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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #207388 it is the complementary color #DF8C77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #207388. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #207388 shade: #257383, #368596, #4797A9, #58A9BC and #69BBCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #207388. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #207388 shade: #207388, #0F6175, #004F62, #003D4F and #002B3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #207388 shade: #207388, #205788, #203B88, #212088 and #3D2088

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #207388 shade: #207388, #205788, #203B88 and #202088

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #207388 shade matches the following richer shades: #207388, #127B96 and #0583A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #207388 shade: #207388, #2E6B7B, #3B636D, #495B5F and #565352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #207388 shade: #208866, #208881, #207388, #205888 and #203C88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #207388 shade: #103B45, #185767, #207388, #288FAA and #30ACCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #207388 shade: #207388, #4A2088 and #887320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #207388 shade: #207388, #882073 and #738820

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #207388 shade: #207388, #4A2088, #883520 and #5F8820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #207388 shade: #207388, #692088, #883520 and #3F8820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

Complementary color

CMYK 0 / 37 / 47 / 13

HEX #DF8C77

RGB 223 140 119

HSL 12.12, 0.62%, 0.67%

LAB 66.35, 29.3, 24.47

 

CMYK 72 / 12 / 0 / 49

HEX #257383

RGB 37 115 131

HSL 190.21, 0.56%, 0.33%

LAB 44.65, -17.83, -15.66

 

CMYK 64 / 11 / 0 / 41

HEX #368596

RGB 54 133 150

HSL 190.63, 0.47%, 0.4%

LAB 51.57, -18.57, -16.28

 

CMYK 58 / 11 / 0 / 34

HEX #4797A9

RGB 71 151 169

HSL 191.02, 0.41%, 0.47%

LAB 58.36, -19.06, -16.83

 

CMYK 53 / 10 / 0 / 26

HEX #58A9BC

RGB 88 169 188

HSL 191.4, 0.43%, 0.54%

LAB 65.03, -19.4, -17.34

 

CMYK 49 / 10 / 0 / 19

HEX #69BBCF

RGB 105 187 207

HSL 191.76, 0.52%, 0.61%

LAB 71.59, -19.64, -17.82

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 87 / 17 / 0 / 54

HEX #0F6175

RGB 15 97 117

HSL 191.76, 0.77%, 0.26%

LAB 37.73, -15.39, -17.83

 

CMYK 100 / 19 / 0 / 62

HEX #004F62

RGB 0 79 98

HSL 191.63, 1%, 0.19%

LAB 30.58, -13.41, -17

 

CMYK 100 / 23 / 0 / 69

HEX #003D4F

RGB 0 61 79

HSL 193.67, 1%, 0.15%

LAB 23.34, -10.18, -15.89

 

CMYK 100 / 28 / 0 / 76

HEX #002B3C

RGB 0 43 60

HSL 197, 1%, 0.12%

LAB 15.77, -6.7, -14.8

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 76 / 36 / 0 / 47

HEX #205788

RGB 32 87 136

HSL 208.27, 0.62%, 0.33%

LAB 35.79, -0.11, -32.46

 

CMYK 76 / 57 / 0 / 47

HEX #203B88

RGB 32 59 136

HSL 224.42, 0.62%, 0.33%

LAB 27.33, 18.77, -46.02

 

CMYK 76 / 76 / 0 / 47

HEX #212088

RGB 33 32 136

HSL 240.58, 0.62%, 0.33%

LAB 20.57, 36.78, -57.09

 

CMYK 55 / 76 / 0 / 47

HEX #3D2088

RGB 61 32 136

HSL 256.73, 0.62%, 0.33%

LAB 23.01, 40.29, -52.99

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 76 / 36 / 0 / 47

HEX #205788

RGB 32 87 136

HSL 208.27, 0.62%, 0.33%

LAB 35.79, -0.11, -32.46

 

CMYK 76 / 57 / 0 / 47

HEX #203B88

RGB 32 59 136

HSL 224.42, 0.62%, 0.33%

LAB 27.33, 18.77, -46.02

 

CMYK 76 / 76 / 0 / 47

HEX #202088

RGB 32 32 136

HSL 240, 0.62%, 0.33%

LAB 20.51, 36.68, -57.19

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 88 / 18 / 0 / 41

HEX #127B96

RGB 18 123 150

HSL 192.27, 0.79%, 0.33%

LAB 47.62, -17.68, -22.39

 

