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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CB93 it is the complementary color #DF346C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CB93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CB93 shade: #25CB8E, #36DDA1, #47EFB4, #58FFC7 and #69FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CB93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CB93 shade: #20CB93, #0FB980, #00A76D, #00955A and #008347

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CB93 shade: #20CB93, #20CB65, #20CB36, #37CB20 and #65CB20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CB93 shade: #20CB93, #20CBC1, #20A7CB, #2078CB and #204ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CB93 shade matches the following richer shades: #20CB93 and #0DDE99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CB93 shade: #20CB93, #33B88C, #46A586, #59927F and #6C7F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CB93 shade: #20CB37, #20CB64, #20CB92, #20CBC0 and #20A9CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CB93 shade: #15845F, #1AA779, #20CB93, #34DFA7 and #58E5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CB93 shade: #20CB93, #2037CB and #CB4D20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CB93 shade: #20CB93, #9220CB and #CB9220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CB93 shade: #20CB93, #2037CB, #CB2059 and #CBB420

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CB93 shade: #20CB93, #3C20CB, #CB2059 and #AECB20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

Complementary color

CMYK 0 / 77 / 52 / 13

HEX #DF346C

RGB 223 52 108

HSL 340.35, 0.73%, 0.54%

LAB 50.95, 67.62, 9.7

 

CMYK 82 / 0 / 30 / 20

HEX #25CB8E

RGB 37 203 142

HSL 157.95, 0.69%, 0.47%

LAB 72.93, -54.63, 19.17

 

CMYK 76 / 0 / 27 / 13

HEX #36DDA1

RGB 54 221 161

HSL 158.44, 0.71%, 0.54%

LAB 79.08, -55.56, 17.69

 

CMYK 70 / 0 / 25 / 6

HEX #47EFB4

RGB 71 239 180

HSL 158.93, 0.84%, 0.61%

LAB 85.18, -56.2, 16.35

 

CMYK 65 / 0 / 22 / 0

HEX #58FFC7

RGB 88 255 199

HSL 159.88, 1%, 0.67%

LAB 90.65, -55.83, 14.28

 

CMYK 59 / 0 / 15 / 0

HEX #69FFDA

RGB 105 255 218

HSL 165.2, 1%, 0.71%

LAB 91.5, -48.63, 5.75

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 92 / 0 / 31 / 27

HEX #0FB980

RGB 15 185 128

HSL 159.88, 0.85%, 0.39%

LAB 66.79, -52.49, 18.18

 

CMYK 100 / 0 / 35 / 35

HEX #00A76D

RGB 0 167 109

HSL 159.16, 1%, 0.33%

LAB 60.55, -50.6, 19.95

 

CMYK 100 / 0 / 40 / 42

HEX #00955A

RGB 0 149 90

HSL 156.24, 1%, 0.29%

LAB 54.27, -48.01, 21.93

 

CMYK 100 / 0 / 46 / 49

HEX #008347

RGB 0 131 71

HSL 152.52, 1%, 0.26%

LAB 47.86, -45.26, 23.99

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 84 / 0 / 50 / 20

HEX #20CB65

RGB 32 203 101

HSL 144.21, 0.73%, 0.46%

LAB 72.2, -62.83, 39.31

 

CMYK 84 / 0 / 73 / 20

HEX #20CB36

RGB 32 203 54

HSL 127.72, 0.73%, 0.46%

LAB 71.75, -68.38, 59.13

 

CMYK 73 / 0 / 84 / 20

HEX #37CB20

RGB 55 203 32

HSL 111.93, 0.73%, 0.46%

LAB 71.98, -66.78, 65.99

 

CMYK 50 / 0 / 84 / 20

HEX #65CB20

RGB 101 203 32

HSL 95.79, 0.73%, 0.46%

LAB 73.27, -56.19, 67.64

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 84 / 0 / 5 / 20

HEX #20CBC1

RGB 32 203 193

HSL 176.49, 0.73%, 0.46%

LAB 74.11, -42.09, -6.62

 

CMYK 84 / 18 / 0 / 20

HEX #20A7CB

RGB 32 167 203

HSL 192.63, 0.73%, 0.46%

LAB 63.55, -21.72, -28.07

 

CMYK 84 / 41 / 0 / 20

HEX #2078CB

RGB 32 120 203

HSL 209.12, 0.73%, 0.46%

LAB 49.56, 5.04, -50.05

 

CMYK 84 / 64 / 0 / 20

HEX #204ACB

RGB 32 74 203

HSL 225.26, 0.73%, 0.46%

LAB 36.96, 34.67, -70.45

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 94 / 0 / 31 / 13

HEX #0DDE99

RGB 13 222 153

HSL 160.19, 0.89%, 0.46%

LAB 78.83, -60.77, 21.47

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 72 / 0 / 24 / 28

HEX #33B88C

RGB 51 184 140

HSL 160.15, 0.57%, 0.46%

LAB 67.19, -45.9, 12.27

 

