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Color name
HEX #20B96D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B96D it is the complementary color #DF4692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B96D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B96D shade: #25B968, #36CB7B, #47DD8E, #58EFA1 and #69FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B96D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B96D shade: #20B96D, #0FA75A, #009547, #008334 and #007121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B96D shade: #20BC6E, #20BC44, #25BC20, #4FBC20 and #79BC20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B96D shade: #20BC6E, #20BC98, #20B5BC, #208BBC and #2061BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B96D shade matches the following richer shades: #20BC6E and #0ECD6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B96D shade: #20BC6E, #32AA6E, #43986E, #55866E and #67756E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B96D shade: #25BC20, #20BC44, #20BC6E, #20BC97 and #20B6BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B96D shade: #147545, #1A9859, #20BC6E, #2ADB83 and #4DE197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B96D shade: #20B96D, #204FBC and #BC2F20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B96D shade: #20B96D, #6E20BC and #BC6E20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B96D shade: #20B96D, #204FBC, #BC206E and #BC8D20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B96D shade: #20B96D, #2020BC, #BC206E and #BCBC20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 41 / 27

HEX #20B96D

RGB 32 185 109

HSL 150.2, 0.71%, 0.43%

LAB 66.6, -55.2, 28.08

 

Complementary color

CMYK 0 / 69 / 35 / 13

HEX #DF4692

RGB 223 70 146

HSL 330.2, 0.71%, 0.57%

LAB 54.18, 65.23, -8.38

 

CMYK 80 / 0 / 44 / 27

HEX #25B968

RGB 37 185 104

HSL 147.16, 0.67%, 0.44%

LAB 66.59, -55.6, 30.68

 

CMYK 73 / 0 / 39 / 20

HEX #36CB7B

RGB 54 203 123

HSL 147.79, 0.59%, 0.5%

LAB 72.84, -56.5, 29.07

 

CMYK 68 / 0 / 36 / 13

HEX #47DD8E

RGB 71 221 142

HSL 148.4, 0.69%, 0.57%

LAB 79.04, -57.06, 27.59

 

CMYK 63 / 0 / 33 / 6

HEX #58EFA1

RGB 88 239 161

HSL 149.01, 0.83%, 0.64%

LAB 85.19, -57.38, 26.21

 

CMYK 59 / 0 / 29 / 0

HEX #69FFB4

RGB 105 255 180

HSL 150, 1%, 0.71%

LAB 90.7, -56.75, 24.13

 

CMYK 83 / 0 / 41 / 27

HEX #20B96D

RGB 32 185 109

HSL 150.2, 0.71%, 0.43%

LAB 66.6, -55.2, 28.08

 

CMYK 91 / 0 / 46 / 35

HEX #0FA75A

RGB 15 167 90

HSL 149.61, 0.84%, 0.36%

LAB 60.32, -53.68, 29.84

 

CMYK 100 / 0 / 52 / 42

HEX #009547

RGB 0 149 71

HSL 148.59, 1%, 0.29%

LAB 53.97, -51.58, 31.72

 

CMYK 100 / 0 / 60 / 49

HEX #008334

RGB 0 131 52

HSL 143.82, 1%, 0.26%

LAB 47.6, -48.49, 33.68

 

CMYK 100 / 0 / 71 / 56

HEX #007121

RGB 0 113 33

HSL 137.52, 1%, 0.22%

LAB 41.09, -45.02, 35.36

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 83 / 0 / 64 / 26

HEX #20BC44

RGB 32 188 68

HSL 133.85, 0.71%, 0.43%

LAB 67.04, -62.44, 48.6

 

CMYK 80 / 0 / 83 / 26

HEX #25BC20

RGB 37 188 32

HSL 118.08, 0.71%, 0.43%

LAB 66.87, -64.82, 61.26

 

CMYK 58 / 0 / 83 / 26

HEX #4FBC20

RGB 79 188 32

HSL 101.92, 0.71%, 0.43%

LAB 67.82, -56.81, 62.47

 

CMYK 36 / 0 / 83 / 26

HEX #79BC20

RGB 121 188 32

HSL 85.77, 0.71%, 0.43%

LAB 69.57, -43.71, 64.69

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 83 / 0 / 19 / 26

HEX #20BC98

RGB 32 188 152

HSL 166.15, 0.71%, 0.43%

LAB 68.42, -46.76, 7.42

 

CMYK 83 / 4 / 0 / 26

HEX #20B5BC

RGB 32 181 188

HSL 182.69, 0.71%, 0.43%

LAB 67.27, -33.52, -14.09

 

CMYK 83 / 26 / 0 / 26

HEX #208BBC

RGB 32 139 188

HSL 198.85, 0.71%, 0.43%

LAB 54.45, -11.81, -33.76

 

CMYK 83 / 48 / 0 / 26

HEX #2061BC

RGB 32 97 188

HSL 215, 0.71%, 0.43%

LAB 41.98, 13.81, -53.56

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 93 / 0 / 46 / 20

HEX #0ECD6E

RGB 14 205 110

HSL 150.16, 0.87%, 0.43%

LAB 72.81, -63.2, 35.58

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 71 / 0 / 35 / 33

HEX #32AA6E

RGB 50 170 110

HSL 150, 0.55%, 0.43%

LAB 62.13, -46.97, 21.64

 

