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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20AA93 it is the complementary color #DF556C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20AA93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20AA93 shade: #25AA8E, #36BCA1, #47CEB4, #58E0C7 and #69F2DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20AA93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20AA93 shade: #20AA93, #0F9880, #00866D, #00745A and #006247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20AA93 shade: #21AB94, #21AB6F, #21AB49, #21AB24 and #43AB21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20AA93 shade: #21AB94, #219DAB, #2178AB, #2152AB and #212DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20AA93 shade matches the following richer shades: #21AB94 and #10BC9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20AA93 shade: #21AB94, #319B89, #428A7E, #527A73 and #636968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20AA93 shade: #21AB4A, #21AB6F, #21AB94, #219DAB and #2178AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20AA93 shade: #136658, #1A8976, #21AB94, #27CEB2 and #43DBC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20AA93 shade: #20AA93, #2521AB and #AB5D21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20AA93 shade: #20AA93, #9421AB and #AB9421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20AA93 shade: #20AA93, #2521AB, #AB2138 and #A7AB21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20AA93 shade: #20AA93, #4F21AB, #AB2138 and #7DAB21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 14 / 33

HEX #20AA93

RGB 32 170 147

HSL 170, 0.68%, 0.4%

LAB 62.65, -40.42, 1.86

 

Complementary color

CMYK 0 / 62 / 52 / 13

HEX #DF556C

RGB 223 85 108

HSL 350, 0.68%, 0.6%

LAB 55.35, 55.52, 15.83

 

CMYK 78 / 0 / 16 / 33

HEX #25AA8E

RGB 37 170 142

HSL 167.37, 0.64%, 0.41%

LAB 62.59, -41.25, 4.58

 

CMYK 71 / 0 / 14 / 26

HEX #36BCA1

RGB 54 188 161

HSL 167.91, 0.55%, 0.47%

LAB 68.99, -42, 3.36

 

CMYK 66 / 0 / 13 / 19

HEX #47CEB4

RGB 71 206 180

HSL 168.44, 0.58%, 0.54%

LAB 75.31, -42.49, 2.26

 

CMYK 61 / 0 / 11 / 12

HEX #58E0C7

RGB 88 224 199

HSL 168.97, 0.69%, 0.61%

LAB 81.57, -42.81, 1.25

 

CMYK 57 / 0 / 10 / 5

HEX #69F2DA

RGB 105 242 218

HSL 169.49, 0.84%, 0.68%

LAB 87.76, -42.99, 0.33

 

CMYK 81 / 0 / 14 / 33

HEX #20AA93

RGB 32 170 147

HSL 170, 0.68%, 0.4%

LAB 62.65, -40.42, 1.86

 

CMYK 90 / 0 / 16 / 40

HEX #0F9880

RGB 15 152 128

HSL 169.49, 0.82%, 0.33%

LAB 56.2, -39.11, 3.23

 

CMYK 100 / 0 / 19 / 47

HEX #00866D

RGB 0 134 109

HSL 168.81, 1%, 0.26%

LAB 49.68, -37.36, 4.76

 

CMYK 100 / 0 / 22 / 55

HEX #00745A

RGB 0 116 90

HSL 166.55, 1%, 0.23%

LAB 43.11, -34.82, 6.55

 

CMYK 100 / 0 / 28 / 62

HEX #006247

RGB 0 98 71

HSL 163.47, 1%, 0.19%

LAB 36.35, -32.18, 8.47

 

CMYK 81 / 0 / 13 / 33

HEX #21AB94

RGB 33 171 148

HSL 170, 0.68%, 0.4%

LAB 63, -40.49, 1.82

 

CMYK 81 / 0 / 35 / 33

HEX #21AB6F

RGB 33 171 111

HSL 153.91, 0.68%, 0.4%

LAB 62.17, -49.47, 21.09

 

CMYK 81 / 0 / 57 / 33

HEX #21AB49

RGB 33 171 73

HSL 137.39, 0.68%, 0.4%

LAB 61.59, -56.14, 40.03

 

CMYK 81 / 0 / 79 / 33

HEX #21AB24

RGB 33 171 36

HSL 121.3, 0.68%, 0.4%

LAB 61.29, -59.91, 54.85

 

CMYK 61 / 0 / 81 / 33

HEX #43AB21

RGB 67 171 33

HSL 105.22, 0.68%, 0.4%

LAB 62.02, -53.75, 56.73

 

CMYK 81 / 0 / 13 / 33

HEX #21AB94

RGB 33 171 148

HSL 170, 0.68%, 0.4%

LAB 63, -40.49, 1.82

 

CMYK 81 / 8 / 0 / 33

HEX #219DAB

RGB 33 157 171

HSL 186.09, 0.68%, 0.4%

LAB 59.32, -27.1, -16.59

 

CMYK 81 / 30 / 0 / 33

HEX #2178AB

RGB 33 120 171

HSL 202.17, 0.68%, 0.4%

LAB 47.88, -6.97, -34.27

 

CMYK 81 / 52 / 0 / 33

HEX #2152AB

RGB 33 82 171

HSL 218.7, 0.68%, 0.4%

LAB 36.55, 17.11, -52.33

 

CMYK 81 / 74 / 0 / 33

HEX #212DAB

RGB 33 45 171

HSL 234.78, 0.68%, 0.4%

LAB 27.13, 41.28, -67.73

 

CMYK 81 / 0 / 13 / 33

HEX #21AB94

RGB 33 171 148

HSL 170, 0.68%, 0.4%

LAB 63, -40.49, 1.82

 

CMYK 91 / 0 / 15 / 26

HEX #10BC9F

RGB 16 188 159

HSL 169.88, 0.84%, 0.4%

LAB 68.45, -45.98, 3.61

 