CMYK 97 / 20 / 0 / 36

HEX #0583A4

RGB 5 131 164

HSL 192.45, 0.94%, 0.33%

LAB 50.62, -17.69, -25.94

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 63 / 13 / 0 / 52

HEX #2E6B7B

RGB 46 107 123

HSL 192.47, 0.46%, 0.33%

LAB 42.04, -14.45, -14.8

 

CMYK 46 / 9 / 0 / 57

HEX #3B636D

RGB 59 99 109

HSL 192, 0.3%, 0.33%

LAB 39.51, -11.15, -10.07

 

CMYK 23 / 4 / 0 / 63

HEX #495B5F

RGB 73 91 95

HSL 190.91, 0.13%, 0.33%

LAB 37.34, -5.86, -4.59

 

CMYK 0 / 3 / 5 / 66

HEX #565352

RGB 86 83 82

HSL 15, 0.02%, 0.33%

LAB 35.55, 1.01, 1.01

 

CMYK 76 / 0 / 25 / 47

HEX #208866

RGB 32 136 102

HSL 160.38, 0.62%, 0.33%

LAB 50.54, -37.39, 10.09

 

CMYK 76 / 0 / 5 / 47

HEX #208881

RGB 32 136 129

HSL 175.96, 0.62%, 0.33%

LAB 51.27, -29.96, -4.55

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 76 / 35 / 0 / 47

HEX #205888

RGB 32 88 136

HSL 207.69, 0.62%, 0.33%

LAB 36.11, -0.75, -31.96

 

CMYK 76 / 56 / 0 / 47

HEX #203C88

RGB 32 60 136

HSL 223.85, 0.62%, 0.33%

LAB 27.62, 18.08, -45.56

 

CMYK 77 / 14 / 0 / 73

HEX #103B45

RGB 16 59 69

HSL 191.32, 0.62%, 0.17%

LAB 22.54, -10.76, -10.44

 

CMYK 77 / 16 / 0 / 60

HEX #185767

RGB 24 87 103

HSL 192.15, 0.62%, 0.25%

LAB 33.96, -13.72, -14.91

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 76 / 16 / 0 / 33

HEX #288FAA

RGB 40 143 170

HSL 192.46, 0.62%, 0.41%

LAB 55.07, -19.46, -22.5

 

CMYK 76 / 15 / 0 / 20

HEX #30ACCB

RGB 48 172 203

HSL 192, 0.62%, 0.49%

LAB 65.31, -22.82, -25.34

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 46 / 76 / 0 / 47

HEX #4A2088

RGB 74 32 136

HSL 264.23, 0.62%, 0.33%

LAB 24.53, 42.42, -50.43

 

CMYK 0 / 15 / 76 / 47

HEX #887320

RGB 136 115 32

HSL 47.88, 0.62%, 0.33%

LAB 49.01, -1.03, 46.2

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 0 / 76 / 15 / 47

HEX #882073

RGB 136 32 115

HSL 312.12, 0.62%, 0.33%

LAB 32.93, 51.66, -23.21

 

CMYK 15 / 0 / 76 / 47

HEX #738820

RGB 115 136 32

HSL 72.12, 0.62%, 0.33%

LAB 53.34, -22.02, 49.7

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 46 / 76 / 0 / 47

HEX #4A2088

RGB 74 32 136

HSL 264.23, 0.62%, 0.33%

LAB 24.53, 42.42, -50.43

 

CMYK 0 / 61 / 76 / 47

HEX #883520

RGB 136 53 32

HSL 12.12, 0.62%, 0.33%

LAB 33.74, 34.23, 30.7

 

CMYK 30 / 0 / 76 / 47

HEX #5F8820

RGB 95 136 32

HSL 83.65, 0.62%, 0.33%

LAB 52, -30.41, 47.95

 

CMYK 76 / 15 / 0 / 47

HEX #207388

RGB 32 115 136

HSL 192.12, 0.62%, 0.33%

LAB 44.73, -16.83, -18.54

 

CMYK 23 / 76 / 0 / 47

HEX #692088

RGB 105 32 136

HSL 282.12, 0.62%, 0.33%

LAB 28.94, 48.37, -43.08

 

CMYK 0 / 61 / 76 / 47

HEX #883520

RGB 136 53 32

HSL 12.12, 0.62%, 0.33%

LAB 33.74, 34.23, 30.7

 

CMYK 54 / 0 / 76 / 47

HEX #3F8820

RGB 63 136 32

HSL 102.12, 0.62%, 0.33%

LAB 50.42, -41.77, 45.86

 

Description

Color code: HEX #207388 | qconv.com Color code: HEX #207388 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 115 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 115 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 15 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 15% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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