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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20C080 it is the complementary color #DF3F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20C080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #20C080: #25C07B, #36D28E, #47E4A1, #58F6B4 and #69FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20C080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #20C080: #20C080, #0FAE6D, #009C5A, #008A47 and #007834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

Complementary color

CMYK 0 / 72 / 43 / 13

HEX #DF3F7F

RGB 223 63 127

HSL 336, 0.71%, 0.56%

LAB 52.7, 65.76, 0.76

 

CMYK 81 / 0 / 36 / 25

HEX #25C07B

RGB 37 192 123

HSL 153.29, 0.68%, 0.45%

LAB 69.13, -54.51, 24.07

 

CMYK 74 / 0 / 32 / 18

HEX #36D28E

RGB 54 210 142

HSL 153.85, 0.63%, 0.52%

LAB 75.35, -55.39, 22.52

 

CMYK 69 / 0 / 29 / 11

HEX #47E4A1

RGB 71 228 161

HSL 154.39, 0.74%, 0.59%

LAB 81.51, -55.96, 21.11

 

CMYK 64 / 0 / 27 / 4

HEX #58F6B4

RGB 88 246 180

HSL 154.94, 0.9%, 0.65%

LAB 87.62, -56.32, 19.81

 

CMYK 59 / 0 / 22 / 0

HEX #69FFC7

RGB 105 255 199

HSL 157.6, 1%, 0.71%

LAB 91.07, -52.86, 14.94

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 91 / 0 / 37 / 32

HEX #0FAE6D

RGB 15 174 109

HSL 155.47, 0.84%, 0.37%

LAB 62.91, -52.5, 23.14

 

CMYK 100 / 0 / 42 / 39

HEX #009C5A

RGB 0 156 90

HSL 154.62, 1%, 0.31%

LAB 56.6, -50.56, 25

 

CMYK 100 / 0 / 49 / 46

HEX #008A47

RGB 0 138 71

HSL 150.87, 1%, 0.27%

LAB 50.25, -47.77, 27.05

 

CMYK 100 / 0 / 57 / 53

HEX #007834

RGB 0 120 52

HSL 146, 1%, 0.24%

LAB 43.77, -44.75, 29.11

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 83 / 0 / 19 / 25

HEX #20BF9A

RGB 32 191 154

HSL 166.04, 0.71%, 0.44%

LAB 69.4, -47.49, 7.73

 

CMYK 83 / 0 / 5 / 25

HEX #20BFB5

RGB 32 191 181

HSL 176.23, 0.71%, 0.44%

LAB 70.11, -40.19, -6

 

CMYK 83 / 8 / 0 / 25

HEX #20AFBF

RGB 32 175 191

HSL 186.04, 0.71%, 0.44%

LAB 65.54, -29.69, -18.37

 

CMYK 83 / 22 / 0 / 25

HEX #2095BF

RGB 32 149 191

HSL 195.85, 0.71%, 0.44%

LAB 57.62, -16.28, -30.52

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 83 / 0 / 33 / 5

HEX #29F3A2

RGB 41 243 162

HSL 155.94, 0.89%, 0.56%

LAB 85.6, -64.83, 26.11

 

CMYK 82 / 0 / 33 / 85

HEX #07271A

RGB 7 39 26

HSL 155.63, 0.7%, 0.09%

LAB 13.05, -15.67, 5.24

 

CMYK 83 / 0 / 33 / 65

HEX #0F5A3C

RGB 15 90 60

HSL 156, 0.71%, 0.21%

LAB 33.44, -29.97, 11.2

 

CMYK 83 / 0 / 33 / 45

HEX #188D5E

RGB 24 141 94

HSL 155.9, 0.71%, 0.32%

LAB 51.9, -42.37, 16.52

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 83 / 66 / 0 / 25

HEX #2040BF

RGB 32 64 191

HSL 227.92, 0.71%, 0.44%

LAB 33.43, 36.62, -69.25

 

CMYK 0 / 66 / 83 / 25

HEX #BF4020

RGB 191 64 32

HSL 12.08, 0.71%, 0.44%

LAB 45.42, 49.41, 45.57

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 33 / 83 / 0 / 25

HEX #8020BF

RGB 128 32 191

HSL 276.23, 0.71%, 0.44%

LAB 36.71, 64.23, -63.53

 

CMYK 0 / 33 / 83 / 25

HEX #BF8020

RGB 191 128 32

HSL 36.23, 0.71%, 0.44%

LAB 58.62, 16.76, 57.27

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 83 / 66 / 0 / 25

HEX #2040BF

RGB 32 64 191

HSL 227.92, 0.71%, 0.44%

LAB 33.43, 36.62, -69.25

 

CMYK 0 / 83 / 50 / 25

HEX #BF2060

RGB 191 32 96

HSL 335.85, 0.71%, 0.44%

LAB 42.69, 63.54, 4.53

 

CMYK 0 / 17 / 83 / 25

HEX #BF9F20

RGB 191 159 32

HSL 47.92, 0.71%, 0.44%

LAB 66.5, -0.17, 64.04

 

CMYK 83 / 0 / 33 / 25

HEX #20C080

RGB 32 192 128

HSL 156, 0.71%, 0.44%

LAB 69.16, -53.95, 21.44

 

CMYK 75 / 83 / 0 / 25

HEX #3020BF

RGB 48 32 191

HSL 246.04, 0.71%, 0.44%

LAB 27.91, 55.43, -78.34

 

CMYK 0 / 83 / 50 / 25

HEX #BF2060

RGB 191 32 96

HSL 335.85, 0.71%, 0.44%

LAB 42.69, 63.54, 4.53

 

CMYK 8 / 0 / 83 / 25

HEX #AFBF20

RGB 175 191 32

HSL 66.04, 0.71%, 0.44%

LAB 73.86, -23.64, 69.75

 

Description

Color code: HEX #20C080 | qconv.com Color code: HEX #20C080 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 192 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 192 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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