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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B739 it is the complementary color #DF48C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B739 shade: #25B734, #36C947, #47DB5A, #58ED6D and #69FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B739 shade: #20B739, #0FA526, #009313, #008100 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B739 shade: #20B639, #30B620, #58B620, #81B620 and #A9B620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B739 shade: #20B639, #20B661, #20B68A, #20B6B2 and #2091B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B739 shade matches the following richer shades: #20B639 and #0FC72D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B739 shade: #20B639, #31A545, #439350, #54825C and #657167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B739 shade: #5AB620, #32B620, #20B637, #20B65F and #20B687

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B739 shade: #147023, #1A932E, #20B639, #27D944 and #4ADF62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B739 shade: #20B739, #2082B6 and #B62046

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B739 shade: #20B739, #3720B6 and #B63720

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B739 shade: #20B739, #2082B6, #B620A0 and #B65520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B739 shade: #20B739, #2055B6, #B620A0 and #B68220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 69 / 28

HEX #20B739

RGB 32 183 57

HSL 129.93, 0.7%, 0.42%

LAB 65.33, -62.03, 51.33

 

Complementary color

CMYK 0 / 68 / 11 / 13

HEX #DF48C6

RGB 223 72 198

HSL 309.93, 0.7%, 0.58%

LAB 56.49, 71.22, -35.14

 

CMYK 80 / 0 / 72 / 28

HEX #25B734

RGB 37 183 52

HSL 126.16, 0.66%, 0.43%

LAB 65.36, -61.9, 53.34

 

CMYK 73 / 0 / 65 / 21

HEX #36C947

RGB 54 201 71

HSL 126.94, 0.58%, 0.5%

LAB 71.56, -63.41, 52.43

 

CMYK 68 / 0 / 59 / 14

HEX #47DB5A

RGB 71 219 90

HSL 127.7, 0.67%, 0.57%

LAB 77.72, -64.39, 51.25

 

CMYK 63 / 0 / 54 / 7

HEX #58ED6D

RGB 88 237 109

HSL 128.46, 0.81%, 0.64%

LAB 83.83, -65.01, 49.96

 

CMYK 59 / 0 / 50 / 0

HEX #69FF80

RGB 105 255 128

HSL 129.2, 1%, 0.71%

LAB 89.9, -65.37, 48.63

 

CMYK 83 / 0 / 69 / 28

HEX #20B739

RGB 32 183 57

HSL 129.93, 0.7%, 0.42%

LAB 65.33, -62.03, 51.33

 

CMYK 91 / 0 / 77 / 35

HEX #0FA526

RGB 15 165 38

HSL 129.2, 0.83%, 0.35%

LAB 59.11, -59.7, 52

 

CMYK 100 / 0 / 87 / 42

HEX #009313

RGB 0 147 19

HSL 127.76, 1%, 0.29%

LAB 52.86, -56.49, 51.7

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 74 / 0 / 82 / 29

HEX #30B620

RGB 48 182 32

HSL 113.6, 0.7%, 0.42%

LAB 65.11, -61.39, 59.71

 

CMYK 52 / 0 / 82 / 29

HEX #58B620

RGB 88 182 32

HSL 97.6, 0.7%, 0.42%

LAB 66.24, -52.15, 61.15

 

CMYK 29 / 0 / 82 / 29

HEX #81B620

RGB 129 182 32

HSL 81.2, 0.7%, 0.42%

LAB 68.19, -38.13, 63.63

 

CMYK 7 / 0 / 82 / 29

HEX #A9B620

RGB 169 182 32

HSL 65.2, 0.7%, 0.42%

LAB 70.87, -21.77, 67.01

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 82 / 0 / 47 / 29

HEX #20B661

RGB 32 182 97

HSL 146, 0.7%, 0.42%

LAB 65.46, -56.3, 32.82

 

CMYK 82 / 0 / 24 / 29

HEX #20B68A

RGB 32 182 138

HSL 162.4, 0.7%, 0.42%

LAB 66.21, -47.78, 11.95

 

CMYK 82 / 0 / 2 / 29

HEX #20B6B2

RGB 32 182 178

HSL 178.4, 0.7%, 0.42%

LAB 67.26, -36.99, -8.58

 

CMYK 82 / 20 / 0 / 29

HEX #2091B6

RGB 32 145 182

HSL 194.8, 0.7%, 0.42%

LAB 56.02, -17.25, -27.9

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 92 / 0 / 77 / 22

HEX #0FC72D

RGB 15 199 45

HSL 129.78, 0.86%, 0.42%

LAB 70.27, -69.14, 60.63

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 70 / 0 / 58 / 35

HEX #31A545

RGB 49 165 69

HSL 130.34, 0.54%, 0.42%

LAB 59.88, -52.18, 40

 

CMYK 54 / 0 / 46 / 42

HEX #439350

RGB 67 147 80

HSL 129.75, 0.37%, 0.42%

LAB 54.7, -39.45, 28.16

 

CMYK 35 / 0 / 29 / 49

HEX #54825C

RGB 84 130 92

HSL 130.43, 0.21%, 0.42%

LAB 50.24, -24.2, 15.72

 

