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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #209550 it is the complementary color #DF6AAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #209550. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #209550 shade: #25954B, #36A75E, #47B971, #58CB84 and #69DD97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #209550. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #209550 shade: #209550, #0F833D, #00712A, #005F17 and #004D04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #209550 shade: #1F934F, #1F9330, #2E931F, #4D931F and #6D931F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #209550 shade: #1F934F, #1F936E, #1F938D, #1F7A93 and #1F5B93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #209550 shade matches the following richer shades: #1F934F, #11A24C and #02B04A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #209550 shade: #1F934F, #2E8551, #3C7654, #4B6857 and #595959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #209550 shade: #2F931F, #1F932F, #1F934E, #1F936D and #1F938C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #209550 shade: #114F2A, #18713D, #1F934F, #26B561 and #32D374

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #209550 shade: #209550, #1F4E93 and #931F1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #209550 shade: #209550, #4E1F93 and #934E1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #209550 shade: #209550, #1F4E93, #931F65 and #93651F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #209550 shade: #209550, #1F2B93, #931F65 and #93881F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 46 / 42

HEX #209550

RGB 32 149 80

HSL 144.62, 0.65%, 0.35%

LAB 54.43, -47.35, 27.62

 

Complementary color

CMYK 0 / 52 / 22 / 13

HEX #DF6AAF

RGB 223 106 175

HSL 324.62, 0.65%, 0.65%

LAB 60.86, 53.49, -15.22

 

CMYK 75 / 0 / 50 / 42

HEX #25954B

RGB 37 149 75

HSL 140.36, 0.6%, 0.36%

LAB 54.44, -47.49, 30.31

 

CMYK 68 / 0 / 44 / 35

HEX #36A75E

RGB 54 167 94

HSL 141.24, 0.51%, 0.43%

LAB 60.98, -48.14, 28.72

 

CMYK 62 / 0 / 39 / 27

HEX #47B971

RGB 71 185 113

HSL 142.11, 0.45%, 0.5%

LAB 67.45, -48.44, 27.23

 

CMYK 57 / 0 / 35 / 20

HEX #58CB84

RGB 88 203 132

HSL 142.96, 0.53%, 0.57%

LAB 73.84, -48.53, 25.86

 

CMYK 52 / 0 / 32 / 13

HEX #69DD97

RGB 105 221 151

HSL 143.79, 0.63%, 0.64%

LAB 80.15, -48.49, 24.59

 

CMYK 79 / 0 / 46 / 42

HEX #209550

RGB 32 149 80

HSL 144.62, 0.65%, 0.35%

LAB 54.43, -47.35, 27.62

 

CMYK 89 / 0 / 53 / 49

HEX #0F833D

RGB 15 131 61

HSL 143.79, 0.79%, 0.29%

LAB 47.84, -45.98, 29.38

 

CMYK 100 / 0 / 63 / 56

HEX #00712A

RGB 0 113 42

HSL 142.3, 1%, 0.22%

LAB 41.18, -43.87, 31.18

 

CMYK 100 / 0 / 76 / 63

HEX #005F17

RGB 0 95 23

HSL 134.53, 1%, 0.19%

LAB 34.49, -40.21, 32.76

 

CMYK 100 / 0 / 95 / 70

HEX #004D04

RGB 0 77 4

HSL 123.12, 1%, 0.15%

LAB 27.62, -35.9, 33.32

 

CMYK 79 / 0 / 46 / 42

HEX #1F934F

RGB 31 147 79

HSL 144.83, 0.65%, 0.35%

LAB 53.73, -46.91, 27.26

 

CMYK 79 / 0 / 67 / 42

HEX #1F9330

RGB 31 147 48

HSL 128.79, 0.65%, 0.35%

LAB 53.35, -51.41, 42.17

 

CMYK 69 / 0 / 79 / 42

HEX #2E931F

RGB 46 147 31

HSL 112.24, 0.65%, 0.35%

LAB 53.54, -50.27, 49.09

 

