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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20ADE4 it is the complementary color #DF521B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20ADE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20ADE4 shade: #25ADDF, #36BFF2, #47D1FF, #58E3FF and #69F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20ADE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20ADE4 shade: #20ADE4, #0F9BD1, #0089BE, #0077AB and #006598

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20ADE4 shade: #21ADE4, #2178E4, #2144E4, #3221E4 and #6721E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20ADE4 shade: #21ADE4, #2178E4, #2144E4 and #2121E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20ADE4 shade matches the following richer shades: #21ADE4 and #0CB6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20ADE4 shade: #21ADE4, #35A4CF, #499BBB, #5D92A7 and #718993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20ADE4 shade: #21E4B0, #21E4E4, #21B0E4, #217CE4 and #2148E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20ADE4 shade: #14779E, #1893C3, #21ADE4, #45BAE8 and #6AC8ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20ADE4 shade: #20ADE4, #7C21E4 and #E4CA21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20ADE4 shade: #20ADE4, #E421B0 and #B0E421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20ADE4 shade: #20ADE4, #7C21E4, #E45521 and #89E421

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20ADE4 shade: #20ADE4, #B621E4, #E45521 and #4EE421

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 24 / 0 / 11

HEX #20ADE4

RGB 32 173 228

HSL 196.84, 0.78%, 0.51%

LAB 66.36, -16.32, -37.52

 

Complementary color

CMYK 0 / 63 / 88 / 13

HEX #DF521B

RGB 223 82 27

HSL 16.84, 0.78%, 0.49%

LAB 53.82, 52.77, 56.95

 

CMYK 83 / 22 / 0 / 13

HEX #25ADDF

RGB 37 173 223

HSL 196.13, 0.74%, 0.51%

LAB 66.22, -17.69, -34.99

 

CMYK 78 / 21 / 0 / 5

HEX #36BFF2

RGB 54 191 242

HSL 196.28, 0.88%, 0.58%

LAB 72.53, -19.24, -35.53

 

CMYK 72 / 18 / 0 / 0

HEX #47D1FF

RGB 71 209 255

HSL 195, 1%, 0.64%

LAB 78.56, -22.4, -33.16

 

CMYK 65 / 11 / 0 / 0

HEX #58E3FF

RGB 88 227 255

HSL 190.06, 1%, 0.67%

LAB 84.09, -29.01, -24.65

 

CMYK 59 / 4 / 0 / 0

HEX #69F5FF

RGB 105 245 255

HSL 184, 1%, 0.71%

LAB 89.64, -34.86, -16.21

 

CMYK 86 / 24 / 0 / 11

HEX #20ADE4

RGB 32 173 228

HSL 196.84, 0.78%, 0.51%

LAB 66.36, -16.32, -37.52

 

CMYK 93 / 26 / 0 / 18

HEX #0F9BD1

RGB 15 155 209

HSL 196.7, 0.87%, 0.44%

LAB 60.02, -14.19, -36.91

 

CMYK 100 / 28 / 0 / 25

HEX #0089BE

RGB 0 137 190

HSL 196.74, 1%, 0.37%

LAB 53.61, -11.64, -36.24

 

CMYK 100 / 30 / 0 / 33

HEX #0077AB

RGB 0 119 171

HSL 198.25, 1%, 0.34%

LAB 47.15, -8.47, -35.44

 

CMYK 100 / 34 / 0 / 40

HEX #006598

RGB 0 101 152

HSL 200.13, 1%, 0.3%

LAB 40.53, -5.13, -34.66

 

CMYK 86 / 24 / 0 / 11

HEX #21ADE4

RGB 33 173 228

HSL 196.92, 0.78%, 0.51%

LAB 66.38, -16.25, -37.5

 

CMYK 86 / 47 / 0 / 11

HEX #2178E4

RGB 33 120 228

HSL 213.23, 0.78%, 0.51%

LAB 51.1, 14.69, -61.72

 

CMYK 86 / 70 / 0 / 11

HEX #2144E4

RGB 33 68 228

HSL 229.23, 0.78%, 0.51%

LAB 37.95, 47.5, -83.19

 

CMYK 78 / 86 / 0 / 11

HEX #3221E4

RGB 50 33 228

HSL 245.23, 0.78%, 0.51%

LAB 32.63, 65.68, -91.99

 

CMYK 55 / 86 / 0 / 11

HEX #6721E4

RGB 103 33 228

HSL 261.54, 0.78%, 0.51%

LAB 37.06, 69.37, -84.5

 

CMYK 86 / 24 / 0 / 11

HEX #21ADE4

RGB 33 173 228

HSL 196.92, 0.78%, 0.51%

LAB 66.38, -16.25, -37.5

 

CMYK 86 / 47 / 0 / 11

HEX #2178E4

RGB 33 120 228

HSL 213.23, 0.78%, 0.51%

LAB 51.1, 14.69, -61.72

 

CMYK 86 / 70 / 0 / 11

HEX #2144E4

RGB 33 68 228

HSL 229.23, 0.78%, 0.51%

LAB 37.95, 47.5, -83.19

 

CMYK 86 / 86 / 0 / 11

HEX #2121E4

RGB 33 33 228

HSL 240, 0.78%, 0.51%

LAB 31.84, 65.06, -93.33

 

CMYK 86 / 24 / 0 / 11

HEX #21ADE4

RGB 33 173 228

HSL 196.92, 0.78%, 0.51%

LAB 66.38, -16.25, -37.5

 

CMYK 95 / 27 / 0 / 3

HEX #0CB6F8

RGB 12 182 248

HSL 196.78, 0.94%, 0.51%

LAB 69.69, -15.04, -43.24

 

