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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20C85A it is the complementary color #DF37A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20C85A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20C85A shade: #25C855, #36DA68, #47EC7B, #58FE8E and #69FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20C85A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20C85A shade: #20C85A, #0FB647, #00A434, #009221 and #00800E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20C85A shade: #20C559, #20C52D, #40C520, #6DC520 and #99C520

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20C85A shade: #20C559, #20C586, #20C5B2, #20ACC5 and #207FC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20C85A shade matches the following richer shades: #20C559 and #0ED853

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20C85A shade: #20C559, #33B35F, #45A065, #588E6A and #6A7B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20C85A shade: #41C520, #20C52B, #20C557, #20C583 and #20C5AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20C85A shade: #157E39, #1AA249, #20C559, #31DE6D and #55E386

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20C85A shade: #20C85A, #206DC5 and #C5202B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20C85A shade: #20C85A, #5720C5 and #C55720

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20C85A shade: #20C85A, #206DC5, #C5208E and #C57820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20C85A shade: #20C85A, #203CC5, #C5208E and #C5AA20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 55 / 22

HEX #20C85A

RGB 32 200 90

HSL 140.71, 0.72%, 0.45%

LAB 71.11, -63.48, 43.29

 

Complementary color

CMYK 0 / 75 / 26 / 13

HEX #DF37A5

RGB 223 55 165

HSL 320.71, 0.72%, 0.55%

LAB 53.1, 72.4, -21.23

 

CMYK 82 / 0 / 58 / 22

HEX #25C855

RGB 37 200 85

HSL 137.67, 0.69%, 0.46%

LAB 71.12, -63.67, 45.65

 

CMYK 75 / 0 / 52 / 15

HEX #36DA68

RGB 54 218 104

HSL 138.29, 0.69%, 0.53%

LAB 77.24, -64.92, 44.13

 

CMYK 70 / 0 / 48 / 7

HEX #47EC7B

RGB 71 236 123

HSL 138.91, 0.81%, 0.6%

LAB 83.32, -65.76, 42.63

 

CMYK 65 / 0 / 44 / 0

HEX #58FE8E

RGB 88 254 142

HSL 139.52, 0.99%, 0.67%

LAB 89.35, -66.29, 41.18

 

CMYK 59 / 0 / 37 / 0

HEX #69FFA1

RGB 105 255 161

HSL 142.4, 1%, 0.71%

LAB 90.37, -60.25, 33.24

 

CMYK 84 / 0 / 55 / 22

HEX #20C85A

RGB 32 200 90

HSL 140.71, 0.72%, 0.45%

LAB 71.11, -63.48, 43.29

 

CMYK 92 / 0 / 61 / 29

HEX #0FB647

RGB 15 182 71

HSL 140.12, 0.85%, 0.39%

LAB 64.97, -61.56, 44.87

 

CMYK 100 / 0 / 68 / 36

HEX #00A434

RGB 0 164 52

HSL 139.02, 1%, 0.32%

LAB 58.79, -58.96, 46.28

 

CMYK 100 / 0 / 77 / 43

HEX #009221

RGB 0 146 33

HSL 133.56, 1%, 0.29%

LAB 52.58, -55.3, 47.25

 

CMYK 100 / 0 / 89 / 50

HEX #00800E

RGB 0 128 14

HSL 126.56, 1%, 0.25%

LAB 46.27, -51.14, 47.02

 

CMYK 84 / 0 / 55 / 23

HEX #20C559

RGB 32 197 89

HSL 140.73, 0.72%, 0.45%

LAB 70.15, -62.65, 42.6

 

CMYK 84 / 0 / 77 / 23

HEX #20C52D

RGB 32 197 45

HSL 124.73, 0.72%, 0.45%

LAB 69.77, -67.27, 60.2

 

CMYK 68 / 0 / 84 / 23

HEX #40C520

RGB 64 197 32

HSL 108.36, 0.72%, 0.45%

LAB 70.26, -63.26, 64.52

 

CMYK 45 / 0 / 84 / 23

HEX #6DC520

RGB 109 197 32

HSL 92, 0.72%, 0.45%

LAB 71.75, -51.45, 66.41

 

CMYK 22 / 0 / 84 / 23

HEX #99C520

RGB 153 197 32

HSL 76, 0.72%, 0.45%

LAB 74.07, -35.51, 69.33

 

CMYK 84 / 0 / 55 / 23

HEX #20C559

RGB 32 197 89

HSL 140.73, 0.72%, 0.45%

LAB 70.15, -62.65, 42.6

 

CMYK 84 / 0 / 32 / 23

HEX #20C586

RGB 32 197 134

HSL 157.09, 0.72%, 0.45%

LAB 70.84, -54.55, 20.55

 

CMYK 84 / 0 / 10 / 23

HEX #20C5B2

RGB 32 197 178

HSL 173.09, 0.72%, 0.45%

LAB 71.86, -43.67, -1.78

 

CMYK 84 / 13 / 0 / 23

HEX #20ACC5

RGB 32 172 197

HSL 189.09, 0.72%, 0.45%

LAB 64.84, -26.27, -22.76

 

CMYK 84 / 36 / 0 / 23

HEX #207FC5

RGB 32 127 197

HSL 205.45, 0.72%, 0.45%

LAB 51.29, -1.5, -43.87

 

CMYK 84 / 0 / 55 / 23

HEX #20C559

RGB 32 197 89

HSL 140.73, 0.72%, 0.45%

LAB 70.15, -62.65, 42.6

 

CMYK 94 / 0 / 62 / 15

HEX #0ED853

RGB 14 216 83

HSL 140.5, 0.88%, 0.45%

LAB 75.96, -70.59, 52.11

 