CMYK 48 / 0 / 79 / 42

HEX #4D931F

RGB 77 147 31

HSL 96.21, 0.65%, 0.35%

LAB 54.6, -41.89, 50.47

 

CMYK 26 / 0 / 79 / 42

HEX #6D931F

RGB 109 147 31

HSL 79.66, 0.65%, 0.35%

LAB 56.3, -30.01, 52.69

 

CMYK 79 / 0 / 46 / 42

HEX #1F934F

RGB 31 147 79

HSL 144.83, 0.65%, 0.35%

LAB 53.73, -46.91, 27.26

 

CMYK 79 / 0 / 25 / 42

HEX #1F936E

RGB 31 147 110

HSL 160.86, 0.65%, 0.35%

LAB 54.33, -40.26, 10.83

 

CMYK 79 / 0 / 4 / 42

HEX #1F938D

RGB 31 147 141

HSL 176.9, 0.65%, 0.35%

LAB 55.16, -31.75, -5.73

 

CMYK 79 / 17 / 0 / 42

HEX #1F7A93

RGB 31 122 147

HSL 192.93, 0.65%, 0.35%

LAB 47.39, -16.99, -20.97

 

CMYK 79 / 38 / 0 / 42

HEX #1F5B93

RGB 31 91 147

HSL 208.97, 0.65%, 0.35%

LAB 37.63, 1.48, -36.23

 

CMYK 79 / 0 / 46 / 42

HEX #1F934F

RGB 31 147 79

HSL 144.83, 0.65%, 0.35%

LAB 53.73, -46.91, 27.26

 

CMYK 90 / 0 / 53 / 36

HEX #11A24C

RGB 17 162 76

HSL 144.41, 0.81%, 0.35%

LAB 58.49, -54.19, 34.76

 

CMYK 99 / 0 / 58 / 31

HEX #02B04A

RGB 2 176 74

HSL 144.83, 0.98%, 0.35%

LAB 62.98, -59.89, 41.12

 

CMYK 79 / 0 / 46 / 42

HEX #1F934F

RGB 31 147 79

HSL 144.83, 0.65%, 0.35%

LAB 53.73, -46.91, 27.26

 

CMYK 65 / 0 / 39 / 48

HEX #2E8551

RGB 46 133 81

HSL 144.14, 0.49%, 0.35%

LAB 49.44, -38.39, 20.61

 

CMYK 49 / 0 / 29 / 54

HEX #3C7654

RGB 60 118 84

HSL 144.83, 0.33%, 0.35%

LAB 45.02, -27.44, 12.99

 

CMYK 28 / 0 / 16 / 59

HEX #4B6857

RGB 75 104 87

HSL 144.83, 0.16%, 0.35%

LAB 41.35, -14.57, 6.17

 

CMYK 0 / 0 / 0 / 65

HEX #595959

RGB 89 89 89

HSL 0, 0%, 0.35%

LAB 37.82, 0, -0

 

CMYK 68 / 0 / 79 / 42

HEX #2F931F

RGB 47 147 31

HSL 111.72, 0.65%, 0.35%

LAB 53.57, -50.06, 49.12

 

CMYK 79 / 0 / 68 / 42

HEX #1F932F

RGB 31 147 47

HSL 128.28, 0.65%, 0.35%

LAB 53.35, -51.52, 42.59

 

CMYK 79 / 0 / 47 / 42

HEX #1F934E

RGB 31 147 78

HSL 144.31, 0.65%, 0.35%

LAB 53.72, -47.09, 27.78

 

CMYK 79 / 0 / 26 / 42

HEX #1F936D

RGB 31 147 109

HSL 160.34, 0.65%, 0.35%

LAB 54.3, -40.5, 11.37

 

CMYK 79 / 0 / 5 / 42

HEX #1F938C

RGB 31 147 140

HSL 176.38, 0.65%, 0.35%

LAB 55.13, -32.05, -5.2

 

