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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2076DA it is the complementary color #DF8925. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2076DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2076DA shade: #2576D5, #3688E8, #479AFB, #58ACFF and #69BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2076DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2076DA shade: #2076DA, #0F64C7, #0052B4, #0040A1 and #002E8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2076DA shade: #2076D9, #2044D9, #2F20D9, #6120D9 and #9220D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2076DA shade: #2076D9, #2044D9 and #2020D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2076DA shade matches the following richer shades: #2076D9 and #0C74EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2076DA shade: #2076D9, #3578C5, #4979B1, #5D7B9D and #717C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2076DA shade: #20D9D9, #20A8D9, #2077D9, #2045D9 and #2D20D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2076DA shade: #164F92, #1B63B6, #2076D9, #418BE3 and #65A1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2076DA shade: #2076DA, #A820D9 and #C1D920

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2076DA shade: #2076DA, #D92077 and #77D920

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2076DA shade: #2076DA, #A820D9, #D98320 and #52D920

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2076DA shade: #2076DA, #D920D3, #D98320 and #20D927

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 46 / 0 / 15

HEX #2076DA

RGB 32 118 218

HSL 212.26, 0.74%, 0.49%

LAB 49.89, 12.04, -58.04

 

Complementary color

CMYK 0 / 39 / 83 / 13

HEX #DF8925

RGB 223 137 37

HSL 32.26, 0.74%, 0.51%

LAB 64.73, 25.8, 62.4

 

CMYK 83 / 45 / 0 / 16

HEX #2576D5

RGB 37 118 213

HSL 212.39, 0.7%, 0.49%

LAB 49.68, 10.52, -55.54

 

CMYK 77 / 41 / 0 / 9

HEX #3688E8

RGB 54 136 232

HSL 212.36, 0.79%, 0.56%

LAB 56.31, 8.23, -55.58

 

CMYK 72 / 39 / 0 / 2

HEX #479AFB

RGB 71 154 251

HSL 212.33, 0.96%, 0.63%

LAB 62.86, 6.36, -55.6

 

CMYK 65 / 33 / 0 / 0

HEX #58ACFF

RGB 88 172 255

HSL 209.82, 1%, 0.67%

LAB 68.61, -0.17, -48.63

 

CMYK 59 / 25 / 0 / 0

HEX #69BEFF

RGB 105 190 255

HSL 206, 1%, 0.71%

LAB 74.22, -7.18, -39.79

 

CMYK 85 / 46 / 0 / 15

HEX #2076DA

RGB 32 118 218

HSL 212.26, 0.74%, 0.49%

LAB 49.89, 12.04, -58.04

 

CMYK 92 / 50 / 0 / 22

HEX #0F64C7

RGB 15 100 199

HSL 212.28, 0.86%, 0.42%

LAB 43.27, 15.1, -57.87

 

CMYK 100 / 54 / 0 / 29

HEX #0052B4

RGB 0 82 180

HSL 212.67, 1%, 0.35%

LAB 36.61, 18.76, -57.59

 

CMYK 100 / 60 / 0 / 37

HEX #0040A1

RGB 0 64 161

HSL 216.15, 1%, 0.32%

LAB 30.01, 23.21, -57

 

CMYK 100 / 68 / 0 / 44

HEX #002E8E

RGB 0 46 142

HSL 220.56, 1%, 0.28%

LAB 23.36, 27.86, -56.27

 

CMYK 85 / 46 / 0 / 15

HEX #2076D9

RGB 32 118 217

HSL 212.11, 0.74%, 0.49%

LAB 49.83, 11.66, -57.58

 

CMYK 85 / 69 / 0 / 15

HEX #2044D9

RGB 32 68 217

HSL 228.32, 0.74%, 0.49%

LAB 36.84, 43.57, -78.73

 

CMYK 78 / 85 / 0 / 15

HEX #2F20D9

RGB 47 32 217

HSL 244.86, 0.74%, 0.49%

LAB 30.99, 62.85, -88.4

 

CMYK 55 / 85 / 0 / 15

HEX #6120D9

RGB 97 32 217

HSL 261.08, 0.74%, 0.49%

LAB 35.17, 66.41, -81.34

 

CMYK 33 / 85 / 0 / 15

HEX #9220D9

RGB 146 32 217

HSL 276.97, 0.74%, 0.49%

LAB 41.46, 72.24, -70.77

 

CMYK 85 / 46 / 0 / 15

HEX #2076D9

RGB 32 118 217

HSL 212.11, 0.74%, 0.49%

LAB 49.83, 11.66, -57.58

 

CMYK 85 / 69 / 0 / 15

HEX #2044D9

RGB 32 68 217

HSL 228.32, 0.74%, 0.49%

LAB 36.84, 43.57, -78.73

 

CMYK 85 / 85 / 0 / 15

HEX #2020D9

RGB 32 32 217

HSL 240, 0.74%, 0.49%

LAB 30.28, 62.28, -89.6

 

CMYK 85 / 46 / 0 / 15

HEX #2076D9

RGB 32 118 217

HSL 212.11, 0.74%, 0.49%

LAB 49.83, 11.66, -57.58

 

CMYK 95 / 51 / 0 / 7

HEX #0C74EE

RGB 12 116 238

HSL 212.39, 0.9%, 0.49%

LAB 50.38, 20.06, -68.5

 

CMYK 85 / 46 / 0 / 15

HEX #2076D9

RGB 32 118 217

HSL 212.11, 0.74%, 0.49%

LAB 49.83, 11.66, -57.58

 

