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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20BEC6 it is the complementary color #DF4139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20BEC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20BEC6 shade: #25BEC1, #36D0D4, #47E2E7, #58F4FA and #69FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20BEC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20BEC6 shade: #20BEC6, #0FACB3, #009AA0, #00888D and #00767A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20BEC6 shade: #20BDC5, #2091C5, #2064C5, #2038C5 and #3520C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20BEC6 shade: #20BDC5, #2091C5, #2064C5, #2038C5 and #2020C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20BEC6 shade matches the following richer shades: #20BDC5 and #0ECED8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20BEC6 shade: #20BDC5, #33ADB3, #459CA0, #588B8E and #6A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20BEC6 shade: #20C573, #20C59F, #20C0C5, #2094C5 and #2068C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20BEC6 shade: #15797E, #1A9BA2, #20BDC5, #31D5DE and #55DCE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20BEC6 shade: #20BEC6, #4720C5 and #C58920

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20BEC6 shade: #20BEC6, #C520C0 and #C0C520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20BEC6 shade: #20BEC6, #4720C5, #C52620 and #9FC520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20BEC6 shade: #20BEC6, #7820C5, #C52620 and #6DC520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 4 / 0 / 22

HEX #20BEC6

RGB 32 190 198

HSL 182.89, 0.72%, 0.45%

LAB 70.32, -34.7, -14.99

 

Complementary color

CMYK 0 / 71 / 74 / 13

HEX #DF4139

RGB 223 65 57

HSL 2.89, 0.72%, 0.55%

LAB 51.57, 60.39, 40.63

 

CMYK 81 / 2 / 0 / 24

HEX #25BEC1

RGB 37 190 193

HSL 181.15, 0.68%, 0.45%

LAB 70.23, -35.82, -12.39

 

CMYK 75 / 2 / 0 / 17

HEX #36D0D4

RGB 54 208 212

HSL 181.52, 0.65%, 0.52%

LAB 76.47, -36.93, -13.33

 

CMYK 69 / 2 / 0 / 9

HEX #47E2E7

RGB 71 226 231

HSL 181.88, 0.77%, 0.59%

LAB 82.65, -37.78, -14.17

 

CMYK 65 / 2 / 0 / 2

HEX #58F4FA

RGB 88 244 250

HSL 182.22, 0.94%, 0.66%

LAB 88.77, -38.43, -14.95

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 84 / 4 / 0 / 22

HEX #20BEC6

RGB 32 190 198

HSL 182.89, 0.72%, 0.45%

LAB 70.32, -34.7, -14.99

 

CMYK 92 / 4 / 0 / 30

HEX #0FACB3

RGB 15 172 179

HSL 182.56, 0.85%, 0.38%

LAB 64.05, -33.07, -13.96

 

CMYK 100 / 4 / 0 / 37

HEX #009AA0

RGB 0 154 160

HSL 182.25, 1%, 0.31%

LAB 57.7, -31.08, -12.82

 

CMYK 100 / 4 / 0 / 45

HEX #00888D

RGB 0 136 141

HSL 182.13, 1%, 0.28%

LAB 51.3, -28.5, -11.52

 

CMYK 100 / 3 / 0 / 52

HEX #00767A

RGB 0 118 122

HSL 181.97, 1%, 0.24%

LAB 44.75, -25.87, -10.19

 

CMYK 84 / 4 / 0 / 23

HEX #20BDC5

RGB 32 189 197

HSL 182.91, 0.72%, 0.45%

LAB 69.99, -34.53, -14.95

 

CMYK 84 / 26 / 0 / 23

HEX #2091C5

RGB 32 145 197

HSL 198.91, 0.72%, 0.45%

LAB 56.67, -11.94, -35.39

 

CMYK 84 / 49 / 0 / 23

HEX #2064C5

RGB 32 100 197

HSL 215.27, 0.72%, 0.45%

LAB 43.44, 15.38, -56.43

 

CMYK 84 / 72 / 0 / 23

HEX #2038C5

RGB 32 56 197

HSL 231.27, 0.72%, 0.45%

LAB 32.18, 43.76, -74.81

 

CMYK 73 / 84 / 0 / 23

HEX #3520C5

RGB 53 32 197

HSL 247.64, 0.72%, 0.45%

LAB 28.96, 57.49, -80.12

 

CMYK 84 / 4 / 0 / 23

HEX #20BDC5

RGB 32 189 197

HSL 182.91, 0.72%, 0.45%

LAB 69.99, -34.53, -14.95

 

CMYK 84 / 26 / 0 / 23

HEX #2091C5

RGB 32 145 197

HSL 198.91, 0.72%, 0.45%

LAB 56.67, -11.94, -35.39

 

CMYK 84 / 49 / 0 / 23

HEX #2064C5

RGB 32 100 197

HSL 215.27, 0.72%, 0.45%

LAB 43.44, 15.38, -56.43

 

CMYK 84 / 72 / 0 / 23

HEX #2038C5

RGB 32 56 197

HSL 231.27, 0.72%, 0.45%

LAB 32.18, 43.76, -74.81

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 84 / 4 / 0 / 23

HEX #20BDC5

RGB 32 189 197

HSL 182.91, 0.72%, 0.45%

LAB 69.99, -34.53, -14.95

 

CMYK 94 / 5 / 0 / 15

HEX #0ECED8

RGB 14 206 216

HSL 182.97, 0.88%, 0.45%

LAB 75.57, -37.53, -16.87

 

CMYK 84 / 4 / 0 / 23

HEX #20BDC5

RGB 32 189 197

HSL 182.91, 0.72%, 0.45%

LAB 69.99, -34.53, -14.95

 