CMYK 86 / 24 / 0 / 11

HEX #21ADE4

RGB 33 173 228

HSL 196.92, 0.78%, 0.51%

LAB 66.38, -16.25, -37.5

 

CMYK 74 / 21 / 0 / 19

HEX #35A4CF

RGB 53 164 207

HSL 196.75, 0.62%, 0.51%

LAB 63.19, -16.73, -30.83

 

CMYK 61 / 17 / 0 / 27

HEX #499BBB

RGB 73 155 187

HSL 196.84, 0.46%, 0.51%

LAB 60.29, -15.29, -24.06

 

CMYK 44 / 13 / 0 / 35

HEX #5D92A7

RGB 93 146 167

HSL 197.03, 0.3%, 0.51%

LAB 57.73, -11.88, -16.56

 

CMYK 23 / 7 / 0 / 42

HEX #718993

RGB 113 137 147

HSL 197.65, 0.14%, 0.51%

LAB 55.59, -6.21, -8.18

 

CMYK 86 / 0 / 23 / 11

HEX #21E4B0

RGB 33 228 176

HSL 164, 0.78%, 0.51%

LAB 81.26, -56.77, 12.83

 

CMYK 86 / 0 / 0 / 11

HEX #21E4E4

RGB 33 228 228

HSL 180, 0.78%, 0.51%

LAB 82.6, -43.03, -12.71

 

CMYK 86 / 23 / 0 / 11

HEX #21B0E4

RGB 33 176 228

HSL 196, 0.78%, 0.51%

LAB 67.26, -17.85, -36.13

 

CMYK 86 / 46 / 0 / 11

HEX #217CE4

RGB 33 124 228

HSL 212, 0.78%, 0.51%

LAB 52.22, 12.19, -59.93

 

CMYK 86 / 68 / 0 / 11

HEX #2148E4

RGB 33 72 228

HSL 228, 0.78%, 0.51%

LAB 38.83, 45.1, -81.74

 

CMYK 87 / 25 / 0 / 38

HEX #14779E

RGB 20 119 158

HSL 196.96, 0.78%, 0.35%

LAB 46.73, -12.38, -28.48

 

CMYK 88 / 25 / 0 / 24

HEX #1893C3

RGB 24 147 195

HSL 196.84, 0.78%, 0.43%

LAB 57.08, -14.35, -33.64

 

CMYK 86 / 24 / 0 / 11

HEX #21ADE4

RGB 33 173 228

HSL 196.92, 0.78%, 0.51%

LAB 66.38, -16.25, -37.5

 

CMYK 70 / 20 / 0 / 9

HEX #45BAE8

RGB 69 186 232

HSL 196.93, 0.78%, 0.59%

LAB 71.01, -18.13, -32.43

 

CMYK 55 / 16 / 0 / 7

HEX #6AC8ED

RGB 106 200 237

HSL 196.95, 0.78%, 0.67%

LAB 76.37, -17.65, -26.8

 

CMYK 86 / 24 / 0 / 11

HEX #20ADE4

RGB 32 173 228

HSL 196.84, 0.78%, 0.51%

LAB 66.36, -16.32, -37.52

 

CMYK 46 / 86 / 0 / 11

HEX #7C21E4

RGB 124 33 228

HSL 268, 0.78%, 0.51%

LAB 39.54, 71.56, -80.33

 

CMYK 0 / 11 / 86 / 11

HEX #E4CA21

RGB 228 202 33

HSL 52, 0.78%, 0.51%

LAB 81.21, -6.44, 77.41

 

CMYK 86 / 24 / 0 / 11

HEX #20ADE4

RGB 32 173 228

HSL 196.84, 0.78%, 0.51%

LAB 66.36, -16.32, -37.52

 

CMYK 0 / 86 / 23 / 11

HEX #E421B0

RGB 228 33 176

HSL 316, 0.78%, 0.51%

LAB 52.64, 80.01, -28.33

 

CMYK 23 / 0 / 86 / 11

HEX #B0E421

RGB 176 228 33

HSL 76, 0.78%, 0.51%

LAB 84.39, -40.39, 78.47

 

CMYK 86 / 24 / 0 / 11

HEX #20ADE4

RGB 32 173 228

HSL 196.84, 0.78%, 0.51%

LAB 66.36, -16.32, -37.52

 

CMYK 46 / 86 / 0 / 11

HEX #7C21E4

RGB 124 33 228

HSL 268, 0.78%, 0.51%

LAB 39.54, 71.56, -80.33

 

CMYK 0 / 63 / 86 / 11

HEX #E45521

RGB 228 85 33

HSL 16, 0.78%, 0.51%

LAB 55.18, 53.35, 56.09

 

CMYK 40 / 0 / 86 / 11

HEX #89E421

RGB 137 228 33

HSL 88, 0.78%, 0.51%

LAB 82.33, -54.43, 75.9

 

CMYK 86 / 24 / 0 / 11

HEX #20ADE4

RGB 32 173 228

HSL 196.84, 0.78%, 0.51%

LAB 66.36, -16.32, -37.52

 

CMYK 20 / 86 / 0 / 11

HEX #B621E4

RGB 182 33 228

HSL 285.85, 0.78%, 0.51%

LAB 47.8, 79.39, -66.5

 

CMYK 0 / 63 / 86 / 11

HEX #E45521

RGB 228 85 33

HSL 16, 0.78%, 0.51%

LAB 55.18, 53.35, 56.09

 

CMYK 66 / 0 / 86 / 11

HEX #4EE421

RGB 78 228 33

HSL 106.15, 0.78%, 0.51%

LAB 80.3, -70.33, 73.34

 

Description

Color code: HEX #20ADE4 | qconv.com Color code: HEX #20ADE4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 173 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 173 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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