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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CA4D it is the complementary color #DF35B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CA4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CA4D shade: #25CA48, #36DC5B, #47EE6E, #58FF81 and #69FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CA4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CA4D shade: #20CA4D, #0FB83A, #00A627, #009414 and #008201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CA4D shade: #20CB4D, #21CB20, #4FCB20, #7DCB20 and #ABCB20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CA4D shade: #20CB4D, #20CB7B, #20CBA9, #20BECB and #2090CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CA4D shade matches the following richer shades: #20CB4D and #0DDE44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CA4D shade: #20CB4D, #33B856, #46A55F, #599268 and #6C7F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CA4D shade: #50CB20, #23CB20, #20CB4A, #20CB78 and #20CBA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CA4D shade: #158432, #1AA73F, #20CB4D, #34DF62 and #58E57D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CA4D shade: #20CA4D, #207ECB and #CB2039

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CA4D shade: #20CA4D, #4A20CB and #CB4A20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CA4D shade: #20CA4D, #207ECB, #CB20A0 and #CB6D20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CA4D shade: #20CA4D, #204ACB, #CB20A0 and #CBA020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 62 / 21

HEX #20CA4D

RGB 32 202 77

HSL 135.88, 0.73%, 0.46%

LAB 71.61, -65.81, 49.82

 

Complementary color

CMYK 0 / 76 / 20 / 13

HEX #DF35B2

RGB 223 53 178

HSL 315.88, 0.73%, 0.54%

LAB 53.44, 74.58, -28.33

 

CMYK 82 / 0 / 64 / 21

HEX #25CA48

RGB 37 202 72

HSL 132.73, 0.69%, 0.47%

LAB 71.62, -65.87, 52

 

CMYK 75 / 0 / 59 / 14

HEX #36DC5B

RGB 54 220 91

HSL 133.37, 0.7%, 0.54%

LAB 77.71, -67.32, 50.71

 

CMYK 70 / 0 / 54 / 7

HEX #47EE6E

RGB 71 238 110

HSL 134.01, 0.83%, 0.61%

LAB 83.76, -68.3, 49.32

 

CMYK 65 / 0 / 49 / 0

HEX #58FF81

RGB 88 255 129

HSL 134.73, 1%, 0.67%

LAB 89.48, -68.6, 47.55

 

CMYK 59 / 0 / 42 / 0

HEX #69FF94

RGB 105 255 148

HSL 137.2, 1%, 0.71%

LAB 90.17, -62.42, 39.4

 

CMYK 84 / 0 / 62 / 21

HEX #20CA4D

RGB 32 202 77

HSL 135.88, 0.73%, 0.46%

LAB 71.61, -65.81, 49.82

 

CMYK 92 / 0 / 68 / 28

HEX #0FB83A

RGB 15 184 58

HSL 135.27, 0.85%, 0.39%

LAB 65.51, -63.65, 51.07

 

CMYK 100 / 0 / 77 / 35

HEX #00A627

RGB 0 166 39

HSL 134.1, 1%, 0.33%

LAB 59.36, -60.75, 51.87

 

CMYK 100 / 0 / 86 / 42

HEX #009414

RGB 0 148 20

HSL 128.11, 1%, 0.29%

LAB 53.2, -56.73, 51.76

 

CMYK 100 / 0 / 99 / 49

HEX #008201

RGB 0 130 1

HSL 120.46, 1%, 0.25%

LAB 46.93, -52.24, 50.26

 

CMYK 84 / 0 / 62 / 20

HEX #20CB4D

RGB 32 203 77

HSL 135.79, 0.73%, 0.46%

LAB 71.93, -66.12, 50.18

 

CMYK 84 / 0 / 84 / 20

HEX #21CB20

RGB 33 203 32

HSL 119.65, 0.73%, 0.46%

LAB 71.65, -69.67, 65.57

 

