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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #208FD2 it is the complementary color #DF702D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #208FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #208FD2 shade: #258FCD, #36A1E0, #47B3F3, #58C5FF and #69D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #208FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #208FD2 shade: #208FD2, #0F7DBF, #006BAC, #005999 and #004786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #208FD2 shade: #1F8ED1, #1F5ED1, #1F2ED1, #401FD1 and #701FD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #208FD2 shade: #1F8ED1, #1F5ED1, #1F2ED1 and #1F1FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #208FD2 shade matches the following richer shades: #1F8ED1 and #0C93E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #208FD2 shade: #1F8ED1, #3389BD, #4684AA, #597F96 and #6D7B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #208FD2 shade: #1FD1B3, #1FBFD1, #1F90D1, #1F60D1 and #1F31D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #208FD2 shade: #145D89, #1A75AD, #1F8ED1, #38A1E1 and #5CB2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #208FD2 shade: #208FD2, #841FD1 and #D1CB1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #208FD2 shade: #208FD2, #D11F90 and #90D11F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #208FD2 shade: #208FD2, #841FD1, #D1601F and #6CD11F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #208FD2 shade: #208FD2, #B91FD1, #D1601F and #37D11F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 32 / 0 / 18

HEX #208FD2

RGB 32 143 210

HSL 202.58, 0.74%, 0.47%

LAB 56.69, -6.08, -42.7

 

Complementary color

CMYK 0 / 50 / 80 / 13

HEX #DF702D

RGB 223 112 45

HSL 22.58, 0.74%, 0.53%

LAB 59.4, 39.08, 54.54

 

CMYK 82 / 30 / 0 / 20

HEX #258FCD

RGB 37 143 205

HSL 202.14, 0.69%, 0.47%

LAB 56.53, -7.49, -40.12

 

CMYK 76 / 28 / 0 / 12

HEX #36A1E0

RGB 54 161 224

HSL 202.24, 0.73%, 0.55%

LAB 63.06, -9.18, -40.46

 

CMYK 71 / 26 / 0 / 5

HEX #47B3F3

RGB 71 179 243

HSL 202.33, 0.88%, 0.62%

LAB 69.51, -10.53, -40.75

 

CMYK 65 / 23 / 0 / 0

HEX #58C5FF

RGB 88 197 255

HSL 200.84, 1%, 0.67%

LAB 75.59, -13.83, -37.71

 

CMYK 59 / 16 / 0 / 0

HEX #69D7FF

RGB 105 215 255

HSL 196, 1%, 0.71%

LAB 81.19, -20.28, -29.02

 

CMYK 85 / 32 / 0 / 18

HEX #208FD2

RGB 32 143 210

HSL 202.58, 0.74%, 0.47%

LAB 56.69, -6.08, -42.7

 

CMYK 92 / 35 / 0 / 25

HEX #0F7DBF

RGB 15 125 191

HSL 202.5, 0.85%, 0.4%

LAB 50.13, -3.71, -42.28

 

CMYK 100 / 38 / 0 / 33

HEX #006BAC

RGB 0 107 172

HSL 202.67, 1%, 0.34%

LAB 43.5, -0.81, -41.8

 

CMYK 100 / 42 / 0 / 40

HEX #005999

RGB 0 89 153

HSL 205.1, 1%, 0.3%

LAB 36.83, 2.88, -41.15

 

CMYK 100 / 47 / 0 / 47

HEX #004786

RGB 0 71 134

HSL 208.21, 1%, 0.26%

LAB 29.98, 6.87, -40.54

 

CMYK 85 / 32 / 0 / 18

HEX #1F8ED1

RGB 31 142 209

HSL 202.58, 0.74%, 0.47%

LAB 56.33, -5.95, -42.7

 

CMYK 85 / 55 / 0 / 18

HEX #1F5ED1

RGB 31 94 209

HSL 218.76, 0.74%, 0.47%

LAB 42.61, 23.88, -64.68

 

CMYK 85 / 78 / 0 / 18

HEX #1F2ED1

RGB 31 46 209

HSL 234.94, 0.74%, 0.47%

LAB 31.46, 53.38, -83.01

 

CMYK 69 / 85 / 0 / 18

HEX #401FD1

RGB 64 31 209

HSL 251.12, 0.74%, 0.47%

LAB 31.05, 61.96, -83.63

 

CMYK 46 / 85 / 0 / 18

HEX #701FD1

RGB 112 31 209

HSL 267.3, 0.74%, 0.47%

LAB 36.04, 66.4, -75.22

 

CMYK 85 / 32 / 0 / 18

HEX #1F8ED1

RGB 31 142 209

HSL 202.58, 0.74%, 0.47%

LAB 56.33, -5.95, -42.7

 

CMYK 85 / 55 / 0 / 18

HEX #1F5ED1

RGB 31 94 209

HSL 218.76, 0.74%, 0.47%

LAB 42.61, 23.88, -64.68

 

CMYK 85 / 78 / 0 / 18

HEX #1F2ED1

RGB 31 46 209

HSL 234.94, 0.74%, 0.47%

LAB 31.46, 53.38, -83.01

 

CMYK 85 / 85 / 0 / 18

HEX #1F1FD1

RGB 31 31 209

HSL 240, 0.74%, 0.47%

LAB 29.09, 60.33, -86.94

 

CMYK 85 / 32 / 0 / 18

HEX #1F8ED1

RGB 31 142 209

HSL 202.58, 0.74%, 0.47%

LAB 56.33, -5.95, -42.7

 

CMYK 95 / 36 / 0 / 11

HEX #0C93E4

RGB 12 147 228

HSL 202.5, 0.9%, 0.47%

LAB 58.55, -2.75, -49.82

 

