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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2040D0 it is the complementary color #DFBF2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2040D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2040D0 shade: #2540CB, #3652DE, #4764F1, #5876FF and #6988FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2040D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2040D0 shade: #2040D0, #0F2EBD, #001CAA, #000A97 and #000084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2040D0 shade: #2040CF, #3020CF, #5F20CF, #8E20CF and #BD20CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2040D0 shade: #2040CF and #2020CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2040D0 shade matches the following richer shades: #2040CF and #0D34E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2040D0 shade: #2040CF, #344DBC, #4759A9, #5B6595 and #6E7282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2040D0 shade: #209ECF, #206FCF, #2040CF, #2F20CF and #5E20CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2040D0 shade: #152A88, #1B35AC, #2040CF, #3957E0 and #5D75E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2040D0 shade: #2040D0, #CF20CC and #86CF20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2040D0 shade: #2040D0, #CF2040 and #40CF20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2040D0 shade: #2040D0, #CF20CC, #CFAF20 and #20CF23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2040D0 shade: #2040D0, #CF2098, #CFAF20 and #20CF58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 69 / 0 / 18

HEX #2040D0

RGB 32 64 208

HSL 229.09, 0.73%, 0.47%

LAB 35.06, 42.8, -76.47

 

Complementary color

CMYK 0 / 14 / 79 / 13

HEX #DFBF2F

RGB 223 191 47

HSL 49.09, 0.73%, 0.53%

LAB 77.97, -2.55, 70.78

 

CMYK 82 / 68 / 0 / 20

HEX #2540CB

RGB 37 64 203

HSL 230.24, 0.69%, 0.47%

LAB 34.75, 41.34, -74.08

 

CMYK 76 / 63 / 0 / 13

HEX #3652DE

RGB 54 82 222

HSL 230, 0.72%, 0.54%

LAB 41.36, 38.4, -74.13

 

CMYK 71 / 59 / 0 / 5

HEX #4764F1

RGB 71 100 241

HSL 229.76, 0.86%, 0.61%

LAB 48.01, 35.81, -73.97

 

CMYK 65 / 54 / 0 / 0

HEX #5876FF

RGB 88 118 255

HSL 229.22, 1%, 0.67%

LAB 54.29, 31.88, -71.51

 

CMYK 59 / 47 / 0 / 0

HEX #6988FF

RGB 105 136 255

HSL 227.6, 1%, 0.71%

LAB 59.74, 23.83, -62.69

 

CMYK 85 / 69 / 0 / 18

HEX #2040D0

RGB 32 64 208

HSL 229.09, 0.73%, 0.47%

LAB 35.06, 42.8, -76.47

 

CMYK 92 / 76 / 0 / 26

HEX #0F2EBD

RGB 15 46 189

HSL 229.31, 0.85%, 0.4%

LAB 28.72, 46.08, -75.85

 

CMYK 100 / 84 / 0 / 33

HEX #001CAA

RGB 0 28 170

HSL 230.12, 1%, 0.33%

LAB 22.77, 48.97, -74.4

 

CMYK 100 / 93 / 0 / 41

HEX #000A97

RGB 0 10 151

HSL 236.03, 1%, 0.3%

LAB 17.7, 50.4, -71.24

 

CMYK 100 / 100 / 0 / 48

HEX #000084

RGB 0 0 132

HSL 240, 1%, 0.26%

LAB 13.63, 48.58, -66.16

 

CMYK 85 / 69 / 0 / 19

HEX #2040CF

RGB 32 64 207

HSL 229.03, 0.73%, 0.47%

LAB 34.96, 42.45, -76.06

 

CMYK 77 / 85 / 0 / 19

HEX #3020CF

RGB 48 32 207

HSL 245.49, 0.73%, 0.47%

LAB 29.83, 60.07, -84.53

 

CMYK 54 / 85 / 0 / 19

HEX #5F20CF

RGB 95 32 207

HSL 261.6, 0.73%, 0.47%

LAB 33.92, 63.73, -77.62

 

CMYK 31 / 85 / 0 / 19

HEX #8E20CF

RGB 142 32 207

HSL 277.71, 0.73%, 0.47%

LAB 40.06, 69.63, -67.31

 

CMYK 9 / 85 / 0 / 19

HEX #BD20CF

RGB 189 32 207

HSL 293.83, 0.73%, 0.47%

LAB 47.44, 77.14, -55.01

 

CMYK 85 / 69 / 0 / 19

HEX #2040CF

RGB 32 64 207

HSL 229.03, 0.73%, 0.47%

LAB 34.96, 42.45, -76.06

 

CMYK 85 / 85 / 0 / 19

HEX #2020CF

RGB 32 32 207

HSL 240, 0.73%, 0.47%

LAB 29.02, 59.37, -85.9

 

CMYK 85 / 69 / 0 / 19

HEX #2040CF

RGB 32 64 207

HSL 229.03, 0.73%, 0.47%

LAB 34.96, 42.45, -76.06

 

CMYK 94 / 77 / 0 / 11

HEX #0D34E3

RGB 13 52 227

HSL 229.07, 0.89%, 0.47%

LAB 34.16, 55.52, -88.9

 

CMYK 85 / 69 / 0 / 19

HEX #2040CF

RGB 32 64 207

HSL 229.03, 0.73%, 0.47%

LAB 34.96, 42.45, -76.06

 

