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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20C5E2 it is the complementary color #DF3A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20C5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20C5E2 shade: #25C5DD, #36D7F0, #47E9FF, #58FBFF and #69FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20C5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20C5E2 shade: #20C5E2, #0FB3CF, #00A1BC, #008FA9 and #007D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20C5E2 shade: #22C5E2, #2292E2, #225EE2, #222AE2 and #4E22E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20C5E2 shade: #22C5E2, #2292E2, #225EE2, #222AE2 and #2222E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20C5E2 shade matches the following richer shades: #22C5E2 and #0ED4F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20C5E2 shade: #22C5E2, #36B7CE, #4AA9BA, #5E9BA6 and #738D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20C5E2 shade: #22E295, #22E2C9, #22C9E2, #2295E2 and #2262E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20C5E2 shade: #14899D, #19A8C2, #22C5E2, #46CFE7 and #6BD8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20C5E2 shade: #20C5E2, #6222E2 and #E2AF22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20C5E2 shade: #20C5E2, #E222C9 and #C9E222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20C5E2 shade: #20C5E2, #6222E2, #E23B22 and #A2E222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20C5E2 shade: #20C5E2, #9C22E2, #E23B22 and #68E222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 13 / 0 / 11

HEX #20C5E2

RGB 32 197 226

HSL 188.97, 0.77%, 0.51%

LAB 73.37, -29.28, -25.61

 

Complementary color

CMYK 0 / 74 / 87 / 13

HEX #DF3A1D

RGB 223 58 29

HSL 8.97, 0.77%, 0.49%

LAB 50.46, 61.99, 53.53

 

CMYK 83 / 11 / 0 / 13

HEX #25C5DD

RGB 37 197 221

HSL 187.83, 0.73%, 0.51%

LAB 73.25, -30.53, -23.08

 

CMYK 78 / 10 / 0 / 6

HEX #36D7F0

RGB 54 215 240

HSL 188.06, 0.86%, 0.58%

LAB 79.43, -31.86, -23.85

 

CMYK 72 / 9 / 0 / 0

HEX #47E9FF

RGB 71 233 255

HSL 187.17, 1%, 0.64%

LAB 85.42, -34.11, -22.66

 

CMYK 65 / 2 / 0 / 0

HEX #58FBFF

RGB 88 251 255

HSL 181.44, 1%, 0.67%

LAB 90.91, -40.24, -14.35

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 86 / 13 / 0 / 11

HEX #20C5E2

RGB 32 197 226

HSL 188.97, 0.77%, 0.51%

LAB 73.37, -29.28, -25.61

 

CMYK 93 / 14 / 0 / 19

HEX #0FB3CF

RGB 15 179 207

HSL 188.75, 0.86%, 0.44%

LAB 67.16, -27.44, -24.75

 

CMYK 100 / 14 / 0 / 26

HEX #00A1BC

RGB 0 161 188

HSL 188.62, 1%, 0.37%

LAB 60.89, -25.25, -23.81

 

CMYK 100 / 15 / 0 / 34

HEX #008FA9

RGB 0 143 169

HSL 189.23, 1%, 0.33%

LAB 54.56, -22.53, -22.75

 

CMYK 100 / 17 / 0 / 41

HEX #007D96

RGB 0 125 150

HSL 190, 1%, 0.29%

LAB 48.09, -19.73, -21.67

 

CMYK 85 / 13 / 0 / 11

HEX #22C5E2

RGB 34 197 226

HSL 189.06, 0.77%, 0.51%

LAB 73.39, -29.15, -25.57

 

CMYK 85 / 35 / 0 / 11

HEX #2292E2

RGB 34 146 226

HSL 205, 0.77%, 0.51%

LAB 58.4, -1.78, -48.93

 

CMYK 85 / 58 / 0 / 11

HEX #225EE2

RGB 34 94 226

HSL 221.25, 0.77%, 0.51%

LAB 44, 30.58, -72.12

 

CMYK 85 / 81 / 0 / 11

HEX #222AE2

RGB 34 42 226

HSL 237.5, 0.77%, 0.51%

LAB 32.89, 60.75, -90.43

 

CMYK 65 / 85 / 0 / 11

HEX #4E22E2

RGB 78 34 226

HSL 253.75, 0.77%, 0.51%

LAB 34.51, 66.42, -87.66

 

CMYK 85 / 13 / 0 / 11

HEX #22C5E2

RGB 34 197 226

HSL 189.06, 0.77%, 0.51%

LAB 73.39, -29.15, -25.57

 

CMYK 85 / 35 / 0 / 11

HEX #2292E2

RGB 34 146 226

HSL 205, 0.77%, 0.51%

LAB 58.4, -1.78, -48.93

 

CMYK 85 / 58 / 0 / 11

HEX #225EE2

RGB 34 94 226

HSL 221.25, 0.77%, 0.51%

LAB 44, 30.58, -72.12

 

CMYK 85 / 81 / 0 / 11

HEX #222AE2

RGB 34 42 226

HSL 237.5, 0.77%, 0.51%

LAB 32.89, 60.75, -90.43

 

CMYK 85 / 85 / 0 / 11

HEX #2222E2

RGB 34 34 226

HSL 240, 0.77%, 0.51%

LAB 31.75, 64.14, -92.32

 

CMYK 85 / 13 / 0 / 11

HEX #22C5E2

RGB 34 197 226

HSL 189.06, 0.77%, 0.51%

LAB 73.39, -29.15, -25.57

 

CMYK 94 / 14 / 0 / 4

HEX #0ED4F6

RGB 14 212 246

HSL 188.79, 0.93%, 0.51%

LAB 78.36, -30.93, -28.72

 