CMYK 72 / 3 / 0 / 30

HEX #33ADB3

RGB 51 173 179

HSL 182.81, 0.56%, 0.45%

LAB 64.84, -30.47, -12.72

 

CMYK 57 / 2 / 0 / 37

HEX #459CA0

RGB 69 156 160

HSL 182.64, 0.4%, 0.45%

LAB 59.51, -24.7, -9.99

 

CMYK 38 / 2 / 0 / 44

HEX #588B8E

RGB 88 139 142

HSL 183.33, 0.23%, 0.45%

LAB 54.55, -16.21, -7.01

 

CMYK 14 / 1 / 0 / 52

HEX #6A7A7B

RGB 106 122 123

HSL 183.53, 0.07%, 0.45%

LAB 49.99, -5.65, -2.54

 

CMYK 84 / 0 / 42 / 23

HEX #20C573

RGB 32 197 115

HSL 150.18, 0.72%, 0.45%

LAB 70.51, -58.37, 30.08

 

CMYK 84 / 0 / 19 / 23

HEX #20C59F

RGB 32 197 159

HSL 166.18, 0.72%, 0.45%

LAB 71.38, -48.69, 7.85

 

CMYK 84 / 3 / 0 / 23

HEX #20C0C5

RGB 32 192 197

HSL 181.82, 0.72%, 0.45%

LAB 70.9, -35.94, -13.58

 

CMYK 84 / 25 / 0 / 23

HEX #2094C5

RGB 32 148 197

HSL 197.82, 0.72%, 0.45%

LAB 57.58, -13.61, -33.98

 

CMYK 84 / 47 / 0 / 23

HEX #2068C5

RGB 32 104 197

HSL 213.82, 0.72%, 0.45%

LAB 44.57, 12.8, -54.6

 

CMYK 83 / 4 / 0 / 51

HEX #15797E

RGB 21 121 126

HSL 182.86, 0.71%, 0.29%

LAB 46.1, -24.65, -10.52

 

CMYK 84 / 4 / 0 / 36

HEX #1A9BA2

RGB 26 155 162

HSL 183.09, 0.72%, 0.37%

LAB 58.29, -29.58, -13.05

 

CMYK 84 / 4 / 0 / 23

HEX #20BDC5

RGB 32 189 197

HSL 182.91, 0.72%, 0.45%

LAB 69.99, -34.53, -14.95

 

CMYK 78 / 4 / 0 / 13

HEX #31D5DE

RGB 49 213 222

HSL 183.12, 0.72%, 0.53%

LAB 78.18, -36.81, -16.13

 

CMYK 63 / 3 / 0 / 11

HEX #55DCE3

RGB 85 220 227

HSL 182.96, 0.72%, 0.61%

LAB 81.11, -34.12, -14.33

 

CMYK 84 / 4 / 0 / 22

HEX #20BEC6

RGB 32 190 198

HSL 182.89, 0.72%, 0.45%

LAB 70.32, -34.7, -14.99

 

CMYK 64 / 84 / 0 / 23

HEX #4720C5

RGB 71 32 197

HSL 254.18, 0.72%, 0.45%

LAB 30.41, 58.84, -77.67

 

CMYK 0 / 30 / 84 / 23

HEX #C58920

RGB 197 137 32

HSL 38.18, 0.72%, 0.45%

LAB 61.54, 14.46, 60.06

 

CMYK 84 / 4 / 0 / 22

HEX #20BEC6

RGB 32 190 198

HSL 182.89, 0.72%, 0.45%

LAB 70.32, -34.7, -14.99

 

CMYK 0 / 84 / 3 / 23

HEX #C520C0

RGB 197 32 192

HSL 301.82, 0.72%, 0.45%

LAB 47.89, 76.23, -45.52

 

CMYK 3 / 0 / 84 / 23

HEX #C0C520

RGB 192 197 32

HSL 61.82, 0.72%, 0.45%

LAB 76.83, -19.38, 72.78

 

CMYK 84 / 4 / 0 / 22

HEX #20BEC6

RGB 32 190 198

HSL 182.89, 0.72%, 0.45%

LAB 70.32, -34.7, -14.99

 

CMYK 64 / 84 / 0 / 23

HEX #4720C5

RGB 71 32 197

HSL 254.18, 0.72%, 0.45%

LAB 30.41, 58.84, -77.67

 

CMYK 0 / 81 / 84 / 23

HEX #C52620

RGB 197 38 32

HSL 2.18, 0.72%, 0.45%

LAB 43.3, 60.33, 44.06

 

CMYK 19 / 0 / 84 / 23

HEX #9FC520

RGB 159 197 32

HSL 73.82, 0.72%, 0.45%

LAB 74.45, -33.12, 69.81

 

CMYK 84 / 4 / 0 / 22

HEX #20BEC6

RGB 32 190 198

HSL 182.89, 0.72%, 0.45%

LAB 70.32, -34.7, -14.99

 

CMYK 39 / 84 / 0 / 23

HEX #7820C5

RGB 120 32 197

HSL 272, 0.72%, 0.45%

LAB 36.09, 64.39, -68.1

 

CMYK 0 / 81 / 84 / 23

HEX #C52620

RGB 197 38 32

HSL 2.18, 0.72%, 0.45%

LAB 43.3, 60.33, 44.06

 

CMYK 45 / 0 / 84 / 23

HEX #6DC520

RGB 109 197 32

HSL 92, 0.72%, 0.45%

LAB 71.75, -51.45, 66.41

 

Description

Color code: HEX #20BEC6 | qconv.com Color code: HEX #20BEC6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 190 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 190 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 4 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 4% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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