CMYK 72 / 59 / 0 / 26

HEX #344DBC

RGB 52 77 188

HSL 228.97, 0.57%, 0.47%

LAB 37.24, 29.1, -61.21

 

CMYK 58 / 47 / 0 / 34

HEX #4759A9

RGB 71 89 169

HSL 228.98, 0.41%, 0.47%

LAB 40.16, 17.71, -45.23

 

CMYK 39 / 32 / 0 / 42

HEX #5B6595

RGB 91 101 149

HSL 229.66, 0.24%, 0.47%

LAB 43.8, 8.74, -27.5

 

CMYK 15 / 12 / 0 / 49

HEX #6E7282

RGB 110 114 130

HSL 228, 0.08%, 0.47%

LAB 48.21, 2.02, -9.3

 

CMYK 85 / 24 / 0 / 19

HEX #209ECF

RGB 32 158 207

HSL 196.8, 0.73%, 0.47%

LAB 61.02, -15.56, -34.23

 

CMYK 85 / 46 / 0 / 19

HEX #206FCF

RGB 32 111 207

HSL 212.91, 0.73%, 0.47%

LAB 47.21, 12.22, -56.1

 

CMYK 85 / 69 / 0 / 19

HEX #2040CF

RGB 32 64 207

HSL 229.03, 0.73%, 0.47%

LAB 34.96, 42.45, -76.06

 

CMYK 77 / 85 / 0 / 19

HEX #2F20CF

RGB 47 32 207

HSL 245.14, 0.73%, 0.47%

LAB 29.77, 60.01, -84.63

 

CMYK 55 / 85 / 0 / 19

HEX #5E20CF

RGB 94 32 207

HSL 261.26, 0.73%, 0.47%

LAB 33.81, 63.63, -77.81

 

CMYK 85 / 69 / 0 / 47

HEX #152A88

RGB 21 42 136

HSL 229.04, 0.73%, 0.31%

LAB 22.28, 29.35, -54.3

 

CMYK 84 / 69 / 0 / 33

HEX #1B35AC

RGB 27 53 172

HSL 229.24, 0.73%, 0.39%

LAB 28.79, 36.26, -65.6

 

CMYK 85 / 69 / 0 / 19

HEX #2040CF

RGB 32 64 207

HSL 229.03, 0.73%, 0.47%

LAB 34.96, 42.45, -76.06

 

CMYK 75 / 61 / 0 / 12

HEX #3957E0

RGB 57 87 224

HSL 229.22, 0.73%, 0.55%

LAB 42.87, 36.3, -72.8

 

CMYK 60 / 49 / 0 / 10

HEX #5D75E6

RGB 93 117 230

HSL 229.49, 0.73%, 0.63%

LAB 52.69, 24.96, -60.18

 

CMYK 85 / 69 / 0 / 18

HEX #2040D0

RGB 32 64 208

HSL 229.09, 0.73%, 0.47%

LAB 35.06, 42.8, -76.47

 

CMYK 0 / 85 / 1 / 19

HEX #CF20CC

RGB 207 32 204

HSL 301.03, 0.73%, 0.47%

LAB 50.28, 79.86, -48.56

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 85 / 69 / 0 / 18

HEX #2040D0

RGB 32 64 208

HSL 229.09, 0.73%, 0.47%

LAB 35.06, 42.8, -76.47

 

CMYK 0 / 85 / 69 / 19

HEX #CF2040

RGB 207 32 64

HSL 349.03, 0.73%, 0.47%

LAB 45.18, 65.7, 28.33

 

CMYK 69 / 0 / 85 / 19

HEX #40CF20

RGB 64 207 32

HSL 109.03, 0.73%, 0.47%

LAB 73.43, -66.45, 67.36

 

CMYK 85 / 69 / 0 / 18

HEX #2040D0

RGB 32 64 208

HSL 229.09, 0.73%, 0.47%

LAB 35.06, 42.8, -76.47

 

CMYK 0 / 85 / 1 / 19

HEX #CF20CC

RGB 207 32 204

HSL 301.03, 0.73%, 0.47%

LAB 50.28, 79.86, -48.56

 

CMYK 0 / 15 / 85 / 19

HEX #CFAF20

RGB 207 175 32

HSL 49.03, 0.73%, 0.47%

LAB 72.25, -1.6, 69.49

 

CMYK 85 / 0 / 83 / 19

HEX #20CF23

RGB 32 207 35

HSL 121.03, 0.73%, 0.47%

LAB 72.93, -70.78, 66

 

CMYK 85 / 69 / 0 / 18

HEX #2040D0

RGB 32 64 208

HSL 229.09, 0.73%, 0.47%

LAB 35.06, 42.8, -76.47

 

CMYK 0 / 85 / 27 / 19

HEX #CF2098

RGB 207 32 152

HSL 318.86, 0.73%, 0.47%

LAB 47.71, 72.93, -22.04

 

CMYK 0 / 15 / 85 / 19

HEX #CFAF20

RGB 207 175 32

HSL 49.03, 0.73%, 0.47%

LAB 72.25, -1.6, 69.49

 

CMYK 85 / 0 / 57 / 19

HEX #20CF58

RGB 32 207 88

HSL 139.2, 0.73%, 0.47%

LAB 73.31, -66.01, 46.84

 

Description

Color code: HEX #2040D0 | qconv.com Color code: HEX #2040D0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 64 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 64 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 69 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 69% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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