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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B47D it is the complementary color #DF4B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B47D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B47D shade: #25B478, #36C68B, #47D89E, #58EAB1 and #69FCC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B47D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B47D shade: #20B47D, #0FA26A, #009057, #007E44 and #006C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B47D shade: #20B67E, #20B656, #20B62D, #3BB620 and #64B620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B47D shade: #20B67E, #20B6A7, #209DB6, #2074B6 and #204CB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B47D shade matches the following richer shades: #20B67E and #0FC783

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B47D shade: #20B67E, #31A57A, #439375, #548271 and #65716D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B47D shade: #20B62D, #20B655, #20B67D, #20B6A5 and #20A0B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B47D shade: #14704E, #1A9366, #20B67E, #27D997 and #4ADFA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B47D shade: #20B47D, #203CB6 and #B64120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B47D shade: #20B47D, #7D20B6 and #B67D20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B47D shade: #20B47D, #203CB6, #B6205A and #B69B20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B47D shade: #20B47D, #3220B6, #B6205A and #A5B620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 31 / 29

HEX #20B47D

RGB 32 180 125

HSL 157.7, 0.7%, 0.42%

LAB 65.3, -50.01, 17.77

 

Complementary color

CMYK 0 / 66 / 42 / 13

HEX #DF4B82

RGB 223 75 130

HSL 337.7, 0.7%, 0.58%

LAB 54.38, 61.66, 1.4

 

CMYK 79 / 0 / 33 / 29

HEX #25B478

RGB 37 180 120

HSL 154.83, 0.66%, 0.43%

LAB 65.27, -50.58, 20.45

 

CMYK 73 / 0 / 30 / 22

HEX #36C68B

RGB 54 198 139

HSL 155.42, 0.57%, 0.49%

LAB 71.58, -51.37, 18.94

 

CMYK 67 / 0 / 27 / 15

HEX #47D89E

RGB 71 216 158

HSL 156, 0.65%, 0.56%

LAB 77.83, -51.85, 17.58

 

CMYK 62 / 0 / 24 / 8

HEX #58EAB1

RGB 88 234 177

HSL 156.58, 0.78%, 0.63%

LAB 84.02, -52.13, 16.32

 

CMYK 58 / 0 / 22 / 1

HEX #69FCC4

RGB 105 252 196

HSL 157.14, 0.96%, 0.7%

LAB 90.14, -52.27, 15.17

 

CMYK 82 / 0 / 31 / 29

HEX #20B47D

RGB 32 180 125

HSL 157.7, 0.7%, 0.42%

LAB 65.3, -50.01, 17.77

 

CMYK 91 / 0 / 35 / 36

HEX #0FA26A

RGB 15 162 106

HSL 157.14, 0.83%, 0.35%

LAB 58.96, -48.65, 19.44

 

CMYK 100 / 0 / 40 / 44

HEX #009057

RGB 0 144 87

HSL 156.25, 1%, 0.28%

LAB 52.55, -46.78, 21.29

 

CMYK 100 / 0 / 46 / 51

HEX #007E44

RGB 0 126 68

HSL 152.38, 1%, 0.25%

LAB 46.1, -44.02, 23.36

 

CMYK 100 / 0 / 55 / 58

HEX #006C31

RGB 0 108 49

HSL 147.22, 1%, 0.21%

LAB 39.49, -41.02, 25.48

 

CMYK 82 / 0 / 31 / 29

HEX #20B67E

RGB 32 182 126

HSL 157.6, 0.7%, 0.42%

LAB 65.96, -50.57, 18.13

 

CMYK 82 / 0 / 53 / 29

HEX #20B656

RGB 32 182 86

HSL 141.6, 0.7%, 0.42%

LAB 65.31, -58.09, 38.17

 

CMYK 82 / 0 / 75 / 29

HEX #20B62D

RGB 32 182 45

HSL 125.2, 0.7%, 0.42%

LAB 64.92, -62.76, 55.42

 

CMYK 68 / 0 / 82 / 29

HEX #3BB620

RGB 59 182 32

HSL 109.2, 0.7%, 0.42%

LAB 65.35, -59.36, 60.01

 

CMYK 45 / 0 / 82 / 29

HEX #64B620

RGB 100 182 32

HSL 92.8, 0.7%, 0.42%

LAB 66.73, -48.45, 61.77

 

CMYK 82 / 0 / 31 / 29

HEX #20B67E

RGB 32 182 126

HSL 157.6, 0.7%, 0.42%

LAB 65.96, -50.57, 18.13

 

CMYK 82 / 0 / 8 / 29

HEX #20B6A7

RGB 32 182 167

HSL 174, 0.7%, 0.42%

LAB 66.94, -40.17, -2.97

 

CMYK 82 / 14 / 0 / 29

HEX #209DB6

RGB 32 157 182

HSL 190, 0.7%, 0.42%

LAB 59.71, -23.59, -22.22

 

CMYK 82 / 36 / 0 / 29

HEX #2074B6

RGB 32 116 182

HSL 206.4, 0.7%, 0.42%

LAB 47.2, -0.53, -41.72

 

CMYK 82 / 58 / 0 / 29

HEX #204CB6

RGB 32 76 182

HSL 222.4, 0.7%, 0.42%

LAB 35.7, 25.34, -60.22

 

CMYK 82 / 0 / 31 / 29

HEX #20B67E

RGB 32 182 126

HSL 157.6, 0.7%, 0.42%

LAB 65.96, -50.57, 18.13

 

CMYK 92 / 0 / 34 / 22

HEX #0FC783

RGB 15 199 131

HSL 157.83, 0.86%, 0.42%

LAB 71.27, -57.03, 22.7

 

