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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20D7CF it is the complementary color #DF2830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20D7CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20D7CF shade: #25D7CA, #36E9DD, #47FBF0, #58FFFF and #69FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20D7CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20D7CF shade: #20D7CF, #0FC5BC, #00B3A9, #00A196 and #008F83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20D7CF shade: #20D5CD, #20D59C, #20D56B, #20D53B and #36D520

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20D7CF shade: #20D5CD, #20ACD5, #207BD5, #204AD5 and #2020D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20D7CF shade matches the following richer shades: #20D5CD and #0CE9DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20D7CF shade: #20D5CD, #34C1BB, #47ADA9, #5B9A97 and #6F8685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20D7CF shade: #20D56B, #20D59C, #20D5CC, #20AED5 and #207DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20D7CF shade: #158D88, #1AB1AB, #20D5CD, #3CE2DB and #60E7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20D7CF shade: #20D7CF, #3B20D5 and #D58320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20D7CF shade: #20D7CF, #CC20D5 and #D5CC20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20D7CF shade: #20D7CF, #3B20D5, #D52029 and #BAD520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20D7CF shade: #20D7CF, #7120D5, #D52029 and #83D520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 4 / 16

HEX #20D7CF

RGB 32 215 207

HSL 177.38, 0.74%, 0.48%

LAB 78.12, -43.39, -8.21

 

Complementary color

CMYK 0 / 82 / 78 / 13

HEX #DF2830

RGB 223 40 48

HSL 357.38, 0.74%, 0.52%

LAB 48.78, 67.59, 42.62

 

CMYK 83 / 0 / 6 / 16

HEX #25D7CA

RGB 37 215 202

HSL 175.62, 0.71%, 0.49%

LAB 78.03, -44.45, -5.66

 

CMYK 77 / 0 / 5 / 9

HEX #36E9DD

RGB 54 233 221

HSL 175.98, 0.8%, 0.56%

LAB 84.11, -45.58, -6.74

 

CMYK 72 / 0 / 4 / 2

HEX #47FBF0

RGB 71 251 240

HSL 176.33, 0.96%, 0.63%

LAB 90.15, -46.45, -7.72

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 85 / 0 / 4 / 16

HEX #20D7CF

RGB 32 215 207

HSL 177.38, 0.74%, 0.48%

LAB 78.12, -43.39, -8.21

 

CMYK 92 / 0 / 5 / 23

HEX #0FC5BC

RGB 15 197 188

HSL 177.03, 0.86%, 0.42%

LAB 72, -41.79, -7.03

 

CMYK 100 / 0 / 6 / 30

HEX #00B3A9

RGB 0 179 169

HSL 176.65, 1%, 0.35%

LAB 65.83, -39.87, -5.74

 

CMYK 100 / 0 / 7 / 37

HEX #00A196

RGB 0 161 150

HSL 175.9, 1%, 0.32%

LAB 59.61, -37.45, -4.3

 

CMYK 100 / 0 / 8 / 44

HEX #008F83

RGB 0 143 131

HSL 174.97, 1%, 0.28%

LAB 53.26, -34.98, -2.81

 

CMYK 85 / 0 / 4 / 16

HEX #20D5CD

RGB 32 213 205

HSL 177.35, 0.74%, 0.48%

LAB 77.46, -43.08, -8.11

 

CMYK 85 / 0 / 27 / 16

HEX #20D59C

RGB 32 213 156

HSL 161.1, 0.74%, 0.48%

LAB 76.25, -55.73, 16.34

 

CMYK 85 / 0 / 50 / 16

HEX #20D56B

RGB 32 213 107

HSL 144.86, 0.74%, 0.48%

LAB 75.42, -65.21, 40.39

 

CMYK 85 / 0 / 72 / 16

HEX #20D53B

RGB 32 213 59

HSL 128.95, 0.74%, 0.48%

LAB 74.96, -70.94, 60.63

 

CMYK 75 / 0 / 85 / 16

HEX #36D520

RGB 54 213 32

HSL 112.71, 0.74%, 0.48%

LAB 75.12, -69.98, 68.8

 

CMYK 85 / 0 / 4 / 16

HEX #20D5CD

RGB 32 213 205

HSL 177.35, 0.74%, 0.48%

LAB 77.46, -43.08, -8.11

 

CMYK 85 / 19 / 0 / 16

HEX #20ACD5

RGB 32 172 213

HSL 193.59, 0.74%, 0.48%

LAB 65.45, -20.94, -30.68

 

CMYK 85 / 42 / 0 / 16

HEX #207BD5

RGB 32 123 213

HSL 209.83, 0.74%, 0.48%

LAB 51.01, 7.01, -53.41

 

CMYK 85 / 65 / 0 / 16

HEX #204AD5

RGB 32 74 213

HSL 226.08, 0.74%, 0.48%

LAB 37.86, 38.38, -74.75

 

CMYK 85 / 85 / 0 / 16

HEX #2020D5

RGB 32 32 213

HSL 240, 0.74%, 0.48%

LAB 29.77, 61.12, -88.13

 

CMYK 85 / 0 / 4 / 16

HEX #20D5CD

RGB 32 213 205

HSL 177.35, 0.74%, 0.48%

LAB 77.46, -43.08, -8.11

 

CMYK 95 / 0 / 4 / 9

HEX #0CE9DF

RGB 12 233 223

HSL 177.29, 0.9%, 0.48%

LAB 83.8, -47.5, -8.29

 

CMYK 85 / 0 / 4 / 16

HEX #20D5CD

RGB 32 213 205

HSL 177.35, 0.74%, 0.48%

LAB 77.46, -43.08, -8.11

 

