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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CF5D it is the complementary color #DF30A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CF5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CF5D shade: #25CF58, #36E16B, #47F37E, #58FF91 and #69FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CF5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CF5D shade: #20CF5D, #0FBD4A, #00AB37, #009924 and #008711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CF5D shade: #20CF5D, #20CF2E, #41CF20, #70CF20 and #A0CF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CF5D shade: #20CF5D, #20CF8C, #20CFBB, #20B3CF and #2084CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CF5D shade matches the following richer shades: #20CF5D and #0CE257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CF5D shade: #20CF5D, #33BB63, #47A869, #5A956E and #6D8174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CF5D shade: #43CF20, #20CF2C, #20CF5A, #20CF89 and #20CFB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CF5D shade: #15873D, #1AAB4D, #20CF5D, #38E073 and #5CE58C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CF5D shade: #20CF5D, #2072CF and #CF202C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CF5D shade: #20CF5D, #5A20CF and #CF5A20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CF5D shade: #20CF5D, #2072CF, #CF2095 and #CF7D20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CF5D shade: #20CF5D, #203DCF, #CF2095 and #CFB220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

Complementary color

CMYK 0 / 78 / 27 / 13

HEX #DF30A2

RGB 223 48 162

HSL 320.91, 0.73%, 0.53%

LAB 52.3, 73.99, -20.69

 

CMYK 82 / 0 / 57 / 19

HEX #25CF58

RGB 37 207 88

HSL 138, 0.7%, 0.48%

LAB 73.37, -65.53, 46.92

 

CMYK 76 / 0 / 52 / 12

HEX #36E16B

RGB 54 225 107

HSL 138.6, 0.74%, 0.55%

LAB 79.44, -66.84, 45.41

 

CMYK 71 / 0 / 48 / 5

HEX #47F37E

RGB 71 243 126

HSL 139.19, 0.88%, 0.62%

LAB 85.48, -67.72, 43.91

 

CMYK 65 / 0 / 43 / 0

HEX #58FF91

RGB 88 255 145

HSL 140.48, 1%, 0.67%

LAB 89.69, -66.17, 40.16

 

CMYK 59 / 0 / 36 / 0

HEX #69FFA4

RGB 105 255 164

HSL 143.6, 1%, 0.71%

LAB 90.42, -59.72, 31.81

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 92 / 0 / 61 / 26

HEX #0FBD4A

RGB 15 189 74

HSL 140.34, 0.85%, 0.4%

LAB 67.27, -63.37, 46.15

 

CMYK 100 / 0 / 68 / 33

HEX #00AB37

RGB 0 171 55

HSL 139.3, 1%, 0.34%

LAB 61.13, -60.77, 47.56

 

CMYK 100 / 0 / 76 / 40

HEX #009924

RGB 0 153 36

HSL 134.12, 1%, 0.3%

LAB 54.98, -57.15, 48.56

 

CMYK 100 / 0 / 87 / 47

HEX #008711

RGB 0 135 17

HSL 127.56, 1%, 0.26%

LAB 48.72, -53.07, 48.48

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 85 / 0 / 78 / 19

HEX #20CF2E

RGB 32 207 46

HSL 124.8, 0.73%, 0.47%

LAB 72.98, -70.14, 62.99

 

CMYK 69 / 0 / 85 / 19

HEX #41CF20

RGB 65 207 32

HSL 108.69, 0.73%, 0.47%

LAB 73.45, -66.26, 67.39

 

CMYK 46 / 0 / 85 / 19

HEX #70CF20

RGB 112 207 32

HSL 92.57, 0.73%, 0.47%

LAB 74.93, -54.37, 69.27

 

CMYK 23 / 0 / 85 / 19

HEX #A0CF20

RGB 160 207 32

HSL 76.11, 0.73%, 0.47%

LAB 77.4, -37.28, 72.37

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 85 / 0 / 32 / 19

HEX #20CF8C

RGB 32 207 140

HSL 157.03, 0.73%, 0.47%

LAB 74.08, -57, 21.79

 

CMYK 85 / 0 / 10 / 19

HEX #20CFBB

RGB 32 207 187

HSL 173.14, 0.73%, 0.47%

LAB 75.15, -45.5, -1.83

 

CMYK 85 / 14 / 0 / 19

HEX #20B3CF

RGB 32 179 207

HSL 189.6, 0.73%, 0.47%

LAB 67.32, -26.52, -24.5

 

