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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CA2B it is the complementary color #DF35D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CA2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CA2B shade: #25CA26, #36DC39, #47EE4C, #58FF5F and #69FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CA2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CA2B shade: #20CA2B, #0FB818, #00A605, #009400 and #008200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CA2B shade: #20CB2B, #43CB20, #71CB20, #9FCB20 and #CBC920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CA2B shade: #20CB2B, #20CB59, #20CB87, #20CBB5 and #20B2CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CA2B shade matches the following richer shades: #20CB2B and #0DDE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CA2B shade: #20CB2B, #33B83B, #46A54C, #59925C and #6C7F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CA2B shade: #72CB20, #45CB20, #20CB28, #20CB56 and #20CB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CA2B shade: #15841C, #1AA723, #20CB2B, #34DF40 and #58E561

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CA2B shade: #20CA2B, #20A0CB and #CB205C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CA2B shade: #20CA2B, #2820CB and #CB2820

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CA2B shade: #20CA2B, #20A0CB, #CB20C2 and #CB4A20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CA2B shade: #20CA2B, #206DCB, #CB20C2 and #CB7E20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 79 / 21

HEX #20CA2B

RGB 32 202 43

HSL 123.88, 0.73%, 0.46%

LAB 71.37, -68.88, 62.35

 

Complementary color

CMYK 0 / 76 / 5 / 13

HEX #DF35D4

RGB 223 53 212

HSL 303.88, 0.73%, 0.54%

LAB 55.06, 79.29, -45.39

 

CMYK 82 / 0 / 81 / 21

HEX #25CA26

RGB 37 202 38

HSL 120.36, 0.69%, 0.47%

LAB 71.4, -68.65, 63.84

 

CMYK 75 / 0 / 74 / 14

HEX #36DC39

RGB 54 220 57

HSL 121.08, 0.7%, 0.54%

LAB 77.44, -70.65, 63.92

 

CMYK 70 / 0 / 68 / 7

HEX #47EE4C

RGB 71 238 76

HSL 121.8, 0.83%, 0.61%

LAB 83.45, -72.06, 63.38

 

CMYK 65 / 0 / 63 / 0

HEX #58FF5F

RGB 88 255 95

HSL 122.51, 1%, 0.67%

LAB 89.12, -72.72, 62.16

 

CMYK 59 / 0 / 55 / 0

HEX #69FF72

RGB 105 255 114

HSL 123.6, 1%, 0.71%

LAB 89.74, -67.16, 54.84

 

CMYK 84 / 0 / 79 / 21

HEX #20CA2B

RGB 32 202 43

HSL 123.88, 0.73%, 0.46%

LAB 71.37, -68.88, 62.35

 

CMYK 92 / 0 / 87 / 28

HEX #0FB818

RGB 15 184 24

HSL 123.2, 0.85%, 0.39%

LAB 65.32, -66.04, 61.67

 

CMYK 100 / 0 / 97 / 35

HEX #00A605

RGB 0 166 5

HSL 121.81, 1%, 0.33%

LAB 59.24, -62.37, 59.61

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 84 / 0 / 79 / 20

HEX #20CB2B

RGB 32 203 43

HSL 123.86, 0.73%, 0.46%

LAB 71.69, -69.17, 62.66

 

CMYK 67 / 0 / 84 / 20

HEX #43CB20

RGB 67 203 32

HSL 107.72, 0.73%, 0.46%

LAB 72.23, -64.59, 66.32

 

CMYK 44 / 0 / 84 / 20

HEX #71CB20

RGB 113 203 32

HSL 91.58, 0.73%, 0.46%

LAB 73.76, -52.51, 68.25

 

CMYK 22 / 0 / 84 / 20

HEX #9FCB20

RGB 159 203 32

HSL 75.44, 0.73%, 0.46%

LAB 76.18, -35.87, 71.3

 

CMYK 0 / 1 / 84 / 20

HEX #CBC920

RGB 203 201 32

HSL 59.3, 0.73%, 0.46%

LAB 78.8, -16.68, 74.77

 

CMYK 84 / 0 / 79 / 20

HEX #20CB2B

RGB 32 203 43

HSL 123.86, 0.73%, 0.46%

LAB 71.69, -69.17, 62.66

 

CMYK 84 / 0 / 56 / 20

HEX #20CB59

RGB 32 203 89

HSL 140, 0.73%, 0.46%

LAB 72.05, -64.6, 44.89

 

CMYK 84 / 0 / 33 / 20

HEX #20CB87

RGB 32 203 135

HSL 156.14, 0.73%, 0.46%

LAB 72.74, -56.57, 22.6

 

CMYK 84 / 0 / 11 / 20

HEX #20CBB5

RGB 32 203 181

HSL 172.28, 0.73%, 0.46%

LAB 73.78, -45.43, -0.6

 

CMYK 84 / 12 / 0 / 20

HEX #20B2CB

RGB 32 178 203

HSL 188.77, 0.73%, 0.46%

LAB 66.87, -27.32, -22.98

 

CMYK 84 / 0 / 79 / 20

HEX #20CB2B

RGB 32 203 43

HSL 123.86, 0.73%, 0.46%

LAB 71.69, -69.17, 62.66

 

CMYK 94 / 0 / 88 / 13

HEX #0DDE1A

RGB 13 222 26

HSL 123.73, 0.89%, 0.46%

LAB 77.52, -76.57, 71.93

 

CMYK 84 / 0 / 79 / 20

HEX #20CB2B

RGB 32 203 43

HSL 123.86, 0.73%, 0.46%

LAB 71.69, -69.17, 62.66

 