CMYK 58 / 0 / 19 / 35

HEX #46A586

RGB 70 165 134

HSL 160.42, 0.4%, 0.46%

LAB 61.6, -35.67, 7.73

 

CMYK 39 / 0 / 13 / 43

HEX #59927F

RGB 89 146 127

HSL 160, 0.24%, 0.46%

LAB 56.3, -23.3, 4.2

 

CMYK 15 / 0 / 5 / 50

HEX #6C7F79

RGB 108 127 121

HSL 161.05, 0.08%, 0.46%

LAB 51.55, -8.22, 0.93

 

CMYK 84 / 0 / 73 / 20

HEX #20CB37

RGB 32 203 55

HSL 128.07, 0.73%, 0.46%

LAB 71.75, -68.3, 58.78

 

CMYK 84 / 0 / 51 / 20

HEX #20CB64

RGB 32 203 100

HSL 143.86, 0.73%, 0.46%

LAB 72.19, -62.99, 39.78

 

CMYK 84 / 0 / 28 / 20

HEX #20CB92

RGB 32 203 146

HSL 160, 0.73%, 0.46%

LAB 72.95, -54.17, 17.06

 

CMYK 84 / 0 / 5 / 20

HEX #20CBC0

RGB 32 203 192

HSL 176.14, 0.73%, 0.46%

LAB 74.08, -42.38, -6.12

 

CMYK 84 / 17 / 0 / 20

HEX #20A9CB

RGB 32 169 203

HSL 191.93, 0.73%, 0.46%

LAB 64.16, -22.76, -27.14

 

CMYK 84 / 0 / 28 / 48

HEX #15845F

RGB 21 132 95

HSL 160, 0.73%, 0.3%

LAB 48.87, -38.74, 11.77

 

CMYK 84 / 0 / 28 / 35

HEX #1AA779

RGB 26 167 121

HSL 160.43, 0.73%, 0.38%

LAB 60.99, -46.35, 13.98

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 77 / 0 / 25 / 13

HEX #34DFA7

RGB 52 223 167

HSL 160.35, 0.73%, 0.54%

LAB 79.78, -55.23, 15.51

 

CMYK 62 / 0 / 20 / 10

HEX #58E5B7

RGB 88 229 183

HSL 160.43, 0.73%, 0.62%

LAB 82.66, -48.75, 11.28

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 84 / 73 / 0 / 20

HEX #2037CB

RGB 32 55 203

HSL 231.93, 0.73%, 0.46%

LAB 32.59, 46.44, -77.64

 

CMYK 0 / 62 / 84 / 20

HEX #CB4D20

RGB 203 77 32

HSL 15.79, 0.73%, 0.46%

LAB 49.63, 48, 50.11

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 28 / 84 / 0 / 20

HEX #9220CB

RGB 146 32 203

HSL 280, 0.73%, 0.46%

LAB 40.34, 69.42, -64.52

 

CMYK 0 / 28 / 84 / 20

HEX #CB9220

RGB 203 146 32

HSL 40, 0.73%, 0.46%

LAB 64.45, 12.19, 62.8

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 84 / 73 / 0 / 20

HEX #2037CB

RGB 32 55 203

HSL 231.93, 0.73%, 0.46%

LAB 32.59, 46.44, -77.64

 

CMYK 0 / 84 / 56 / 20

HEX #CB2059

RGB 203 32 89

HSL 340, 0.73%, 0.46%

LAB 44.87, 66.09, 12.32

 

CMYK 0 / 11 / 84 / 20

HEX #CBB420

RGB 203 180 32

HSL 51.93, 0.73%, 0.46%

LAB 73.18, -5.97, 70.12

 

CMYK 84 / 0 / 28 / 20

HEX #20CB93

RGB 32 203 147

HSL 160.35, 0.73%, 0.46%

LAB 72.97, -53.94, 16.56

 

CMYK 70 / 84 / 0 / 20

HEX #3C20CB

RGB 60 32 203

HSL 249.82, 0.73%, 0.46%

LAB 30.17, 59.65, -81.61

 

CMYK 0 / 84 / 56 / 20

HEX #CB2059

RGB 203 32 89

HSL 340, 0.73%, 0.46%

LAB 44.87, 66.09, 12.32

 

CMYK 14 / 0 / 84 / 20

HEX #AECB20

RGB 174 203 32

HSL 70.18, 0.73%, 0.46%

LAB 77.17, -29.82, 72.53

 

Description

Color code: HEX #20CB93 | qconv.com Color code: HEX #20CB93 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 203 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 203 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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