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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #208674 it is the complementary color #DF798B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #208674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #208674 shade: #25866F, #369882, #47AA95, #58BCA8 and #69CEBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #208674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #208674 shade: #208674, #0F7461, #00624E, #00503B and #003E28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #208674 shade: #218775, #21875A, #21873E, #218722 and #3B8721

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #208674 shade: #218775, #217E87, #216287, #214787 and #212B87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #208674 shade matches the following richer shades: #218775, #13957E and #06A387

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #208674 shade: #218775, #2E7A6D, #3C6C64, #4A5F5B and #575152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #208674 shade: #21873E, #218759, #218775, #217F87 and #216487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #208674 shade: #11453C, #196659, #218775, #29A992 and #31CAAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #208674 shade: #208674, #232187 and #874C21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #208674 shade: #208674, #752187 and #877521

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #208674 shade: #208674, #232187, #872134 and #868721

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #208674 shade: #208674, #412187, #872134 and #678721

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 13 / 47

HEX #208674

RGB 32 134 116

HSL 169.41, 0.61%, 0.33%

LAB 50.24, -32.78, 1.53

 

Complementary color

CMYK 0 / 46 / 38 / 13

HEX #DF798B

RGB 223 121 139

HSL 349.41, 0.61%, 0.67%

LAB 62.7, 41.41, 8.14

 

CMYK 72 / 0 / 17 / 47

HEX #25866F

RGB 37 134 111

HSL 165.77, 0.57%, 0.34%

LAB 50.21, -33.44, 4.41

 

CMYK 64 / 0 / 14 / 40

HEX #369882

RGB 54 152 130

HSL 166.53, 0.48%, 0.4%

LAB 56.93, -33.87, 3.22

 

CMYK 58 / 0 / 12 / 33

HEX #47AA95

RGB 71 170 149

HSL 167.27, 0.41%, 0.47%

LAB 63.56, -34.08, 2.18

 

CMYK 53 / 0 / 11 / 26

HEX #58BCA8

RGB 88 188 168

HSL 168, 0.43%, 0.54%

LAB 70.08, -34.15, 1.23

 

CMYK 49 / 0 / 9 / 19

HEX #69CEBB

RGB 105 206 187

HSL 168.71, 0.51%, 0.61%

LAB 76.52, -34.14, 0.36

 

CMYK 76 / 0 / 13 / 47

HEX #208674

RGB 32 134 116

HSL 169.41, 0.61%, 0.33%

LAB 50.24, -32.78, 1.53

 

CMYK 87 / 0 / 16 / 55

HEX #0F7461

RGB 15 116 97

HSL 168.71, 0.77%, 0.26%

LAB 43.44, -31.74, 2.87

 

CMYK 100 / 0 / 20 / 62

HEX #00624E

RGB 0 98 78

HSL 167.76, 1%, 0.19%

LAB 36.53, -30.21, 4.43

 

CMYK 100 / 0 / 26 / 69

HEX #00503B

RGB 0 80 59

HSL 164.25, 1%, 0.16%

LAB 29.55, -27.51, 6.37

 

CMYK 100 / 0 / 35 / 76

HEX #003E28

RGB 0 62 40

HSL 158.71, 1%, 0.12%

LAB 22.3, -24.65, 8.5

 

CMYK 76 / 0 / 13 / 47

HEX #218775

RGB 33 135 117

HSL 169.41, 0.61%, 0.33%

LAB 50.61, -32.84, 1.49

 

CMYK 76 / 0 / 33 / 47

HEX #21875A

RGB 33 135 90

HSL 153.53, 0.61%, 0.33%

LAB 49.97, -39.67, 16.18

 

CMYK 76 / 0 / 54 / 47

HEX #21873E

RGB 33 135 62

HSL 137.06, 0.61%, 0.33%

LAB 49.49, -45.01, 30.95

 

CMYK 76 / 0 / 75 / 47

HEX #218722

RGB 33 135 34

HSL 120.59, 0.61%, 0.33%

LAB 49.21, -48.4, 43.61

 

CMYK 56 / 0 / 76 / 47

HEX #3B8721

RGB 59 135 33

HSL 104.71, 0.61%, 0.33%

LAB 49.94, -42.48, 44.96

 

CMYK 76 / 0 / 13 / 47

HEX #218775

RGB 33 135 117

HSL 169.41, 0.61%, 0.33%

LAB 50.61, -32.84, 1.49

 

CMYK 76 / 7 / 0 / 47

HEX #217E87

RGB 33 126 135

HSL 185.29, 0.61%, 0.33%

LAB 48.25, -22.95, -12.57

 

CMYK 76 / 27 / 0 / 47

HEX #216287

RGB 33 98 135

HSL 201.76, 0.61%, 0.33%

LAB 39.26, -7.21, -26.4

 

CMYK 76 / 47 / 0 / 47

HEX #214787

RGB 33 71 135

HSL 217.65, 0.61%, 0.33%

LAB 30.83, 10.24, -39.75

 

CMYK 76 / 68 / 0 / 47

HEX #212B87

RGB 33 43 135

HSL 234.12, 0.61%, 0.33%

LAB 23, 29.47, -52.46

 

CMYK 76 / 0 / 13 / 47

HEX #218775

RGB 33 135 117

HSL 169.41, 0.61%, 0.33%

LAB 50.61, -32.84, 1.49

 

CMYK 87 / 0 / 15 / 42

HEX #13957E

RGB 19 149 126

HSL 169.38, 0.77%, 0.33%

LAB 55.22, -38.08, 2.94

 

CMYK 96 / 0 / 17 / 36

HEX #06A387

RGB 6 163 135

HSL 169.3, 0.93%, 0.33%

LAB 59.87, -42.34, 4.55

 

