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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20DF92 it is the complementary color #DF206D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20DF92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20DF92 shade: #25DF8D, #36F1A0, #47FFB3, #58FFC6 and #69FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20DF92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20DF92 shade: #20DF92, #0FCD7F, #00BB6C, #00A959 and #009746

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20DF92 shade: #20DF92, #20DF5E, #20DF2B, #48DF20 and #7CDF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20DF92 shade: #20DF92, #20DFC6, #20C5DF, #2092DF and #205EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20DF92 shade matches the following richer shades: #20DF92 and #0BF496

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20DF92 shade: #20DF92, #35CA8E, #49B68A, #5EA186 and #728D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20DF92 shade: #20DF29, #20DF5C, #20DF8F, #20DFC2 and #20C9DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20DF92 shade: #169763, #1BBB7A, #20DF92, #44E4A4 and #68E9B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20DF92 shade: #20DF92, #2049DF and #DF4320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20DF92 shade: #20DF92, #8F20DF and #DF8F20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20DF92 shade: #20DF92, #2049DF, #DF2070 and #DFB620

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20DF92 shade: #20DF92, #3020DF, #DF2070 and #CFDF20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

Complementary color

CMYK 0 / 86 / 51 / 13

HEX #DF206D

RGB 223 32 109

HSL 335.81, 0.75%, 0.5%

LAB 49.28, 72.52, 6.73

 

CMYK 83 / 0 / 37 / 13

HEX #25DF8D

RGB 37 223 141

HSL 153.55, 0.74%, 0.51%

LAB 79.09, -62.2, 28.07

 

CMYK 78 / 0 / 34 / 5

HEX #36F1A0

RGB 54 241 160

HSL 154.01, 0.87%, 0.58%

LAB 85.12, -63.28, 26.51

 

CMYK 72 / 0 / 30 / 0

HEX #47FFB3

RGB 71 255 179

HSL 155.22, 1%, 0.64%

LAB 89.91, -62.55, 23.43

 

CMYK 65 / 0 / 22 / 0

HEX #58FFC6

RGB 88 255 198

HSL 159.52, 1%, 0.67%

LAB 90.63, -56.05, 14.77

 

CMYK 59 / 0 / 15 / 0

HEX #69FFD9

RGB 105 255 217

HSL 164.8, 1%, 0.71%

LAB 91.47, -48.86, 6.24

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 93 / 0 / 38 / 20

HEX #0FCD7F

RGB 15 205 127

HSL 155.37, 0.86%, 0.43%

LAB 73.09, -60.01, 27.24

 

CMYK 100 / 0 / 42 / 27

HEX #00BB6C

RGB 0 187 108

HSL 154.65, 1%, 0.37%

LAB 66.99, -57.99, 29.07

 

CMYK 100 / 0 / 47 / 34

HEX #00A959

RGB 0 169 89

HSL 151.6, 1%, 0.33%

LAB 60.87, -55.3, 31.05

 

CMYK 100 / 0 / 54 / 41

HEX #009746

RGB 0 151 70

HSL 147.81, 1%, 0.3%

LAB 54.63, -52.42, 33.04

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 86 / 0 / 58 / 13

HEX #20DF5E

RGB 32 223 94

HSL 139.48, 0.75%, 0.5%

LAB 78.4, -70.27, 50.09

 

CMYK 86 / 0 / 81 / 13

HEX #20DF2B

RGB 32 223 43

HSL 123.46, 0.75%, 0.5%

LAB 78.03, -74.91, 68.63

 

CMYK 68 / 0 / 86 / 13

HEX #48DF20

RGB 72 223 32

HSL 107.43, 0.75%, 0.5%

LAB 78.61, -69.96, 72.01

 

CMYK 44 / 0 / 86 / 13

HEX #7CDF20

RGB 124 223 32

HSL 91.1, 0.75%, 0.5%

LAB 80.27, -56.72, 74.1

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 86 / 0 / 11 / 13

HEX #20DFC6

RGB 32 223 198

HSL 172.15, 0.75%, 0.5%

LAB 80.27, -49.29, -0.23

 

CMYK 86 / 12 / 0 / 13

HEX #20C5DF

RGB 32 197 223

HSL 188.17, 0.75%, 0.5%

LAB 73.26, -30.24, -24.15

 

CMYK 86 / 35 / 0 / 13

HEX #2092DF

RGB 32 146 223

HSL 204.19, 0.75%, 0.5%

LAB 58.22, -3.03, -47.55

 

CMYK 86 / 58 / 0 / 13

HEX #205EDF

RGB 32 94 223

HSL 220.52, 0.75%, 0.5%

LAB 43.71, 29.31, -70.89

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 95 / 0 / 39 / 4

HEX #0BF496

RGB 11 244 150

HSL 155.79, 0.91%, 0.5%

LAB 85.49, -69.14, 32.01

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 74 / 0 / 30 / 21

HEX #35CA8E

RGB 53 202 142

HSL 155.84, 0.58%, 0.5%

LAB 72.86, -52.43, 19.11

 

