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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #209771 it is the complementary color #DF688E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #209771. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #209771 shade: #25976C, #36A97F, #47BB92, #58CDA5 and #69DFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #209771. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #209771 shade: #209771, #0F855E, #00734B, #006138 and #004F25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #209771 shade: #209771, #209751, #209731, #2F9720 and #509720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #209771 shade: #209771, #209792, #207D97, #205D97 and #203D97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #209771 shade matches the following richer shades: #209771, #11A677 and #02B57C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #209771 shade: #209771, #2F896C, #3E7A67, #4D6B61 and #5C5C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #209771 shade: #209730, #209750, #209770, #209790 and #208097

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #209771 shade: #12533E, #197558, #209771, #27BA8B and #36D4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #209771 shade: #209771, #203097 and #974020

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #209771 shade: #209771, #702097 and #977020

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #209771 shade: #209771, #203097, #972048 and #978820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #209771 shade: #209771, #342097, #972048 and #849720

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

Complementary color

CMYK 0 / 53 / 36 / 13

HEX #DF688E

RGB 223 104 142

HSL 340.84, 0.65%, 0.64%

LAB 59.47, 50.21, 1.76

 

CMYK 75 / 0 / 28 / 41

HEX #25976C

RGB 37 151 108

HSL 157.37, 0.61%, 0.37%

LAB 55.69, -41.64, 13.89

 

CMYK 68 / 0 / 25 / 34

HEX #36A97F

RGB 54 169 127

HSL 158.09, 0.52%, 0.44%

LAB 62.25, -42.17, 12.48

 

CMYK 62 / 0 / 22 / 27

HEX #47BB92

RGB 71 187 146

HSL 158.79, 0.46%, 0.51%

LAB 68.72, -42.45, 11.23

 

CMYK 57 / 0 / 20 / 20

HEX #58CDA5

RGB 88 205 165

HSL 159.49, 0.54%, 0.57%

LAB 75.11, -42.55, 10.09

 

CMYK 53 / 0 / 17 / 13

HEX #69DFB8

RGB 105 223 184

HSL 160.17, 0.65%, 0.64%

LAB 81.42, -42.55, 9.05

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 89 / 0 / 29 / 48

HEX #0F855E

RGB 15 133 94

HSL 160.17, 0.8%, 0.29%

LAB 49.11, -39.94, 12.67

 

CMYK 100 / 0 / 35 / 55

HEX #00734B

RGB 0 115 75

HSL 159.13, 1%, 0.23%

LAB 42.41, -38.28, 14.47

 

CMYK 100 / 0 / 42 / 62

HEX #006138

RGB 0 97 56

HSL 154.64, 1%, 0.19%

LAB 35.66, -35.49, 16.59

 

CMYK 100 / 0 / 53 / 69

HEX #004F25

RGB 0 79 37

HSL 148.1, 1%, 0.15%

LAB 28.71, -32.45, 18.83

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 79 / 0 / 46 / 41

HEX #209751

RGB 32 151 81

HSL 144.71, 0.65%, 0.36%

LAB 55.11, -47.91, 27.96

 

CMYK 79 / 0 / 68 / 41

HEX #209731

RGB 32 151 49

HSL 128.57, 0.65%, 0.36%

LAB 54.72, -52.51, 43.23

 

CMYK 69 / 0 / 79 / 41

HEX #2F9720

RGB 47 151 32

HSL 112.44, 0.65%, 0.36%

LAB 54.91, -51.38, 50.08

 

CMYK 47 / 0 / 79 / 41

HEX #509720

RGB 80 151 32

HSL 95.8, 0.65%, 0.36%

LAB 56.03, -42.48, 51.55

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 79 / 0 / 3 / 41

HEX #209792

RGB 32 151 146

HSL 177.48, 0.65%, 0.36%

LAB 56.6, -32.05, -6.45

 

CMYK 79 / 17 / 0 / 41

HEX #207D97

RGB 32 125 151

HSL 193.11, 0.65%, 0.36%

LAB 48.52, -17.14, -21.57

 

CMYK 79 / 38 / 0 / 41

HEX #205D97

RGB 32 93 151

HSL 209.24, 0.65%, 0.36%

LAB 38.5, 1.89, -37.25

 

CMYK 79 / 60 / 0 / 41

HEX #203D97

RGB 32 61 151

HSL 225.38, 0.65%, 0.36%

LAB 29.1, 23.33, -52.37

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 90 / 0 / 28 / 35

HEX #11A677

RGB 17 166 119

HSL 161.07, 0.81%, 0.36%

LAB 60.54, -47.1, 14.44

 

