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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2063B5 it is the complementary color #DF9C4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2063B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2063B5 shade: #2563B0, #3675C3, #4787D6, #5899E9 and #69ABFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2063B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2063B5 shade: #2063B5, #0F51A2, #003F8F, #002D7C and #001B69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2063B5 shade: #2063B6, #203BB6, #2D20B6, #5620B6 and #7E20B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2063B5 shade: #2063B6, #203BB6 and #2020B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2063B5 shade matches the following richer shades: #2063B6 and #0E61C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2063B5 shade: #2063B6, #3165A4, #426793, #546882 and #656A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2063B5 shade: #20B3B6, #208BB6, #2063B6, #203BB6 and #2C20B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2063B5 shade: #133D6F, #195092, #2063B6, #2676D8 and #498CDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2063B5 shade: #2063B5, #9020B6 and #9FB620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2063B5 shade: #2063B5, #B62063 and #63B620

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2063B5 shade: #2063B5, #9020B6, #B67220 and #45B620

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2063B5 shade: #2063B5, #B620AE, #B67220 and #20B627

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 45 / 0 / 29

HEX #2063B5

RGB 32 99 181

HSL 213.02, 0.7%, 0.42%

LAB 42.1, 9.77, -49.28

 

Complementary color

CMYK 0 / 30 / 67 / 13

HEX #DF9C4A

RGB 223 156 74

HSL 33.02, 0.7%, 0.58%

LAB 69.44, 17.21, 51.7

 

CMYK 79 / 44 / 0 / 31

HEX #2563B0

RGB 37 99 176

HSL 213.24, 0.65%, 0.42%

LAB 41.93, 8.34, -46.62

 

CMYK 72 / 40 / 0 / 24

HEX #3675C3

RGB 54 117 195

HSL 213.19, 0.57%, 0.49%

LAB 48.82, 6.32, -46.62

 

CMYK 67 / 37 / 0 / 16

HEX #4787D6

RGB 71 135 214

HSL 213.15, 0.64%, 0.56%

LAB 55.61, 4.73, -46.59

 

CMYK 62 / 34 / 0 / 9

HEX #5899E9

RGB 88 153 233

HSL 213.1, 0.77%, 0.63%

LAB 62.29, 3.45, -46.57

 

CMYK 58 / 32 / 0 / 1

HEX #69ABFC

RGB 105 171 252

HSL 213.06, 0.96%, 0.7%

LAB 68.87, 2.41, -46.55

 

CMYK 82 / 45 / 0 / 29

HEX #2063B5

RGB 32 99 181

HSL 213.02, 0.7%, 0.42%

LAB 42.1, 9.77, -49.28

 

CMYK 91 / 50 / 0 / 36

HEX #0F51A2

RGB 15 81 162

HSL 213.06, 0.83%, 0.35%

LAB 35.19, 12.69, -49.17

 

CMYK 100 / 56 / 0 / 44

HEX #003F8F

RGB 0 63 143

HSL 213.57, 1%, 0.28%

LAB 28.22, 16.32, -48.95

 

CMYK 100 / 64 / 0 / 51

HEX #002D7C

RGB 0 45 124

HSL 218.23, 1%, 0.24%

LAB 21.33, 21.01, -48.32

 

CMYK 100 / 74 / 0 / 59

HEX #001B69

RGB 0 27 105

HSL 224.57, 1%, 0.21%

LAB 14.42, 25.86, -47.42

 

CMYK 82 / 46 / 0 / 29

HEX #2063B6

RGB 32 99 182

HSL 213.2, 0.7%, 0.42%

LAB 42.17, 10.16, -49.76

 

CMYK 82 / 68 / 0 / 29

HEX #203BB6

RGB 32 59 182

HSL 229.2, 0.7%, 0.42%

LAB 31.38, 36.49, -67.31

 

CMYK 75 / 82 / 0 / 29

HEX #2D20B6

RGB 45 32 182

HSL 245.2, 0.7%, 0.42%

LAB 26.64, 52.56, -75.1

 

CMYK 53 / 82 / 0 / 29

HEX #5620B6

RGB 86 32 182

HSL 261.6, 0.7%, 0.42%

LAB 30.37, 56.39, -68.82

 

CMYK 31 / 82 / 0 / 29

HEX #7E20B6

RGB 126 32 182

HSL 277.6, 0.7%, 0.42%

LAB 35.69, 62.01, -59.9

 

CMYK 82 / 46 / 0 / 29

HEX #2063B6

RGB 32 99 182

HSL 213.2, 0.7%, 0.42%

LAB 42.17, 10.16, -49.76

 

CMYK 82 / 68 / 0 / 29

HEX #203BB6

RGB 32 59 182

HSL 229.2, 0.7%, 0.42%

LAB 31.38, 36.49, -67.31

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 82 / 46 / 0 / 29

HEX #2063B6

RGB 32 99 182

HSL 213.2, 0.7%, 0.42%

LAB 42.17, 10.16, -49.76

 

CMYK 93 / 51 / 0 / 22

HEX #0E61C7

RGB 14 97 199

HSL 213.08, 0.87%, 0.42%

LAB 42.41, 17.02, -59.27

 

CMYK 82 / 46 / 0 / 29

HEX #2063B6

RGB 32 99 182

HSL 213.2, 0.7%, 0.42%

LAB 42.17, 10.16, -49.76

 

CMYK 70 / 38 / 0 / 36

HEX #3165A4

RGB 49 101 164

HSL 212.87, 0.54%, 0.42%

LAB 42.22, 4.15, -39.06

 

