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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CA57 it is the complementary color #DF35A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CA57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CA57 shade: #25CA52, #36DC65, #47EE78, #58FF8B and #69FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CA57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CA57 shade: #20CA57, #0FB844, #00A631, #00941E and #00820B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CA57 shade: #20CB57, #20CB29, #45CB20, #73CB20 and #A1CB20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CA57 shade: #20CB57, #20CB85, #20CBB3, #20B4CB and #2086CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CA57 shade matches the following richer shades: #20CB57 and #0DDE50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CA57 shade: #20CB57, #33B85E, #46A564, #59926B and #6C7F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CA57 shade: #45CB20, #20CB28, #20CB56, #20CB84 and #20CBB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CA57 shade: #158438, #1AA748, #20CB57, #34DF6C and #58E586

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CA57 shade: #20CA57, #2072CB and #CB202E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CA57 shade: #20CA57, #5620CB and #CB5620

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CA57 shade: #20CA57, #2072CB, #CB2095 and #CB7820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CA57 shade: #20CA57, #203FCB, #CB2095 and #CBAC20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 57 / 21

HEX #20CA57

RGB 32 202 87

HSL 139.41, 0.73%, 0.46%

LAB 71.72, -64.55, 45.41

 

Complementary color

CMYK 0 / 76 / 25 / 13

HEX #DF35A8

RGB 223 53 168

HSL 319.41, 0.73%, 0.54%

LAB 53.02, 73.34, -23.12

 

CMYK 82 / 0 / 59 / 21

HEX #25CA52

RGB 37 202 82

HSL 136.36, 0.69%, 0.47%

LAB 71.72, -64.7, 47.73

 

CMYK 75 / 0 / 54 / 14

HEX #36DC65

RGB 54 220 101

HSL 136.99, 0.7%, 0.54%

LAB 77.82, -66.01, 46.26

 

CMYK 70 / 0 / 50 / 7

HEX #47EE78

RGB 71 238 120

HSL 137.6, 0.83%, 0.61%

LAB 83.88, -66.9, 44.78

 

CMYK 65 / 0 / 45 / 0

HEX #58FF8B

RGB 88 255 139

HSL 138.32, 1%, 0.67%

LAB 89.61, -67.12, 42.96

 

CMYK 59 / 0 / 38 / 0

HEX #69FF9E

RGB 105 255 158

HSL 141.2, 1%, 0.71%

LAB 90.32, -60.77, 34.67

 

CMYK 84 / 0 / 57 / 21

HEX #20CA57

RGB 32 202 87

HSL 139.41, 0.73%, 0.46%

LAB 71.72, -64.55, 45.41

 

CMYK 92 / 0 / 63 / 28

HEX #0FB844

RGB 15 184 68

HSL 138.82, 0.85%, 0.39%

LAB 65.59, -62.55, 46.92

 

CMYK 100 / 0 / 70 / 35

HEX #00A631

RGB 0 166 49

HSL 137.71, 1%, 0.33%

LAB 59.43, -59.87, 48.19

 

CMYK 100 / 0 / 80 / 42

HEX #00941E

RGB 0 148 30

HSL 132.16, 1%, 0.29%

LAB 53.25, -56.12, 48.92

 

CMYK 100 / 0 / 92 / 49

HEX #00820B

RGB 0 130 11

HSL 125.08, 1%, 0.25%

LAB 46.96, -51.87, 48.29

 

CMYK 84 / 0 / 57 / 20

HEX #20CB57

RGB 32 203 87

HSL 139.3, 0.73%, 0.46%

LAB 72.03, -64.87, 45.79

 

CMYK 84 / 0 / 80 / 20

HEX #20CB29

RGB 32 203 41

HSL 123.16, 0.73%, 0.46%

LAB 71.68, -69.29, 63.23

 

CMYK 66 / 0 / 84 / 20

HEX #45CB20

RGB 69 203 32

HSL 107.02, 0.73%, 0.46%

LAB 72.28, -64.19, 66.38

 

CMYK 43 / 0 / 84 / 20

HEX #73CB20

RGB 115 203 32

HSL 90.88, 0.73%, 0.46%

LAB 73.84, -51.87, 68.36

 

CMYK 21 / 0 / 84 / 20

HEX #A1CB20

RGB 161 203 32

HSL 74.74, 0.73%, 0.46%

LAB 76.31, -35.07, 71.46

 

CMYK 84 / 0 / 57 / 20

HEX #20CB57

RGB 32 203 87

HSL 139.3, 0.73%, 0.46%

LAB 72.03, -64.87, 45.79

 

CMYK 84 / 0 / 34 / 20

HEX #20CB85

RGB 32 203 133

HSL 155.44, 0.73%, 0.46%

LAB 72.7, -56.99, 23.61

 

CMYK 84 / 0 / 12 / 20

HEX #20CBB3

RGB 32 203 179

HSL 171.58, 0.73%, 0.46%

LAB 73.72, -45.97, 0.4

 

CMYK 84 / 11 / 0 / 20

HEX #20B4CB

RGB 32 180 203

HSL 188.07, 0.73%, 0.46%

LAB 67.47, -28.31, -22.06

 

CMYK 84 / 34 / 0 / 20

HEX #2086CB

RGB 32 134 203

HSL 204.21, 0.73%, 0.46%

LAB 53.67, -3.42, -43.51

 

CMYK 84 / 0 / 57 / 20

HEX #20CB57

RGB 32 203 87

HSL 139.3, 0.73%, 0.46%

LAB 72.03, -64.87, 45.79

 

CMYK 94 / 0 / 64 / 13

HEX #0DDE50

RGB 13 222 80

HSL 139.23, 0.89%, 0.46%

LAB 77.82, -72.76, 55.48

 