CMYK 81 / 0 / 13 / 33

HEX #21AB94

RGB 33 171 148

HSL 170, 0.68%, 0.4%

LAB 63, -40.49, 1.82

 

CMYK 68 / 0 / 12 / 39

HEX #319B89

RGB 49 155 137

HSL 169.81, 0.52%, 0.4%

LAB 57.94, -34.26, 0.69

 

CMYK 52 / 0 / 9 / 46

HEX #428A7E

RGB 66 138 126

HSL 170, 0.35%, 0.4%

LAB 52.78, -25.64, -0.47

 

CMYK 33 / 0 / 6 / 52

HEX #527A73

RGB 82 122 115

HSL 169.5, 0.2%, 0.4%

LAB 48.2, -15.62, -0.64

 

CMYK 6 / 0 / 1 / 59

HEX #636968

RGB 99 105 104

HSL 170, 0.03%, 0.4%

LAB 43.88, -2.51, -0.24

 

CMYK 81 / 0 / 57 / 33

HEX #21AB4A

RGB 33 171 74

HSL 137.83, 0.68%, 0.4%

LAB 61.61, -56, 39.56

 

CMYK 81 / 0 / 35 / 33

HEX #21AB6F

RGB 33 171 111

HSL 153.91, 0.68%, 0.4%

LAB 62.17, -49.47, 21.09

 

CMYK 81 / 0 / 13 / 33

HEX #21AB94

RGB 33 171 148

HSL 170, 0.68%, 0.4%

LAB 63, -40.49, 1.82

 

CMYK 81 / 8 / 0 / 33

HEX #219DAB

RGB 33 157 171

HSL 186.09, 0.68%, 0.4%

LAB 59.32, -27.1, -16.59

 

CMYK 81 / 30 / 0 / 33

HEX #2178AB

RGB 33 120 171

HSL 202.17, 0.68%, 0.4%

LAB 47.88, -6.97, -34.27

 

CMYK 81 / 0 / 14 / 60

HEX #136658

RGB 19 102 88

HSL 169.88, 0.69%, 0.24%

LAB 38.46, -27.35, 1.1

 

CMYK 81 / 0 / 14 / 46

HEX #1A8976

RGB 26 137 118

HSL 169.73, 0.68%, 0.32%

LAB 51.17, -34.32, 1.71

 

CMYK 81 / 0 / 13 / 33

HEX #21AB94

RGB 33 171 148

HSL 170, 0.68%, 0.4%

LAB 63, -40.49, 1.82

 

CMYK 81 / 0 / 14 / 19

HEX #27CEB2

RGB 39 206 178

HSL 169.94, 0.68%, 0.48%

LAB 74.69, -46.94, 2.36

 

CMYK 69 / 0 / 11 / 14

HEX #43DBC2

RGB 67 219 194

HSL 170.13, 0.68%, 0.56%

LAB 79.47, -45.18, 0.79

 

CMYK 81 / 0 / 14 / 33

HEX #20AA93

RGB 32 170 147

HSL 170, 0.68%, 0.4%

LAB 62.65, -40.42, 1.86

 

CMYK 78 / 81 / 0 / 33

HEX #2521AB

RGB 37 33 171

HSL 241.74, 0.68%, 0.4%

LAB 25.02, 48.17, -71.22

 

CMYK 0 / 46 / 81 / 33

HEX #AB5D21

RGB 171 93 33

HSL 26.09, 0.68%, 0.4%

LAB 47.75, 27.42, 46.1

 

CMYK 81 / 0 / 14 / 33

HEX #20AA93

RGB 32 170 147

HSL 170, 0.68%, 0.4%

LAB 62.65, -40.42, 1.86

 

CMYK 13 / 81 / 0 / 33

HEX #9421AB

RGB 148 33 171

HSL 290, 0.68%, 0.4%

LAB 38.42, 63.37, -48.77

 

CMYK 0 / 13 / 81 / 33

HEX #AB9421

RGB 171 148 33

HSL 50, 0.68%, 0.4%

LAB 61.61, -3.18, 58.72

 

CMYK 81 / 0 / 14 / 33

HEX #20AA93

RGB 32 170 147

HSL 170, 0.68%, 0.4%

LAB 62.65, -40.42, 1.86

 

CMYK 78 / 81 / 0 / 33

HEX #2521AB

RGB 37 33 171

HSL 241.74, 0.68%, 0.4%

LAB 25.02, 48.17, -71.22

 

CMYK 0 / 81 / 67 / 33

HEX #AB2138

RGB 171 33 56

HSL 350, 0.68%, 0.4%

LAB 37.9, 55.09, 22.64

 

CMYK 2 / 0 / 81 / 33

HEX #A7AB21

RGB 167 171 33

HSL 61.74, 0.68%, 0.4%

LAB 67.61, -17.07, 63.87

 

CMYK 81 / 0 / 14 / 33

HEX #20AA93

RGB 32 170 147

HSL 170, 0.68%, 0.4%

LAB 62.65, -40.42, 1.86

 

CMYK 54 / 81 / 0 / 33

HEX #4F21AB

RGB 79 33 171

HSL 260, 0.68%, 0.4%

LAB 28.62, 52.22, -65.16

 

CMYK 0 / 81 / 67 / 33

HEX #AB2138

RGB 171 33 56

HSL 350, 0.68%, 0.4%

LAB 37.9, 55.09, 22.64

 

CMYK 27 / 0 / 81 / 33

HEX #7DAB21

RGB 125 171 33

HSL 80, 0.68%, 0.4%

LAB 64.64, -34.68, 60.09

 

Description

Color code: HEX #20AA93 | qconv.com Color code: HEX #20AA93 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 170 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 170 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 14 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 14% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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