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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #209982 it is the complementary color #DF667D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #209982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #209982 shade: #25997D, #36AB90, #47BDA3, #58CFB6 and #69E1C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #209982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #209982 shade: #209982, #0F876F, #00755C, #006349 and #005136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #209982 shade: #209781, #209761, #209740, #209720 and #409720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #209982 shade: #209781, #208E97, #206E97, #204E97 and #202D97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #209982 shade matches the following richer shades: #209781, #11A68A and #02B593

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #209982 shade: #209781, #2F8978, #3E7A6E, #4D6B65 and #5C5C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #209982 shade: #209740, #209760, #209780, #209097 and #207097

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #209982 shade: #125347, #197564, #209781, #27BA9E and #36D4B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #209982 shade: #209982, #202097 and #975020

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #209982 shade: #209982, #802097 and #978020

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #209982 shade: #209982, #202097, #972038 and #979720

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #209982 shade: #209982, #442097, #972038 and #749720

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 15 / 40

HEX #209982

RGB 32 153 130

HSL 168.6, 0.65%, 0.36%

LAB 56.78, -37.55, 2.95

 

Complementary color

CMYK 0 / 54 / 44 / 13

HEX #DF667D

RGB 223 102 125

HSL 348.6, 0.65%, 0.64%

LAB 58.67, 49.33, 10.5

 

CMYK 76 / 0 / 18 / 40

HEX #25997D

RGB 37 153 125

HSL 165.52, 0.61%, 0.37%

LAB 56.74, -38.29, 5.74

 

CMYK 68 / 0 / 16 / 33

HEX #36AB90

RGB 54 171 144

HSL 166.15, 0.52%, 0.44%

LAB 63.28, -38.89, 4.51

 

CMYK 62 / 0 / 14 / 26

HEX #47BDA3

RGB 71 189 163

HSL 166.78, 0.47%, 0.51%

LAB 69.74, -39.24, 3.4

 

CMYK 57 / 0 / 12 / 19

HEX #58CFB6

RGB 88 207 182

HSL 167.39, 0.55%, 0.58%

LAB 76.12, -39.42, 2.4

 

CMYK 53 / 0 / 11 / 12

HEX #69E1C9

RGB 105 225 201

HSL 168, 0.67%, 0.65%

LAB 82.42, -39.5, 1.49

 

CMYK 79 / 0 / 15 / 40

HEX #209982

RGB 32 153 130

HSL 168.6, 0.65%, 0.36%

LAB 56.78, -37.55, 2.95

 

CMYK 89 / 0 / 18 / 47

HEX #0F876F

RGB 15 135 111

HSL 168, 0.8%, 0.29%

LAB 50.19, -36.36, 4.34

 

CMYK 100 / 0 / 21 / 54

HEX #00755C

RGB 0 117 92

HSL 167.18, 1%, 0.23%

LAB 43.5, -34.7, 5.92

 

CMYK 100 / 0 / 26 / 61

HEX #006349

RGB 0 99 73

HSL 164.24, 1%, 0.19%

LAB 36.75, -32.08, 7.82

 

CMYK 100 / 0 / 33 / 68

HEX #005136

RGB 0 81 54

HSL 160, 1%, 0.16%

LAB 29.79, -29.33, 9.87

 

CMYK 79 / 0 / 15 / 41

HEX #209781

RGB 32 151 129

HSL 168.91, 0.65%, 0.36%

LAB 56.11, -36.93, 2.55

 

CMYK 79 / 0 / 36 / 41

HEX #209761

RGB 32 151 97

HSL 152.77, 0.65%, 0.36%

LAB 55.38, -44.77, 19.6

 

CMYK 79 / 0 / 58 / 41

HEX #209740

RGB 32 151 64

HSL 136.13, 0.65%, 0.36%

LAB 54.88, -50.64, 36.42

 

CMYK 79 / 0 / 79 / 41

HEX #209720

RGB 32 151 32

HSL 120, 0.65%, 0.36%

LAB 54.6, -54.02, 49.68

 

CMYK 58 / 0 / 79 / 41

HEX #409720

RGB 64 151 32

HSL 103.87, 0.65%, 0.36%

LAB 55.41, -47.29, 50.74

 

CMYK 79 / 0 / 15 / 41

HEX #209781

RGB 32 151 129

HSL 168.91, 0.65%, 0.36%

LAB 56.11, -36.93, 2.55

 

CMYK 79 / 6 / 0 / 41

HEX #208E97

RGB 32 142 151

HSL 184.54, 0.65%, 0.36%

LAB 53.91, -26.09, -13.36

 

CMYK 79 / 27 / 0 / 41

HEX #206E97

RGB 32 110 151

HSL 200.67, 0.65%, 0.36%

LAB 43.79, -8.58, -28.91

 

CMYK 79 / 48 / 0 / 41

HEX #204E97

RGB 32 78 151

HSL 216.81, 0.65%, 0.36%

LAB 33.96, 11.74, -44.51

 

CMYK 79 / 70 / 0 / 41

HEX #202D97

RGB 32 45 151

HSL 233.45, 0.65%, 0.36%

LAB 25.01, 34.01, -59.08

 

CMYK 79 / 0 / 15 / 41

HEX #209781

RGB 32 151 129

HSL 168.91, 0.65%, 0.36%

LAB 56.11, -36.93, 2.55

 

CMYK 90 / 0 / 17 / 35

HEX #11A68A

RGB 17 166 138

HSL 168.72, 0.81%, 0.36%

LAB 60.98, -42.28, 4.47

 

CMYK 99 / 0 / 19 / 29

HEX #02B593

RGB 2 181 147

HSL 168.6, 0.98%, 0.36%

LAB 65.88, -46.79, 6.5

 

