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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2031C2 it is the complementary color #DFCE3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2031C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2031C2 shade: #2531BD, #3643D0, #4755E3, #5867F6 and #6979FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2031C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2031C2 shade: #2031C2, #0F1FAF, #000D9C, #000089 and #000076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2031C2 shade: #1F30C1, #3A1FC1, #661FC1, #911FC1 and #BD1FC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2031C2 shade: #1F30C1 and #1F1FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2031C2 shade matches the following richer shades: #1F30C1 and #0D22D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2031C2 shade: #1F30C1, #323FAF, #444D9D, #565B8B and #686A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2031C2 shade: #1F88C1, #1F5DC1, #1F32C1, #381FC1 and #631FC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2031C2 shade: #141F7A, #1A279E, #1F30C1, #2D3FDD and #5060E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2031C2 shade: #2031C2, #C11FB4 and #73C11F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2031C2 shade: #2031C2, #C11F32 and #32C11F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2031C2 shade: #2031C2, #C11FB4, #C1AE1F and #1FC12D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2031C2 shade: #2031C2, #C11F83, #C1AE1F and #1FC15D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 75 / 0 / 24

HEX #2031C2

RGB 32 49 194

HSL 233.7, 0.72%, 0.44%

LAB 30.4, 46.82, -76.01

 

Complementary color

CMYK 0 / 8 / 73 / 13

HEX #DFCE3D

RGB 223 206 61

HSL 53.7, 0.72%, 0.56%

LAB 81.93, -9.67, 69.82

 

CMYK 80 / 74 / 0 / 26

HEX #2531BD

RGB 37 49 189

HSL 235.26, 0.67%, 0.44%

LAB 30.07, 45.43, -73.6

 

CMYK 74 / 68 / 0 / 18

HEX #3643D0

RGB 54 67 208

HSL 234.94, 0.62%, 0.51%

LAB 36.65, 42.72, -73.81

 

CMYK 69 / 63 / 0 / 11

HEX #4755E3

RGB 71 85 227

HSL 234.62, 0.74%, 0.58%

LAB 43.33, 40.21, -73.71

 

CMYK 64 / 58 / 0 / 4

HEX #5867F6

RGB 88 103 246

HSL 234.3, 0.9%, 0.65%

LAB 50.01, 37.98, -73.47

 

CMYK 59 / 53 / 0 / 0

HEX #6979FF

RGB 105 121 255

HSL 233.6, 1%, 0.71%

LAB 55.99, 32.83, -68.73

 

CMYK 84 / 75 / 0 / 24

HEX #2031C2

RGB 32 49 194

HSL 233.7, 0.72%, 0.44%

LAB 30.4, 46.82, -76.01

 

CMYK 91 / 82 / 0 / 31

HEX #0F1FAF

RGB 15 31 175

HSL 234, 0.84%, 0.37%

LAB 24.25, 49.46, -74.94

 

CMYK 100 / 92 / 0 / 39

HEX #000D9C

RGB 0 13 156

HSL 235, 1%, 0.31%

LAB 18.75, 50.89, -72.57

 

CMYK 100 / 100 / 0 / 46

HEX #000089

RGB 0 0 137

HSL 240, 1%, 0.27%

LAB 14.44, 49.9, -67.96

 

CMYK 100 / 100 / 0 / 54

HEX #000076

RGB 0 0 118

HSL 240, 1%, 0.23%

LAB 11.33, 44.81, -61.03

 

CMYK 84 / 75 / 0 / 24

HEX #1F30C1

RGB 31 48 193

HSL 233.7, 0.72%, 0.44%

LAB 30.05, 46.99, -76

 

CMYK 70 / 84 / 0 / 24

HEX #3A1FC1

RGB 58 31 193

HSL 250, 0.72%, 0.44%

LAB 28.72, 57.1, -78.15

 

CMYK 47 / 84 / 0 / 24

HEX #661FC1

RGB 102 31 193

HSL 266.3, 0.72%, 0.44%

LAB 33.25, 61.43, -70.51

 

CMYK 25 / 84 / 0 / 24

HEX #911FC1

RGB 145 31 193

HSL 282.22, 0.72%, 0.44%

LAB 39.33, 67.55, -60.33

 

CMYK 2 / 84 / 0 / 24

HEX #BD1FC1

RGB 189 31 193

HSL 298.52, 0.72%, 0.44%

LAB 46.51, 75.11, -48.39

 

CMYK 84 / 75 / 0 / 24

HEX #1F30C1

RGB 31 48 193

HSL 233.7, 0.72%, 0.44%

LAB 30.05, 46.99, -76

 

CMYK 84 / 84 / 0 / 24

HEX #1F1FC1

RGB 31 31 193

HSL 240, 0.72%, 0.44%

LAB 27.08, 55.6, -80.93

 

CMYK 84 / 75 / 0 / 24

HEX #1F30C1

RGB 31 48 193

HSL 233.7, 0.72%, 0.44%

LAB 30.05, 46.99, -76

 

CMYK 94 / 84 / 0 / 17

HEX #0D22D3

RGB 13 34 211

HSL 233.64, 0.88%, 0.44%

LAB 29.24, 59.23, -87.87

 

CMYK 84 / 75 / 0 / 24

HEX #1F30C1

RGB 31 48 193

HSL 233.7, 0.72%, 0.44%

LAB 30.05, 46.99, -76

 

CMYK 71 / 64 / 0 / 31

HEX #323FAF

RGB 50 63 175

HSL 233.76, 0.56%, 0.44%

LAB 32.54, 33.17, -61.2

 