CMYK 73 / 39 / 0 / 23

HEX #3578C5

RGB 53 120 197

HSL 212.08, 0.58%, 0.49%

LAB 49.76, 5.06, -46.26

 

CMYK 59 / 32 / 0 / 31

HEX #4979B1

RGB 73 121 177

HSL 212.31, 0.42%, 0.49%

LAB 49.82, 0.87, -34.61

 

CMYK 41 / 22 / 0 / 38

HEX #5D7B9D

RGB 93 123 157

HSL 211.88, 0.26%, 0.49%

LAB 50.6, -1.64, -21.67

 

CMYK 18 / 9 / 0 / 46

HEX #717C89

RGB 113 124 137

HSL 212.5, 0.1%, 0.49%

LAB 51.53, -1.15, -8.43

 

CMYK 85 / 0 / 0 / 15

HEX #20D9D9

RGB 32 217 217

HSL 180, 0.74%, 0.49%

LAB 79.01, -41.39, -12.23

 

CMYK 85 / 23 / 0 / 15

HEX #20A8D9

RGB 32 168 217

HSL 195.89, 0.74%, 0.49%

LAB 64.42, -17.46, -34.49

 

CMYK 85 / 45 / 0 / 15

HEX #2077D9

RGB 32 119 217

HSL 211.78, 0.74%, 0.49%

LAB 50.11, 11.03, -57.12

 

CMYK 85 / 68 / 0 / 15

HEX #2045D9

RGB 32 69 217

HSL 228, 0.74%, 0.49%

LAB 37.07, 42.95, -78.36

 

CMYK 79 / 85 / 0 / 15

HEX #2D20D9

RGB 45 32 217

HSL 244.22, 0.74%, 0.49%

LAB 30.88, 62.76, -88.58

 

CMYK 85 / 46 / 0 / 43

HEX #164F92

RGB 22 79 146

HSL 212.42, 0.74%, 0.33%

LAB 33.64, 7.99, -42

 

CMYK 85 / 46 / 0 / 29

HEX #1B63B6

RGB 27 99 182

HSL 212.13, 0.74%, 0.41%

LAB 42.05, 9.73, -49.95

 

CMYK 85 / 46 / 0 / 15

HEX #2076D9

RGB 32 118 217

HSL 212.11, 0.74%, 0.49%

LAB 49.83, 11.66, -57.58

 

CMYK 71 / 39 / 0 / 11

HEX #418BE3

RGB 65 139 227

HSL 212.59, 0.74%, 0.57%

LAB 57.21, 5.99, -51.34

 

CMYK 56 / 31 / 0 / 9

HEX #65A1E8

RGB 101 161 232

HSL 212.52, 0.74%, 0.65%

LAB 65.03, 1.01, -41.67

 

CMYK 85 / 46 / 0 / 15

HEX #2076DA

RGB 32 118 218

HSL 212.26, 0.74%, 0.49%

LAB 49.89, 12.04, -58.04

 

CMYK 23 / 85 / 0 / 15

HEX #A820D9

RGB 168 32 217

HSL 284.11, 0.74%, 0.49%

LAB 44.76, 75.46, -65.26

 

CMYK 11 / 0 / 85 / 15

HEX #C1D920

RGB 193 217 32

HSL 67.78, 0.74%, 0.49%

LAB 82.41, -28.63, 77.47

 

CMYK 85 / 46 / 0 / 15

HEX #2076DA

RGB 32 118 218

HSL 212.26, 0.74%, 0.49%

LAB 49.89, 12.04, -58.04

 

CMYK 0 / 85 / 45 / 15

HEX #D92077

RGB 217 32 119

HSL 331.78, 0.74%, 0.49%

LAB 48.41, 71.88, -0.81

 

CMYK 45 / 0 / 85 / 15

HEX #77D920

RGB 119 217 32

HSL 91.78, 0.74%, 0.49%

LAB 78.26, -56, 72.28

 

CMYK 85 / 46 / 0 / 15

HEX #2076DA

RGB 32 118 218

HSL 212.26, 0.74%, 0.49%

LAB 49.89, 12.04, -58.04

 

CMYK 23 / 85 / 0 / 15

HEX #A820D9

RGB 168 32 217

HSL 284.11, 0.74%, 0.49%

LAB 44.76, 75.46, -65.26

 

CMYK 0 / 40 / 85 / 15

HEX #D98320

RGB 217 131 32

HSL 32.11, 0.74%, 0.49%

LAB 62.58, 26.34, 61.93

 

CMYK 62 / 0 / 85 / 15

HEX #52D920

RGB 82 217 32

HSL 103.78, 0.74%, 0.49%

LAB 77, -65.97, 70.69

 

CMYK 85 / 46 / 0 / 15

HEX #2076DA

RGB 32 118 218

HSL 212.26, 0.74%, 0.49%

LAB 49.89, 12.04, -58.04

 

CMYK 0 / 85 / 3 / 15

HEX #D920D3

RGB 217 32 211

HSL 301.95, 0.74%, 0.49%

LAB 52.38, 82.69, -49.13

 

CMYK 0 / 40 / 85 / 15

HEX #D98320

RGB 217 131 32

HSL 32.11, 0.74%, 0.49%

LAB 62.58, 26.34, 61.93

 

CMYK 85 / 0 / 82 / 15

HEX #20D927

RGB 32 217 39

HSL 122.27, 0.74%, 0.49%

LAB 76.12, -73.43, 67.91

 

Description

Color code: HEX #2076DA | qconv.com Color code: HEX #2076DA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 118 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 118 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 46 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 46% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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