CMYK 99 / 0 / 31 / 29

HEX #02B57C

RGB 2 181 124

HSL 160.89, 0.98%, 0.36%

LAB 65.37, -52.41, 18.37

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 66 / 0 / 21 / 46

HEX #2F896C

RGB 47 137 108

HSL 160.67, 0.49%, 0.36%

LAB 51.36, -33.88, 7.83

 

CMYK 49 / 0 / 16 / 52

HEX #3E7A67

RGB 62 122 103

HSL 161, 0.33%, 0.36%

LAB 46.87, -24.46, 4.41

 

CMYK 28 / 0 / 9 / 58

HEX #4D6B61

RGB 77 107 97

HSL 160, 0.16%, 0.36%

LAB 42.7, -13.28, 2.07

 

CMYK 0 / 0 / 0 / 64

HEX #5C5C5C

RGB 92 92 92

HSL 0, 0%, 0.36%

LAB 39.07, 0, -0

 

CMYK 79 / 0 / 68 / 41

HEX #209730

RGB 32 151 48

HSL 128.07, 0.65%, 0.36%

LAB 54.71, -52.61, 43.65

 

CMYK 79 / 0 / 47 / 41

HEX #209750

RGB 32 151 80

HSL 144.2, 0.65%, 0.36%

LAB 55.09, -48.09, 28.47

 

CMYK 79 / 0 / 26 / 41

HEX #209770

RGB 32 151 112

HSL 160.34, 0.65%, 0.36%

LAB 55.7, -41.33, 11.62

 

CMYK 79 / 0 / 5 / 41

HEX #209790

RGB 32 151 144

HSL 176.47, 0.65%, 0.36%

LAB 56.54, -32.64, -5.4

 

CMYK 79 / 15 / 0 / 41

HEX #208097

RGB 32 128 151

HSL 191.6, 0.65%, 0.36%

LAB 49.47, -18.77, -20.11

 

CMYK 78 / 0 / 25 / 67

HEX #12533E

RGB 18 83 62

HSL 160.62, 0.64%, 0.2%

LAB 31.03, -25.76, 6.61

 

CMYK 79 / 0 / 25 / 54

HEX #197558

RGB 25 117 88

HSL 161.09, 0.65%, 0.28%

LAB 43.7, -33.54, 8.63

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 79 / 0 / 25 / 27

HEX #27BA8B

RGB 39 186 139

HSL 160.82, 0.65%, 0.44%

LAB 67.59, -48.45, 13.35

 

CMYK 75 / 0 / 24 / 17

HEX #36D4A2

RGB 54 212 162

HSL 161.01, 0.65%, 0.52%

LAB 76.36, -51.79, 13.36

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 79 / 68 / 0 / 41

HEX #203097

RGB 32 48 151

HSL 231.93, 0.65%, 0.36%

LAB 25.73, 32.07, -57.9

 

CMYK 0 / 58 / 79 / 41

HEX #974020

RGB 151 64 32

HSL 16.13, 0.65%, 0.36%

LAB 38.46, 34.58, 36.45

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 26 / 79 / 0 / 41

HEX #702097

RGB 112 32 151

HSL 280.34, 0.65%, 0.36%

LAB 31.14, 52.98, -48.72

 

CMYK 0 / 26 / 79 / 41

HEX #977020

RGB 151 112 32

HSL 40.34, 0.65%, 0.36%

LAB 49.82, 7.69, 47.55

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 79 / 68 / 0 / 41

HEX #203097

RGB 32 48 151

HSL 231.93, 0.65%, 0.36%

LAB 25.73, 32.07, -57.9

 

CMYK 0 / 79 / 52 / 41

HEX #972048

RGB 151 32 72

HSL 339.83, 0.65%, 0.36%

LAB 34.15, 50.69, 6.62

 

CMYK 0 / 10 / 79 / 41

HEX #978820

RGB 151 136 32

HSL 52.44, 0.65%, 0.36%

LAB 56.38, -5.79, 53.63

 

CMYK 79 / 0 / 25 / 41

HEX #209771

RGB 32 151 113

HSL 160.84, 0.65%, 0.36%

LAB 55.72, -41.09, 11.09

 

CMYK 66 / 79 / 0 / 41

HEX #342097

RGB 52 32 151

HSL 250.08, 0.65%, 0.36%

LAB 23.66, 43.67, -61.25

 

CMYK 0 / 79 / 52 / 41

HEX #972048

RGB 151 32 72

HSL 339.83, 0.65%, 0.36%

LAB 34.15, 50.69, 6.62

 

CMYK 13 / 0 / 79 / 41

HEX #849720

RGB 132 151 32

HSL 69.58, 0.65%, 0.36%

LAB 59.11, -22.22, 55.53

 

Description

Color code: HEX #209771 | qconv.com Color code: HEX #209771 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 151 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 151 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 25 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 25% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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