CMYK 60 / 0 / 24 / 29

HEX #49B68A

RGB 73 182 138

HSL 155.78, 0.43%, 0.5%

LAB 67.06, -41.7, 13.26

 

CMYK 42 / 0 / 17 / 37

HEX #5EA186

RGB 94 161 134

HSL 155.82, 0.26%, 0.5%

LAB 61.3, -27.76, 7.43

 

CMYK 19 / 0 / 8 / 45

HEX #728D82

RGB 114 141 130

HSL 155.56, 0.11%, 0.5%

LAB 56.33, -11.93, 2.7

 

CMYK 86 / 0 / 82 / 13

HEX #20DF29

RGB 32 223 41

HSL 122.83, 0.75%, 0.5%

LAB 78.02, -75.02, 69.15

 

CMYK 86 / 0 / 59 / 13

HEX #20DF5C

RGB 32 223 92

HSL 138.85, 0.75%, 0.5%

LAB 78.38, -70.52, 50.96

 

CMYK 86 / 0 / 36 / 13

HEX #20DF8F

RGB 32 223 143

HSL 154.87, 0.75%, 0.5%

LAB 79.08, -62.2, 27.01

 

CMYK 86 / 0 / 13 / 13

HEX #20DFC2

RGB 32 223 194

HSL 170.89, 0.75%, 0.5%

LAB 80.17, -50.35, 1.74

 

CMYK 86 / 10 / 0 / 13

HEX #20C9DF

RGB 32 201 223

HSL 186.91, 0.75%, 0.5%

LAB 74.45, -32.17, -22.34

 

CMYK 85 / 0 / 34 / 41

HEX #169763

RGB 22 151 99

HSL 155.81, 0.75%, 0.34%

LAB 55.28, -45.42, 18.33

 

CMYK 86 / 0 / 35 / 27

HEX #1BBB7A

RGB 27 187 122

HSL 155.63, 0.75%, 0.42%

LAB 67.41, -53.77, 22.26

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 70 / 0 / 28 / 11

HEX #44E4A4

RGB 68 228 164

HSL 156, 0.75%, 0.58%

LAB 81.51, -55.78, 19.54

 

CMYK 55 / 0 / 22 / 9

HEX #68E9B5

RGB 104 233 181

HSL 155.81, 0.75%, 0.66%

LAB 84.25, -47.74, 14.64

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 86 / 67 / 0 / 13

HEX #2049DF

RGB 32 73 223

HSL 227.12, 0.75%, 0.5%

LAB 38.55, 42.65, -79.35

 

CMYK 0 / 70 / 86 / 13

HEX #DF4320

RGB 223 67 32

HSL 10.99, 0.75%, 0.5%

LAB 51.62, 58.89, 53.2

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 36 / 86 / 0 / 13

HEX #8F20DF

RGB 143 32 223

HSL 274.87, 0.75%, 0.5%

LAB 41.53, 73.07, -74.11

 

CMYK 0 / 36 / 86 / 13

HEX #DF8F20

RGB 223 143 32

HSL 34.87, 0.75%, 0.5%

LAB 66.09, 22.47, 65.12

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 86 / 67 / 0 / 13

HEX #2049DF

RGB 32 73 223

HSL 227.12, 0.75%, 0.5%

LAB 38.55, 42.65, -79.35

 

CMYK 0 / 86 / 50 / 13

HEX #DF2070

RGB 223 32 112

HSL 334.87, 0.75%, 0.5%

LAB 49.36, 72.75, 5.01

 

CMYK 0 / 18 / 86 / 13

HEX #DFB620

RGB 223 182 32

HSL 47.12, 0.75%, 0.5%

LAB 75.61, 1.71, 72.89

 

CMYK 86 / 0 / 35 / 13

HEX #20DF92

RGB 32 223 146

HSL 155.81, 0.75%, 0.5%

LAB 79.13, -61.6, 25.54

 

CMYK 78 / 86 / 0 / 13

HEX #3020DF

RGB 48 32 223

HSL 245.03, 0.75%, 0.5%

LAB 31.78, 64.57, -90.53

 

CMYK 0 / 86 / 50 / 13

HEX #DF2070

RGB 223 32 112

HSL 334.87, 0.75%, 0.5%

LAB 49.36, 72.75, 5.01

 

CMYK 7 / 0 / 86 / 13

HEX #CFDF20

RGB 207 223 32

HSL 65.03, 0.75%, 0.5%

LAB 85.07, -25.71, 80.07

 

Description

Color code: HEX #20DF92 | qconv.com Color code: HEX #20DF92 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 223 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 223 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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