CMYK 85 / 36 / 0 / 19

HEX #2084CF

RGB 32 132 207

HSL 205.71, 0.73%, 0.47%

LAB 53.29, -0.74, -46.38

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 95 / 0 / 62 / 11

HEX #0CE257

RGB 12 226 87

HSL 141.03, 0.9%, 0.47%

LAB 79.13, -73.18, 53.99

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 73 / 0 / 47 / 27

HEX #33BB63

RGB 51 187 99

HSL 141.18, 0.57%, 0.47%

LAB 67.39, -55.3, 34.31

 

CMYK 58 / 0 / 38 / 34

HEX #47A869

RGB 71 168 105

HSL 141.03, 0.41%, 0.47%

LAB 61.97, -42.94, 24.22

 

CMYK 40 / 0 / 26 / 42

HEX #5A956E

RGB 90 149 110

HSL 140.34, 0.25%, 0.47%

LAB 56.87, -28.17, 14.67

 

CMYK 16 / 0 / 10 / 49

HEX #6D8174

RGB 109 129 116

HSL 141, 0.08%, 0.47%

LAB 52.08, -10.02, 4.62

 

CMYK 68 / 0 / 85 / 19

HEX #43CF20

RGB 67 207 32

HSL 108, 0.73%, 0.47%

LAB 73.5, -65.88, 67.44

 

CMYK 85 / 0 / 79 / 19

HEX #20CF2C

RGB 32 207 44

HSL 124.11, 0.73%, 0.47%

LAB 72.97, -70.27, 63.58

 

CMYK 85 / 0 / 57 / 19

HEX #20CF5A

RGB 32 207 90

HSL 139.89, 0.73%, 0.47%

LAB 73.33, -65.74, 45.94

 

CMYK 85 / 0 / 34 / 19

HEX #20CF89

RGB 32 207 137

HSL 156, 0.73%, 0.47%

LAB 74.02, -57.63, 23.3

 

CMYK 85 / 0 / 11 / 19

HEX #20CFB8

RGB 32 207 184

HSL 172.11, 0.73%, 0.47%

LAB 75.07, -46.32, -0.33

 

CMYK 84 / 0 / 55 / 47

HEX #15873D

RGB 21 135 61

HSL 141.05, 0.73%, 0.31%

LAB 49.28, -46.81, 31.17

 

CMYK 85 / 0 / 55 / 33

HEX #1AAB4D

RGB 26 171 77

HSL 141.1, 0.74%, 0.39%

LAB 61.55, -56.32, 38.01

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 75 / 0 / 49 / 12

HEX #38E073

RGB 56 224 115

HSL 141.07, 0.73%, 0.55%

LAB 79.27, -65.05, 41.36

 

CMYK 60 / 0 / 39 / 10

HEX #5CE58C

RGB 92 229 140

HSL 141.02, 0.72%, 0.63%

LAB 81.95, -56.57, 32.57

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 85 / 45 / 0 / 19

HEX #2072CF

RGB 32 114 207

HSL 211.89, 0.73%, 0.47%

LAB 48.07, 10.32, -54.72

 

CMYK 0 / 85 / 79 / 19

HEX #CF202C

RGB 207 32 44

HSL 355.89, 0.73%, 0.47%

LAB 44.91, 64.92, 39.84

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 57 / 85 / 0 / 19

HEX #5A20CF

RGB 90 32 207

HSL 259.89, 0.73%, 0.47%

LAB 33.38, 63.23, -78.54

 

CMYK 0 / 57 / 85 / 19

HEX #CF5A20

RGB 207 90 32

HSL 19.89, 0.73%, 0.47%

LAB 52.6, 43.41, 52.94

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 85 / 45 / 0 / 19

HEX #2072CF

RGB 32 114 207

HSL 211.89, 0.73%, 0.47%

LAB 48.07, 10.32, -54.72

 

CMYK 0 / 85 / 28 / 19

HEX #CF2095

RGB 207 32 149

HSL 319.89, 0.73%, 0.47%

LAB 47.58, 72.58, -20.43

 

CMYK 0 / 40 / 85 / 19

HEX #CF7D20

RGB 207 125 32

HSL 31.89, 0.73%, 0.47%

LAB 59.92, 25.33, 59.18

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 85 / 71 / 0 / 19

HEX #203DCF

RGB 32 61 207

HSL 230.06, 0.73%, 0.47%

LAB 34.29, 44.27, -77.16

 

CMYK 0 / 85 / 28 / 19

HEX #CF2095

RGB 207 32 149

HSL 319.89, 0.73%, 0.47%

LAB 47.58, 72.58, -20.43

 

CMYK 0 / 14 / 85 / 19

HEX #CFB220

RGB 207 178 32

HSL 50.06, 0.73%, 0.47%

LAB 73.03, -3.18, 70.14

 

Description

Color code: HEX #20CF5D | qconv.com Color code: HEX #20CF5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 207 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 207 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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