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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20BAA7 it is the complementary color #DF4558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20BAA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20BAA7 shade: #25BAA2, #36CCB5, #47DEC8, #58F0DB and #69FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20BAA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20BAA7 shade: #20BAA7, #0FA894, #009681, #00846E and #00725B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20BAA7 shade: #20BCA8, #20BC7E, #20BC54, #20BC2A and #3FBC20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20BAA7 shade: #20BCA8, #20A5BC, #207BBC, #2051BC and #2027BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20BAA7 shade matches the following richer shades: #20BCA8 and #0ECDB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20BAA7 shade: #20BCA8, #32AA9B, #43988E, #558680 and #677573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20BAA7 shade: #20BC54, #20BC7D, #20BCA7, #20A7BC and #207DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20BAA7 shade: #147569, #1A9889, #20BCA8, #2ADBC5 and #4DE1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20BAA7 shade: #20BAA7, #2A20BC and #BC6820

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20BAA7 shade: #20BAA7, #A720BC and #BCA720

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20BAA7 shade: #20BAA7, #2A20BC, #BC2035 and #B1BC20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20BAA7 shade: #20BAA7, #5920BC, #BC2035 and #82BC20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 10 / 27

HEX #20BAA7

RGB 32 186 167

HSL 172.6, 0.71%, 0.43%

LAB 68.18, -41.93, -1.16

 

Complementary color

CMYK 0 / 69 / 61 / 13

HEX #DF4558

RGB 223 69 88

HSL 352.6, 0.71%, 0.57%

LAB 52.56, 60.52, 23.92

 

CMYK 80 / 0 / 13 / 27

HEX #25BAA2

RGB 37 186 162

HSL 170.34, 0.67%, 0.44%

LAB 68.11, -42.85, 1.5

 

CMYK 74 / 0 / 11 / 20

HEX #36CCB5

RGB 54 204 181

HSL 170.8, 0.6%, 0.51%

LAB 74.39, -43.74, 0.32

 

CMYK 68 / 0 / 10 / 13

HEX #47DEC8

RGB 71 222 200

HSL 171.26, 0.7%, 0.57%

LAB 80.6, -44.38, -0.74

 

CMYK 63 / 0 / 9 / 6

HEX #58F0DB

RGB 88 240 219

HSL 171.71, 0.84%, 0.64%

LAB 86.76, -44.82, -1.72

 

CMYK 59 / 0 / 7 / 0

HEX #69FFEE

RGB 105 255 238

HSL 173.2, 1%, 0.71%

LAB 92, -43.81, -3.87

 

CMYK 83 / 0 / 10 / 27

HEX #20BAA7

RGB 32 186 167

HSL 172.6, 0.71%, 0.43%

LAB 68.18, -41.93, -1.16

 

CMYK 91 / 0 / 12 / 34

HEX #0FA894

RGB 15 168 148

HSL 172.16, 0.84%, 0.36%

LAB 61.86, -40.5, 0.15

 

CMYK 100 / 0 / 14 / 41

HEX #009681

RGB 0 150 129

HSL 171.6, 1%, 0.29%

LAB 55.48, -38.69, 1.59

HEX #009681

CMYK 100 / 0 / 17 / 48

HEX #00846E

RGB 0 132 110

HSL 170, 1%, 0.26%

LAB 49.04, -36.21, 3.25

HEX #00846E

CMYK 100 / 0 / 20 / 55

HEX #00725B

RGB 0 114 91

HSL 167.89, 1%, 0.22%

LAB 42.45, -33.66, 5.01

HEX #00725B

CMYK 83 / 0 / 11 / 26

HEX #20BCA8

RGB 32 188 168

HSL 172.31, 0.71%, 0.43%

LAB 68.82, -42.52, -0.76

 

CMYK 83 / 0 / 33 / 26

HEX #20BC7E

RGB 32 188 126

HSL 156.15, 0.71%, 0.43%

LAB 67.86, -52.87, 20.74

 