CMYK 85 / 32 / 0 / 18

HEX #1F8ED1

RGB 31 142 209

HSL 202.58, 0.74%, 0.47%

LAB 56.33, -5.95, -42.7

 

CMYK 73 / 28 / 0 / 26

HEX #3389BD

RGB 51 137 189

HSL 202.61, 0.58%, 0.47%

LAB 54.31, -8.19, -34.52

 

CMYK 59 / 22 / 0 / 33

HEX #4684AA

RGB 70 132 170

HSL 202.8, 0.42%, 0.47%

LAB 52.63, -8.5, -26.19

 

CMYK 41 / 15 / 0 / 41

HEX #597F96

RGB 89 127 150

HSL 202.62, 0.26%, 0.47%

LAB 51.27, -7.08, -16.58

 

CMYK 17 / 6 / 0 / 49

HEX #6D7B83

RGB 109 123 131

HSL 201.82, 0.09%, 0.47%

LAB 50.75, -3.35, -6.11

 

CMYK 85 / 0 / 14 / 18

HEX #1FD1B3

RGB 31 209 179

HSL 169.89, 0.74%, 0.47%

LAB 75.54, -48.56, 3.05

 

CMYK 85 / 9 / 0 / 18

HEX #1FBFD1

RGB 31 191 209

HSL 186.07, 0.74%, 0.47%

LAB 70.98, -31.83, -20.01

 

CMYK 85 / 31 / 0 / 18

HEX #1F90D1

RGB 31 144 209

HSL 201.91, 0.74%, 0.47%

LAB 56.92, -7.1, -41.77

 

CMYK 85 / 54 / 0 / 18

HEX #1F60D1

RGB 31 96 209

HSL 218.09, 0.74%, 0.47%

LAB 43.15, 22.57, -63.8

 

CMYK 85 / 77 / 0 / 18

HEX #1F31D1

RGB 31 49 209

HSL 233.93, 0.74%, 0.47%

LAB 32.01, 51.79, -82.09

 

CMYK 85 / 32 / 0 / 46

HEX #145D89

RGB 20 93 137

HSL 202.56, 0.75%, 0.31%

LAB 37.45, -4.9, -30.47

 

CMYK 85 / 32 / 0 / 32

HEX #1A75AD

RGB 26 117 173

HSL 202.86, 0.74%, 0.39%

LAB 46.92, -5.09, -36.94

 

CMYK 85 / 32 / 0 / 18

HEX #1F8ED1

RGB 31 142 209

HSL 202.58, 0.74%, 0.47%

LAB 56.33, -5.95, -42.7

 

CMYK 75 / 28 / 0 / 12

HEX #38A1E1

RGB 56 161 225

HSL 202.72, 0.74%, 0.55%

LAB 63.15, -8.6, -40.86

 

CMYK 60 / 23 / 0 / 9

HEX #5CB2E7

RGB 92 178 231

HSL 202.88, 0.74%, 0.63%

LAB 69.39, -10.5, -34.35

 

CMYK 85 / 32 / 0 / 18

HEX #208FD2

RGB 32 143 210

HSL 202.58, 0.74%, 0.47%

LAB 56.69, -6.08, -42.7

 

CMYK 37 / 85 / 0 / 18

HEX #841FD1

RGB 132 31 209

HSL 274.04, 0.74%, 0.47%

LAB 38.71, 68.92, -70.74

 

CMYK 0 / 3 / 85 / 18

HEX #D1CB1F

RGB 209 203 31

HSL 57.98, 0.74%, 0.47%

LAB 79.82, -15.14, 76.03

 

CMYK 85 / 32 / 0 / 18

HEX #208FD2

RGB 32 143 210

HSL 202.58, 0.74%, 0.47%

LAB 56.69, -6.08, -42.7

 

CMYK 0 / 85 / 31 / 18

HEX #D11F90

RGB 209 31 144

HSL 321.91, 0.74%, 0.47%

LAB 47.69, 72.67, -17.23

 

CMYK 31 / 0 / 85 / 18

HEX #90D11F

RGB 144 209 31

HSL 81.91, 0.74%, 0.47%

LAB 77.06, -44.28, 71.92

 

CMYK 85 / 32 / 0 / 18

HEX #208FD2

RGB 32 143 210

HSL 202.58, 0.74%, 0.47%

LAB 56.69, -6.08, -42.7

 

CMYK 37 / 85 / 0 / 18

HEX #841FD1

RGB 132 31 209

HSL 274.04, 0.74%, 0.47%

LAB 38.71, 68.92, -70.74

 

CMYK 0 / 54 / 85 / 18

HEX #D1601F

RGB 209 96 31

HSL 21.91, 0.74%, 0.47%

LAB 54.05, 41.22, 54.69

 

CMYK 48 / 0 / 85 / 18

HEX #6CD11F

RGB 108 209 31

HSL 94.04, 0.74%, 0.47%

LAB 75.38, -56.38, 69.82

 

CMYK 85 / 32 / 0 / 18

HEX #208FD2

RGB 32 143 210

HSL 202.58, 0.74%, 0.47%

LAB 56.69, -6.08, -42.7

 

CMYK 11 / 85 / 0 / 18

HEX #B91FD1

RGB 185 31 209

HSL 291.91, 0.74%, 0.47%

LAB 46.84, 77, -57.16

 

CMYK 0 / 54 / 85 / 18

HEX #D1601F

RGB 209 96 31

HSL 21.91, 0.74%, 0.47%

LAB 54.05, 41.22, 54.69

 

CMYK 74 / 0 / 85 / 18

HEX #37D11F

RGB 55 209 31

HSL 111.91, 0.74%, 0.47%

LAB 73.88, -68.66, 67.92

 

Description

Color code: HEX #208FD2 | qconv.com Color code: HEX #208FD2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 143 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 143 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 32 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 32% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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