CMYK 78 / 0 / 47 / 69

HEX #114F2A

RGB 17 79 42

HSL 144.19, 0.65%, 0.19%

LAB 29.1, -28.94, 16.41

 

CMYK 79 / 0 / 46 / 56

HEX #18713D

RGB 24 113 61

HSL 144.94, 0.65%, 0.27%

LAB 41.75, -38.12, 21.73

 

CMYK 79 / 0 / 46 / 42

HEX #1F934F

RGB 31 147 79

HSL 144.83, 0.65%, 0.35%

LAB 53.73, -46.91, 27.26

 

CMYK 79 / 0 / 46 / 29

HEX #26B561

RGB 38 181 97

HSL 144.76, 0.65%, 0.43%

LAB 65.22, -55.28, 32.53

 

CMYK 76 / 0 / 45 / 17

HEX #32D374

RGB 50 211 116

HSL 144.6, 0.65%, 0.51%

LAB 75.16, -61.17, 35.64

 

CMYK 79 / 0 / 46 / 42

HEX #209550

RGB 32 149 80

HSL 144.62, 0.65%, 0.35%

LAB 54.43, -47.35, 27.62

 

CMYK 79 / 47 / 0 / 42

HEX #1F4E93

RGB 31 78 147

HSL 215.69, 0.65%, 0.35%

LAB 33.66, 10.03, -42.56

 

CMYK 0 / 79 / 79 / 42

HEX #931F1F

RGB 147 31 31

HSL 0, 0.65%, 0.35%

LAB 32.44, 47.29, 30.5

 

CMYK 79 / 0 / 46 / 42

HEX #209550

RGB 32 149 80

HSL 144.62, 0.65%, 0.35%

LAB 54.43, -47.35, 27.62

 

CMYK 47 / 79 / 0 / 42

HEX #4E1F93

RGB 78 31 147

HSL 264.31, 0.65%, 0.35%

LAB 25.88, 46.51, -55.04

 

CMYK 0 / 47 / 79 / 42

HEX #934E1F

RGB 147 78 31

HSL 24.31, 0.65%, 0.35%

LAB 40.82, 25.33, 39.11

 

CMYK 79 / 0 / 46 / 42

HEX #209550

RGB 32 149 80

HSL 144.62, 0.65%, 0.35%

LAB 54.43, -47.35, 27.62

 

CMYK 79 / 47 / 0 / 42

HEX #1F4E93

RGB 31 78 147

HSL 215.69, 0.65%, 0.35%

LAB 33.66, 10.03, -42.56

 

CMYK 0 / 79 / 31 / 42

HEX #931F65

RGB 147 31 101

HSL 323.79, 0.65%, 0.35%

LAB 34.24, 52.89, -12.11

 

CMYK 0 / 31 / 79 / 42

HEX #93651F

RGB 147 101 31

HSL 36.21, 0.65%, 0.35%

LAB 46.46, 12.13, 44.6

 

CMYK 79 / 0 / 46 / 42

HEX #209550

RGB 32 149 80

HSL 144.62, 0.65%, 0.35%

LAB 54.43, -47.35, 27.62

 

CMYK 79 / 71 / 0 / 42

HEX #1F2B93

RGB 31 43 147

HSL 233.79, 0.65%, 0.35%

LAB 24.08, 33.73, -58.15

 

CMYK 0 / 79 / 31 / 42

HEX #931F65

RGB 147 31 101

HSL 323.79, 0.65%, 0.35%

LAB 34.24, 52.89, -12.11

 

CMYK 0 / 7 / 79 / 42

HEX #93881F

RGB 147 136 31

HSL 54.31, 0.65%, 0.35%

LAB 56, -7.66, 53.48

 

Description

Color code: HEX #209550 | qconv.com Color code: HEX #209550 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 149 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 149 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 46 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 46% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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