CMYK 82 / 0 / 31 / 29

HEX #20B67E

RGB 32 182 126

HSL 157.6, 0.7%, 0.42%

LAB 65.96, -50.57, 18.13

 

CMYK 70 / 0 / 26 / 35

HEX #31A57A

RGB 49 165 122

HSL 157.76, 0.54%, 0.42%

LAB 60.75, -42.46, 13.15

 

CMYK 54 / 0 / 20 / 42

HEX #439375

RGB 67 147 117

HSL 157.5, 0.37%, 0.42%

LAB 55.43, -32.03, 8.53

 

CMYK 35 / 0 / 13 / 49

HEX #548271

RGB 84 130 113

HSL 157.83, 0.21%, 0.42%

LAB 50.74, -19.76, 4.23

 

CMYK 11 / 0 / 4 / 56

HEX #65716D

RGB 101 113 109

HSL 160, 0.06%, 0.42%

LAB 46.55, -5.37, 0.68

 

CMYK 82 / 0 / 75 / 29

HEX #20B62D

RGB 32 182 45

HSL 125.2, 0.7%, 0.42%

LAB 64.92, -62.76, 55.42

 

CMYK 82 / 0 / 53 / 29

HEX #20B655

RGB 32 182 85

HSL 141.2, 0.7%, 0.42%

LAB 65.29, -58.24, 38.65

 

CMYK 82 / 0 / 31 / 29

HEX #20B67D

RGB 32 182 125

HSL 157.2, 0.7%, 0.42%

LAB 65.94, -50.79, 18.65

 

CMYK 82 / 0 / 9 / 29

HEX #20B6A5

RGB 32 182 165

HSL 173.2, 0.7%, 0.42%

LAB 66.88, -40.73, -1.95

 

CMYK 82 / 12 / 0 / 29

HEX #20A0B6

RGB 32 160 182

HSL 188.8, 0.7%, 0.42%

LAB 60.63, -25.12, -20.81

 

CMYK 82 / 0 / 30 / 56

HEX #14704E

RGB 20 112 78

HSL 157.83, 0.7%, 0.26%

LAB 41.67, -34.52, 11.71

 

CMYK 82 / 0 / 31 / 42

HEX #1A9366

RGB 26 147 102

HSL 157.69, 0.7%, 0.34%

LAB 54.08, -42.74, 15

 

CMYK 82 / 0 / 31 / 29

HEX #20B67E

RGB 32 182 126

HSL 157.6, 0.7%, 0.42%

LAB 65.96, -50.57, 18.13

 

CMYK 82 / 0 / 30 / 15

HEX #27D997

RGB 39 217 151

HSL 157.75, 0.7%, 0.5%

LAB 77.45, -57.78, 20.66

 

CMYK 67 / 0 / 25 / 13

HEX #4ADFA8

RGB 74 223 168

HSL 157.85, 0.7%, 0.58%

LAB 80.21, -52.01, 15.65

 

CMYK 82 / 0 / 31 / 29

HEX #20B47D

RGB 32 180 125

HSL 157.7, 0.7%, 0.42%

LAB 65.3, -50.01, 17.77

 

CMYK 82 / 67 / 0 / 29

HEX #203CB6

RGB 32 60 182

HSL 228.8, 0.7%, 0.42%

LAB 31.62, 35.85, -66.91

 

CMYK 0 / 64 / 82 / 29

HEX #B64120

RGB 182 65 32

HSL 13.2, 0.7%, 0.42%

LAB 43.99, 45.81, 43.66

 

CMYK 82 / 0 / 31 / 29

HEX #20B47D

RGB 32 180 125

HSL 157.7, 0.7%, 0.42%

LAB 65.3, -50.01, 17.77

 

CMYK 31 / 82 / 0 / 29

HEX #7D20B6

RGB 125 32 182

HSL 277.2, 0.7%, 0.42%

LAB 35.54, 61.85, -60.15

 

CMYK 0 / 31 / 82 / 29

HEX #B67D20

RGB 182 125 32

HSL 37.2, 0.7%, 0.42%

LAB 56.8, 14.43, 55.26

 

CMYK 82 / 0 / 31 / 29

HEX #20B47D

RGB 32 180 125

HSL 157.7, 0.7%, 0.42%

LAB 65.3, -50.01, 17.77

 

CMYK 82 / 67 / 0 / 29

HEX #203CB6

RGB 32 60 182

HSL 228.8, 0.7%, 0.42%

LAB 31.62, 35.85, -66.91

 

CMYK 0 / 82 / 51 / 29

HEX #B6205A

RGB 182 32 90

HSL 336.8, 0.7%, 0.42%

LAB 40.76, 60.71, 5.3

 

CMYK 0 / 15 / 82 / 29

HEX #B69B20

RGB 182 155 32

HSL 49.2, 0.7%, 0.42%

LAB 64.56, -2.05, 62.02

 

CMYK 82 / 0 / 31 / 29

HEX #20B47D

RGB 32 180 125

HSL 157.7, 0.7%, 0.42%

LAB 65.3, -50.01, 17.77

 

CMYK 73 / 82 / 0 / 29

HEX #3220B6

RGB 50 32 182

HSL 247.2, 0.7%, 0.42%

LAB 26.99, 52.91, -74.53

 

CMYK 0 / 82 / 51 / 29

HEX #B6205A

RGB 182 32 90

HSL 336.8, 0.7%, 0.42%

LAB 40.76, 60.71, 5.3

 

CMYK 9 / 0 / 82 / 29

HEX #A5B620

RGB 165 182 32

HSL 66.8, 0.7%, 0.42%

LAB 70.57, -23.47, 66.63

 

Description

Color code: HEX #20B47D | qconv.com Color code: HEX #20B47D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 180 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 180 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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