CMYK 56 / 0 / 28 / 40

HEX #43986E

RGB 67 152 110

HSL 150.35, 0.39%, 0.43%

LAB 56.86, -35.92, 14.5

 

CMYK 37 / 0 / 18 / 47

HEX #55866E

RGB 85 134 110

HSL 150.61, 0.22%, 0.43%

LAB 51.96, -22.21, 7.73

 

CMYK 12 / 0 / 6 / 54

HEX #67756E

RGB 103 117 110

HSL 150, 0.06%, 0.43%

LAB 47.92, -6.71, 2.09

 

CMYK 80 / 0 / 83 / 26

HEX #25BC20

RGB 37 188 32

HSL 118.08, 0.71%, 0.43%

LAB 66.87, -64.82, 61.26

 

CMYK 83 / 0 / 64 / 26

HEX #20BC44

RGB 32 188 68

HSL 133.85, 0.71%, 0.43%

LAB 67.04, -62.44, 48.6

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 83 / 0 / 20 / 26

HEX #20BC97

RGB 32 188 151

HSL 165.77, 0.71%, 0.43%

LAB 68.39, -47.01, 7.93

 

CMYK 83 / 3 / 0 / 26

HEX #20B6BC

RGB 32 182 188

HSL 182.31, 0.71%, 0.43%

LAB 67.57, -33.99, -13.64

 

CMYK 83 / 0 / 41 / 54

HEX #147545

RGB 20 117 69

HSL 150.31, 0.71%, 0.27%

LAB 43.21, -38.66, 19.06

 

CMYK 83 / 0 / 41 / 40

HEX #1A9859

RGB 26 152 89

HSL 150, 0.71%, 0.35%

LAB 55.48, -47.5, 24.11

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 81 / 0 / 40 / 14

HEX #2ADB83

RGB 42 219 131

HSL 150.17, 0.71%, 0.51%

LAB 77.75, -62.23, 31.41

 

CMYK 66 / 0 / 33 / 12

HEX #4DE197

RGB 77 225 151

HSL 150, 0.71%, 0.59%

LAB 80.55, -55.84, 25

 

CMYK 83 / 0 / 41 / 27

HEX #20B96D

RGB 32 185 109

HSL 150.2, 0.71%, 0.43%

LAB 66.6, -55.2, 28.08

 

CMYK 83 / 58 / 0 / 26

HEX #204FBC

RGB 32 79 188

HSL 221.92, 0.71%, 0.43%

LAB 36.99, 25.67, -61.66

 

CMYK 0 / 75 / 83 / 26

HEX #BC2F20

RGB 188 47 32

HSL 5.77, 0.71%, 0.43%

LAB 42.5, 54.9, 42.67

 

CMYK 83 / 0 / 41 / 27

HEX #20B96D

RGB 32 185 109

HSL 150.2, 0.71%, 0.43%

LAB 66.6, -55.2, 28.08

 

CMYK 41 / 83 / 0 / 26

HEX #6E20BC

RGB 110 32 188

HSL 270, 0.71%, 0.43%

LAB 33.94, 60.96, -66.4

 

CMYK 0 / 41 / 83 / 26

HEX #BC6E20

RGB 188 110 32

HSL 30, 0.71%, 0.43%

LAB 53.97, 25.35, 53.05

 

CMYK 83 / 0 / 41 / 27

HEX #20B96D

RGB 32 185 109

HSL 150.2, 0.71%, 0.43%

LAB 66.6, -55.2, 28.08

 

CMYK 83 / 58 / 0 / 26

HEX #204FBC

RGB 32 79 188

HSL 221.92, 0.71%, 0.43%

LAB 36.99, 25.67, -61.66

 

CMYK 0 / 83 / 41 / 26

HEX #BC206E

RGB 188 32 110

HSL 330, 0.71%, 0.43%

LAB 42.54, 64.02, -4.53

 

CMYK 0 / 25 / 83 / 26

HEX #BC8D20

RGB 188 141 32

HSL 41.92, 0.71%, 0.43%

LAB 61.52, 8.26, 59.64

 

CMYK 83 / 0 / 41 / 27

HEX #20B96D

RGB 32 185 109

HSL 150.2, 0.71%, 0.43%

LAB 66.6, -55.2, 28.08

 

CMYK 83 / 83 / 0 / 26

HEX #2020BC

RGB 32 32 188

HSL 240, 0.71%, 0.43%

LAB 26.65, 53.68, -78.68

 

CMYK 0 / 83 / 41 / 26

HEX #BC206E

RGB 188 32 110

HSL 330, 0.71%, 0.43%

LAB 42.54, 64.02, -4.53

 

CMYK 0 / 0 / 83 / 26

HEX #BCBC20

RGB 188 188 32

HSL 60, 0.71%, 0.43%

LAB 74.04, -16.6, 70.31

 

Description

Color code: HEX #20B96D | qconv.com Color code: HEX #20B96D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 185 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 185 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 41 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 41% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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