CMYK 84 / 0 / 57 / 20

HEX #20CB57

RGB 32 203 87

HSL 139.3, 0.73%, 0.46%

LAB 72.03, -64.87, 45.79

 

CMYK 72 / 0 / 49 / 28

HEX #33B85E

RGB 51 184 94

HSL 139.4, 0.57%, 0.46%

LAB 66.36, -55.03, 35.55

 

CMYK 58 / 0 / 39 / 35

HEX #46A564

RGB 70 165 100

HSL 138.95, 0.4%, 0.46%

LAB 60.9, -42.84, 25.49

 

CMYK 39 / 0 / 27 / 43

HEX #59926B

RGB 89 146 107

HSL 138.95, 0.24%, 0.46%

LAB 55.83, -27.61, 14.91

 

CMYK 15 / 0 / 10 / 50

HEX #6C7F72

RGB 108 127 114

HSL 138.95, 0.08%, 0.46%

LAB 51.36, -9.68, 4.75

 

CMYK 66 / 0 / 84 / 20

HEX #45CB20

RGB 69 203 32

HSL 107.02, 0.73%, 0.46%

LAB 72.28, -64.19, 66.38

 

CMYK 84 / 0 / 80 / 20

HEX #20CB28

RGB 32 203 40

HSL 122.81, 0.73%, 0.46%

LAB 71.67, -69.35, 63.51

 

CMYK 84 / 0 / 58 / 20

HEX #20CB56

RGB 32 203 86

HSL 138.95, 0.73%, 0.46%

LAB 72.02, -65, 46.24

 

CMYK 84 / 0 / 35 / 20

HEX #20CB84

RGB 32 203 132

HSL 155.09, 0.73%, 0.46%

LAB 72.68, -57.2, 24.11

 

CMYK 84 / 0 / 13 / 20

HEX #20CBB1

RGB 32 203 177

HSL 170.88, 0.73%, 0.46%

LAB 73.67, -46.51, 1.41

 

CMYK 84 / 0 / 58 / 48

HEX #158438

RGB 21 132 56

HSL 138.92, 0.73%, 0.3%

LAB 48.19, -46.51, 32.42

 

CMYK 84 / 0 / 57 / 35

HEX #1AA748

RGB 26 167 72

HSL 139.57, 0.73%, 0.38%

LAB 60.18, -55.7, 38.81

 

CMYK 84 / 0 / 57 / 20

HEX #20CB57

RGB 32 203 87

HSL 139.3, 0.73%, 0.46%

LAB 72.03, -64.87, 45.79

 

CMYK 77 / 0 / 52 / 13

HEX #34DF6C

RGB 52 223 108

HSL 139.65, 0.73%, 0.54%

LAB 78.8, -66.28, 44.14

 

CMYK 62 / 0 / 41 / 10

HEX #58E586

RGB 88 229 134

HSL 139.57, 0.73%, 0.62%

LAB 81.75, -58.41, 35.3

 

CMYK 84 / 0 / 57 / 21

HEX #20CA57

RGB 32 202 87

HSL 139.41, 0.73%, 0.46%

LAB 71.72, -64.55, 45.41

 

CMYK 84 / 44 / 0 / 20

HEX #2072CB

RGB 32 114 203

HSL 211.23, 0.73%, 0.46%

LAB 47.82, 8.78, -52.83

 

CMYK 0 / 84 / 77 / 20

HEX #CB202E

RGB 203 32 46

HSL 355.09, 0.73%, 0.46%

LAB 44.13, 63.89, 37.62

 

CMYK 84 / 0 / 57 / 21

HEX #20CA57

RGB 32 202 87

HSL 139.41, 0.73%, 0.46%

LAB 71.72, -64.55, 45.41

 

CMYK 58 / 84 / 0 / 20

HEX #5620CB

RGB 86 32 203

HSL 258.95, 0.73%, 0.46%

LAB 32.53, 61.81, -77.62

 

CMYK 0 / 58 / 84 / 20

HEX #CB5620

RGB 203 86 32

HSL 18.95, 0.73%, 0.46%

LAB 51.22, 43.82, 51.49

 

CMYK 84 / 0 / 57 / 21

HEX #20CA57

RGB 32 202 87

HSL 139.41, 0.73%, 0.46%

LAB 71.72, -64.55, 45.41

 

CMYK 84 / 44 / 0 / 20

HEX #2072CB

RGB 32 114 203

HSL 211.23, 0.73%, 0.46%

LAB 47.82, 8.78, -52.83

 

CMYK 0 / 84 / 27 / 20

HEX #CB2095

RGB 203 32 149

HSL 318.95, 0.73%, 0.46%

LAB 46.84, 71.7, -21.64

 

CMYK 0 / 41 / 84 / 20

HEX #CB7820

RGB 203 120 32

HSL 30.88, 0.73%, 0.46%

LAB 58.26, 26.32, 57.56

 

CMYK 84 / 0 / 57 / 21

HEX #20CA57

RGB 32 202 87

HSL 139.41, 0.73%, 0.46%

LAB 71.72, -64.55, 45.41

 

CMYK 84 / 69 / 0 / 20

HEX #203FCB

RGB 32 63 203

HSL 229.12, 0.73%, 0.46%

LAB 34.34, 41.63, -74.75

 

CMYK 0 / 84 / 27 / 20

HEX #CB2095

RGB 203 32 149

HSL 318.95, 0.73%, 0.46%

LAB 46.84, 71.7, -21.64

 

CMYK 0 / 15 / 84 / 20

HEX #CBAC20

RGB 203 172 32

HSL 49.12, 0.73%, 0.46%

LAB 71.08, -1.78, 68.36

 

Description

Color code: HEX #20CA57 | qconv.com Color code: HEX #20CA57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 202 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 202 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 57 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 57% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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