CMYK 61 / 0 / 84 / 20

HEX #4FCB20

RGB 79 203 32

HSL 103.51, 0.73%, 0.46%

LAB 72.55, -61.99, 66.72

 

CMYK 38 / 0 / 84 / 20

HEX #7DCB20

RGB 125 203 32

HSL 87.37, 0.73%, 0.46%

LAB 74.3, -48.52, 68.94

 

CMYK 16 / 0 / 84 / 20

HEX #ABCB20

RGB 171 203 32

HSL 71.23, 0.73%, 0.46%

LAB 76.97, -31.05, 72.28

 

CMYK 84 / 0 / 62 / 20

HEX #20CB4D

RGB 32 203 77

HSL 135.79, 0.73%, 0.46%

LAB 71.93, -66.12, 50.18

 

CMYK 84 / 0 / 39 / 20

HEX #20CB7B

RGB 32 203 123

HSL 151.93, 0.73%, 0.46%

LAB 72.53, -58.99, 28.6

 

CMYK 84 / 0 / 17 / 20

HEX #20CBA9

RGB 32 203 169

HSL 168.07, 0.73%, 0.46%

LAB 73.47, -48.6, 5.44

 

CMYK 84 / 6 / 0 / 20

HEX #20BECB

RGB 32 190 203

HSL 184.56, 0.73%, 0.46%

LAB 70.49, -33.16, -17.48

 

CMYK 84 / 29 / 0 / 20

HEX #2090CB

RGB 32 144 203

HSL 200.7, 0.73%, 0.46%

LAB 56.65, -9.21, -38.82

 

CMYK 84 / 0 / 62 / 20

HEX #20CB4D

RGB 32 203 77

HSL 135.79, 0.73%, 0.46%

LAB 71.93, -66.12, 50.18

 

CMYK 94 / 0 / 69 / 13

HEX #0DDE44

RGB 13 222 68

HSL 135.79, 0.89%, 0.46%

LAB 77.72, -73.96, 60.15

 

CMYK 84 / 0 / 62 / 20

HEX #20CB4D

RGB 32 203 77

HSL 135.79, 0.73%, 0.46%

LAB 71.93, -66.12, 50.18

 

CMYK 72 / 0 / 53 / 28

HEX #33B856

RGB 51 184 86

HSL 135.79, 0.57%, 0.46%

LAB 66.26, -56.24, 39.4

 

CMYK 58 / 0 / 42 / 35

HEX #46A55F

RGB 70 165 95

HSL 135.79, 0.4%, 0.46%

LAB 60.82, -43.72, 28.06

 

CMYK 39 / 0 / 29 / 43

HEX #599268

RGB 89 146 104

HSL 135.79, 0.24%, 0.46%

LAB 55.77, -28.2, 16.51

 

CMYK 15 / 0 / 11 / 50

HEX #6C7F71

RGB 108 127 113

HSL 135.79, 0.08%, 0.46%

LAB 51.34, -9.89, 5.29

 

CMYK 61 / 0 / 84 / 20

HEX #50CB20

RGB 80 203 32

HSL 103.16, 0.73%, 0.46%

LAB 72.58, -61.75, 66.75

 

CMYK 83 / 0 / 84 / 20

HEX #23CB20

RGB 35 203 32

HSL 118.95, 0.73%, 0.46%

LAB 71.67, -69.47, 65.6

 

CMYK 84 / 0 / 64 / 20

HEX #20CB4A

RGB 32 203 74

HSL 134.74, 0.73%, 0.46%

LAB 71.9, -66.47, 51.45

 

CMYK 84 / 0 / 41 / 20

HEX #20CB78

RGB 32 203 120

HSL 150.88, 0.73%, 0.46%

LAB 72.48, -59.56, 30.08

 

CMYK 84 / 0 / 18 / 20

HEX #20CBA6

RGB 32 203 166

HSL 167.02, 0.73%, 0.46%

LAB 73.4, -49.37, 6.95

 

