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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20DA70 it is the complementary color #DF258F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20DA70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20DA70 shade: #25DA6B, #36EC7E, #47FE91, #58FFA4 and #69FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20DA70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20DA70 shade: #20DA70, #0FC85D, #00B64A, #00A437 and #009224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20DA70 shade: #20D970, #20D93E, #35D920, #67D920 and #98D920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20DA70 shade: #20D970, #20D9A2, #20D9D4, #20ADD9 and #207BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20DA70 shade matches the following richer shades: #20D970 and #0CEE6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20DA70 shade: #20D970, #35C573, #49B176, #5D9D79 and #71897B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20DA70 shade: #36D920, #20D93C, #20D96E, #20D99F and #20D9D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20DA70 shade: #16924B, #1BB65E, #20D970, #41E386 and #65E89D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20DA70 shade: #20DA70, #2067D9 and #D92420

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20DA70 shade: #20DA70, #6E20D9 and #D96E20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20DA70 shade: #20DA70, #2067D9, #D9208C and #D99320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20DA70 shade: #20DA70, #2030D9, #D9208C and #D9CA20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 49 / 15

HEX #20DA70

RGB 32 218 112

HSL 145.81, 0.74%, 0.49%

LAB 77.05, -66.07, 39.98

 

Complementary color

CMYK 0 / 83 / 36 / 13

HEX #DF258F

RGB 223 37 143

HSL 325.81, 0.74%, 0.51%

LAB 50.68, 74.52, -11.84

 

CMYK 83 / 0 / 51 / 15

HEX #25DA6B

RGB 37 218 107

HSL 143.2, 0.71%, 0.5%

LAB 77.04, -66.42, 42.4

 

CMYK 77 / 0 / 47 / 7

HEX #36EC7E

RGB 54 236 126

HSL 143.74, 0.83%, 0.57%

LAB 83.06, -67.65, 40.8

 

CMYK 72 / 0 / 43 / 0

HEX #47FE91

RGB 71 254 145

HSL 144.26, 0.99%, 0.64%

LAB 89.05, -68.51, 39.27

 

CMYK 65 / 0 / 36 / 0

HEX #58FFA4

RGB 88 255 164

HSL 147.31, 1%, 0.67%

LAB 89.99, -62.9, 31.16

 

CMYK 59 / 0 / 28 / 0

HEX #69FFB7

RGB 105 255 183

HSL 151.2, 1%, 0.71%

LAB 90.75, -56.16, 22.68

 

CMYK 85 / 0 / 49 / 15

HEX #20DA70

RGB 32 218 112

HSL 145.81, 0.74%, 0.49%

LAB 77.05, -66.07, 39.98

 

CMYK 93 / 0 / 54 / 22

HEX #0FC85D

RGB 15 200 93

HSL 145.3, 0.86%, 0.42%

LAB 71.01, -64.24, 41.69

 

CMYK 100 / 0 / 59 / 29

HEX #00B64A

RGB 0 182 74

HSL 144.4, 1%, 0.36%

LAB 64.92, -61.87, 43.41

 

CMYK 100 / 0 / 66 / 36

HEX #00A437

RGB 0 164 55

HSL 140.12, 1%, 0.32%

LAB 58.81, -58.63, 45.03

 

CMYK 100 / 0 / 75 / 43

HEX #009224

RGB 0 146 36

HSL 134.79, 1%, 0.29%

LAB 52.6, -55.05, 46.17

 

CMYK 85 / 0 / 48 / 15

HEX #20D970

RGB 32 217 112

HSL 145.95, 0.74%, 0.49%

LAB 76.74, -65.74, 39.59

 

CMYK 85 / 0 / 71 / 15

HEX #20D93E

RGB 32 217 62

HSL 129.73, 0.74%, 0.49%

LAB 76.24, -71.86, 60.86

 

CMYK 76 / 0 / 85 / 15

HEX #35D920

RGB 53 217 32

HSL 113.19, 0.74%, 0.49%

LAB 76.37, -71.32, 69.89

 

CMYK 53 / 0 / 85 / 15

HEX #67D920

RGB 103 217 32

HSL 96.97, 0.74%, 0.49%

LAB 77.65, -60.71, 71.51

 

CMYK 30 / 0 / 85 / 15

HEX #98D920

RGB 152 217 32

HSL 81.08, 0.74%, 0.49%

LAB 79.84, -44.71, 74.27

 

CMYK 85 / 0 / 48 / 15

HEX #20D970

RGB 32 217 112

HSL 145.95, 0.74%, 0.49%

LAB 76.74, -65.74, 39.59

 

CMYK 85 / 0 / 25 / 15

HEX #20D9A2

RGB 32 217 162

HSL 162.16, 0.74%, 0.49%

LAB 77.6, -55.88, 15.06

 

CMYK 85 / 0 / 2 / 15

HEX #20D9D4

RGB 32 217 212

HSL 178.38, 0.74%, 0.49%

LAB 78.86, -42.84, -9.78

 

CMYK 85 / 20 / 0 / 15

HEX #20ADD9

RGB 32 173 217

HSL 194.27, 0.74%, 0.49%

LAB 65.91, -20.1, -32.18

 

CMYK 85 / 43 / 0 / 15

HEX #207BD9

RGB 32 123 217

HSL 210.49, 0.74%, 0.49%

LAB 51.25, 8.54, -55.3

 

CMYK 85 / 0 / 48 / 15

HEX #20D970

RGB 32 217 112

HSL 145.95, 0.74%, 0.49%

LAB 76.74, -65.74, 39.59

 

CMYK 95 / 0 / 54 / 7

HEX #0CEE6D

RGB 12 238 109

HSL 145.75, 0.9%, 0.49%

LAB 83.09, -73.97, 48.81

 