CMYK 83 / 0 / 55 / 26

HEX #20BC54

RGB 32 188 84

HSL 140, 0.71%, 0.43%

LAB 67.21, -60.39, 41.46

 

CMYK 83 / 0 / 78 / 26

HEX #20BC2A

RGB 32 188 42

HSL 123.85, 0.71%, 0.43%

LAB 66.86, -64.8, 58.32

 

CMYK 66 / 0 / 83 / 26

HEX #3FBC20

RGB 63 188 32

HSL 108.08, 0.71%, 0.43%

LAB 67.37, -60.52, 61.9

 

CMYK 83 / 0 / 11 / 26

HEX #20BCA8

RGB 32 188 168

HSL 172.31, 0.71%, 0.43%

LAB 68.82, -42.52, -0.76

 

CMYK 83 / 12 / 0 / 26

HEX #20A5BC

RGB 32 165 188

HSL 188.85, 0.71%, 0.43%

LAB 62.38, -25.69, -21.51

 

CMYK 83 / 35 / 0 / 26

HEX #207BBC

RGB 32 123 188

HSL 205, 0.71%, 0.43%

LAB 49.62, -2.5, -41.35

 

CMYK 83 / 57 / 0 / 26

HEX #2051BC

RGB 32 81 188

HSL 221.15, 0.71%, 0.43%

LAB 37.52, 24.35, -60.78

 

CMYK 83 / 79 / 0 / 26

HEX #2027BC

RGB 32 39 188

HSL 237.31, 0.71%, 0.43%

LAB 27.82, 50.28, -76.74

 

CMYK 83 / 0 / 11 / 26

HEX #20BCA8

RGB 32 188 168

HSL 172.31, 0.71%, 0.43%

LAB 68.82, -42.52, -0.76

 

CMYK 93 / 0 / 11 / 20

HEX #0ECDB6

RGB 14 205 182

HSL 172.77, 0.87%, 0.43%

LAB 74.28, -46.97, -0.43

 

CMYK 83 / 0 / 11 / 26

HEX #20BCA8

RGB 32 188 168

HSL 172.31, 0.71%, 0.43%

LAB 68.82, -42.52, -0.76

 

CMYK 71 / 0 / 9 / 33

HEX #32AA9B

RGB 50 170 155

HSL 172.5, 0.55%, 0.43%

LAB 63.17, -36.11, -1.8

 

CMYK 56 / 0 / 7 / 40

HEX #43988E

RGB 67 152 142

HSL 172.94, 0.39%, 0.43%

LAB 57.66, -28.12, -2.51

 

CMYK 37 / 0 / 4 / 47

HEX #558680

RGB 85 134 128

HSL 172.65, 0.22%, 0.43%

LAB 52.44, -17.97, -2.02

 

CMYK 12 / 0 / 2 / 54

HEX #677573

RGB 103 117 115

HSL 171.43, 0.06%, 0.43%

LAB 48.06, -5.64, -0.67

 

CMYK 83 / 0 / 55 / 26

HEX #20BC54

RGB 32 188 84

HSL 140, 0.71%, 0.43%

LAB 67.21, -60.39, 41.46

 

CMYK 83 / 0 / 34 / 26

HEX #20BC7D

RGB 32 188 125

HSL 155.77, 0.71%, 0.43%

LAB 67.84, -53.08, 21.25

 

CMYK 83 / 0 / 11 / 26

HEX #20BCA7

RGB 32 188 167

HSL 171.92, 0.71%, 0.43%

LAB 68.8, -42.8, -0.25

 

CMYK 83 / 11 / 0 / 26

HEX #20A7BC

RGB 32 167 188

HSL 188.08, 0.71%, 0.43%

LAB 62.99, -26.69, -20.57

 

CMYK 83 / 34 / 0 / 26

HEX #207DBC

RGB 32 125 188

HSL 204.23, 0.71%, 0.43%

LAB 50.22, -3.69, -40.4

 