CMYK 11 / 0 / 9 / 56

HEX #657167

RGB 101 113 103

HSL 130, 0.06%, 0.42%

LAB 46.39, -6.62, 4.01

 

CMYK 51 / 0 / 82 / 29

HEX #5AB620

RGB 90 182 32

HSL 96.8, 0.7%, 0.42%

LAB 66.32, -51.56, 61.25

 

CMYK 73 / 0 / 82 / 29

HEX #32B620

RGB 50 182 32

HSL 112.8, 0.7%, 0.42%

LAB 65.15, -61.05, 59.76

 

CMYK 82 / 0 / 70 / 29

HEX #20B637

RGB 32 182 55

HSL 129.2, 0.7%, 0.42%

LAB 64.99, -61.91, 51.77

 

CMYK 82 / 0 / 48 / 29

HEX #20B65F

RGB 32 182 95

HSL 145.2, 0.7%, 0.42%

LAB 65.43, -56.64, 33.81

 

CMYK 82 / 0 / 26 / 29

HEX #20B687

RGB 32 182 135

HSL 161.2, 0.7%, 0.42%

LAB 66.15, -48.5, 13.5

 

CMYK 82 / 0 / 69 / 56

HEX #147023

RGB 20 112 35

HSL 129.78, 0.7%, 0.26%

LAB 40.99, -42.38, 34.41

 

CMYK 82 / 0 / 69 / 42

HEX #1A932E

RGB 26 147 46

HSL 129.92, 0.7%, 0.34%

LAB 53.26, -52.29, 42.91

 

CMYK 82 / 0 / 69 / 29

HEX #20B639

RGB 32 182 57

HSL 130, 0.7%, 0.42%

LAB 65.01, -61.71, 50.99

 

CMYK 82 / 0 / 69 / 15

HEX #27D944

RGB 39 217 68

HSL 129.78, 0.7%, 0.5%

LAB 76.36, -70.67, 58.77

 

CMYK 67 / 0 / 56 / 13

HEX #4ADF62

RGB 74 223 98

HSL 129.66, 0.7%, 0.58%

LAB 79.11, -64.23, 49.28

 

CMYK 83 / 0 / 69 / 28

HEX #20B739

RGB 32 183 57

HSL 129.93, 0.7%, 0.42%

LAB 65.33, -62.03, 51.33

 

CMYK 82 / 29 / 0 / 29

HEX #2082B6

RGB 32 130 182

HSL 200.8, 0.7%, 0.42%

LAB 51.44, -8.85, -35.04

 

CMYK 0 / 82 / 62 / 29

HEX #B62046

RGB 182 32 70

HSL 344.8, 0.7%, 0.42%

LAB 40.28, 59.27, 17.31

 

CMYK 83 / 0 / 69 / 28

HEX #20B739

RGB 32 183 57

HSL 129.93, 0.7%, 0.42%

LAB 65.33, -62.03, 51.33

 

CMYK 70 / 82 / 0 / 29

HEX #3720B6

RGB 55 32 182

HSL 249.2, 0.7%, 0.42%

LAB 27.36, 53.29, -73.89

 

CMYK 0 / 70 / 82 / 29

HEX #B63720

RGB 182 55 32

HSL 9.2, 0.7%, 0.42%

LAB 42.43, 50.01, 42.2

 

CMYK 83 / 0 / 69 / 28

HEX #20B739

RGB 32 183 57

HSL 129.93, 0.7%, 0.42%

LAB 65.33, -62.03, 51.33

 

CMYK 82 / 29 / 0 / 29

HEX #2082B6

RGB 32 130 182

HSL 200.8, 0.7%, 0.42%

LAB 51.44, -8.85, -35.04

 

CMYK 0 / 82 / 12 / 29

HEX #B620A0

RGB 182 32 160

HSL 308.8, 0.7%, 0.42%

LAB 43.53, 68.61, -33.69

 

CMYK 0 / 53 / 82 / 29

HEX #B65520

RGB 182 85 32

HSL 21.2, 0.7%, 0.42%

LAB 47.68, 36.18, 47.08

 

CMYK 83 / 0 / 69 / 28

HEX #20B739

RGB 32 183 57

HSL 129.93, 0.7%, 0.42%

LAB 65.33, -62.03, 51.33

 

CMYK 82 / 53 / 0 / 29

HEX #2055B6

RGB 32 85 182

HSL 218.8, 0.7%, 0.42%

LAB 38.17, 19.35, -56.22

 

CMYK 0 / 82 / 12 / 29

HEX #B620A0

RGB 182 32 160

HSL 308.8, 0.7%, 0.42%

LAB 43.53, 68.61, -33.69

 

CMYK 0 / 29 / 82 / 29

HEX #B68220

RGB 182 130 32

HSL 39.2, 0.7%, 0.42%

LAB 58.05, 11.65, 56.36

 

Description

Color code: HEX #20B739 | qconv.com Color code: HEX #20B739 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 183 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 183 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 69 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 69% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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