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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #208CE2 it is the complementary color #DF731D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #208CE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #208CE2 shade: #258CDD, #369EF0, #47B0FF, #58C2FF and #69D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #208CE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #208CE2 shade: #208CE2, #0F7ACF, #0068BC, #0056A9 and #004496

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #208CE2 shade: #228DE2, #2259E2, #2225E2, #5222E2 and #8622E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #208CE2 shade: #228DE2, #2259E2, #2225E2 and #2222E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #208CE2 shade matches the following richer shades: #228DE2 and #0E8FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #208CE2 shade: #228DE2, #368BCE, #4A88BA, #5E86A6 and #738491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #208CE2 shade: #22E2CF, #22C2E2, #228FE2, #225CE2 and #2228E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #208CE2 shade: #14619D, #1977C2, #228DE2, #46A0E7 and #6BB3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #208CE2 shade: #208CE2, #9C22E2 and #DCE222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #208CE2 shade: #208CE2, #E2228F and #8FE222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #208CE2 shade: #208CE2, #9C22E2, #E27522 and #68E222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #208CE2 shade: #208CE2, #D522E2, #E27522 and #2FE222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 38 / 0 / 11

HEX #208CE2

RGB 32 140 226

HSL 206.6, 0.77%, 0.51%

LAB 56.64, 1.62, -51.74

 

Complementary color

CMYK 0 / 48 / 87 / 13

HEX #DF731D

RGB 223 115 29

HSL 26.6, 0.77%, 0.49%

LAB 59.92, 37.12, 61.07

 

CMYK 83 / 37 / 0 / 13

HEX #258CDD

RGB 37 140 221

HSL 206.41, 0.73%, 0.51%

LAB 56.46, 0.13, -49.23

 

CMYK 78 / 34 / 0 / 6

HEX #369EF0

RGB 54 158 240

HSL 206.45, 0.86%, 0.58%

LAB 62.95, -1.87, -49.44

 

CMYK 72 / 31 / 0 / 0

HEX #47B0FF

RGB 71 176 255

HSL 205.76, 1%, 0.64%

LAB 69.19, -4.86, -47.75

 

CMYK 65 / 24 / 0 / 0

HEX #58C2FF

RGB 88 194 255

HSL 201.92, 1%, 0.67%

LAB 74.75, -12.24, -39.02

 

CMYK 59 / 17 / 0 / 0

HEX #69D4FF

RGB 105 212 255

HSL 197.2, 1%, 0.71%

LAB 80.35, -18.76, -30.31

 

CMYK 86 / 38 / 0 / 11

HEX #208CE2

RGB 32 140 226

HSL 206.6, 0.77%, 0.51%

LAB 56.64, 1.62, -51.74

 

CMYK 93 / 41 / 0 / 19

HEX #0F7ACF

RGB 15 122 207

HSL 206.56, 0.86%, 0.44%

LAB 50.13, 4.31, -51.43

 

CMYK 100 / 45 / 0 / 26

HEX #0068BC

RGB 0 104 188

HSL 206.81, 1%, 0.37%

LAB 43.55, 7.54, -51.05

 

CMYK 100 / 49 / 0 / 34

HEX #0056A9

RGB 0 86 169

HSL 209.47, 1%, 0.33%

LAB 36.97, 11.52, -50.5

 

CMYK 100 / 55 / 0 / 41

HEX #004496

RGB 0 68 150

HSL 212.8, 1%, 0.29%

LAB 30.25, 15.81, -49.94

 

CMYK 85 / 38 / 0 / 11

HEX #228DE2

RGB 34 141 226

HSL 206.56, 0.77%, 0.51%

LAB 56.96, 1.16, -51.22

 

CMYK 85 / 61 / 0 / 11

HEX #2259E2

RGB 34 89 226

HSL 222.81, 0.77%, 0.51%

LAB 42.73, 33.78, -74.2

 

CMYK 85 / 84 / 0 / 11

HEX #2225E2

RGB 34 37 226

HSL 239.06, 0.77%, 0.51%

LAB 32.16, 62.93, -91.65

 

CMYK 64 / 85 / 0 / 11

HEX #5222E2

RGB 82 34 226

HSL 255, 0.77%, 0.51%

LAB 34.86, 66.73, -87.07

 

CMYK 41 / 85 / 0 / 11

HEX #8622E2

RGB 134 34 226

HSL 271.25, 0.77%, 0.51%

LAB 40.74, 72.03, -77.17

 

CMYK 85 / 38 / 0 / 11

HEX #228DE2

RGB 34 141 226

HSL 206.56, 0.77%, 0.51%

LAB 56.96, 1.16, -51.22

 

CMYK 85 / 61 / 0 / 11

HEX #2259E2

RGB 34 89 226

HSL 222.81, 0.77%, 0.51%

LAB 42.73, 33.78, -74.2

 

CMYK 85 / 84 / 0 / 11

HEX #2225E2

RGB 34 37 226

HSL 239.06, 0.77%, 0.51%

LAB 32.16, 62.93, -91.65

 

CMYK 85 / 85 / 0 / 11

HEX #2222E2

RGB 34 34 226

HSL 240, 0.77%, 0.51%

LAB 31.75, 64.14, -92.32

 

CMYK 85 / 38 / 0 / 11

HEX #228DE2

RGB 34 141 226

HSL 206.56, 0.77%, 0.51%

LAB 56.96, 1.16, -51.22

 

CMYK 94 / 42 / 0 / 4

HEX #0E8FF6

RGB 14 143 246

HSL 206.64, 0.93%, 0.51%

LAB 58.41, 6.49, -60.02

 