CMYK 72 / 0 / 68 / 28

HEX #33B83B

RGB 51 184 59

HSL 123.61, 0.57%, 0.46%

LAB 65.98, -59.51, 51.31

 

CMYK 58 / 0 / 54 / 35

HEX #46A54C

RGB 70 165 76

HSL 123.79, 0.4%, 0.46%

LAB 60.55, -46.66, 37.51

 

CMYK 39 / 0 / 37 / 43

HEX #59925C

RGB 89 146 92

HSL 123.16, 0.24%, 0.46%

LAB 55.54, -30.39, 22.9

 

CMYK 15 / 0 / 14 / 50

HEX #6C7F6D

RGB 108 127 109

HSL 123.16, 0.08%, 0.46%

LAB 51.23, -10.69, 7.48

 

CMYK 44 / 0 / 84 / 20

HEX #72CB20

RGB 114 203 32

HSL 91.23, 0.73%, 0.46%

LAB 73.8, -52.19, 68.3

 

CMYK 66 / 0 / 84 / 20

HEX #45CB20

RGB 69 203 32

HSL 107.02, 0.73%, 0.46%

LAB 72.28, -64.19, 66.38

 

CMYK 84 / 0 / 80 / 20

HEX #20CB28

RGB 32 203 40

HSL 122.81, 0.73%, 0.46%

LAB 71.67, -69.35, 63.51

 

CMYK 84 / 0 / 58 / 20

HEX #20CB56

RGB 32 203 86

HSL 138.95, 0.73%, 0.46%

LAB 72.02, -65, 46.24

 

CMYK 84 / 0 / 35 / 20

HEX #20CB84

RGB 32 203 132

HSL 155.09, 0.73%, 0.46%

LAB 72.68, -57.2, 24.11

 

CMYK 84 / 0 / 79 / 48

HEX #15841C

RGB 21 132 28

HSL 123.78, 0.73%, 0.3%

LAB 47.94, -49.66, 44.49

 

CMYK 84 / 0 / 79 / 35

HEX #1AA723

RGB 26 167 35

HSL 123.83, 0.73%, 0.38%

LAB 59.87, -59.56, 53.77

 

CMYK 84 / 0 / 79 / 20

HEX #20CB2B

RGB 32 203 43

HSL 123.86, 0.73%, 0.46%

LAB 71.69, -69.17, 62.66

 

CMYK 77 / 0 / 71 / 13

HEX #34DF40

RGB 52 223 64

HSL 124.21, 0.73%, 0.54%

LAB 78.39, -71.29, 62.43

 

CMYK 62 / 0 / 58 / 10

HEX #58E561

RGB 88 229 97

HSL 123.83, 0.73%, 0.62%

LAB 81.28, -63.67, 52.37

 

CMYK 84 / 0 / 79 / 21

HEX #20CA2B

RGB 32 202 43

HSL 123.88, 0.73%, 0.46%

LAB 71.37, -68.88, 62.35

 

CMYK 84 / 21 / 0 / 20

HEX #20A0CB

RGB 32 160 203

HSL 195.09, 0.73%, 0.46%

LAB 61.45, -18.03, -31.33

 

CMYK 0 / 84 / 55 / 20

HEX #CB205C

RGB 203 32 92

HSL 338.95, 0.73%, 0.46%

LAB 44.94, 66.3, 10.55

 

CMYK 84 / 0 / 79 / 21

HEX #20CA2B

RGB 32 202 43

HSL 123.88, 0.73%, 0.46%

LAB 71.37, -68.88, 62.35

 

CMYK 80 / 84 / 0 / 20

HEX #2820CB

RGB 40 32 203

HSL 242.81, 0.73%, 0.46%

LAB 28.89, 58.52, -83.77

 

CMYK 0 / 80 / 84 / 20

HEX #CB2820

RGB 203 40 32

HSL 2.81, 0.73%, 0.46%

LAB 44.69, 61.53, 45.75

 

CMYK 84 / 0 / 79 / 21

HEX #20CA2B

RGB 32 202 43

HSL 123.88, 0.73%, 0.46%

LAB 71.37, -68.88, 62.35

 

CMYK 84 / 21 / 0 / 20

HEX #20A0CB

RGB 32 160 203

HSL 195.09, 0.73%, 0.46%

LAB 61.45, -18.03, -31.33

 

CMYK 0 / 84 / 4 / 20

HEX #CB20C2

RGB 203 32 194

HSL 303.16, 0.73%, 0.46%

LAB 49.04, 77.65, -44.8

 

CMYK 0 / 64 / 84 / 20

HEX #CB4A20

RGB 203 74 32

HSL 14.74, 0.73%, 0.46%

LAB 49.13, 49.33, 49.67

 

CMYK 84 / 0 / 79 / 21

HEX #20CA2B

RGB 32 202 43

HSL 123.88, 0.73%, 0.46%

LAB 71.37, -68.88, 62.35

 

CMYK 84 / 46 / 0 / 20

HEX #206DCB

RGB 32 109 203

HSL 212.98, 0.73%, 0.46%

LAB 46.39, 11.94, -55.13

 

CMYK 0 / 84 / 4 / 20

HEX #CB20C2

RGB 203 32 194

HSL 303.16, 0.73%, 0.46%

LAB 49.04, 77.65, -44.8

 

CMYK 0 / 38 / 84 / 20

HEX #CB7E20

RGB 203 126 32

HSL 32.98, 0.73%, 0.46%

LAB 59.64, 23.08, 58.73

 

Description

Color code: HEX #20CA2B | qconv.com Color code: HEX #20CA2B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 202 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 202 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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