CMYK 84 / 0 / 62 / 48

HEX #158432

RGB 21 132 50

HSL 135.68, 0.73%, 0.3%

LAB 48.12, -47.36, 35.32

 

CMYK 84 / 0 / 62 / 35

HEX #1AA73F

RGB 26 167 63

HSL 135.74, 0.73%, 0.38%

LAB 60.08, -56.89, 42.94

 

CMYK 84 / 0 / 62 / 20

HEX #20CB4D

RGB 32 203 77

HSL 135.79, 0.73%, 0.46%

LAB 71.93, -66.12, 50.18

 

CMYK 77 / 0 / 56 / 13

HEX #34DF62

RGB 52 223 98

HSL 136.14, 0.73%, 0.54%

LAB 78.69, -67.67, 48.68

 

CMYK 62 / 0 / 45 / 10

HEX #58E57D

RGB 88 229 125

HSL 135.74, 0.73%, 0.62%

LAB 81.62, -59.85, 39.59

 

CMYK 84 / 0 / 62 / 21

HEX #20CA4D

RGB 32 202 77

HSL 135.88, 0.73%, 0.46%

LAB 71.61, -65.81, 49.82

 

CMYK 84 / 38 / 0 / 20

HEX #207ECB

RGB 32 126 203

HSL 207.02, 0.73%, 0.46%

LAB 51.31, 1.36, -47.25

 

CMYK 0 / 84 / 72 / 20

HEX #CB2039

RGB 203 32 57

HSL 351.23, 0.73%, 0.46%

LAB 44.27, 64.31, 31.29

 

CMYK 84 / 0 / 62 / 21

HEX #20CA4D

RGB 32 202 77

HSL 135.88, 0.73%, 0.46%

LAB 71.61, -65.81, 49.82

 

CMYK 64 / 84 / 0 / 20

HEX #4A20CB

RGB 74 32 203

HSL 254.74, 0.73%, 0.46%

LAB 31.35, 60.72, -79.62

 

CMYK 0 / 64 / 84 / 20

HEX #CB4A20

RGB 203 74 32

HSL 14.74, 0.73%, 0.46%

LAB 49.13, 49.33, 49.67

 

CMYK 84 / 0 / 62 / 21

HEX #20CA4D

RGB 32 202 77

HSL 135.88, 0.73%, 0.46%

LAB 71.61, -65.81, 49.82

 

CMYK 84 / 38 / 0 / 20

HEX #207ECB

RGB 32 126 203

HSL 207.02, 0.73%, 0.46%

LAB 51.31, 1.36, -47.25

 

CMYK 0 / 84 / 21 / 20

HEX #CB20A0

RGB 203 32 160

HSL 315.09, 0.73%, 0.46%

LAB 47.32, 73.03, -27.48

 

CMYK 0 / 46 / 84 / 20

HEX #CB6D20

RGB 203 109 32

HSL 27.02, 0.73%, 0.46%

LAB 55.82, 32.19, 55.47

 

CMYK 84 / 0 / 62 / 21

HEX #20CA4D

RGB 32 202 77

HSL 135.88, 0.73%, 0.46%

LAB 71.61, -65.81, 49.82

 

CMYK 84 / 64 / 0 / 20

HEX #204ACB

RGB 32 74 203

HSL 225.26, 0.73%, 0.46%

LAB 36.96, 34.67, -70.45

 

CMYK 0 / 84 / 21 / 20

HEX #CB20A0

RGB 203 32 160

HSL 315.09, 0.73%, 0.46%

LAB 47.32, 73.03, -27.48

 

CMYK 0 / 21 / 84 / 20

HEX #CBA020

RGB 203 160 32

HSL 44.91, 0.73%, 0.46%

LAB 67.98, 4.61, 65.77

 

Description

Color code: HEX #20CA4D | qconv.com Color code: HEX #20CA4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 202 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 202 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 62 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 62% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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