CMYK 84 / 0 / 55 / 23

HEX #20C559

RGB 32 197 89

HSL 140.73, 0.72%, 0.45%

LAB 70.15, -62.65, 42.6

 

CMYK 72 / 0 / 47 / 30

HEX #33B35F

RGB 51 179 95

HSL 140.63, 0.56%, 0.45%

LAB 64.78, -53.04, 33.05

 

CMYK 57 / 0 / 37 / 37

HEX #45A065

RGB 69 160 101

HSL 141.1, 0.4%, 0.45%

LAB 59.29, -40.78, 22.81

 

CMYK 38 / 0 / 25 / 44

HEX #588E6A

RGB 88 142 106

HSL 140, 0.23%, 0.45%

LAB 54.51, -26.15, 13.64

 

CMYK 14 / 0 / 9 / 52

HEX #6A7B70

RGB 106 123 112

HSL 141.18, 0.07%, 0.45%

LAB 49.98, -8.59, 3.91

 

CMYK 67 / 0 / 84 / 23

HEX #41C520

RGB 65 197 32

HSL 108, 0.72%, 0.45%

LAB 70.29, -63.06, 64.55

 

CMYK 84 / 0 / 78 / 23

HEX #20C52B

RGB 32 197 43

HSL 124, 0.72%, 0.45%

LAB 69.76, -67.41, 60.81

 

CMYK 84 / 0 / 56 / 23

HEX #20C557

RGB 32 197 87

HSL 140, 0.72%, 0.45%

LAB 70.13, -62.93, 43.52

 

CMYK 84 / 0 / 34 / 23

HEX #20C583

RGB 32 197 131

HSL 156, 0.72%, 0.45%

LAB 70.79, -55.19, 22.06

 

CMYK 84 / 0 / 11 / 23

HEX #20C5AF

RGB 32 197 175

HSL 172, 0.72%, 0.45%

LAB 71.78, -44.49, -0.26

 

CMYK 83 / 0 / 55 / 51

HEX #157E39

RGB 21 126 57

HSL 140.57, 0.71%, 0.29%

LAB 46.15, -44.2, 29.42

 

CMYK 84 / 0 / 55 / 36

HEX #1AA249

RGB 26 162 73

HSL 140.74, 0.72%, 0.37%

LAB 58.55, -53.86, 36.35

 

CMYK 84 / 0 / 55 / 23

HEX #20C559

RGB 32 197 89

HSL 140.73, 0.72%, 0.45%

LAB 70.15, -62.65, 42.6

 

CMYK 78 / 0 / 51 / 13

HEX #31DE6D

RGB 49 222 109

HSL 140.81, 0.72%, 0.53%

LAB 78.46, -66.17, 43.23

 

CMYK 63 / 0 / 41 / 11

HEX #55E386

RGB 85 227 134

HSL 140.7, 0.72%, 0.61%

LAB 81.07, -58.25, 34.4

 

CMYK 84 / 0 / 55 / 22

HEX #20C85A

RGB 32 200 90

HSL 140.71, 0.72%, 0.45%

LAB 71.11, -63.48, 43.29

 

CMYK 84 / 45 / 0 / 23

HEX #206DC5

RGB 32 109 197

HSL 212, 0.72%, 0.45%

LAB 46.01, 9.61, -52.29

 

CMYK 0 / 84 / 78 / 23

HEX #C5202B

RGB 197 32 43

HSL 356, 0.72%, 0.45%

LAB 42.88, 62.14, 37.65

 

CMYK 84 / 0 / 55 / 22

HEX #20C85A

RGB 32 200 90

HSL 140.71, 0.72%, 0.45%

LAB 71.11, -63.48, 43.29

 

CMYK 56 / 84 / 0 / 23

HEX #5720C5

RGB 87 32 197

HSL 260, 0.72%, 0.45%

LAB 32.01, 60.37, -74.97

 

CMYK 0 / 56 / 84 / 23

HEX #C55720

RGB 197 87 32

HSL 20, 0.72%, 0.45%

LAB 50.44, 41.05, 50.44

 

CMYK 84 / 0 / 55 / 22

HEX #20C85A

RGB 32 200 90

HSL 140.71, 0.72%, 0.45%

LAB 71.11, -63.48, 43.29

 

CMYK 84 / 45 / 0 / 23

HEX #206DC5

RGB 32 109 197

HSL 212, 0.72%, 0.45%

LAB 46.01, 9.61, -52.29

 

CMYK 0 / 84 / 28 / 23

HEX #C5208E

RGB 197 32 142

HSL 320, 0.72%, 0.45%

LAB 45.44, 69.55, -19.66

 

CMYK 0 / 39 / 84 / 23

HEX #C57820

RGB 197 120 32

HSL 32, 0.72%, 0.45%

LAB 57.47, 23.76, 56.57

 

CMYK 84 / 0 / 55 / 22

HEX #20C85A

RGB 32 200 90

HSL 140.71, 0.72%, 0.45%

LAB 71.11, -63.48, 43.29

 

CMYK 84 / 70 / 0 / 23

HEX #203CC5

RGB 32 60 197

HSL 229.82, 0.72%, 0.45%

LAB 33.07, 41.32, -73.35

 

CMYK 0 / 84 / 28 / 23

HEX #C5208E

RGB 197 32 142

HSL 320, 0.72%, 0.45%

LAB 45.44, 69.55, -19.66

 

CMYK 0 / 14 / 84 / 23

HEX #C5AA20

RGB 197 170 32

HSL 50.18, 0.72%, 0.45%

LAB 69.98, -3.37, 67.21

 

Description

Color code: HEX #20C85A | qconv.com Color code: HEX #20C85A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 200 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 200 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 55 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 55% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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