CMYK 85 / 38 / 0 / 11

HEX #228DE2

RGB 34 141 226

HSL 206.56, 0.77%, 0.51%

LAB 56.96, 1.16, -51.22

 

CMYK 74 / 33 / 0 / 19

HEX #368BCE

RGB 54 139 206

HSL 206.45, 0.61%, 0.51%

LAB 55.79, -2.94, -41.83

 

CMYK 60 / 27 / 0 / 27

HEX #4A88BA

RGB 74 136 186

HSL 206.79, 0.45%, 0.51%

LAB 54.67, -4.79, -32.19

 

CMYK 43 / 19 / 0 / 35

HEX #5E86A6

RGB 94 134 166

HSL 206.67, 0.29%, 0.51%

LAB 54.22, -5.16, -21.33

 

CMYK 21 / 9 / 0 / 43

HEX #738491

RGB 115 132 145

HSL 206, 0.12%, 0.51%

LAB 54.23, -3.19, -9.05

 

CMYK 85 / 0 / 8 / 11

HEX #22E2CF

RGB 34 226 207

HSL 174.06, 0.77%, 0.51%

LAB 81.42, -48, -3.32

 

CMYK 85 / 14 / 0 / 11

HEX #22C2E2

RGB 34 194 226

HSL 190, 0.77%, 0.51%

LAB 72.5, -27.67, -26.93

 

CMYK 85 / 37 / 0 / 11

HEX #228FE2

RGB 34 143 226

HSL 205.94, 0.77%, 0.51%

LAB 57.54, -0.02, -50.31

 

CMYK 85 / 59 / 0 / 11

HEX #225CE2

RGB 34 92 226

HSL 221.88, 0.77%, 0.51%

LAB 43.49, 31.86, -72.96

 

CMYK 85 / 82 / 0 / 11

HEX #2228E2

RGB 34 40 226

HSL 238.13, 0.77%, 0.51%

LAB 32.59, 61.64, -90.93

 

CMYK 87 / 38 / 0 / 38

HEX #14619D

RGB 20 97 157

HSL 206.28, 0.77%, 0.35%

LAB 39.8, 0.51, -38.79

 

CMYK 87 / 39 / 0 / 24

HEX #1977C2

RGB 25 119 194

HSL 206.63, 0.77%, 0.43%

LAB 48.63, 1.67, -46.38

 

CMYK 85 / 38 / 0 / 11

HEX #228DE2

RGB 34 141 226

HSL 206.56, 0.77%, 0.51%

LAB 56.96, 1.16, -51.22

 

CMYK 70 / 31 / 0 / 9

HEX #46A0E7

RGB 70 160 231

HSL 206.46, 0.77%, 0.59%

LAB 63.52, -4.14, -43.57

 

CMYK 55 / 24 / 0 / 7

HEX #6BB3EC

RGB 107 179 236

HSL 206.51, 0.77%, 0.67%

LAB 70.47, -6.57, -35.35

 

CMYK 86 / 38 / 0 / 11

HEX #208CE2

RGB 32 140 226

HSL 206.6, 0.77%, 0.51%

LAB 56.64, 1.62, -51.74

 

CMYK 31 / 85 / 0 / 11

HEX #9C22E2

RGB 156 34 226

HSL 278.13, 0.77%, 0.51%

LAB 43.8, 74.96, -72.03

 

CMYK 3 / 0 / 85 / 11

HEX #DCE222

RGB 220 226 34

HSL 61.88, 0.77%, 0.51%

LAB 86.86, -21.72, 81.55

 

CMYK 86 / 38 / 0 / 11

HEX #208CE2

RGB 32 140 226

HSL 206.6, 0.77%, 0.51%

LAB 56.64, 1.62, -51.74

 

CMYK 0 / 85 / 37 / 11

HEX #E2228F

RGB 226 34 143

HSL 325.94, 0.77%, 0.51%

LAB 51.03, 75.8, -11.26

 

CMYK 37 / 0 / 85 / 11

HEX #8FE222

RGB 143 226 34

HSL 85.94, 0.77%, 0.51%

LAB 82.03, -51.58, 75.54

 

CMYK 86 / 38 / 0 / 11

HEX #208CE2

RGB 32 140 226

HSL 206.6, 0.77%, 0.51%

LAB 56.64, 1.62, -51.74

 

CMYK 31 / 85 / 0 / 11

HEX #9C22E2

RGB 156 34 226

HSL 278.13, 0.77%, 0.51%

LAB 43.8, 74.96, -72.03

 

CMYK 0 / 48 / 85 / 11

HEX #E27522

RGB 226 117 34

HSL 25.94, 0.77%, 0.51%

LAB 60.79, 37.41, 60.26

 

CMYK 54 / 0 / 85 / 11

HEX #68E222

RGB 104 226 34

HSL 98.13, 0.77%, 0.51%

LAB 80.43, -63.55, 73.53

 

CMYK 86 / 38 / 0 / 11

HEX #208CE2

RGB 32 140 226

HSL 206.6, 0.77%, 0.51%

LAB 56.64, 1.62, -51.74

 

CMYK 6 / 85 / 0 / 11

HEX #D522E2

RGB 213 34 226

HSL 295.94, 0.77%, 0.51%

LAB 52.71, 83.89, -57.19

 

CMYK 0 / 48 / 85 / 11

HEX #E27522

RGB 226 117 34

HSL 25.94, 0.77%, 0.51%

LAB 60.79, 37.41, 60.26

 

CMYK 79 / 0 / 85 / 11

HEX #2FE222

RGB 47 226 34

HSL 115.94, 0.77%, 0.51%

LAB 79.11, -74.66, 71.85

 

Description

Color code: HEX #208CE2 | qconv.com Color code: HEX #208CE2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 140 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 140 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 38 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 38% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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