CMYK 73 / 0 / 3 / 24

HEX #34C1BB

RGB 52 193 187

HSL 177.45, 0.58%, 0.48%

LAB 71.19, -37.44, -7.65

 

CMYK 59 / 0 / 2 / 32

HEX #47ADA9

RGB 71 173 169

HSL 177.65, 0.42%, 0.48%

LAB 65.03, -30.2, -6.81

 

CMYK 41 / 0 / 2 / 40

HEX #5B9A97

RGB 91 154 151

HSL 177.14, 0.26%, 0.48%

LAB 59.5, -20.98, -4.81

 

CMYK 17 / 0 / 1 / 47

HEX #6F8685

RGB 111 134 133

HSL 177.39, 0.09%, 0.48%

LAB 54.16, -8.45, -2.23

 

CMYK 85 / 0 / 50 / 16

HEX #20D56B

RGB 32 213 107

HSL 144.86, 0.74%, 0.48%

LAB 75.42, -65.21, 40.39

 

CMYK 85 / 0 / 27 / 16

HEX #20D59C

RGB 32 213 156

HSL 161.1, 0.74%, 0.48%

LAB 76.25, -55.73, 16.34

 

CMYK 85 / 0 / 4 / 16

HEX #20D5CC

RGB 32 213 204

HSL 177.02, 0.74%, 0.48%

LAB 77.43, -43.36, -7.61

 

CMYK 85 / 18 / 0 / 16

HEX #20AED5

RGB 32 174 213

HSL 192.93, 0.74%, 0.48%

LAB 66.05, -21.98, -29.76

 

CMYK 85 / 41 / 0 / 16

HEX #207DD5

RGB 32 125 213

HSL 209.17, 0.74%, 0.48%

LAB 51.59, 5.78, -52.49

 

CMYK 85 / 0 / 4 / 45

HEX #158D88

RGB 21 141 136

HSL 177.5, 0.74%, 0.32%

LAB 52.93, -31.34, -6.16

 

CMYK 85 / 0 / 3 / 31

HEX #1AB1AB

RGB 26 177 171

HSL 177.62, 0.74%, 0.4%

LAB 65.44, -37.22, -7.42

 

CMYK 85 / 0 / 4 / 16

HEX #20D5CD

RGB 32 213 205

HSL 177.35, 0.74%, 0.48%

LAB 77.46, -43.08, -8.11

 

CMYK 73 / 0 / 3 / 11

HEX #3CE2DB

RGB 60 226 219

HSL 177.47, 0.74%, 0.56%

LAB 82.09, -42.44, -8.66

 

CMYK 58 / 0 / 3 / 9

HEX #60E7E1

RGB 96 231 225

HSL 177.33, 0.74%, 0.64%

LAB 84.52, -37.93, -8.14

 

CMYK 85 / 0 / 4 / 16

HEX #20D7CF

RGB 32 215 207

HSL 177.38, 0.74%, 0.48%

LAB 78.12, -43.39, -8.21

 

CMYK 72 / 85 / 0 / 16

HEX #3B20D5

RGB 59 32 213

HSL 248.95, 0.74%, 0.48%

LAB 31.27, 62.37, -85.6

 

CMYK 0 / 38 / 85 / 16

HEX #D58320

RGB 213 131 32

HSL 32.82, 0.74%, 0.48%

LAB 62.07, 24.65, 61.29

 

CMYK 85 / 0 / 4 / 16

HEX #20D7CF

RGB 32 215 207

HSL 177.38, 0.74%, 0.48%

LAB 78.12, -43.39, -8.21

 

CMYK 4 / 85 / 0 / 16

HEX #CC20D5

RGB 204 32 213

HSL 297.02, 0.74%, 0.48%

LAB 50.3, 80.69, -53.72

 

CMYK 0 / 4 / 85 / 16

HEX #D5CC20

RGB 213 204 32

HSL 57.02, 0.74%, 0.48%

LAB 80.42, -13.9, 76.45

 

CMYK 85 / 0 / 4 / 16

HEX #20D7CF

RGB 32 215 207

HSL 177.38, 0.74%, 0.48%

LAB 78.12, -43.39, -8.21

 

CMYK 72 / 85 / 0 / 16

HEX #3B20D5

RGB 59 32 213

HSL 248.95, 0.74%, 0.48%

LAB 31.27, 62.37, -85.6

 

CMYK 0 / 85 / 81 / 16

HEX #D52029

RGB 213 32 41

HSL 357.02, 0.74%, 0.48%

LAB 46.1, 66.45, 43.08

 

CMYK 13 / 0 / 85 / 16

HEX #BAD520

RGB 186 213 32

HSL 68.95, 0.74%, 0.48%

LAB 80.81, -29.61, 75.93

 

CMYK 85 / 0 / 4 / 16

HEX #20D7CF

RGB 32 215 207

HSL 177.38, 0.74%, 0.48%

LAB 78.12, -43.39, -8.21

 

CMYK 47 / 85 / 0 / 16

HEX #7120D5

RGB 113 32 213

HSL 266.85, 0.74%, 0.48%

LAB 36.65, 67.15, -76.54

 

CMYK 0 / 85 / 81 / 16

HEX #D52029

RGB 213 32 41

HSL 357.02, 0.74%, 0.48%

LAB 46.1, 66.45, 43.08

 

CMYK 38 / 0 / 85 / 16

HEX #83D520

RGB 131 213 32

HSL 87.18, 0.74%, 0.48%

LAB 77.59, -50.51, 71.91

 

Description

Color code: HEX #20D7CF | qconv.com Color code: HEX #20D7CF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 215 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 215 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 4 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 4% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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