CMYK 57 / 51 / 0 / 38

HEX #444D9D

RGB 68 77 157

HSL 233.93, 0.4%, 0.44%

LAB 35.93, 20.74, -44.87

 

CMYK 38 / 35 / 0 / 45

HEX #565B8B

RGB 86 91 139

HSL 234.34, 0.24%, 0.44%

LAB 40.12, 10.58, -27.27

 

CMYK 13 / 12 / 0 / 53

HEX #686A78

RGB 104 106 120

HSL 232.5, 0.07%, 0.44%

LAB 45.09, 2.32, -8.05

 

CMYK 84 / 30 / 0 / 24

HEX #1F88C1

RGB 31 136 193

HSL 201.11, 0.72%, 0.44%

LAB 53.76, -8.37, -37.69

 

CMYK 84 / 52 / 0 / 24

HEX #1F5DC1

RGB 31 93 193

HSL 217.04, 0.72%, 0.44%

LAB 41.17, 18.3, -57.78

 

CMYK 84 / 74 / 0 / 24

HEX #1F32C1

RGB 31 50 193

HSL 232.96, 0.72%, 0.44%

LAB 30.45, 45.85, -75.32

 

CMYK 71 / 84 / 0 / 24

HEX #381FC1

RGB 56 31 193

HSL 249.26, 0.72%, 0.44%

LAB 28.57, 56.96, -78.41

 

CMYK 49 / 84 / 0 / 24

HEX #631FC1

RGB 99 31 193

HSL 265.19, 0.72%, 0.44%

LAB 32.88, 61.06, -71.14

 

CMYK 84 / 75 / 0 / 52

HEX #141F7A

RGB 20 31 122

HSL 233.53, 0.72%, 0.28%

LAB 18.07, 31.18, -52.38

 

CMYK 84 / 75 / 0 / 38

HEX #1A279E

RGB 26 39 158

HSL 234.09, 0.72%, 0.36%

LAB 24.13, 39.8, -64.83

 

CMYK 84 / 75 / 0 / 24

HEX #1F30C1

RGB 31 48 193

HSL 233.7, 0.72%, 0.44%

LAB 30.05, 46.99, -76

 

CMYK 80 / 71 / 0 / 13

HEX #2D3FDD

RGB 45 63 221

HSL 233.86, 0.72%, 0.52%

LAB 36.62, 48.76, -81.37

 

CMYK 65 / 58 / 0 / 11

HEX #5060E3

RGB 80 96 227

HSL 233.47, 0.72%, 0.6%

LAB 46.47, 34.71, -68.58

 

CMYK 84 / 75 / 0 / 24

HEX #2031C2

RGB 32 49 194

HSL 233.7, 0.72%, 0.44%

LAB 30.4, 46.82, -76.01

 

CMYK 0 / 84 / 7 / 24

HEX #C11FB4

RGB 193 31 180

HSL 304.81, 0.72%, 0.44%

LAB 46.46, 73.9, -40.81

 

CMYK 40 / 0 / 84 / 24

HEX #73C11F

RGB 115 193 31

HSL 88.89, 0.72%, 0.44%

LAB 70.79, -47.92, 65.91

 

CMYK 84 / 75 / 0 / 24

HEX #2031C2

RGB 32 49 194

HSL 233.7, 0.72%, 0.44%

LAB 30.4, 46.82, -76.01

 

CMYK 0 / 84 / 74 / 24

HEX #C11F32

RGB 193 31 50

HSL 352.96, 0.72%, 0.44%

LAB 42.07, 61.52, 32.42

 

CMYK 74 / 0 / 84 / 24

HEX #32C11F

RGB 50 193 31

HSL 112.96, 0.72%, 0.44%

LAB 68.69, -64.55, 63.24

 

CMYK 84 / 75 / 0 / 24

HEX #2031C2

RGB 32 49 194

HSL 233.7, 0.72%, 0.44%

LAB 30.4, 46.82, -76.01

 

CMYK 0 / 84 / 7 / 24

HEX #C11FB4

RGB 193 31 180

HSL 304.81, 0.72%, 0.44%

LAB 46.46, 73.9, -40.81

 

CMYK 0 / 10 / 84 / 24

HEX #C1AE1F

RGB 193 174 31

HSL 52.96, 0.72%, 0.44%

LAB 70.67, -7.26, 67.9

 

CMYK 84 / 0 / 77 / 24

HEX #1FC12D

RGB 31 193 45

HSL 125.19, 0.72%, 0.44%

LAB 68.48, -66.19, 58.92

 

CMYK 84 / 75 / 0 / 24

HEX #2031C2

RGB 32 49 194

HSL 233.7, 0.72%, 0.44%

LAB 30.4, 46.82, -76.01

 

CMYK 0 / 84 / 32 / 24

HEX #C11F83

RGB 193 31 131

HSL 322.96, 0.72%, 0.44%

LAB 44.17, 67.61, -14.96

 

CMYK 0 / 10 / 84 / 24

HEX #C1AE1F

RGB 193 174 31

HSL 52.96, 0.72%, 0.44%

LAB 70.67, -7.26, 67.9

 

CMYK 84 / 0 / 52 / 24

HEX #1FC15D

RGB 31 193 93

HSL 142.96, 0.72%, 0.44%

LAB 68.91, -60.82, 39.16

 

Description

Color code: HEX #2031C2 | qconv.com Color code: HEX #2031C2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 49 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 49 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 75 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 75% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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