CMYK 55 / 30 / 0 / 42

HEX #426793

RGB 66 103 147

HSL 212.59, 0.38%, 0.42%

LAB 42.71, 0.28, -28.12

 

CMYK 35 / 20 / 0 / 49

HEX #546882

RGB 84 104 130

HSL 213.91, 0.21%, 0.42%

LAB 43.36, -0.66, -16.84

 

CMYK 10 / 5 / 0 / 56

HEX #656A70

RGB 101 106 112

HSL 212.73, 0.05%, 0.42%

LAB 44.58, -0.6, -4.02

 

CMYK 82 / 2 / 0 / 29

HEX #20B3B6

RGB 32 179 182

HSL 181.2, 0.7%, 0.42%

LAB 66.46, -34.4, -11.98

 

CMYK 82 / 24 / 0 / 29

HEX #208BB6

RGB 32 139 182

HSL 197.2, 0.7%, 0.42%

LAB 54.19, -13.95, -30.75

 

CMYK 82 / 46 / 0 / 29

HEX #2063B6

RGB 32 99 182

HSL 213.2, 0.7%, 0.42%

LAB 42.17, 10.16, -49.76

 

CMYK 82 / 68 / 0 / 29

HEX #203BB6

RGB 32 59 182

HSL 229.2, 0.7%, 0.42%

LAB 31.38, 36.49, -67.31

 

CMYK 76 / 82 / 0 / 29

HEX #2C20B6

RGB 44 32 182

HSL 244.8, 0.7%, 0.42%

LAB 26.58, 52.5, -75.21

 

CMYK 83 / 45 / 0 / 56

HEX #133D6F

RGB 19 61 111

HSL 212.61, 0.71%, 0.25%

LAB 25.63, 5.44, -33.04

 

CMYK 83 / 45 / 0 / 43

HEX #195092

RGB 25 80 146

HSL 212.73, 0.71%, 0.34%

LAB 34.02, 7.61, -41.38

 

CMYK 82 / 46 / 0 / 29

HEX #2063B6

RGB 32 99 182

HSL 213.2, 0.7%, 0.42%

LAB 42.17, 10.16, -49.76

 

CMYK 82 / 45 / 0 / 15

HEX #2676D8

RGB 38 118 216

HSL 213.03, 0.7%, 0.5%

LAB 49.89, 11.75, -56.9

 

CMYK 67 / 37 / 0 / 13

HEX #498CDF

RGB 73 140 223

HSL 213.2, 0.7%, 0.58%

LAB 57.56, 5.18, -48.53

 

CMYK 82 / 45 / 0 / 29

HEX #2063B5

RGB 32 99 181

HSL 213.02, 0.7%, 0.42%

LAB 42.1, 9.77, -49.28

 

CMYK 21 / 82 / 0 / 29

HEX #9020B6

RGB 144 32 182

HSL 284.8, 0.7%, 0.42%

LAB 38.45, 64.99, -55.29

 

CMYK 13 / 0 / 82 / 29

HEX #9FB620

RGB 159 182 32

HSL 69.2, 0.7%, 0.42%

LAB 70.13, -26.01, 66.08

 

CMYK 82 / 45 / 0 / 29

HEX #2063B5

RGB 32 99 181

HSL 213.02, 0.7%, 0.42%

LAB 42.1, 9.77, -49.28

 

CMYK 0 / 82 / 46 / 29

HEX #B62063

RGB 182 32 99

HSL 333.2, 0.7%, 0.42%

LAB 41.02, 61.48, -0

 

CMYK 46 / 0 / 82 / 29

HEX #63B620

RGB 99 182 32

HSL 93.2, 0.7%, 0.42%

LAB 66.68, -48.77, 61.72

 

CMYK 82 / 45 / 0 / 29

HEX #2063B5

RGB 32 99 181

HSL 213.02, 0.7%, 0.42%

LAB 42.1, 9.77, -49.28

 

CMYK 21 / 82 / 0 / 29

HEX #9020B6

RGB 144 32 182

HSL 284.8, 0.7%, 0.42%

LAB 38.45, 64.99, -55.29

 

CMYK 0 / 37 / 82 / 29

HEX #B67220

RGB 182 114 32

HSL 32.8, 0.7%, 0.42%

LAB 54.12, 20.55, 52.88

 

CMYK 62 / 0 / 82 / 29

HEX #45B620

RGB 69 182 32

HSL 105.2, 0.7%, 0.42%

LAB 65.61, -57.17, 60.35

 

CMYK 82 / 45 / 0 / 29

HEX #2063B5

RGB 32 99 181

HSL 213.02, 0.7%, 0.42%

LAB 42.1, 9.77, -49.28

 

CMYK 0 / 82 / 4 / 29

HEX #B620AE

RGB 182 32 174

HSL 303.2, 0.7%, 0.42%

LAB 44.28, 70.66, -40.85

 

CMYK 0 / 37 / 82 / 29

HEX #B67220

RGB 182 114 32

HSL 32.8, 0.7%, 0.42%

LAB 54.12, 20.55, 52.88

 

CMYK 82 / 0 / 79 / 29

HEX #20B627

RGB 32 182 39

HSL 122.8, 0.7%, 0.42%

LAB 64.89, -63.19, 57.36

 

Description

Color code: HEX #2063B5 | qconv.com Color code: HEX #2063B5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 99 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 99 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 45 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 45% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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