CMYK 85 / 13 / 0 / 11

HEX #22C5E2

RGB 34 197 226

HSL 189.06, 0.77%, 0.51%

LAB 73.39, -29.15, -25.57

 

CMYK 74 / 11 / 0 / 19

HEX #36B7CE

RGB 54 183 206

HSL 189.08, 0.61%, 0.51%

LAB 68.83, -26.75, -21.61

 

CMYK 60 / 9 / 0 / 27

HEX #4AA9BA

RGB 74 169 186

HSL 189.11, 0.45%, 0.51%

LAB 64.46, -22.78, -17.13

 

CMYK 43 / 7 / 0 / 35

HEX #5E9BA6

RGB 94 155 166

HSL 189.17, 0.29%, 0.51%

LAB 60.41, -16.76, -11.94

 

CMYK 21 / 3 / 0 / 43

HEX #738D91

RGB 115 141 145

HSL 188, 0.12%, 0.51%

LAB 56.82, -8.26, -5.19

 

CMYK 85 / 0 / 34 / 11

HEX #22E295

RGB 34 226 149

HSL 155.94, 0.77%, 0.51%

LAB 80.12, -61.92, 25.34

 

CMYK 85 / 0 / 11 / 11

HEX #22E2C9

RGB 34 226 201

HSL 172.19, 0.77%, 0.51%

LAB 81.26, -49.62, -0.37

 

CMYK 85 / 11 / 0 / 11

HEX #22C9E2

RGB 34 201 226

HSL 187.81, 0.77%, 0.51%

LAB 74.57, -31.09, -23.77

 

CMYK 85 / 34 / 0 / 11

HEX #2295E2

RGB 34 149 226

HSL 204.06, 0.77%, 0.51%

LAB 59.27, -3.53, -47.55

 

CMYK 85 / 57 / 0 / 11

HEX #2262E2

RGB 34 98 226

HSL 220, 0.77%, 0.51%

LAB 45.03, 28.01, -70.43

 

CMYK 87 / 13 / 0 / 38

HEX #14899D

RGB 20 137 157

HSL 188.76, 0.77%, 0.35%

LAB 52.37, -22.59, -19.18

 

CMYK 87 / 13 / 0 / 24

HEX #19A8C2

RGB 25 168 194

HSL 189.23, 0.77%, 0.43%

LAB 63.43, -25.73, -23.26

 

CMYK 85 / 13 / 0 / 11

HEX #22C5E2

RGB 34 197 226

HSL 189.06, 0.77%, 0.51%

LAB 73.39, -29.15, -25.57

 

CMYK 70 / 10 / 0 / 9

HEX #46CFE7

RGB 70 207 231

HSL 188.94, 0.77%, 0.59%

LAB 77.1, -28.91, -22.56

 

CMYK 55 / 8 / 0 / 7

HEX #6BD8EC

RGB 107 216 236

HSL 189.3, 0.77%, 0.67%

LAB 80.9, -25.8, -19.36

 

CMYK 86 / 13 / 0 / 11

HEX #20C5E2

RGB 32 197 226

HSL 188.97, 0.77%, 0.51%

LAB 73.37, -29.28, -25.61

 

CMYK 57 / 85 / 0 / 11

HEX #6222E2

RGB 98 34 226

HSL 260, 0.77%, 0.51%

LAB 36.43, 68.09, -84.43

 

CMYK 0 / 23 / 85 / 11

HEX #E2AF22

RGB 226 175 34

HSL 44.06, 0.77%, 0.51%

LAB 74.15, 6.74, 71.33

 

CMYK 86 / 13 / 0 / 11

HEX #20C5E2

RGB 32 197 226

HSL 188.97, 0.77%, 0.51%

LAB 73.37, -29.28, -25.61

 

CMYK 0 / 85 / 11 / 11

HEX #E222C9

RGB 226 34 201

HSL 307.81, 0.77%, 0.51%

LAB 53.52, 82.6, -41.48

 

CMYK 11 / 0 / 85 / 11

HEX #C9E222

RGB 201 226 34

HSL 67.81, 0.77%, 0.51%

LAB 85.47, -29.54, 79.82

 

CMYK 86 / 13 / 0 / 11

HEX #20C5E2

RGB 32 197 226

HSL 188.97, 0.77%, 0.51%

LAB 73.37, -29.28, -25.61

 

CMYK 57 / 85 / 0 / 11

HEX #6222E2

RGB 98 34 226

HSL 260, 0.77%, 0.51%

LAB 36.43, 68.09, -84.43

 

CMYK 0 / 74 / 85 / 11

HEX #E23B22

RGB 226 59 34

HSL 7.81, 0.77%, 0.51%

LAB 51.17, 62.68, 52.15

 

CMYK 28 / 0 / 85 / 11

HEX #A2E222

RGB 162 226 34

HSL 80, 0.77%, 0.51%

LAB 83.01, -44.79, 76.77

 

CMYK 86 / 13 / 0 / 11

HEX #20C5E2

RGB 32 197 226

HSL 188.97, 0.77%, 0.51%

LAB 73.37, -29.28, -25.61

 

CMYK 31 / 85 / 0 / 11

HEX #9C22E2

RGB 156 34 226

HSL 278.13, 0.77%, 0.51%

LAB 43.8, 74.96, -72.03

 

CMYK 0 / 74 / 85 / 11

HEX #E23B22

RGB 226 59 34

HSL 7.81, 0.77%, 0.51%

LAB 51.17, 62.68, 52.15

 

CMYK 54 / 0 / 85 / 11

HEX #68E222

RGB 104 226 34

HSL 98.13, 0.77%, 0.51%

LAB 80.43, -63.55, 73.53

 

Description

Color code: HEX #20C5E2 | qconv.com Color code: HEX #20C5E2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 197 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 197 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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