CMYK 85 / 0 / 48 / 15

HEX #20D970

RGB 32 217 112

HSL 145.95, 0.74%, 0.49%

LAB 76.74, -65.74, 39.59

 

CMYK 73 / 0 / 42 / 23

HEX #35C573

RGB 53 197 115

HSL 145.83, 0.58%, 0.49%

LAB 70.82, -55.89, 30.55

 

CMYK 59 / 0 / 33 / 31

HEX #49B176

RGB 73 177 118

HSL 145.96, 0.42%, 0.49%

LAB 65.1, -43.77, 21.42

 

CMYK 41 / 0 / 23 / 38

HEX #5D9D79

RGB 93 157 121

HSL 146.25, 0.26%, 0.49%

LAB 59.73, -28.9, 12.49

 

CMYK 18 / 0 / 10 / 46

HEX #71897B

RGB 113 137 123

HSL 145, 0.1%, 0.49%

LAB 54.9, -11.56, 4.65

 

CMYK 75 / 0 / 85 / 15

HEX #36D920

RGB 54 217 32

HSL 112.86, 0.74%, 0.49%

LAB 76.38, -71.17, 69.91

 

CMYK 85 / 0 / 72 / 15

HEX #20D93C

RGB 32 217 60

HSL 129.08, 0.74%, 0.49%

LAB 76.23, -72.03, 61.57

 

CMYK 85 / 0 / 49 / 15

HEX #20D96E

RGB 32 217 110

HSL 145.3, 0.74%, 0.49%

LAB 76.71, -66.06, 40.54

 

CMYK 85 / 0 / 27 / 15

HEX #20D99F

RGB 32 217 159

HSL 161.19, 0.74%, 0.49%

LAB 77.54, -56.57, 16.56

 

CMYK 85 / 0 / 4 / 15

HEX #20D9D0

RGB 32 217 208

HSL 177.08, 0.74%, 0.49%

LAB 78.74, -43.98, -7.81

 

CMYK 85 / 0 / 49 / 43

HEX #16924B

RGB 22 146 75

HSL 145.65, 0.74%, 0.33%

LAB 53.21, -48.31, 28.7

 

CMYK 85 / 0 / 48 / 29

HEX #1BB65E

RGB 27 182 94

HSL 145.94, 0.74%, 0.41%

LAB 65.36, -57.29, 34.21

 

CMYK 85 / 0 / 48 / 15

HEX #20D970

RGB 32 217 112

HSL 145.95, 0.74%, 0.49%

LAB 76.74, -65.74, 39.59

 

CMYK 71 / 0 / 41 / 11

HEX #41E386

RGB 65 227 134

HSL 145.56, 0.74%, 0.57%

LAB 80.62, -61.69, 33.72

 

CMYK 56 / 0 / 32 / 9

HEX #65E89D

RGB 101 232 157

HSL 145.65, 0.74%, 0.65%

LAB 83.4, -52.78, 25.88

 

CMYK 85 / 0 / 49 / 15

HEX #20DA70

RGB 32 218 112

HSL 145.81, 0.74%, 0.49%

LAB 77.05, -66.07, 39.98

 

CMYK 85 / 53 / 0 / 15

HEX #2067D9

RGB 32 103 217

HSL 216.97, 0.74%, 0.49%

LAB 45.66, 21.21, -64.31

 

CMYK 0 / 83 / 85 / 15

HEX #D92420

RGB 217 36 32

HSL 1.3, 0.74%, 0.49%

LAB 47.13, 66.45, 48.96

 

CMYK 85 / 0 / 49 / 15

HEX #20DA70

RGB 32 218 112

HSL 145.81, 0.74%, 0.49%

LAB 77.05, -66.07, 39.98

 

CMYK 49 / 85 / 0 / 15

HEX #6E20D9

RGB 110 32 217

HSL 265.3, 0.74%, 0.49%

LAB 36.66, 67.75, -78.82

 

CMYK 0 / 49 / 85 / 15

HEX #D96E20

RGB 217 110 32

HSL 25.3, 0.74%, 0.49%

LAB 58.04, 37.34, 58.15

 

CMYK 85 / 0 / 49 / 15

HEX #20DA70

RGB 32 218 112

HSL 145.81, 0.74%, 0.49%

LAB 77.05, -66.07, 39.98

 

CMYK 85 / 53 / 0 / 15

HEX #2067D9

RGB 32 103 217

HSL 216.97, 0.74%, 0.49%

LAB 45.66, 21.21, -64.31

 

CMYK 0 / 85 / 35 / 15

HEX #D9208C

RGB 217 32 140

HSL 324.97, 0.74%, 0.49%

LAB 49.1, 73.85, -12.53

 

CMYK 0 / 32 / 85 / 15

HEX #D99320

RGB 217 147 32

HSL 37.3, 0.74%, 0.49%

LAB 66.31, 17.75, 65.01

 

CMYK 85 / 0 / 49 / 15

HEX #20DA70

RGB 32 218 112

HSL 145.81, 0.74%, 0.49%

LAB 77.05, -66.07, 39.98

 

CMYK 85 / 78 / 0 / 15

HEX #2030D9

RGB 32 48 217

HSL 234.81, 0.74%, 0.49%

LAB 32.77, 54.96, -85.46

 

CMYK 0 / 85 / 35 / 15

HEX #D9208C

RGB 217 32 140

HSL 324.97, 0.74%, 0.49%

LAB 49.1, 73.85, -12.53

 

CMYK 0 / 7 / 85 / 15

HEX #D9CA20

RGB 217 202 32

HSL 55.14, 0.74%, 0.49%

LAB 80.23, -11.18, 76.44

 

Description

Color code: HEX #20DA70 | qconv.com Color code: HEX #20DA70 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 218 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 218 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 49% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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