CMYK 79 / 0 / 15 / 41

HEX #209781

RGB 32 151 129

HSL 168.91, 0.65%, 0.36%

LAB 56.11, -36.93, 2.55

 

CMYK 66 / 0 / 12 / 46

HEX #2F8978

RGB 47 137 120

HSL 168.67, 0.49%, 0.36%

LAB 51.67, -30.75, 1.32

 

CMYK 49 / 0 / 10 / 52

HEX #3E7A6E

RGB 62 122 110

HSL 168, 0.33%, 0.36%

LAB 47.06, -22.68, 0.55

 

CMYK 28 / 0 / 6 / 58

HEX #4D6B65

RGB 77 107 101

HSL 168, 0.16%, 0.36%

LAB 42.81, -12.32, -0.18

 

CMYK 0 / 0 / 0 / 64

HEX #5C5C5C

RGB 92 92 92

HSL 0, 0%, 0.36%

LAB 39.07, 0, -0

 

CMYK 79 / 0 / 58 / 41

HEX #209740

RGB 32 151 64

HSL 136.13, 0.65%, 0.36%

LAB 54.88, -50.64, 36.42

 

CMYK 79 / 0 / 36 / 41

HEX #209760

RGB 32 151 96

HSL 152.27, 0.65%, 0.36%

LAB 55.36, -44.98, 20.13

 

CMYK 79 / 0 / 15 / 41

HEX #209780

RGB 32 151 128

HSL 168.4, 0.65%, 0.36%

LAB 56.09, -37.2, 3.08

 

CMYK 79 / 5 / 0 / 41

HEX #209097

RGB 32 144 151

HSL 183.53, 0.65%, 0.36%

LAB 54.54, -27.09, -12.4

 

CMYK 79 / 26 / 0 / 41

HEX #207097

RGB 32 112 151

HSL 199.66, 0.65%, 0.36%

LAB 44.42, -9.76, -27.93

 

CMYK 78 / 0 / 14 / 67

HEX #125347

RGB 18 83 71

HSL 168.92, 0.64%, 0.2%

LAB 31.28, -23.17, 1.27

 

CMYK 79 / 0 / 15 / 54

HEX #197564

RGB 25 117 100

HSL 168.91, 0.65%, 0.28%

LAB 44.02, -30.27, 1.93

 

CMYK 79 / 0 / 15 / 41

HEX #209781

RGB 32 151 129

HSL 168.91, 0.65%, 0.36%

LAB 56.11, -36.93, 2.55

 

CMYK 79 / 0 / 15 / 27

HEX #27BA9E

RGB 39 186 158

HSL 168.57, 0.65%, 0.44%

LAB 68.03, -43.71, 3.59

 

CMYK 75 / 0 / 14 / 17

HEX #36D4B6

RGB 54 212 182

HSL 168.61, 0.65%, 0.52%

LAB 76.83, -46.91, 3.34

 

CMYK 79 / 0 / 15 / 40

HEX #209982

RGB 32 153 130

HSL 168.6, 0.65%, 0.36%

LAB 56.78, -37.55, 2.95

 

CMYK 79 / 79 / 0 / 41

HEX #202097

RGB 32 32 151

HSL 240, 0.65%, 0.36%

LAB 22.21, 41.82, -63.7

 

CMYK 0 / 47 / 79 / 41

HEX #975020

RGB 151 80 32

HSL 24.2, 0.65%, 0.36%

LAB 41.88, 25.98, 39.88

 

CMYK 79 / 0 / 15 / 40

HEX #209982

RGB 32 153 130

HSL 168.6, 0.65%, 0.36%

LAB 56.78, -37.55, 2.95

 

CMYK 15 / 79 / 0 / 41

HEX #802097

RGB 128 32 151

HSL 288.4, 0.65%, 0.36%

LAB 33.68, 56.08, -44.49

 

CMYK 0 / 15 / 79 / 41

HEX #978020

RGB 151 128 32

HSL 48.4, 0.65%, 0.36%

LAB 54.16, -1.37, 51.59

 

CMYK 79 / 0 / 15 / 40

HEX #209982

RGB 32 153 130

HSL 168.6, 0.65%, 0.36%

LAB 56.78, -37.55, 2.95

 

CMYK 79 / 79 / 0 / 41

HEX #202097

RGB 32 32 151

HSL 240, 0.65%, 0.36%

LAB 22.21, 41.82, -63.7

 

CMYK 0 / 79 / 63 / 41

HEX #972038

RGB 151 32 56

HSL 347.9, 0.65%, 0.36%

LAB 33.77, 49.49, 16.52

 

CMYK 0 / 0 / 79 / 41

HEX #979720

RGB 151 151 32

HSL 60, 0.65%, 0.36%

LAB 60.62, -13.83, 57.47

 

CMYK 79 / 0 / 15 / 40

HEX #209982

RGB 32 153 130

HSL 168.6, 0.65%, 0.36%

LAB 56.78, -37.55, 2.95

 

CMYK 55 / 79 / 0 / 41

HEX #442097

RGB 68 32 151

HSL 258.15, 0.65%, 0.36%

LAB 25.25, 45.68, -58.59

 

CMYK 0 / 79 / 63 / 41

HEX #972038

RGB 151 32 56

HSL 347.9, 0.65%, 0.36%

LAB 33.77, 49.49, 16.52

 

CMYK 23 / 0 / 79 / 41

HEX #749720

RGB 116 151 32

HSL 77.65, 0.65%, 0.36%

LAB 57.99, -29, 54.09

 

Description

Color code: HEX #209982 | qconv.com Color code: HEX #209982 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 153 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 153 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 15 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 15% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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