CMYK 76 / 0 / 13 / 47

HEX #218775

RGB 33 135 117

HSL 169.41, 0.61%, 0.33%

LAB 50.61, -32.84, 1.49

 

CMYK 62 / 0 / 11 / 52

HEX #2E7A6D

RGB 46 122 109

HSL 169.74, 0.45%, 0.33%

LAB 46.45, -26.66, 0.17

 

CMYK 44 / 0 / 7 / 58

HEX #3C6C64

RGB 60 108 100

HSL 170, 0.29%, 0.33%

LAB 42.16, -18.45, -0.63

 

CMYK 22 / 0 / 4 / 63

HEX #4A5F5B

RGB 74 95 91

HSL 168.57, 0.12%, 0.33%

LAB 38.54, -8.87, -0.33

 

CMYK 0 / 7 / 6 / 66

HEX #575152

RGB 87 81 82

HSL 350, 0.04%, 0.33%

LAB 35.04, 2.66, 0.29

 

CMYK 76 / 0 / 54 / 47

HEX #21873E

RGB 33 135 62

HSL 137.06, 0.61%, 0.33%

LAB 49.49, -45.01, 30.95

 

CMYK 76 / 0 / 34 / 47

HEX #218759

RGB 33 135 89

HSL 152.94, 0.61%, 0.33%

LAB 49.94, -39.89, 16.72

 

CMYK 76 / 0 / 13 / 47

HEX #218775

RGB 33 135 117

HSL 169.41, 0.61%, 0.33%

LAB 50.61, -32.84, 1.49

 

CMYK 76 / 6 / 0 / 47

HEX #217F87

RGB 33 127 135

HSL 184.71, 0.61%, 0.33%

LAB 48.58, -23.46, -12.08

 

CMYK 76 / 26 / 0 / 47

HEX #216487

RGB 33 100 135

HSL 200.59, 0.61%, 0.33%

LAB 39.89, -8.41, -25.41

 

CMYK 75 / 0 / 13 / 73

HEX #11453C

RGB 17 69 60

HSL 169.62, 0.6%, 0.17%

LAB 25.87, -19.43, 0.49

 

CMYK 75 / 0 / 13 / 60

HEX #196659

RGB 25 102 89

HSL 169.87, 0.61%, 0.25%

LAB 38.6, -26.23, 0.72

 

CMYK 76 / 0 / 13 / 47

HEX #218775

RGB 33 135 117

HSL 169.41, 0.61%, 0.33%

LAB 50.61, -32.84, 1.49

 

CMYK 76 / 0 / 14 / 34

HEX #29A992

RGB 41 169 146

HSL 169.22, 0.61%, 0.41%

LAB 62.44, -39.28, 2.14

 

CMYK 76 / 0 / 13 / 21

HEX #31CAAF

RGB 49 202 175

HSL 169.41, 0.61%, 0.49%

LAB 73.54, -45.04, 2.32

 

CMYK 76 / 0 / 13 / 47

HEX #208674

RGB 32 134 116

HSL 169.41, 0.61%, 0.33%

LAB 50.24, -32.78, 1.53

 

CMYK 74 / 76 / 0 / 47

HEX #232187

RGB 35 33 135

HSL 241.18, 0.61%, 0.33%

LAB 20.81, 36.03, -56.07

 

CMYK 0 / 44 / 76 / 47

HEX #874C21

RGB 135 76 33

HSL 25.29, 0.61%, 0.33%

LAB 38.6, 21.27, 35.29

 

CMYK 76 / 0 / 13 / 47

HEX #208674

RGB 32 134 116

HSL 169.41, 0.61%, 0.33%

LAB 50.24, -32.78, 1.53

 

CMYK 13 / 76 / 0 / 47

HEX #752187

RGB 117 33 135

HSL 289.41, 0.61%, 0.33%

LAB 30.92, 50.33, -39.16

 

CMYK 0 / 13 / 76 / 47

HEX #877521

RGB 135 117 33

HSL 49.41, 0.61%, 0.33%

LAB 49.48, -2.58, 46.22

 

CMYK 76 / 0 / 13 / 47

HEX #208674

RGB 32 134 116

HSL 169.41, 0.61%, 0.33%

LAB 50.24, -32.78, 1.53

 

CMYK 74 / 76 / 0 / 47

HEX #232187

RGB 35 33 135

HSL 241.18, 0.61%, 0.33%

LAB 20.81, 36.03, -56.07

 

CMYK 0 / 76 / 61 / 47

HEX #872134

RGB 135 33 52

HSL 348.82, 0.61%, 0.33%

LAB 30.61, 43.91, 14.36

 

CMYK 1 / 0 / 76 / 47

HEX #868721

RGB 134 135 33

HSL 60.59, 0.61%, 0.33%

LAB 54.56, -12.97, 51.03

 

CMYK 76 / 0 / 13 / 47

HEX #208674

RGB 32 134 116

HSL 169.41, 0.61%, 0.33%

LAB 50.24, -32.78, 1.53

 

CMYK 52 / 76 / 0 / 47

HEX #412187

RGB 65 33 135

HSL 258.82, 0.61%, 0.33%

LAB 23.54, 40.11, -51.47

 

CMYK 0 / 76 / 61 / 47

HEX #872134

RGB 135 33 52

HSL 348.82, 0.61%, 0.33%

LAB 30.61, 43.91, 14.36

 

CMYK 24 / 0 / 76 / 47

HEX #678721

RGB 103 135 33

HSL 78.82, 0.61%, 0.33%

LAB 52.2, -26.6, 47.95

 

Description

Color code: HEX #208674 | qconv.com Color code: HEX #208674 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 134 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 134 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 13 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 13% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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