, 28.14

 

CMYK 44 / 0 / 29 / 35

HEX #5DA777

RGB 93 167 119

HSL 141.08, 0.3%, 0.51%

LAB 62.76, -34.05, 17.81

 

CMYK 23 / 0 / 15 / 42

HEX #71937D

RGB 113 147 125

HSL 141.18, 0.14%, 0.51%

LAB 57.9, -16.54, 7.81

 

CMYK 70 / 0 / 86 / 11

HEX #44E421

RGB 68 228 33

HSL 109.23, 0.78%, 0.51%

LAB 80.08, -72.2, 73.06

 

CMYK 86 / 0 / 79 / 11

HEX #21E431

RGB 33 228 49

HSL 124.92, 0.78%, 0.51%

LAB 79.63, -75.89, 68.47

 

CMYK 86 / 0 / 56 / 11

HEX #21E465

RGB 33 228 101

HSL 140.92, 0.78%, 0.51%

LAB 80.04, -70.83, 48.86

 

CMYK 86 / 0 / 33 / 11

HEX #21E499

RGB 33 228 153

HSL 156.92, 0.78%, 0.51%

LAB 80.8, -61.89, 24.19

 

CMYK 86 / 0 / 10 / 11

HEX #21E4CD

RGB 33 228 205

HSL 172.92, 0.78%, 0.51%

LAB 81.96, -49.45, -1.48

 

CMYK 87 / 0 / 56 / 38

HEX #149E45

RGB 20 158 69

HSL 141.3, 0.78%, 0.35%

LAB 57.11, -53.66, 36.58

 

CMYK 88 / 0 / 57 / 24

HEX #18C354

RGB 24 195 84

HSL 141.05, 0.78%, 0.43%

LAB 69.37, -63.37, 44.02

 

CMYK 86 / 0 / 55 / 11

HEX #21E466

RGB 33 228 102

HSL 141.23, 0.78%, 0.51%

LAB 80.05, -70.69, 48.41

 

CMYK 70 / 0 / 45 / 9

HEX #45E87F

RGB 69 232 127

HSL 141.35, 0.78%, 0.59%

LAB 82.12, -64.04, 39.16

 

CMYK 55 / 0 / 36 / 7

HEX #6AED98

RGB 106 237 152

HSL 141.07, 0.78%, 0.67%

LAB 84.95, -54.59, 30.54

 

CMYK 86 / 0 / 56 / 11

HEX #20E365

RGB 32 227 101

HSL 141.23, 0.78%, 0.51%

LAB 79.72, -70.59, 48.47

 

CMYK 86 / 47 / 0 / 11

HEX #2178E4

RGB 33 120 228

HSL 213.23, 0.78%, 0.51%

LAB 51.1, 14.69, -61.72

 

CMYK 0 / 86 / 82 / 11

HEX #E4212A

RGB 228 33 42

HSL 357.23, 0.78%, 0.51%

LAB 49.19, 70.28, 46.59

 

CMYK 86 / 0 / 56 / 11

HEX #20E365

RGB 32 227 101

HSL 141.23, 0.78%, 0.51%

LAB 79.72, -70.59, 48.47

 

CMYK 56 / 86 / 0 / 11

HEX #6521E4

RGB 101 33 228

HSL 260.92, 0.78%, 0.51%

LAB 36.85, 69.18, -84.86

 

CMYK 0 / 56 / 86 / 11

HEX #E46521

RGB 228 101 33

HSL 20.92, 0.78%, 0.51%

LAB 57.95, 46.07, 58.39

 

CMYK 86 / 0 / 56 / 11

HEX #20E365

RGB 32 227 101

HSL 141.23, 0.78%, 0.51%

LAB 79.72, -70.59, 48.47

 

CMYK 86 / 47 / 0 / 11

HEX #2178E4

RGB 33 120 228

HSL 213.23, 0.78%, 0.51%

LAB 51.1, 14.69, -61.72

 

CMYK 0 / 86 / 30 / 11

HEX #E4219F

RGB 228 33 159

HSL 321.23, 0.78%, 0.51%

LAB 51.93, 78.08, -19.4

 

CMYK 0 / 39 / 86 / 11

HEX #E48C21

RGB 228 140 33

HSL 32.92, 0.78%, 0.51%

LAB 66.03, 26.2, 65.03

 

CMYK 86 / 0 / 56 / 11

HEX #20E365

RGB 32 227 101

HSL 141.23, 0.78%, 0.51%

LAB 79.72, -70.59, 48.47

 

CMYK 86 / 73 / 0 / 11

HEX #213EE4

RGB 33 62 228

HSL 231.08, 0.78%, 0.51%

LAB 36.69, 51, -85.27

 

CMYK 0 / 86 / 30 / 11

HEX #E4219F

RGB 228 33 159

HSL 321.23, 0.78%, 0.51%

LAB 51.93, 78.08, -19.4

 

CMYK 0 / 13 / 86 / 11

HEX #E4C621

RGB 228 198 33

HSL 50.77, 0.78%, 0.51%

LAB 80.18, -4.4, 76.57

 

Description

Color code: HEX #20E365 | qconv.com Color code: HEX #20E365 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 227 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 227 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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