CMYK 83 / 0 / 10 / 54

HEX #147569

RGB 20 117 105

HSL 172.58, 0.71%, 0.27%

LAB 44.08, -29.38, -0.99

 

CMYK 83 / 0 / 10 / 40

HEX #1A9889

RGB 26 152 137

HSL 172.86, 0.71%, 0.35%

LAB 56.57, -35.74, -1.37

 

CMYK 83 / 0 / 11 / 26

HEX #20BCA8

RGB 32 188 168

HSL 172.31, 0.71%, 0.43%

LAB 68.82, -42.52, -0.76

 

CMYK 81 / 0 / 10 / 14

HEX #2ADBC5

RGB 42 219 197

HSL 172.54, 0.71%, 0.51%

LAB 79.15, -47.14, -1.33

 

CMYK 66 / 0 / 8 / 12

HEX #4DE1CF

RGB 77 225 207

HSL 172.7, 0.71%, 0.59%

LAB 81.8, -43.01, -2.69

 

CMYK 83 / 0 / 10 / 27

HEX #20BAA7

RGB 32 186 167

HSL 172.6, 0.71%, 0.43%

LAB 68.18, -41.93, -1.16

 

CMYK 78 / 83 / 0 / 26

HEX #2A20BC

RGB 42 32 188

HSL 243.85, 0.71%, 0.43%

LAB 27.17, 54.18, -77.79

 

CMYK 0 / 45 / 83 / 26

HEX #BC6820

RGB 188 104 32

HSL 27.69, 0.71%, 0.43%

LAB 52.62, 28.61, 51.85

 

CMYK 83 / 0 / 10 / 27

HEX #20BAA7

RGB 32 186 167

HSL 172.6, 0.71%, 0.43%

LAB 68.18, -41.93, -1.16

 

CMYK 11 / 83 / 0 / 26

HEX #A720BC

RGB 167 32 188

HSL 291.92, 0.71%, 0.43%

LAB 42.58, 70.1, -51.97

 

CMYK 0 / 11 / 83 / 26

HEX #BCA720

RGB 188 167 32

HSL 51.92, 0.71%, 0.43%

LAB 68.34, -5.77, 65.48

 

CMYK 83 / 0 / 10 / 27

HEX #20BAA7

RGB 32 186 167

HSL 172.6, 0.71%, 0.43%

LAB 68.18, -41.93, -1.16

 

CMYK 78 / 83 / 0 / 26

HEX #2A20BC

RGB 42 32 188

HSL 243.85, 0.71%, 0.43%

LAB 27.17, 54.18, -77.79

 

CMYK 0 / 83 / 72 / 26

HEX #BC2035

RGB 188 32 53

HSL 351.92, 0.71%, 0.43%

LAB 41.19, 60.03, 29.31

 

CMYK 6 / 0 / 83 / 26

HEX #B1BC20

RGB 177 188 32

HSL 64.23, 0.71%, 0.43%

LAB 73.17, -21.32, 69.22

 

CMYK 83 / 0 / 10 / 27

HEX #20BAA7

RGB 32 186 167

HSL 172.6, 0.71%, 0.43%

LAB 68.18, -41.93, -1.16

 

CMYK 53 / 83 / 0 / 26

HEX #5920BC

RGB 89 32 188

HSL 261.92, 0.71%, 0.43%

LAB 31.32, 58.28, -70.8

 

CMYK 0 / 83 / 72 / 26

HEX #BC2035

RGB 188 32 53

HSL 351.92, 0.71%, 0.43%

LAB 41.19, 60.03, 29.31

 

CMYK 31 / 0 / 83 / 26

HEX #82BC20

RGB 130 188 32

HSL 82.31, 0.71%, 0.43%

LAB 70.05, -40.39, 65.3

 

Description

Color code: HEX #20BAA7 | qconv.com Color code: HEX #20BAA7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 186 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 186 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 10 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 10% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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